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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8DB23 it is the complementary color #4724DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8DB23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8DB23 shade: #BDDB1E, #CEED31, #DFFF44, #F0FF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8DB23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8DB23 shade: #B8DB23, #A7C910, #96B700, #85A500 and #749300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8DB23 shade: #B8DB23, #DBCC23, #DB9B23, #DB6923 and #DB3823

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8DB23 shade: #B8DB23, #86DB23, #55DB23, #23DB23 and #23DB55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8DB23 shade matches the following richer shades: #B8DB23 and #C5EF0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8DB23 shade: #B8DB23, #ABC638, #9EB24C, #929D61 and #858876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8DB23 shade: #DB9B23, #DBCB23, #B9DB23, #88DB23 and #57DB23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8DB23 shade: #7C9418, #9AB71D, #B8DB23, #C3E147 and #CFE66A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8DB23 shade: #B8DB23, #23DB6A and #B323DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8DB23 shade: #B8DB23, #23B9DB and #DB23B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8DB23 shade: #B8DB23, #23DB6A, #4523DB and #DB2394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8DB23 shade: #B8DB23, #23DBA1, #4523DB and #DB235D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

Complementary color

CMYK 68 / 84 / 0 / 14

HEX #4724DC

RGB 71 36 220

HSL 251.41, 0.72%, 0.5%

LAB 33.5, 63.58, -85.92

 

CMYK 14 / 0 / 86 / 14

HEX #BDDB1E

RGB 189 219 30

HSL 69.52, 0.76%, 0.49%

LAB 82.69, -31.25, 77.97

 

CMYK 13 / 0 / 79 / 7

HEX #CEED31

RGB 206 237 49

HSL 69.89, 0.84%, 0.56%

LAB 88.88, -32.18, 79.39

 

CMYK 13 / 0 / 73 / 0

HEX #DFFF44

RGB 223 255 68

HSL 70.27, 1%, 0.63%

LAB 95, -32.95, 79.94

 

CMYK 6 / 0 / 66 / 0

HEX #F0FF57

RGB 240 255 87

HSL 65.36, 1%, 0.67%

LAB 96.3, -25.29, 75.1

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

CMYK 17 / 0 / 92 / 21

HEX #A7C910

RGB 167 201 16

HSL 71.03, 0.85%, 0.43%

LAB 76.09, -32.11, 74.31

 

CMYK 18 / 0 / 100 / 28

HEX #96B700

RGB 150 183 0

HSL 70.82, 1%, 0.36%

LAB 69.72, -30.9, 70.71

 

CMYK 19 / 0 / 100 / 35

HEX #85A500

RGB 133 165 0

HSL 71.64, 1%, 0.32%

LAB 63.26, -29.47, 65.33

 

CMYK 21 / 0 / 100 / 42

HEX #749300

RGB 116 147 0

HSL 72.65, 1%, 0.29%

LAB 56.66, -28.02, 59.84

 

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

CMYK 0 / 7 / 84 / 14

HEX #DBCC23

RGB 219 204 35

HSL 55.11, 0.72%, 0.5%

LAB 80.94, -11.26, 76.42

 

CMYK 0 / 29 / 84 / 14

HEX #DB9B23

RGB 219 155 35

HSL 39.13, 0.72%, 0.5%

LAB 68.48, 14.39, 66.02

 

CMYK 0 / 52 / 84 / 14

HEX #DB6923

RGB 219 105 35

HSL 22.83, 0.72%, 0.5%

LAB 57.35, 40.73, 56.57

 

CMYK 0 / 74 / 84 / 14

HEX #DB3823

RGB 219 56 35

HSL 6.85, 0.72%, 0.5%

LAB 49.51, 61.56, 49.74

 

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

CMYK 39 / 0 / 84 / 14

HEX #86DB23

RGB 134 219 35

HSL 87.72, 0.72%, 0.5%

LAB 79.53, -51.8, 72.99

 

CMYK 61 / 0 / 84 / 14

HEX #55DB23

RGB 85 219 35

HSL 103.7, 0.72%, 0.5%

LAB 77.71, -65.83, 70.68

 

CMYK 84 / 0 / 84 / 14

HEX #23DB23

RGB 35 219 35

HSL 120, 0.72%, 0.5%

LAB 76.76, -73.91, 69.48

 

CMYK 84 / 0 / 61 / 14

HEX #23DB55

RGB 35 219 85

HSL 136.3, 0.72%, 0.5%

LAB 77.09, -69.88, 52.57

 

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

CMYK 18 / 0 / 94 / 6

HEX #C5EF0F

RGB 197 239 15

HSL 71.25, 0.88%, 0.5%

LAB 88.75, -37.45, 85.2

 

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

CMYK 14 / 0 / 72 / 22

HEX #ABC638

RGB 171 198 56

HSL 71.41, 0.56%, 0.5%

LAB 75.66, -27.7, 64.11

 

CMYK 11 / 0 / 57 / 30

HEX #9EB24C

RGB 158 178 76

HSL 71.76, 0.4%, 0.5%

LAB 69.21, -21.89, 48.84

 

CMYK 7 / 0 / 38 / 38

HEX #929D61

RGB 146 157 97

HSL 71, 0.24%, 0.5%

LAB 62.58, -13.85, 30.09

 

CMYK 2 / 0 / 13 / 47

HEX #858876

RGB 133 136 118

HSL 70, 0.07%, 0.5%

LAB 55.99, -4.49, 9.29

 

CMYK 0 / 29 / 84 / 14

HEX #DB9B23

RGB 219 155 35

HSL 39.13, 0.72%, 0.5%

LAB 68.48, 14.39, 66.02

 

CMYK 0 / 7 / 84 / 14

HEX #DBCB23

RGB 219 203 35

HSL 54.78, 0.72%, 0.5%

LAB 80.68, -10.76, 76.2

 

CMYK 16 / 0 / 84 / 14

HEX #B9DB23

RGB 185 219 35

HSL 71.09, 0.72%, 0.5%

LAB 82.43, -32.73, 76.62

 

CMYK 38 / 0 / 84 / 14

HEX #88DB23

RGB 136 219 35

HSL 87.07, 0.72%, 0.5%

LAB 79.62, -51.12, 73.11

 

CMYK 60 / 0 / 84 / 14

HEX #57DB23

RGB 87 219 35

HSL 103.04, 0.72%, 0.5%

LAB 77.76, -65.37, 70.75

 

CMYK 16 / 0 / 84 / 42

HEX #7C9418

RGB 124 148 24

HSL 71.61, 0.72%, 0.34%

LAB 57.59, -24.5, 56.29

 

CMYK 16 / 0 / 84 / 28

HEX #9AB71D

RGB 154 183 29

HSL 71.3, 0.73%, 0.42%

LAB 70.05, -28.68, 66.62

 

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

CMYK 13 / 0 / 68 / 12

HEX #C3E147

RGB 195 225 71

HSL 71.69, 0.72%, 0.58%

LAB 84.95, -29.98, 68.47

 

CMYK 10 / 0 / 54 / 10

HEX #CFE66A

RGB 207 230 106

HSL 71.13, 0.71%, 0.66%

LAB 87.44, -25.11, 56.96

 

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

CMYK 84 / 0 / 52 / 14

HEX #23DB6A

RGB 35 219 106

HSL 143.15, 0.72%, 0.5%

LAB 77.32, -67.08, 43.22

 

CMYK 18 / 84 / 0 / 14

HEX #B323DB

RGB 179 35 219

HSL 286.96, 0.72%, 0.5%

LAB 46.84, 76.88, -62.94

 

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

CMYK 84 / 16 / 0 / 14

HEX #23B9DB

RGB 35 185 219

HSL 191.09, 0.72%, 0.5%

LAB 69.59, -25.39, -27.59

 

CMYK 0 / 84 / 16 / 14

HEX #DB23B9

RGB 219 35 185

HSL 311.09, 0.72%, 0.5%

LAB 51.57, 78.93, -35.38

 

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

CMYK 84 / 0 / 52 / 14

HEX #23DB6A

RGB 35 219 106

HSL 143.15, 0.72%, 0.5%

LAB 77.32, -67.08, 43.22

 

CMYK 68 / 84 / 0 / 14

HEX #4523DB

RGB 69 35 219

HSL 251.09, 0.72%, 0.5%

LAB 33.1, 63.54, -86.01

 

CMYK 0 / 84 / 32 / 14

HEX #DB2394

RGB 219 35 148

HSL 323.15, 0.72%, 0.5%

LAB 49.98, 74.54, -15.97

 

CMYK 16 / 0 / 84 / 14

HEX #B8DB23

RGB 184 219 35

HSL 71.41, 0.72%, 0.5%

LAB 82.37, -33.13, 76.54

 

CMYK 84 / 0 / 26 / 14

HEX #23DBA1

RGB 35 219 161

HSL 161.09, 0.72%, 0.5%

LAB 78.22, -56.65, 16.46

 

CMYK 68 / 84 / 0 / 14

HEX #4523DB

RGB 69 35 219

HSL 251.09, 0.72%, 0.5%

LAB 33.1, 63.54, -86.01

 

CMYK 0 / 84 / 58 / 14

HEX #DB235D

RGB 219 35 93

HSL 341.09, 0.72%, 0.5%

LAB 48.33, 69.81, 15.09

 

Description

Color code: HEX #B8DB23 | qconv.com Color code: HEX #B8DB23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 219 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 219 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 84 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 84% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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