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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8E3AA it is the complementary color #471C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8E3AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8E3AA shade: #BDE3A5, #CEF5B8, #DFFFCB, #F0FFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8E3AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8E3AA shade: #B8E3AA, #A7D197, #96BF84, #85AD71 and #749B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8E3AA shade: #B8E2AA, #C7E2AA, #D6E2AA, #E2DFAA and #E2D0AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8E3AA shade: #B8E2AA, #AAE2AC, #AAE2BB, #AAE2CA and #AAE2D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8E3AA shade matches the following richer shades: #B8E2AA, #B4ECA1, #AFF598 and #AAFE8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8E3AA shade: #B8E2AA, #BDD9B3, #C1D0BD, #C6C7C6 and #CBBECF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8E3AA shade: #D6E2AA, #C7E2AA, #B8E2AA, #AAE2AB and #AAE2BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8E3AA shade: #84CE6C, #9ED88B, #B8E2AA, #D2EDC9 and #ECF7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8E3AA shade: #B8E3AA, #AAE2E0 and #E2AACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8E3AA shade: #B8E3AA, #AAB8E2 and #E2AAB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8E3AA shade: #B8E3AA, #AAE2E0, #D4AAE2 and #E2AAAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8E3AA shade: #B8E3AA, #AAD4E2, #D4AAE2 and #E2B8AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 25 / 11

HEX #B8E3AA

RGB 184 227 170

HSL 105.26, 0.5%, 0.78%

LAB 86.02, -24.38, 23.38

 

Complementary color

CMYK 16 / 67 / 0 / 67

HEX #471C55

RGB 71 28 85

HSL 285.26, 0.5%, 0.22%

LAB 19.33, 30.62, -25.86

 

CMYK 17 / 0 / 27 / 11

HEX #BDE3A5

RGB 189 227 165

HSL 96.77, 0.53%, 0.77%

LAB 86.24, -23.42, 26.32

 

CMYK 16 / 0 / 25 / 4

HEX #CEF5B8

RGB 206 245 184

HSL 98.36, 0.75%, 0.84%

LAB 92.53, -23.33, 25.33

 

CMYK 13 / 0 / 20 / 0

HEX #DFFFCB

RGB 223 255 203

HSL 96.92, 1%, 0.9%

LAB 96.62, -19.4, 21.48

 

CMYK 6 / 0 / 13 / 0

HEX #F0FFDE

RGB 240 255 222

HSL 87.27, 1%, 0.94%

LAB 98.16, -10.58, 14.11

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 19 / 0 / 25 / 11

HEX #B8E3AA

RGB 184 227 170

HSL 105.26, 0.5%, 0.78%

LAB 86.02, -24.38, 23.38

 

CMYK 20 / 0 / 28 / 18

HEX #A7D197

RGB 167 209 151

HSL 103.45, 0.39%, 0.71%

LAB 79.64, -24.52, 24.39

 

CMYK 21 / 0 / 31 / 25

HEX #96BF84

RGB 150 191 132

HSL 101.69, 0.32%, 0.63%

LAB 73.16, -24.67, 25.45

 

CMYK 23 / 0 / 35 / 32

HEX #85AD71

RGB 133 173 113

HSL 100, 0.27%, 0.56%

LAB 66.57, -24.82, 26.57

 

CMYK 25 / 0 / 39 / 39

HEX #749B5E

RGB 116 155 94

HSL 98.36, 0.24%, 0.49%

LAB 59.86, -24.96, 27.76

 

CMYK 19 / 0 / 25 / 11

HEX #B8E2AA

RGB 184 226 170

HSL 105, 0.49%, 0.78%

LAB 85.75, -23.9, 23

 

CMYK 12 / 0 / 25 / 11

HEX #C7E2AA

RGB 199 226 170

HSL 88.93, 0.49%, 0.78%

LAB 86.72, -18.65, 24.49

 

CMYK 5 / 0 / 25 / 11

HEX #D6E2AA

RGB 214 226 170

HSL 72.86, 0.49%, 0.78%

LAB 87.77, -13.23, 26.1

 

CMYK 0 / 1 / 25 / 11

HEX #E2DFAA

RGB 226 223 170

HSL 56.79, 0.49%, 0.78%

LAB 87.89, -7.29, 26.42

 

CMYK 0 / 8 / 25 / 11

HEX #E2D0AA

RGB 226 208 170

HSL 40.71, 0.49%, 0.78%

LAB 84.06, 0.4, 21.16

 

CMYK 19 / 0 / 25 / 11

HEX #B8E2AA

RGB 184 226 170

HSL 105, 0.49%, 0.78%

LAB 85.75, -23.9, 23

 

CMYK 25 / 0 / 24 / 11

HEX #AAE2AC

RGB 170 226 172

HSL 122.14, 0.49%, 0.78%

LAB 84.95, -28.26, 20.74

 

CMYK 25 / 0 / 17 / 11

HEX #AAE2BB

RGB 170 226 187

HSL 138.21, 0.49%, 0.78%

LAB 85.26, -25.61, 13.33

 

CMYK 25 / 0 / 11 / 11

HEX #AAE2CA

RGB 170 226 202

HSL 154.29, 0.49%, 0.78%

LAB 85.61, -22.73, 5.94

 

CMYK 25 / 0 / 4 / 11

HEX #AAE2D9

RGB 170 226 217

HSL 170.36, 0.49%, 0.78%

LAB 85.98, -19.66, -1.42

 

CMYK 19 / 0 / 25 / 11

HEX #B8E2AA

RGB 184 226 170

HSL 105, 0.49%, 0.78%

LAB 85.75, -23.9, 23

 

CMYK 24 / 0 / 32 / 7

HEX #B4ECA1

RGB 180 236 161

HSL 104.8, 0.66%, 0.78%

LAB 88.1, -31.41, 30.77

 

CMYK 29 / 0 / 38 / 4

HEX #AFF598

RGB 175 245 152

HSL 105.16, 0.82%, 0.78%

LAB 90.18, -38.49, 37.99

 

CMYK 33 / 0 / 44 / 0

HEX #AAFE8F

RGB 170 254 143

HSL 105.41, 0.98%, 0.78%

LAB 92.32, -45.28, 45.08

 

CMYK 19 / 0 / 25 / 11

HEX #B8E2AA

RGB 184 226 170

HSL 105, 0.49%, 0.78%

LAB 85.75, -23.9, 23

 

CMYK 13 / 0 / 18 / 15

HEX #BDD9B3

RGB 189 217 179

HSL 104.21, 0.33%, 0.78%

LAB 83.81, -16.26, 15.65

 

CMYK 7 / 0 / 9 / 18

HEX #C1D0BD

RGB 193 208 189

HSL 107.37, 0.17%, 0.78%

LAB 81.91, -8.57, 7.69

 

CMYK 1 / 0 / 1 / 22

HEX #C6C7C6

RGB 198 199 198

HSL 120, 0.01%, 0.78%

LAB 80.14, -0.52, 0.37

 

CMYK 2 / 8 / 0 / 19

HEX #CBBECF

RGB 203 190 207

HSL 285.88, 0.15%, 0.78%

LAB 78.48, 7.66, -6.88

 

CMYK 5 / 0 / 25 / 11

HEX #D6E2AA

RGB 214 226 170

HSL 72.86, 0.49%, 0.78%

LAB 87.77, -13.23, 26.1

 

CMYK 12 / 0 / 25 / 11

HEX #C7E2AA

RGB 199 226 170

HSL 88.93, 0.49%, 0.78%

LAB 86.72, -18.65, 24.49

 

CMYK 19 / 0 / 25 / 11

HEX #B8E2AA

RGB 184 226 170

HSL 105, 0.49%, 0.78%

LAB 85.75, -23.9, 23

 

CMYK 25 / 0 / 24 / 11

HEX #AAE2AB

RGB 170 226 171

HSL 121.07, 0.49%, 0.78%

LAB 84.93, -28.43, 21.23

 

CMYK 25 / 0 / 18 / 11

HEX #AAE2BA

RGB 170 226 186

HSL 137.14, 0.49%, 0.78%

LAB 85.24, -25.79, 13.83

 

CMYK 36 / 0 / 48 / 19

HEX #84CE6C

RGB 132 206 108

HSL 105.31, 0.5%, 0.62%

LAB 76.15, -41.24, 41.42

 

CMYK 27 / 0 / 36 / 15

HEX #9ED88B

RGB 158 216 139

HSL 105.19, 0.5%, 0.7%

LAB 80.87, -32.79, 32.16

 

CMYK 19 / 0 / 25 / 11

HEX #B8E2AA

RGB 184 226 170

HSL 105, 0.49%, 0.78%

LAB 85.75, -23.9, 23

 

CMYK 11 / 0 / 15 / 7

HEX #D2EDC9

RGB 210 237 201

HSL 105, 0.5%, 0.86%

LAB 91, -15.33, 14.5

 

CMYK 4 / 0 / 6 / 3

HEX #ECF7E8

RGB 236 247 232

HSL 104, 0.48%, 0.94%

LAB 96.07, -6.27, 5.94

 

CMYK 19 / 0 / 25 / 11

HEX #B8E3AA

RGB 184 227 170

HSL 105.26, 0.5%, 0.78%

LAB 86.02, -24.38, 23.38

 

CMYK 25 / 0 / 1 / 11

HEX #AAE2E0

RGB 170 226 224

HSL 177.86, 0.49%, 0.78%

LAB 86.17, -18.16, -4.84

 

CMYK 0 / 25 / 8 / 11

HEX #E2AACF

RGB 226 170 207

HSL 320.36, 0.49%, 0.78%

LAB 75.71, 26.33, -10.76

 

CMYK 19 / 0 / 25 / 11

HEX #B8E3AA

RGB 184 227 170

HSL 105.26, 0.5%, 0.78%

LAB 86.02, -24.38, 23.38

 

CMYK 25 / 19 / 0 / 11

HEX #AAB8E2

RGB 170 184 226

HSL 225, 0.49%, 0.78%

LAB 75.03, 4.28, -22.61

 

CMYK 0 / 25 / 19 / 11

HEX #E2AAB8

RGB 226 170 184

HSL 345, 0.49%, 0.78%

LAB 75.06, 22.6, 0.86

 

CMYK 19 / 0 / 25 / 11

HEX #B8E3AA

RGB 184 227 170

HSL 105.26, 0.5%, 0.78%

LAB 86.02, -24.38, 23.38

 

CMYK 25 / 0 / 1 / 11

HEX #AAE2E0

RGB 170 226 224

HSL 177.86, 0.49%, 0.78%

LAB 86.17, -18.16, -4.84

 

CMYK 6 / 25 / 0 / 11

HEX #D4AAE2

RGB 212 170 226

HSL 285, 0.49%, 0.78%

LAB 74.97, 25.16, -22.37

 

CMYK 0 / 25 / 23 / 11

HEX #E2AAAD

RGB 226 170 173

HSL 356.79, 0.49%, 0.78%

LAB 74.78, 20.96, 6.48

 

CMYK 19 / 0 / 25 / 11

HEX #B8E3AA

RGB 184 227 170

HSL 105.26, 0.5%, 0.78%

LAB 86.02, -24.38, 23.38

 

CMYK 25 / 6 / 0 / 11

HEX #AAD4E2

RGB 170 212 226

HSL 195, 0.49%, 0.78%

LAB 82.45, -10.61, -11.42

 

CMYK 6 / 25 / 0 / 11

HEX #D4AAE2

RGB 212 170 226

HSL 285, 0.49%, 0.78%

LAB 74.97, 25.16, -22.37

 

CMYK 0 / 19 / 25 / 11

HEX #E2B8AA

RGB 226 184 170

HSL 15, 0.49%, 0.78%

LAB 78.08, 13.04, 12.81

 

Description

Color code: HEX #B8E3AA | qconv.com Color code: HEX #B8E3AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 227 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 227 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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