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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8D3DD it is the complementary color #472C22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8D3DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8D3DD shade: #BDD3D8, #CEE5EB, #DFF7FE and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8D3DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8D3DD shade: #B8D3DD, #A7C1CA, #96AFB7, #859DA4 and #748B91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8D3DD shade: #B6D2DC, #B6C7DC, #B6BDDC, #B9B6DC and #C3B6DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8D3DD shade: #B6D2DC, #B6C7DC, #B6BDDC and #B6B6DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8D3DD shade matches the following richer shades: #B6D2DC, #AED6E4, #A5DAED, #9CDDF6 and #94E1FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8D3DD shade: #B6D2DC, #BFCED3, #C8CACA, #D0C6C2 and #D9C2B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8D3DD shade: #B6DCD2, #B6DCDC, #B6D2DC, #B6C8DC and #B6BEDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8D3DD shade: #7FAFC1, #9AC0CE, #B6D2DC, #D2E3E9 and #EEF4F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8D3DD shade: #B8D3DD, #C8B6DC and #DCD7B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8D3DD shade: #B8D3DD, #DCB6D2 and #D2DCB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8D3DD shade: #B8D3DD, #C8B6DC, #DCC0B6 and #CADCB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8D3DD shade: #B8D3DD, #D3B6DC, #DCC0B6 and #BFDCB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 5 / 0 / 13

HEX #B8D3DD

RGB 184 211 221

HSL 196.22, 0.35%, 0.79%

LAB 82.91, -6.9, -7.97

 

Complementary color

CMYK 0 / 38 / 52 / 72

HEX #472C22

RGB 71 44 34

HSL 16.22, 0.35%, 0.21%

LAB 21.04, 11.12, 11.61

 

CMYK 13 / 2 / 0 / 15

HEX #BDD3D8

RGB 189 211 216

HSL 191.11, 0.26%, 0.79%

LAB 83.11, -6.34, -4.98

 

CMYK 12 / 3 / 0 / 8

HEX #CEE5EB

RGB 206 229 235

HSL 192.41, 0.42%, 0.86%

LAB 89.47, -6.38, -5.51

 

CMYK 12 / 3 / 0 / 0

HEX #DFF7FE

RGB 223 247 254

HSL 193.55, 0.94%, 0.94%

LAB 95.73, -6.43, -6.02

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 17 / 5 / 0 / 13

HEX #B8D3DD

RGB 184 211 221

HSL 196.22, 0.35%, 0.79%

LAB 82.91, -6.9, -7.97

 

CMYK 17 / 4 / 0 / 21

HEX #A7C1CA

RGB 167 193 202

HSL 195.43, 0.25%, 0.72%

LAB 76.45, -6.87, -7.48

 

CMYK 18 / 4 / 0 / 28

HEX #96AFB7

RGB 150 175 183

HSL 194.55, 0.19%, 0.65%

LAB 69.87, -6.84, -6.98

 

CMYK 19 / 4 / 0 / 36

HEX #859DA4

RGB 133 157 164

HSL 193.55, 0.15%, 0.58%

LAB 63.16, -6.82, -6.46

 

CMYK 20 / 4 / 0 / 43

HEX #748B91

RGB 116 139 145

HSL 192.41, 0.12%, 0.51%

LAB 56.31, -6.81, -5.94

 

CMYK 17 / 5 / 0 / 14

HEX #B6D2DC

RGB 182 210 220

HSL 195.79, 0.35%, 0.79%

LAB 82.49, -7.22, -8.08

 

CMYK 17 / 10 / 0 / 14

HEX #B6C7DC

RGB 182 199 220

HSL 213.16, 0.35%, 0.79%

LAB 79.59, -1.44, -12.4

 

CMYK 17 / 14 / 0 / 14

HEX #B6BDDC

RGB 182 189 220

HSL 228.95, 0.35%, 0.79%

LAB 76.99, 3.92, -16.31

 

CMYK 16 / 17 / 0 / 14

HEX #B9B6DC

RGB 185 182 220

HSL 244.74, 0.35%, 0.79%

LAB 75.41, 8.67, -18.66

 

CMYK 11 / 17 / 0 / 14

HEX #C3B6DC

RGB 195 182 220

HSL 260.53, 0.35%, 0.79%

LAB 76.21, 11.89, -17.38

 

CMYK 17 / 5 / 0 / 14

HEX #B6D2DC

RGB 182 210 220

HSL 195.79, 0.35%, 0.79%

LAB 82.49, -7.22, -8.08

 

CMYK 17 / 10 / 0 / 14

HEX #B6C7DC

RGB 182 199 220

HSL 213.16, 0.35%, 0.79%

LAB 79.59, -1.44, -12.4

 

CMYK 17 / 14 / 0 / 14

HEX #B6BDDC

RGB 182 189 220

HSL 228.95, 0.35%, 0.79%

LAB 76.99, 3.92, -16.31

 

CMYK 17 / 17 / 0 / 14

HEX #B6B6DC

RGB 182 182 220

HSL 240, 0.35%, 0.79%

LAB 75.18, 7.72, -19.03

 

CMYK 17 / 5 / 0 / 14

HEX #B6D2DC

RGB 182 210 220

HSL 195.79, 0.35%, 0.79%

LAB 82.49, -7.22, -8.08

 

CMYK 24 / 6 / 0 / 11

HEX #AED6E4

RGB 174 214 228

HSL 195.56, 0.5%, 0.79%

LAB 83.28, -10, -11.21

 

CMYK 30 / 8 / 0 / 7

HEX #A5DAED

RGB 165 218 237

HSL 195.83, 0.67%, 0.79%

LAB 84.1, -12.61, -14.82

 

CMYK 37 / 10 / 0 / 4

HEX #9CDDF6

RGB 156 221 246

HSL 196.67, 0.83%, 0.79%

LAB 84.71, -14.41, -18.71

 

CMYK 42 / 11 / 0 / 0

HEX #94E1FE

RGB 148 225 254

HSL 196.42, 0.98%, 0.79%

LAB 85.66, -16.46, -21.54

 

CMYK 17 / 5 / 0 / 14

HEX #B6D2DC

RGB 182 210 220

HSL 195.79, 0.35%, 0.79%

LAB 82.49, -7.22, -8.08

 

CMYK 9 / 2 / 0 / 17

HEX #BFCED3

RGB 191 206 211

HSL 195, 0.19%, 0.79%

LAB 81.8, -4.08, -4.23

 

CMYK 1 / 0 / 0 / 21

HEX #C8CACA

RGB 200 202 202

HSL 180, 0.02%, 0.79%

LAB 81.17, -0.68, -0.25

 

CMYK 0 / 5 / 7 / 18

HEX #D0C6C2

RGB 208 198 194

HSL 17.14, 0.13%, 0.79%

LAB 80.57, 2.79, 3.24

 

CMYK 0 / 11 / 15 / 15

HEX #D9C2B9

RGB 217 194 185

HSL 16.88, 0.3%, 0.79%

LAB 80.09, 6.64, 7.47

 

CMYK 17 / 0 / 5 / 14

HEX #B6DCD2

RGB 182 220 210

HSL 164.21, 0.35%, 0.79%

LAB 84.89, -14.4, 0.76

 

CMYK 17 / 0 / 0 / 14

HEX #B6DCDC

RGB 182 220 220

HSL 180, 0.35%, 0.79%

LAB 85.15, -12.37, -4.15

 

CMYK 17 / 5 / 0 / 14

HEX #B6D2DC

RGB 182 210 220

HSL 195.79, 0.35%, 0.79%

LAB 82.49, -7.22, -8.08

 

CMYK 17 / 9 / 0 / 14

HEX #B6C8DC

RGB 182 200 220

HSL 211.58, 0.35%, 0.79%

LAB 79.85, -1.97, -12

 

CMYK 17 / 14 / 0 / 14

HEX #B6BEDC

RGB 182 190 220

HSL 227.37, 0.35%, 0.79%

LAB 77.24, 3.38, -15.92

 

CMYK 34 / 9 / 0 / 24

HEX #7FAFC1

RGB 127 175 193

HSL 196.36, 0.35%, 0.63%

LAB 68.77, -11.46, -14.29

 

CMYK 25 / 7 / 0 / 19

HEX #9AC0CE

RGB 154 192 206

HSL 196.15, 0.35%, 0.71%

LAB 75.47, -9.48, -11.19

 

CMYK 17 / 5 / 0 / 14

HEX #B6D2DC

RGB 182 210 220

HSL 195.79, 0.35%, 0.79%

LAB 82.49, -7.22, -8.08

 

CMYK 10 / 3 / 0 / 9

HEX #D2E3E9

RGB 210 227 233

HSL 195.65, 0.34%, 0.87%

LAB 89.17, -4.47, -4.87

 

CMYK 4 / 1 / 0 / 3

HEX #EEF4F7

RGB 238 244 247

HSL 200, 0.36%, 0.95%

LAB 95.83, -1.43, -2.14

 

CMYK 17 / 5 / 0 / 13

HEX #B8D3DD

RGB 184 211 221

HSL 196.22, 0.35%, 0.79%

LAB 82.91, -6.9, -7.97

 

CMYK 9 / 17 / 0 / 14

HEX #C8B6DC

RGB 200 182 220

HSL 268.42, 0.35%, 0.79%

LAB 76.62, 13.52, -16.72

 

CMYK 0 / 2 / 17 / 14

HEX #DCD7B6

RGB 220 215 182

HSL 52.11, 0.35%, 0.79%

LAB 85.6, -3.7, 16.92

 

CMYK 17 / 5 / 0 / 13

HEX #B8D3DD

RGB 184 211 221

HSL 196.22, 0.35%, 0.79%

LAB 82.91, -6.9, -7.97

 

CMYK 0 / 17 / 5 / 14

HEX #DCB6D2

RGB 220 182 210

HSL 315.79, 0.35%, 0.79%

LAB 78.07, 18.34, -8.95

 

CMYK 5 / 0 / 17 / 14

HEX #D2DCB6

RGB 210 220 182

HSL 75.79, 0.35%, 0.79%

LAB 86.14, -9.88, 17.56

 

CMYK 17 / 5 / 0 / 13

HEX #B8D3DD

RGB 184 211 221

HSL 196.22, 0.35%, 0.79%

LAB 82.91, -6.9, -7.97

 

CMYK 9 / 17 / 0 / 14

HEX #C8B6DC

RGB 200 182 220

HSL 268.42, 0.35%, 0.79%

LAB 76.62, 13.52, -16.72

 

CMYK 0 / 13 / 17 / 14

HEX #DCC0B6

RGB 220 192 182

HSL 15.79, 0.35%, 0.79%

LAB 79.78, 8.33, 8.68

 

CMYK 8 / 0 / 17 / 14

HEX #CADCB6

RGB 202 220 182

HSL 88.42, 0.35%, 0.79%

LAB 85.56, -12.72, 16.67

 

CMYK 17 / 5 / 0 / 13

HEX #B8D3DD

RGB 184 211 221

HSL 196.22, 0.35%, 0.79%

LAB 82.91, -6.9, -7.97

 

CMYK 4 / 17 / 0 / 14

HEX #D3B6DC

RGB 211 182 220

HSL 285.79, 0.35%, 0.79%

LAB 77.56, 17.15, -15.21

 

CMYK 0 / 13 / 17 / 14

HEX #DCC0B6

RGB 220 192 182

HSL 15.79, 0.35%, 0.79%

LAB 79.78, 8.33, 8.68

 

CMYK 13 / 0 / 17 / 14

HEX #BFDCB6

RGB 191 220 182

HSL 105.79, 0.35%, 0.79%

LAB 84.81, -16.56, 15.51

 

Description

Color code: HEX #B8D3DD | qconv.com Color code: HEX #B8D3DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 211 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 211 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 5 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 5% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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