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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8E70D it is the complementary color #4718F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8E70D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8E70D shade: #BDE708, #CEF91B, #DFFF2E, #F0FF41 and #FFFF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8E70D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8E70D shade: #B8E70D, #A7D500, #96C300, #85B100 and #749F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8E70D shade: #B8E70D, #E7DB0D, #E7A00D, #E7660D and #E72B0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8E70D shade: #B8E70D, #7DE70D, #42E70D, #0DE712 and #0DE74D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8E70D shade matches the following richer shades: #B8E70D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8E70D shade: #B8E70D, #ADD321, #A1BF35, #96AB48 and #8B985C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8E70D shade: #E79E0D, #E7D80D, #BBE70D, #81E70D and #47E70D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8E70D shade: #7A9908, #99C00B, #B8E70D, #C7F22B and #D1F452

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8E70D shade: #B8E70D, #0DE764 and #BB0DE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8E70D shade: #B8E70D, #0DBBE7 and #E70DBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8E70D shade: #B8E70D, #0DE764, #390DE7 and #E70D90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8E70D shade: #B8E70D, #0DE7A5, #390DE7 and #E70D4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

Complementary color

CMYK 71 / 90 / 0 / 5

HEX #4718F2

RGB 71 24 242

HSL 252.94, 0.89%, 0.52%

LAB 34.81, 73.1, -96.28

 

CMYK 18 / 0 / 97 / 9

HEX #BDE708

RGB 189 231 8

HSL 71.3, 0.93%, 0.47%

LAB 86, -37.09, 83.46

 

CMYK 17 / 0 / 89 / 2

HEX #CEF91B

RGB 206 249 27

HSL 71.62, 0.95%, 0.54%

LAB 92.11, -38.21, 86.61

 

CMYK 13 / 0 / 82 / 0

HEX #DFFF2E

RGB 223 255 46

HSL 69.19, 1%, 0.59%

LAB 94.91, -33.77, 85.81

 

CMYK 6 / 0 / 75 / 0

HEX #F0FF41

RGB 240 255 65

HSL 64.74, 1%, 0.63%

LAB 96.17, -26.35, 82.38

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

CMYK 22 / 0 / 100 / 16

HEX #A7D500

RGB 167 213 0

HSL 72.96, 1%, 0.42%

LAB 79.5, -37.8, 78.59

 

CMYK 23 / 0 / 100 / 24

HEX #96C300

RGB 150 195 0

HSL 73.85, 1%, 0.38%

LAB 73.23, -36.44, 73.37

 

CMYK 25 / 0 / 100 / 31

HEX #85B100

RGB 133 177 0

HSL 74.92, 1%, 0.35%

LAB 66.85, -35.06, 68.05

 

CMYK 27 / 0 / 100 / 38

HEX #749F00

RGB 116 159 0

HSL 76.23, 1%, 0.31%

LAB 60.35, -33.68, 62.64

 

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

CMYK 0 / 5 / 94 / 9

HEX #E7DB0D

RGB 231 219 13

HSL 56.7, 0.89%, 0.48%

LAB 85.85, -14.02, 84.27

 

CMYK 0 / 31 / 94 / 9

HEX #E7A00D

RGB 231 160 13

HSL 40.46, 0.89%, 0.48%

LAB 70.98, 16.5, 73.38

 

CMYK 0 / 56 / 94 / 9

HEX #E7660D

RGB 231 102 13

HSL 24.5, 0.89%, 0.48%

LAB 58.53, 46.39, 64.85

 

CMYK 0 / 81 / 94 / 9

HEX #E72B0D

RGB 231 43 13

HSL 8.26, 0.89%, 0.48%

LAB 50.39, 68.4, 59.88

 

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

CMYK 46 / 0 / 94 / 9

HEX #7DE70D

RGB 125 231 13

HSL 89.17, 0.89%, 0.48%

LAB 82.67, -59.86, 78.98

 

CMYK 71 / 0 / 94 / 9

HEX #42E70D

RGB 66 231 13

HSL 105.41, 0.89%, 0.48%

LAB 80.93, -74, 76.84

 

CMYK 94 / 0 / 92 / 9

HEX #0DE712

RGB 13 231 18

HSL 121.38, 0.89%, 0.48%

LAB 80.34, -79.22, 75.54

 

CMYK 94 / 0 / 67 / 9

HEX #0DE74D

RGB 13 231 77

HSL 137.61, 0.89%, 0.48%

LAB 80.61, -75.69, 59.76

 

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

CMYK 18 / 0 / 84 / 17

HEX #ADD321

RGB 173 211 33

HSL 72.81, 0.73%, 0.48%

LAB 79.38, -33.92, 74.15

 

CMYK 16 / 0 / 72 / 25

HEX #A1BF35

RGB 161 191 53

HSL 73.04, 0.57%, 0.48%

LAB 72.95, -28.59, 62.29

 

CMYK 12 / 0 / 58 / 33

HEX #96AB48

RGB 150 171 72

HSL 72.73, 0.41%, 0.48%

LAB 66.58, -22.03, 47.56

 

CMYK 9 / 0 / 39 / 40

HEX #8B985C

RGB 139 152 92

HSL 73, 0.25%, 0.48%

LAB 60.53, -14.7, 30.02

 

CMYK 0 / 32 / 94 / 9

HEX #E79E0D

RGB 231 158 13

HSL 39.91, 0.89%, 0.48%

LAB 70.51, 17.56, 73.04

 

CMYK 0 / 6 / 94 / 9

HEX #E7D80D

RGB 231 216 13

HSL 55.87, 0.89%, 0.48%

LAB 85.06, -12.53, 83.68

 

CMYK 19 / 0 / 94 / 9

HEX #BBE70D

RGB 187 231 13

HSL 72.11, 0.89%, 0.48%

LAB 85.88, -37.83, 82.88

 

CMYK 44 / 0 / 94 / 9

HEX #81E70D

RGB 129 231 13

HSL 88.07, 0.89%, 0.48%

LAB 82.83, -58.63, 79.18

 

CMYK 69 / 0 / 94 / 9

HEX #47E70D

RGB 71 231 13

HSL 104.04, 0.89%, 0.48%

LAB 81.03, -73.14, 76.96

 

CMYK 20 / 0 / 95 / 40

HEX #7A9908

RGB 122 153 8

HSL 72.83, 0.9%, 0.32%

LAB 58.92, -28.22, 60.52

 

CMYK 20 / 0 / 94 / 25

HEX #99C00B

RGB 153 192 11

HSL 72.93, 0.89%, 0.4%

LAB 72.56, -33.71, 71.75

 

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

CMYK 18 / 0 / 82 / 5

HEX #C7F22B

RGB 199 242 43

HSL 72.96, 0.88%, 0.56%

LAB 89.78, -37.41, 81.47

 

CMYK 14 / 0 / 66 / 4

HEX #D1F452

RGB 209 244 82

HSL 72.96, 0.88%, 0.64%

LAB 91.17, -32.64, 71.03

 

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

CMYK 94 / 0 / 57 / 9

HEX #0DE764

RGB 13 231 100

HSL 143.94, 0.89%, 0.48%

LAB 80.83, -73.02, 50.22

 

CMYK 19 / 94 / 0 / 9

HEX #BB0DE7

RGB 187 13 231

HSL 287.89, 0.89%, 0.48%

LAB 47.78, 83.68, -68.19

 

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

CMYK 94 / 19 / 0 / 9

HEX #0DBBE7

RGB 13 187 231

HSL 192.11, 0.89%, 0.48%

LAB 70.45, -23.5, -32.82

 

CMYK 0 / 94 / 19 / 9

HEX #E70DBB

RGB 231 13 187

HSL 312.11, 0.89%, 0.48%

LAB 52.8, 84.49, -34.46

 

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

CMYK 94 / 0 / 57 / 9

HEX #0DE764

RGB 13 231 100

HSL 143.94, 0.89%, 0.48%

LAB 80.83, -73.02, 50.22

 

CMYK 75 / 94 / 0 / 9

HEX #390DE7

RGB 57 13 231

HSL 252.11, 0.89%, 0.48%

LAB 31.64, 72.19, -95.34

 

CMYK 0 / 94 / 38 / 9

HEX #E70D90

RGB 231 13 144

HSL 323.94, 0.89%, 0.48%

LAB 51.03, 79.87, -11.77

 

CMYK 20 / 0 / 94 / 9

HEX #B8E70D

RGB 184 231 13

HSL 72.94, 0.89%, 0.48%

LAB 85.69, -39.01, 82.66

 

CMYK 94 / 0 / 29 / 9

HEX #0DE7A5

RGB 13 231 165

HSL 161.83, 0.89%, 0.48%

LAB 81.81, -61.41, 19.34

 

CMYK 75 / 94 / 0 / 9

HEX #390DE7

RGB 57 13 231

HSL 252.11, 0.89%, 0.48%

LAB 31.64, 72.19, -95.34

 

CMYK 0 / 94 / 66 / 9

HEX #E70D4E

RGB 231 13 78

HSL 342.11, 0.89%, 0.48%

LAB 49.29, 75.18, 25.99

 

Description

Color code: HEX #B8E70D | qconv.com Color code: HEX #B8E70D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 231 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 231 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 94 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 94% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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