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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8CF8F it is the complementary color #473070. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8CF8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8CF8F shade: #BDCF8A, #CEE19D, #DFF3B0, #F0FFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8CF8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8CF8F shade: #B8CF8F, #A7BD7C, #96AB69, #859956 and #748743

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8CF8F shade: #B8CF90, #C9CF90, #CFC490, #CFB390 and #CFA290

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8CF8F shade: #B8CF90, #A7CF90, #96CF90, #90CF9A and #90CFAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8CF8F shade matches the following richer shades: #B8CF90, #BCDC83, #C0E976 and #C3F569

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8CF8F shade: #B8CF90, #B5C29D, #B1B5A9, #AEA9B6 and #AA9CC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8CF8F shade: #CFC390, #CACF90, #B9CF90, #A8CF90 and #97CF90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8CF8F shade: #94B656, #A6C373, #B8CF90, #CBDBAD and #DDE8CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8CF8F shade: #B8CF8F, #90CFB3 and #CC90CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8CF8F shade: #B8CF8F, #90B9CF and #CF90B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8CF8F shade: #B8CF8F, #90CFB3, #A690CF and #CF90AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8CF8F shade: #B8CF8F, #90CFC6, #A690CF and #CF9099

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 31 / 19

HEX #B8CF8F

RGB 184 207 143

HSL 81.56, 0.4%, 0.69%

LAB 80.07, -18.59, 29.32

 

Complementary color

CMYK 37 / 57 / 0 / 56

HEX #473070

RGB 71 48 112

HSL 261.56, 0.4%, 0.31%

LAB 25.63, 25.85, -33.48

 

CMYK 9 / 0 / 33 / 19

HEX #BDCF8A

RGB 189 207 138

HSL 75.65, 0.42%, 0.68%

LAB 80.34, -17.39, 32.33

 

CMYK 8 / 0 / 30 / 12

HEX #CEE19D

RGB 206 225 157

HSL 76.76, 0.53%, 0.75%

LAB 86.7, -17.47, 31.24

 

CMYK 8 / 0 / 28 / 5

HEX #DFF3B0

RGB 223 243 176

HSL 77.91, 0.74%, 0.82%

LAB 92.98, -17.53, 30.2

 

CMYK 6 / 0 / 24 / 0

HEX #F0FFC3

RGB 240 255 195

HSL 75, 1%, 0.88%

LAB 97.63, -14.66, 27.1

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 11 / 0 / 31 / 19

HEX #B8CF8F

RGB 184 207 143

HSL 81.56, 0.4%, 0.69%

LAB 80.07, -18.59, 29.32

 

CMYK 12 / 0 / 34 / 26

HEX #A7BD7C

RGB 167 189 124

HSL 80.31, 0.33%, 0.61%

LAB 73.59, -18.55, 30.43

 

CMYK 12 / 0 / 39 / 33

HEX #96AB69

RGB 150 171 105

HSL 79.09, 0.28%, 0.54%

LAB 67, -18.49, 31.59

 

CMYK 13 / 0 / 44 / 40

HEX #859956

RGB 133 153 86

HSL 77.91, 0.28%, 0.47%

LAB 60.28, -18.4, 32.8

 

CMYK 14 / 0 / 50 / 47

HEX #748743

RGB 116 135 67

HSL 76.76, 0.34%, 0.4%

LAB 53.43, -18.24, 34.04

 

CMYK 11 / 0 / 30 / 19

HEX #B8CF90

RGB 184 207 144

HSL 81.9, 0.4%, 0.69%

LAB 80.08, -18.45, 28.83

 

CMYK 3 / 0 / 30 / 19

HEX #C9CF90

RGB 201 207 144

HSL 65.71, 0.4%, 0.69%

LAB 81.32, -12.04, 30.7

 

CMYK 0 / 5 / 30 / 19

HEX #CFC490

RGB 207 196 144

HSL 49.52, 0.4%, 0.69%

LAB 78.9, -4.08, 27.55

 

CMYK 0 / 14 / 30 / 19

HEX #CFB390

RGB 207 179 144

HSL 33.33, 0.4%, 0.69%

LAB 74.52, 4.89, 21.61

 

CMYK 0 / 22 / 30 / 19

HEX #CFA290

RGB 207 162 144

HSL 17.14, 0.4%, 0.69%

LAB 70.26, 14.06, 15.72

 

CMYK 11 / 0 / 30 / 19

HEX #B8CF90

RGB 184 207 144

HSL 81.9, 0.4%, 0.69%

LAB 80.08, -18.45, 28.83

 

CMYK 19 / 0 / 30 / 19

HEX #A7CF90

RGB 167 207 144

HSL 98.1, 0.4%, 0.69%

LAB 78.96, -24.62, 27.12

 

CMYK 28 / 0 / 30 / 19

HEX #96CF90

RGB 150 207 144

HSL 114.29, 0.4%, 0.69%

LAB 77.95, -30.49, 25.58

 

CMYK 30 / 0 / 26 / 19

HEX #90CF9A

RGB 144 207 154

HSL 129.52, 0.4%, 0.69%

LAB 77.81, -30.76, 20.08

 

CMYK 30 / 0 / 17 / 19

HEX #90CFAC

RGB 144 207 172

HSL 146.67, 0.4%, 0.69%

LAB 78.19, -27.4, 11.04

 

CMYK 11 / 0 / 30 / 19

HEX #B8CF90

RGB 184 207 144

HSL 81.9, 0.4%, 0.69%

LAB 80.08, -18.45, 28.83

 

CMYK 15 / 0 / 40 / 14

HEX #BCDC83

RGB 188 220 131

HSL 81.57, 0.56%, 0.69%

LAB 83.71, -25.02, 40.24

 

CMYK 18 / 0 / 49 / 9

HEX #C0E976

RGB 192 233 118

HSL 81.39, 0.72%, 0.69%

LAB 87.38, -31.13, 51.14

 

CMYK 20 / 0 / 57 / 4

HEX #C3F569

RGB 195 245 105

HSL 81.43, 0.88%, 0.69%

LAB 90.75, -36.73, 60.99

 

CMYK 11 / 0 / 30 / 19

HEX #B8CF90

RGB 184 207 144

HSL 81.9, 0.4%, 0.69%

LAB 80.08, -18.45, 28.83

 

CMYK 7 / 0 / 19 / 24

HEX #B5C29D

RGB 181 194 157

HSL 81.08, 0.23%, 0.69%

LAB 76.58, -11.01, 17.14

 

CMYK 2 / 0 / 7 / 29

HEX #B1B5A9

RGB 177 181 169

HSL 80, 0.08%, 0.69%

LAB 73.06, -3.61, 5.62

 

CMYK 4 / 7 / 0 / 29

HEX #AEA9B6

RGB 174 169 182

HSL 263.08, 0.08%, 0.69%

LAB 70, 4.27, -6.03

 

CMYK 13 / 20 / 0 / 24

HEX #AA9CC3

RGB 170 156 195

HSL 261.54, 0.25%, 0.69%

LAB 66.72, 12.81, -18.2

 

CMYK 0 / 6 / 30 / 19

HEX #CFC390

RGB 207 195 144

HSL 48.57, 0.4%, 0.69%

LAB 78.64, -3.56, 27.2

 

CMYK 2 / 0 / 30 / 19

HEX #CACF90

RGB 202 207 144

HSL 64.76, 0.4%, 0.69%

LAB 81.4, -11.66, 30.81

 

CMYK 11 / 0 / 30 / 19

HEX #B9CF90

RGB 185 207 144

HSL 80.95, 0.4%, 0.69%

LAB 80.15, -18.08, 28.93

 

CMYK 19 / 0 / 30 / 19

HEX #A8CF90

RGB 168 207 144

HSL 97.14, 0.4%, 0.69%

LAB 79.02, -24.27, 27.21

 

CMYK 27 / 0 / 30 / 19

HEX #97CF90

RGB 151 207 144

HSL 113.33, 0.4%, 0.69%

LAB 78, -30.15, 25.67

 

CMYK 19 / 0 / 53 / 29

HEX #94B656

RGB 148 182 86

HSL 81.25, 0.4%, 0.53%

LAB 69.77, -26.94, 44.6

 

CMYK 15 / 0 / 41 / 24

HEX #A6C373

RGB 166 195 115

HSL 81.75, 0.4%, 0.61%

LAB 75.06, -23.08, 36.97

 

CMYK 11 / 0 / 30 / 19

HEX #B8CF90

RGB 184 207 144

HSL 81.9, 0.4%, 0.69%

LAB 80.08, -18.45, 28.83

 

CMYK 7 / 0 / 21 / 14

HEX #CBDBAD

RGB 203 219 173

HSL 80.87, 0.39%, 0.77%

LAB 85.19, -13.27, 20.87

 

CMYK 5 / 0 / 13 / 9

HEX #DDE8CA

RGB 221 232 202

HSL 82, 0.39%, 0.85%

LAB 90.48, -8.87, 13.35

 

CMYK 11 / 0 / 31 / 19

HEX #B8CF8F

RGB 184 207 143

HSL 81.56, 0.4%, 0.69%

LAB 80.07, -18.59, 29.32

 

CMYK 30 / 0 / 14 / 19

HEX #90CFB3

RGB 144 207 179

HSL 153.33, 0.4%, 0.69%

LAB 78.35, -25.99, 7.53

 

CMYK 1 / 30 / 0 / 19

HEX #CC90CF

RGB 204 144 207

HSL 297.14, 0.4%, 0.69%

LAB 67.49, 33.07, -23.4

 

CMYK 11 / 0 / 31 / 19

HEX #B8CF8F

RGB 184 207 143

HSL 81.56, 0.4%, 0.69%

LAB 80.07, -18.59, 29.32

 

CMYK 30 / 11 / 0 / 19

HEX #90B9CF

RGB 144 185 207

HSL 200.95, 0.4%, 0.69%

LAB 72.98, -8.48, -15.53

 

CMYK 0 / 30 / 11 / 19

HEX #CF90B9

RGB 207 144 185

HSL 320.95, 0.4%, 0.69%

LAB 67.06, 30.11, -11.75

 

CMYK 11 / 0 / 31 / 19

HEX #B8CF8F

RGB 184 207 143

HSL 81.56, 0.4%, 0.69%

LAB 80.07, -18.59, 29.32

 

CMYK 30 / 0 / 14 / 19

HEX #90CFB3

RGB 144 207 179

HSL 153.33, 0.4%, 0.69%

LAB 78.35, -25.99, 7.53

 

CMYK 20 / 30 / 0 / 19

HEX #A690CF

RGB 166 144 207

HSL 260.95, 0.4%, 0.69%

LAB 63.8, 20.98, -29.39

 

CMYK 0 / 30 / 17 / 19

HEX #CF90AC

RGB 207 144 172

HSL 333.33, 0.4%, 0.69%

LAB 66.67, 27.97, -5.05

 

CMYK 11 / 0 / 31 / 19

HEX #B8CF8F

RGB 184 207 143

HSL 81.56, 0.4%, 0.69%

LAB 80.07, -18.59, 29.32

 

CMYK 30 / 0 / 4 / 19

HEX #90CFC6

RGB 144 207 198

HSL 171.43, 0.4%, 0.69%

LAB 78.83, -21.93, -1.96

 

CMYK 20 / 30 / 0 / 19

HEX #A690CF

RGB 166 144 207

HSL 260.95, 0.4%, 0.69%

LAB 63.8, 20.98, -29.39

 

CMYK 0 / 30 / 26 / 19

HEX #CF9099

RGB 207 144 153

HSL 351.43, 0.4%, 0.69%

LAB 66.15, 25.11, 4.88

 

Description

Color code: HEX #B8CF8F | qconv.com Color code: HEX #B8CF8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 207 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 207 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 31 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 31% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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