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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8D683 it is the complementary color #47297C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8D683. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8D683 shade: #BDD67E, #CEE891, #DFFAA4, #F0FFB7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8D683. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8D683 shade: #B8D683, #A7C470, #96B25D, #85A04A and #748E37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8D683 shade: #B8D684, #CED684, #D6C784, #D6B184 and #D69B84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8D683 shade: #B8D684, #A2D684, #8CD684, #84D692 and #84D6A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8D683 shade matches the following richer shades: #B8D684, #BCE377, #C0F06A and #C3FD5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8D683 shade: #B8D684, #B5C891, #B1BB9F, #ADAEAC and #AAA1B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8D683 shade: #D6C784, #CFD684, #B9D684, #A3D684 and #8ED684

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8D683 shade: #95C146, #A6CB65, #B8D684, #CAE0A3 and #DCEAC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8D683 shade: #B8D683, #84D6B1 and #D284D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8D683 shade: #B8D683, #84B9D6 and #D684B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8D683 shade: #B8D683, #84D6B1, #A184D6 and #D684A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8D683 shade: #B8D683, #84D6C9, #A184D6 and #D68490

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 39 / 16

HEX #B8D683

RGB 184 214 131

HSL 81.69, 0.5%, 0.68%

LAB 81.8, -23.61, 37.73

 

Complementary color

CMYK 43 / 67 / 0 / 51

HEX #47297C

RGB 71 41 124

HSL 261.69, 0.5%, 0.32%

LAB 24.89, 33.62, -42.31

 

CMYK 12 / 0 / 41 / 16

HEX #BDD67E

RGB 189 214 126

HSL 77.05, 0.52%, 0.67%

LAB 82.07, -22.33, 40.65

 

CMYK 11 / 0 / 38 / 9

HEX #CEE891

RGB 206 232 145

HSL 77.93, 0.65%, 0.74%

LAB 88.39, -22.42, 39.51

 

CMYK 11 / 0 / 34 / 2

HEX #DFFAA4

RGB 223 250 164

HSL 78.84, 0.9%, 0.81%

LAB 94.63, -22.49, 38.41

 

CMYK 6 / 0 / 28 / 0

HEX #F0FFB7

RGB 240 255 183

HSL 72.5, 1%, 0.86%

LAB 97.42, -16.3, 32.85

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 14 / 0 / 39 / 16

HEX #B8D683

RGB 184 214 131

HSL 81.69, 0.5%, 0.68%

LAB 81.8, -23.61, 37.73

 

CMYK 15 / 0 / 43 / 23

HEX #A7C470

RGB 167 196 112

HSL 80.71, 0.42%, 0.6%

LAB 75.37, -23.55, 38.89

 

CMYK 16 / 0 / 48 / 30

HEX #96B25D

RGB 150 178 93

HSL 79.76, 0.36%, 0.53%

LAB 68.83, -23.45, 40.07

 

CMYK 17 / 0 / 54 / 37

HEX #85A04A

RGB 133 160 74

HSL 78.84, 0.37%, 0.46%

LAB 62.19, -23.29, 41.23

 

CMYK 18 / 0 / 61 / 44

HEX #748E37

RGB 116 142 55

HSL 77.93, 0.44%, 0.39%

LAB 55.42, -23.03, 42.28

 

CMYK 14 / 0 / 38 / 16

HEX #B8D684

RGB 184 214 132

HSL 81.95, 0.5%, 0.68%

LAB 81.81, -23.48, 37.25

 

CMYK 4 / 0 / 38 / 16

HEX #CED684

RGB 206 214 132

HSL 65.85, 0.5%, 0.68%

LAB 83.38, -15.1, 39.58

 

CMYK 0 / 7 / 38 / 16

HEX #D6C784

RGB 214 199 132

HSL 49.02, 0.5%, 0.68%

LAB 80.07, -4.33, 35.45

 

CMYK 0 / 17 / 38 / 16

HEX #D6B184

RGB 214 177 132

HSL 32.93, 0.5%, 0.68%

LAB 74.45, 7.25, 28.06

 

CMYK 0 / 28 / 38 / 16

HEX #D69B84

RGB 214 155 132

HSL 16.83, 0.5%, 0.68%

LAB 69.04, 19.1, 20.76

 

CMYK 14 / 0 / 38 / 16

HEX #B8D684

RGB 184 214 132

HSL 81.95, 0.5%, 0.68%

LAB 81.81, -23.48, 37.25

 

CMYK 24 / 0 / 38 / 16

HEX #A2D684

RGB 162 214 132

HSL 98.05, 0.5%, 0.68%

LAB 80.43, -31.46, 35.19

 

CMYK 35 / 0 / 38 / 16

HEX #8CD684

RGB 140 214 132

HSL 114.15, 0.5%, 0.68%

LAB 79.23, -38.86, 33.4

 

CMYK 38 / 0 / 32 / 16

HEX #84D692

RGB 132 214 146

HSL 130.24, 0.5%, 0.68%

LAB 79.08, -39.09, 25.92

 

CMYK 38 / 0 / 21 / 16

HEX #84D6A8

RGB 132 214 168

HSL 146.34, 0.5%, 0.68%

LAB 79.51, -35.05, 14.96

 

CMYK 14 / 0 / 38 / 16

HEX #B8D684

RGB 184 214 132

HSL 81.95, 0.5%, 0.68%

LAB 81.81, -23.48, 37.25

 

CMYK 17 / 0 / 48 / 11

HEX #BCE377

RGB 188 227 119

HSL 81.67, 0.66%, 0.68%

LAB 85.48, -29.71, 48.31

 

CMYK 20 / 0 / 56 / 6

HEX #C0F06A

RGB 192 240 106

HSL 81.49, 0.82%, 0.68%

LAB 89.19, -35.49, 58.73

 

CMYK 23 / 0 / 64 / 1

HEX #C3FD5C

RGB 195 253 92

HSL 81.61, 0.98%, 0.68%

LAB 92.85, -41.31, 68.68

 

CMYK 14 / 0 / 38 / 16

HEX #B8D684

RGB 184 214 132

HSL 81.95, 0.5%, 0.68%

LAB 81.81, -23.48, 37.25

 

CMYK 10 / 0 / 28 / 22

HEX #B5C891

RGB 181 200 145

HSL 80.73, 0.33%, 0.68%

LAB 77.98, -15.9, 25.44

 

CMYK 5 / 0 / 15 / 27

HEX #B1BB9F

RGB 177 187 159

HSL 81.43, 0.17%, 0.68%

LAB 74.44, -8.5, 13.02

 

CMYK 1 / 0 / 1 / 32

HEX #ADAEAC

RGB 173 174 172

HSL 90, 0.01%, 0.68%

LAB 70.96, -0.73, 0.89

 

CMYK 8 / 13 / 0 / 27

HEX #AAA1B9

RGB 170 161 185

HSL 262.5, 0.15%, 0.68%

LAB 67.68, 7.91, -11.19

 

CMYK 0 / 7 / 38 / 16

HEX #D6C784

RGB 214 199 132

HSL 49.02, 0.5%, 0.68%

LAB 80.07, -4.33, 35.45

 

CMYK 3 / 0 / 38 / 16

HEX #CFD684

RGB 207 214 132

HSL 65.12, 0.5%, 0.68%

LAB 83.46, -14.72, 39.69

 

CMYK 14 / 0 / 38 / 16

HEX #B9D684

RGB 185 214 132

HSL 81.22, 0.5%, 0.68%

LAB 81.88, -23.11, 37.35

 

CMYK 24 / 0 / 38 / 16

HEX #A3D684

RGB 163 214 132

HSL 97.32, 0.5%, 0.68%

LAB 80.49, -31.11, 35.27

 

CMYK 34 / 0 / 38 / 16

HEX #8ED684

RGB 142 214 132

HSL 112.68, 0.5%, 0.68%

LAB 79.33, -38.22, 33.55

 

CMYK 23 / 0 / 64 / 24

HEX #95C146

RGB 149 193 70

HSL 81.46, 0.5%, 0.52%

LAB 72.87, -33.19, 55.36

 

CMYK 18 / 0 / 50 / 20

HEX #A6CB65

RGB 166 203 101

HSL 81.76, 0.5%, 0.6%

LAB 77.14, -28.54, 46.47

 

CMYK 14 / 0 / 38 / 16

HEX #B8D684

RGB 184 214 132

HSL 81.95, 0.5%, 0.68%

LAB 81.81, -23.48, 37.25

 

CMYK 10 / 0 / 27 / 12

HEX #CAE0A3

RGB 202 224 163

HSL 81.64, 0.5%, 0.76%

LAB 86.26, -17.61, 27.52

 

CMYK 6 / 0 / 17 / 8

HEX #DCEAC2

RGB 220 234 194

HSL 81, 0.49%, 0.84%

LAB 90.76, -11.5, 17.88

 

CMYK 14 / 0 / 39 / 16

HEX #B8D683

RGB 184 214 131

HSL 81.69, 0.5%, 0.68%

LAB 81.8, -23.61, 37.73

 

CMYK 38 / 0 / 17 / 16

HEX #84D6B1

RGB 132 214 177

HSL 152.93, 0.5%, 0.68%

LAB 79.71, -33.24, 10.46

 

CMYK 2 / 38 / 0 / 16

HEX #D284D6

RGB 210 132 214

HSL 297.07, 0.5%, 0.68%

LAB 65.79, 42.73, -29.85

 

CMYK 14 / 0 / 39 / 16

HEX #B8D683

RGB 184 214 131

HSL 81.69, 0.5%, 0.68%

LAB 81.8, -23.61, 37.73

 

CMYK 38 / 14 / 0 / 16

HEX #84B9D6

RGB 132 185 214

HSL 201.22, 0.5%, 0.68%

LAB 72.53, -10.06, -20.09

 

CMYK 0 / 38 / 14 / 16

HEX #D684B9

RGB 214 132 185

HSL 321.22, 0.5%, 0.68%

LAB 65.2, 38.94, -14.46

 

CMYK 14 / 0 / 39 / 16

HEX #B8D683

RGB 184 214 131

HSL 81.69, 0.5%, 0.68%

LAB 81.8, -23.61, 37.73

 

CMYK 38 / 0 / 17 / 16

HEX #84D6B1

RGB 132 214 177

HSL 152.93, 0.5%, 0.68%

LAB 79.71, -33.24, 10.46

 

CMYK 25 / 38 / 0 / 16

HEX #A184D6

RGB 161 132 214

HSL 261.22, 0.5%, 0.68%

LAB 60.72, 27.97, -38.13

 

CMYK 0 / 38 / 21 / 16

HEX #D684A9

RGB 214 132 169

HSL 332.93, 0.5%, 0.68%

LAB 64.69, 36.44, -6.18

 

CMYK 14 / 0 / 39 / 16

HEX #B8D683

RGB 184 214 131

HSL 81.69, 0.5%, 0.68%

LAB 81.8, -23.61, 37.73

 

CMYK 38 / 0 / 6 / 16

HEX #84D6C9

RGB 132 214 201

HSL 170.49, 0.5%, 0.68%

LAB 80.3, -27.99, -1.48

 

CMYK 25 / 38 / 0 / 16

HEX #A184D6

RGB 161 132 214

HSL 261.22, 0.5%, 0.68%

LAB 60.72, 27.97, -38.13

 

CMYK 0 / 38 / 33 / 16

HEX #D68490

RGB 214 132 144

HSL 351.22, 0.5%, 0.68%

LAB 64.01, 32.98, 7

 

Description

Color code: HEX #B8D683 | qconv.com Color code: HEX #B8D683 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 214 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 214 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 39 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 39% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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