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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8DFCA it is the complementary color #472035. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8DFCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8DFCA shade: #BDDFC5, #CEF1D8, #DFFFEB and #F0FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8DFCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8DFCA shade: #B8DFCA, #A7CDB7, #96BBA4, #85A991 and #74977E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8DFCA shade: #B8DFCA, #B8DFC0, #BBDFB8, #C6DFB8 and #D0DFB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8DFCA shade: #B8DFCA, #B8DFD4, #B8DFDF, #B8D4DF and #B8CADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8DFCA shade matches the following richer shades: #B8DFCA, #B0E7C9, #A8EFC9 and #9FF8C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8DFCA shade: #B8DFCA, #C0D7CB, #C9CECB, #D1C6CC and #D9BECD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8DFCA shade: #BBDFB8, #B8DFBF, #B8DFCA, #B8DFD4 and #B8DFDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8DFCA shade: #7FC5A0, #9CD2B5, #B8DFCA, #D5ECDF and #F1F8F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8DFCA shade: #B8DFCA, #B8C6DF and #DFBAB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8DFCA shade: #B8DFCA, #CAB8DF and #DFCAB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8DFCA shade: #B8DFCA, #B8C6DF, #DFB8CD and #DFD1B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8DFCA shade: #B8DFCA, #B8BADF, #DFB8CD and #DFDDB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

Complementary color

CMYK 0 / 55 / 25 / 72

HEX #472035

RGB 71 32 53

HSL 327.69, 0.38%, 0.2%

LAB 18.5, 21.65, -5.18

 

CMYK 15 / 0 / 12 / 13

HEX #BDDFC5

RGB 189 223 197

HSL 134.12, 0.35%, 0.81%

LAB 85.82, -16.12, 9.03

 

CMYK 15 / 0 / 10 / 5

HEX #CEF1D8

RGB 206 241 216

HSL 137.14, 0.56%, 0.88%

LAB 92.13, -16.04, 8.28

 

CMYK 13 / 0 / 8 / 0

HEX #DFFFEB

RGB 223 255 235

HSL 142.5, 1%, 0.94%

LAB 97.31, -14, 6.08

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFE

RGB 240 255 254

HSL 176, 1%, 0.97%

LAB 98.91, -5.06, -1.22

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 19 / 0 / 11 / 20

HEX #A7CDB7

RGB 167 205 183

HSL 145.26, 0.28%, 0.73%

LAB 79.21, -16.94, 6.8

 

CMYK 20 / 0 / 12 / 27

HEX #96BBA4

RGB 150 187 164

HSL 142.7, 0.21%, 0.66%

LAB 72.7, -17.07, 7.57

 

CMYK 21 / 0 / 14 / 34

HEX #85A991

RGB 133 169 145

HSL 140, 0.17%, 0.59%

LAB 66.06, -17.23, 8.39

 

CMYK 23 / 0 / 17 / 41

HEX #74977E

RGB 116 151 126

HSL 137.14, 0.14%, 0.52%

LAB 59.3, -17.41, 9.25

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 17 / 0 / 14 / 13

HEX #B8DFC0

RGB 184 223 192

HSL 132.31, 0.38%, 0.8%

LAB 85.39, -18.68, 11

 

CMYK 16 / 0 / 17 / 13

HEX #BBDFB8

RGB 187 223 184

HSL 115.38, 0.38%, 0.8%

LAB 85.4, -19.09, 15.25

 

CMYK 11 / 0 / 17 / 13

HEX #C6DFB8

RGB 198 223 184

HSL 98.46, 0.38%, 0.8%

LAB 86.13, -15.31, 16.37

 

CMYK 7 / 0 / 17 / 13

HEX #D0DFB8

RGB 208 223 184

HSL 83.08, 0.38%, 0.8%

LAB 86.82, -11.79, 17.45

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 17 / 0 / 5 / 13

HEX #B8DFD4

RGB 184 223 212

HSL 163.08, 0.38%, 0.8%

LAB 85.87, -14.88, 1.15

 

CMYK 17 / 0 / 0 / 13

HEX #B8DFDF

RGB 184 223 223

HSL 180, 0.38%, 0.8%

LAB 86.15, -12.65, -4.24

 

CMYK 17 / 5 / 0 / 13

HEX #B8D4DF

RGB 184 212 223

HSL 196.92, 0.38%, 0.8%

LAB 83.23, -7, -8.55

 

CMYK 17 / 9 / 0 / 13

HEX #B8CADF

RGB 184 202 223

HSL 212.31, 0.38%, 0.8%

LAB 80.6, -1.76, -12.47

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 24 / 0 / 13 / 9

HEX #B0E7C9

RGB 176 231 201

HSL 147.27, 0.53%, 0.8%

LAB 87.29, -23.51, 8.93

 

CMYK 30 / 0 / 16 / 6

HEX #A8EFC9

RGB 168 239 201

HSL 147.89, 0.69%, 0.8%

LAB 89.05, -29.79, 11.38

 

CMYK 36 / 0 / 19 / 3

HEX #9FF8C8

RGB 159 248 200

HSL 147.64, 0.86%, 0.8%

LAB 91.09, -36.78, 14.73

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 11 / 0 / 6 / 16

HEX #C0D7CB

RGB 192 215 203

HSL 148.7, 0.22%, 0.8%

LAB 84.03, -9.96, 3.3

 

CMYK 2 / 0 / 1 / 19

HEX #C9CECB

RGB 201 206 203

HSL 144, 0.05%, 0.8%

LAB 82.31, -2.25, 0.88

 

CMYK 0 / 5 / 2 / 18

HEX #D1C6CC

RGB 209 198 204

HSL 327.27, 0.11%, 0.8%

LAB 80.91, 4.9, -1.63

 

CMYK 0 / 12 / 6 / 15

HEX #D9BECD

RGB 217 190 205

HSL 326.67, 0.26%, 0.8%

LAB 79.61, 12.12, -4

 

CMYK 16 / 0 / 17 / 13

HEX #BBDFB8

RGB 187 223 184

HSL 115.38, 0.38%, 0.8%

LAB 85.4, -19.09, 15.25

 

CMYK 17 / 0 / 14 / 13

HEX #B8DFBF

RGB 184 223 191

HSL 130.77, 0.38%, 0.8%

LAB 85.37, -18.86, 11.49

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 17 / 0 / 5 / 13

HEX #B8DFD4

RGB 184 223 212

HSL 163.08, 0.38%, 0.8%

LAB 85.87, -14.88, 1.15

 

CMYK 17 / 0 / 0 / 13

HEX #B8DFDE

RGB 184 223 222

HSL 178.46, 0.38%, 0.8%

LAB 86.13, -12.86, -3.75

 

CMYK 36 / 0 / 19 / 23

HEX #7FC5A0

RGB 127 197 160

HSL 148.29, 0.38%, 0.64%

LAB 74.18, -30.1, 11.67

 

CMYK 26 / 0 / 14 / 18

HEX #9CD2B5

RGB 156 210 181

HSL 147.78, 0.38%, 0.72%

LAB 79.9, -23.37, 8.76

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 10 / 0 / 6 / 7

HEX #D5ECDF

RGB 213 236 223

HSL 146.09, 0.38%, 0.88%

LAB 91.44, -9.97, 3.72

 

CMYK 3 / 0 / 2 / 3

HEX #F1F8F4

RGB 241 248 244

HSL 145.71, 0.33%, 0.96%

LAB 96.97, -3.01, 1.1

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 17 / 11 / 0 / 13

HEX #B8C6DF

RGB 184 198 223

HSL 218.46, 0.38%, 0.8%

LAB 79.56, 0.37, -14.04

 

CMYK 0 / 17 / 17 / 13

HEX #DFBAB8

RGB 223 186 184

HSL 3.08, 0.38%, 0.8%

LAB 78.62, 12.93, 5.97

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 9 / 17 / 0 / 13

HEX #CAB8DF

RGB 202 184 223

HSL 267.69, 0.38%, 0.8%

LAB 77.38, 13.7, -17.18

 

CMYK 0 / 9 / 17 / 13

HEX #DFCAB8

RGB 223 202 184

HSL 27.69, 0.38%, 0.8%

LAB 82.59, 4.46, 11.65

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 17 / 11 / 0 / 13

HEX #B8C6DF

RGB 184 198 223

HSL 218.46, 0.38%, 0.8%

LAB 79.56, 0.37, -14.04

 

CMYK 0 / 17 / 8 / 13

HEX #DFB8CD

RGB 223 184 205

HSL 327.69, 0.38%, 0.8%

LAB 78.68, 17.43, -5.3

 

CMYK 0 / 6 / 17 / 13

HEX #DFD1B8

RGB 223 209 184

HSL 38.46, 0.38%, 0.8%

LAB 84.35, 0.8, 14.15

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCA

RGB 184 223 202

HSL 147.69, 0.38%, 0.8%

LAB 85.62, -16.83, 6.07

 

CMYK 17 / 17 / 0 / 13

HEX #B8BADF

RGB 184 186 223

HSL 236.92, 0.38%, 0.8%

LAB 76.46, 6.83, -18.71

 

CMYK 0 / 17 / 8 / 13

HEX #DFB8CD

RGB 223 184 205

HSL 327.69, 0.38%, 0.8%

LAB 78.68, 17.43, -5.3

 

CMYK 0 / 1 / 17 / 13

HEX #DFDDB8

RGB 223 221 184

HSL 56.92, 0.38%, 0.8%

LAB 87.42, -5.39, 18.45

 

Description

Color code: HEX #B8DFCA | qconv.com Color code: HEX #B8DFCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 223 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 223 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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