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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8C5C1 it is the complementary color #473A3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8C5C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8C5C1 shade: #BDC5BC, #CED7CF, #DFE9E2 and #F0FBF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8C5C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8C5C1 shade: #B8C5C1, #A7B3AE, #96A19B, #858F88 and #747D75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8C5C1 shade: #B8C5C1, #B8C5BE, #B8C5BA, #BAC5B8 and #BDC5B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8C5C1 shade: #B8C5C1, #B8C5C5, #B8C2C5, #B8BFC5 and #B8BBC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8C5C1 shade matches the following richer shades: #B8C5C1, #AECFC5, #A4DAC9, #99E4CD and #8FEED1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8C5C1 shade: #B8C5C1, #C3BBBD, #CDB0B9, #D7A6B5 and #E29CB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8C5C1 shade: #B8C5BA, #B8C5BE, #B8C5C1, #B8C5C4 and #B8C2C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8C5C1 shade: #8BA09A, #A2B3AD, #B8C5C1, #CFD8D5 and #E6EAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8C5C1 shade: #B8C5C1, #B8BAC5 and #C5BCB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8C5C1 shade: #B8C5C1, #C1B8C5 and #C5C1B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8C5C1 shade: #B8C5C1, #B8BAC5, #C5B8BC and #C5C4B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8C5C1 shade: #B8C5C1, #BBB8C5, #C5B8BC and #C3C5B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

Complementary color

CMYK 0 / 18 / 13 / 72

HEX #473A3E

RGB 71 58 62

HSL 341.54, 0.1%, 0.25%

LAB 25.9, 6.5, -0.34

 

CMYK 4 / 0 / 5 / 23

HEX #BDC5BC

RGB 189 197 188

HSL 113.33, 0.07%, 0.75%

LAB 78.68, -4.41, 3.55

 

CMYK 4 / 0 / 4 / 16

HEX #CED7CF

RGB 206 215 207

HSL 126.67, 0.1%, 0.83%

LAB 85.11, -4.5, 2.88

 

CMYK 4 / 0 / 3 / 9

HEX #DFE9E2

RGB 223 233 226

HSL 138, 0.19%, 0.89%

LAB 91.44, -4.59, 2.23

 

CMYK 4 / 0 / 2 / 2

HEX #F0FBF5

RGB 240 251 245

HSL 147.27, 0.58%, 0.96%

LAB 97.68, -4.68, 1.61

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 7 / 0 / 3 / 30

HEX #A7B3AE

RGB 167 179 174

HSL 155, 0.07%, 0.68%

LAB 71.9, -5.14, 1.1

 

CMYK 7 / 0 / 4 / 37

HEX #96A19B

RGB 150 161 155

HSL 147.27, 0.06%, 0.61%

LAB 65.23, -5.08, 1.77

 

CMYK 7 / 0 / 5 / 44

HEX #858F88

RGB 133 143 136

HSL 138, 0.04%, 0.54%

LAB 58.42, -5.03, 2.47

 

CMYK 7 / 0 / 6 / 51

HEX #747D75

RGB 116 125 117

HSL 126.67, 0.04%, 0.47%

LAB 51.46, -4.98, 3.2

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 7 / 0 / 4 / 23

HEX #B8C5BE

RGB 184 197 190

HSL 147.69, 0.1%, 0.75%

LAB 78.37, -5.77, 1.97

 

CMYK 7 / 0 / 6 / 23

HEX #B8C5BA

RGB 184 197 186

HSL 129.23, 0.1%, 0.75%

LAB 78.27, -6.51, 3.97

 

CMYK 6 / 0 / 7 / 23

HEX #BAC5B8

RGB 186 197 184

HSL 110.77, 0.1%, 0.75%

LAB 78.36, -6.18, 5.21

 

CMYK 4 / 0 / 7 / 23

HEX #BDC5B8

RGB 189 197 184

HSL 96.92, 0.1%, 0.75%

LAB 78.59, -5.14, 5.56

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 7 / 0 / 0 / 23

HEX #B8C5C5

RGB 184 197 197

HSL 180, 0.1%, 0.75%

LAB 78.55, -4.43, -1.54

 

CMYK 7 / 2 / 0 / 23

HEX #B8C2C5

RGB 184 194 197

HSL 193.85, 0.1%, 0.75%

LAB 77.76, -2.85, -2.7

 

CMYK 7 / 3 / 0 / 23

HEX #B8BFC5

RGB 184 191 197

HSL 207.69, 0.1%, 0.75%

LAB 76.97, -1.25, -3.86

 

CMYK 7 / 5 / 0 / 23

HEX #B8BBC5

RGB 184 187 197

HSL 226.15, 0.1%, 0.75%

LAB 75.92, 0.89, -5.41

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 16 / 0 / 5 / 19

HEX #AECFC5

RGB 174 207 197

HSL 161.82, 0.26%, 0.75%

LAB 80.55, -12.94, 1.29

 

CMYK 25 / 0 / 8 / 15

HEX #A4DAC9

RGB 164 218 201

HSL 161.11, 0.42%, 0.75%

LAB 83.05, -20.83, 2.72

 

CMYK 33 / 0 / 10 / 11

HEX #99E4CD

RGB 153 228 205

HSL 161.6, 0.58%, 0.75%

LAB 85.34, -28.11, 3.85

 

CMYK 40 / 0 / 12 / 7

HEX #8FEED1

RGB 143 238 209

HSL 161.68, 0.74%, 0.75%

LAB 87.77, -34.69, 5.22

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 0 / 4 / 3 / 24

HEX #C3BBBD

RGB 195 187 189

HSL 345, 0.06%, 0.75%

LAB 76.57, 3.17, -0.01

 

CMYK 0 / 14 / 10 / 20

HEX #CDB0B9

RGB 205 176 185

HSL 341.38, 0.22%, 0.75%

LAB 74.53, 11.95, -0.71

 

CMYK 0 / 23 / 16 / 16

HEX #D7A6B5

RGB 215 166 181

HSL 341.63, 0.38%, 0.75%

LAB 72.93, 20.32, -0.75

 

CMYK 0 / 31 / 22 / 11

HEX #E29CB1

RGB 226 156 177

HSL 342, 0.55%, 0.75%

LAB 71.64, 29.06, -0.29

 

CMYK 7 / 0 / 6 / 23

HEX #B8C5BA

RGB 184 197 186

HSL 129.23, 0.1%, 0.75%

LAB 78.27, -6.51, 3.97

 

CMYK 7 / 0 / 4 / 23

HEX #B8C5BE

RGB 184 197 190

HSL 147.69, 0.1%, 0.75%

LAB 78.37, -5.77, 1.97

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 7 / 0 / 1 / 23

HEX #B8C5C4

RGB 184 197 196

HSL 175.38, 0.1%, 0.75%

LAB 78.52, -4.62, -1.04

 

CMYK 7 / 2 / 0 / 23

HEX #B8C2C5

RGB 184 194 197

HSL 193.85, 0.1%, 0.75%

LAB 77.76, -2.85, -2.7

 

CMYK 13 / 0 / 4 / 37

HEX #8BA09A

RGB 139 160 154

HSL 162.86, 0.1%, 0.59%

LAB 64.13, -8.59, 0.63

 

CMYK 9 / 0 / 3 / 30

HEX #A2B3AD

RGB 162 179 173

HSL 158.82, 0.1%, 0.67%

LAB 71.51, -7.06, 1.04

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 4 / 0 / 1 / 15

HEX #CFD8D5

RGB 207 216 213

HSL 160, 0.1%, 0.83%

LAB 85.6, -3.59, 0.41

 

CMYK 2 / 0 / 0 / 8

HEX #E6EAE9

RGB 230 234 233

HSL 165, 0.09%, 0.91%

LAB 92.38, -1.51, 0.01

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 7 / 6 / 0 / 23

HEX #B8BAC5

RGB 184 186 197

HSL 230.77, 0.1%, 0.75%

LAB 75.66, 1.42, -5.79

 

CMYK 0 / 5 / 7 / 23

HEX #C5BCB8

RGB 197 188 184

HSL 18.46, 0.1%, 0.75%

LAB 76.86, 2.46, 3.14

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 2 / 7 / 0 / 23

HEX #C1B8C5

RGB 193 184 197

HSL 281.54, 0.1%, 0.75%

LAB 75.85, 5.57, -5.43

 

CMYK 0 / 2 / 7 / 23

HEX #C5C1B8

RGB 197 193 184

HSL 41.54, 0.1%, 0.75%

LAB 78.15, -0.2, 5.01

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 7 / 6 / 0 / 23

HEX #B8BAC5

RGB 184 186 197

HSL 230.77, 0.1%, 0.75%

LAB 75.66, 1.42, -5.79

 

CMYK 0 / 7 / 5 / 23

HEX #C5B8BC

RGB 197 184 188

HSL 341.54, 0.1%, 0.75%

LAB 75.94, 5.31, -0.38

 

CMYK 0 / 1 / 7 / 23

HEX #C5C4B8

RGB 197 196 184

HSL 55.38, 0.1%, 0.75%

LAB 78.93, -1.78, 6.14

 

CMYK 7 / 0 / 2 / 23

HEX #B8C5C1

RGB 184 197 193

HSL 161.54, 0.1%, 0.75%

LAB 78.45, -5.2, 0.46

 

CMYK 5 / 7 / 0 / 23

HEX #BBB8C5

RGB 187 184 197

HSL 253.85, 0.1%, 0.75%

LAB 75.37, 3.52, -6.19

 

CMYK 0 / 7 / 5 / 23

HEX #C5B8BC

RGB 197 184 188

HSL 341.54, 0.1%, 0.75%

LAB 75.94, 5.31, -0.38

 

CMYK 1 / 0 / 7 / 23

HEX #C3C5B8

RGB 195 197 184

HSL 69.23, 0.1%, 0.75%

LAB 79.04, -3.02, 6.27

 

Description

Color code: HEX #B8C5C1 | qconv.com Color code: HEX #B8C5C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 197 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 197 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 2 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 2% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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