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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8C27E it is the complementary color #473D81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8C27E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8C27E shade: #BDC279, #CED48C, #DFE69F, #F0F8B2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8C27E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8C27E shade: #B8C27E, #A7B06B, #969E58, #858C45 and #747A32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8C27E shade: #B8C27E, #C2BA7E, #C2A77E, #C2957E and #C2837E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8C27E shade: #B8C27E, #A6C27E, #93C27E, #81C27E and #7EC28E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8C27E shade matches the following richer shades: #B8C27E, #C3D16F, #CEE160 and #D8F050

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8C27E shade: #B8C27E, #ADB38D, #A3A49D, #9894AC and #8D85BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8C27E shade: #C2A77E, #C2B97E, #B9C27E, #A7C27E and #95C27E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8C27E shade: #95A24C, #A9B562, #B8C27E, #C8CF9A and #D7DDB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8C27E shade: #B8C27E, #7EC295 and #B07EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8C27E shade: #B8C27E, #7EB9C2 and #C27EB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8C27E shade: #B8C27E, #7EC295, #877EC2 and #C27EAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8C27E shade: #B8C27E, #7EC2A9, #877EC2 and #C27E97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

Complementary color

CMYK 45 / 53 / 0 / 49

HEX #473D81

RGB 71 61 129

HSL 248.82, 0.36%, 0.37%

LAB 30.06, 22.65, -37.12

 

CMYK 3 / 0 / 38 / 24

HEX #BDC279

RGB 189 194 121

HSL 64.11, 0.37%, 0.62%

LAB 76.55, -12.92, 36.15

 

CMYK 3 / 0 / 34 / 17

HEX #CED48C

RGB 206 212 140

HSL 65, 0.46%, 0.69%

LAB 82.97, -13.16, 34.99

 

CMYK 3 / 0 / 31 / 10

HEX #DFE69F

RGB 223 230 159

HSL 65.92, 0.59%, 0.76%

LAB 89.29, -13.36, 33.89

 

CMYK 3 / 0 / 28 / 3

HEX #F0F8B2

RGB 240 248 178

HSL 66.86, 0.83%, 0.84%

LAB 95.53, -13.53, 32.83

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 5 / 0 / 39 / 31

HEX #A7B06B

RGB 167 176 107

HSL 67.83, 0.3%, 0.55%

LAB 69.7, -14.07, 34.27

 

CMYK 5 / 0 / 44 / 38

HEX #969E58

RGB 150 158 88

HSL 66.86, 0.28%, 0.48%

LAB 63.05, -13.8, 35.49

 

CMYK 5 / 0 / 51 / 45

HEX #858C45

RGB 133 140 69

HSL 65.92, 0.34%, 0.41%

LAB 56.26, -13.45, 36.71

 

CMYK 5 / 0 / 59 / 52

HEX #747A32

RGB 116 122 50

HSL 65, 0.42%, 0.34%

LAB 49.33, -12.97, 37.87

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 0 / 4 / 35 / 24

HEX #C2BA7E

RGB 194 186 126

HSL 52.94, 0.36%, 0.63%

LAB 74.88, -6.21, 31.47

 

CMYK 0 / 14 / 35 / 24

HEX #C2A77E

RGB 194 167 126

HSL 36.18, 0.36%, 0.63%

LAB 69.9, 3.9, 24.87

 

CMYK 0 / 23 / 35 / 24

HEX #C2957E

RGB 194 149 126

HSL 20.29, 0.36%, 0.63%

LAB 65.33, 13.72, 18.66

 

CMYK 0 / 32 / 35 / 24

HEX #C2837E

RGB 194 131 126

HSL 4.41, 0.36%, 0.63%

LAB 60.97, 23.64, 12.6

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 14 / 0 / 35 / 24

HEX #A6C27E

RGB 166 194 126

HSL 84.71, 0.36%, 0.63%

LAB 74.95, -21.16, 31.16

 

CMYK 24 / 0 / 35 / 24

HEX #93C27E

RGB 147 194 126

HSL 101.47, 0.36%, 0.63%

LAB 73.74, -28.1, 29.34

 

CMYK 34 / 0 / 35 / 24

HEX #81C27E

RGB 129 194 126

HSL 117.35, 0.36%, 0.63%

LAB 72.73, -34.23, 27.83

 

CMYK 35 / 0 / 27 / 24

HEX #7EC28E

RGB 126 194 142

HSL 134.12, 0.36%, 0.63%

LAB 72.87, -32.44, 19.51

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 7 / 0 / 47 / 18

HEX #C3D16F

RGB 195 209 111

HSL 68.57, 0.52%, 0.63%

LAB 80.93, -19.16, 46.71

 

CMYK 8 / 0 / 57 / 12

HEX #CEE160

RGB 206 225 96

HSL 68.84, 0.68%, 0.63%

LAB 85.91, -23.92, 59.64

 

CMYK 10 / 0 / 67 / 6

HEX #D8F050

RGB 216 240 80

HSL 69, 0.84%, 0.63%

LAB 90.55, -28.15, 71.29

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 3 / 0 / 21 / 30

HEX #ADB38D

RGB 173 179 141

HSL 69.47, 0.2%, 0.63%

LAB 71.59, -8.67, 18.74

 

CMYK 1 / 0 / 4 / 36

HEX #A3A49D

RGB 163 164 157

HSL 68.57, 0.04%, 0.63%

LAB 67.11, -1.66, 3.49

 

CMYK 12 / 14 / 0 / 33

HEX #9894AC

RGB 152 148 172

HSL 250, 0.13%, 0.63%

LAB 62.37, 6.33, -12.01

 

CMYK 25 / 29 / 0 / 27

HEX #8D85BB

RGB 141 133 187

HSL 248.89, 0.28%, 0.63%

LAB 58.06, 14.81, -27.17

 

CMYK 0 / 14 / 35 / 24

HEX #C2A77E

RGB 194 167 126

HSL 36.18, 0.36%, 0.63%

LAB 69.9, 3.9, 24.87

 

CMYK 0 / 5 / 35 / 24

HEX #C2B97E

RGB 194 185 126

HSL 52.06, 0.36%, 0.63%

LAB 74.62, -5.68, 31.13

 

CMYK 5 / 0 / 35 / 24

HEX #B9C27E

RGB 185 194 126

HSL 67.94, 0.36%, 0.63%

LAB 76.32, -13.89, 33.21

 

CMYK 14 / 0 / 35 / 24

HEX #A7C27E

RGB 167 194 126

HSL 83.82, 0.36%, 0.63%

LAB 75.02, -20.79, 31.26

 

CMYK 23 / 0 / 35 / 24

HEX #95C27E

RGB 149 194 126

HSL 99.71, 0.36%, 0.63%

LAB 73.86, -27.39, 29.52

 

CMYK 8 / 0 / 53 / 36

HEX #95A24C

RGB 149 162 76

HSL 69.07, 0.36%, 0.47%

LAB 63.96, -17.52, 42.63

 

CMYK 7 / 0 / 46 / 29

HEX #A9B562

RGB 169 181 98

HSL 68.67, 0.36%, 0.55%

LAB 71.12, -16.83, 40.68

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 3 / 0 / 26 / 19

HEX #C8CF9A

RGB 200 207 154

HSL 67.92, 0.36%, 0.71%

LAB 81.42, -11.08, 25.61

 

CMYK 3 / 0 / 18 / 13

HEX #D7DDB6

RGB 215 221 182

HSL 69.23, 0.36%, 0.79%

LAB 86.77, -8.59, 18.5

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 35 / 0 / 23 / 24

HEX #7EC295

RGB 126 194 149

HSL 140.29, 0.36%, 0.63%

LAB 73.02, -31.13, 15.95

 

CMYK 9 / 35 / 0 / 24

HEX #B07EC2

RGB 176 126 194

HSL 284.12, 0.36%, 0.63%

LAB 59.93, 31.44, -27.98

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 35 / 5 / 0 / 24

HEX #7EB9C2

RGB 126 185 194

HSL 187.94, 0.36%, 0.63%

LAB 71.57, -16.75, -10.63

 

CMYK 0 / 35 / 5 / 24

HEX #C27EB9

RGB 194 126 185

HSL 307.94, 0.36%, 0.63%

LAB 61.56, 35.52, -20.2

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 35 / 0 / 23 / 24

HEX #7EC295

RGB 126 194 149

HSL 140.29, 0.36%, 0.63%

LAB 73.02, -31.13, 15.95

 

CMYK 30 / 35 / 0 / 24

HEX #877EC2

RGB 135 126 194

HSL 247.94, 0.36%, 0.63%

LAB 56.06, 18.87, -34.3

 

CMYK 0 / 35 / 12 / 24

HEX #C27EAB

RGB 194 126 171

HSL 320.29, 0.36%, 0.63%

LAB 61.07, 33.07, -12.98

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 35 / 0 / 13 / 24

HEX #7EC2A9

RGB 126 194 169

HSL 157.94, 0.36%, 0.63%

LAB 73.47, -27.07, 5.79

 

CMYK 30 / 35 / 0 / 24

HEX #877EC2

RGB 135 126 194

HSL 247.94, 0.36%, 0.63%

LAB 56.06, 18.87, -34.3

 

CMYK 0 / 35 / 22 / 24

HEX #C27E97

RGB 194 126 151

HSL 337.94, 0.36%, 0.63%

LAB 60.45, 29.86, -2.46

 

Description

Color code: HEX #B8C27E | qconv.com Color code: HEX #B8C27E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 194 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 194 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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