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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8EDAD it is the complementary color #471252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8EDAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8EDAD shade: #BDEDA8, #CEFFBB, #DFFFCE, #F0FFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8EDAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8EDAD shade: #B8EDAD, #A7DB9A, #96C987, #85B774 and #74A561

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8EDAD shade: #B6ECAB, #C8ECAB, #D9ECAB, #EBECAB and #ECDCAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8EDAD shade: #B6ECAB, #ABECB1, #ABECC3, #ABECD4 and #ABECE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8EDAD shade matches the following richer shades: #B6ECAB, #B1F4A3 and #ABFD9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8EDAD shade: #B6ECAB, #BBE4B3, #C1DCBB, #C6D3C4 and #CCCBCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8EDAD shade: #DAECAB, #C8ECAB, #B7ECAB, #ABECB0 and #ABECC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8EDAD shade: #7BDD67, #99E589, #B6ECAB, #D3F4CD and #F1FBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8EDAD shade: #B8EDAD, #ABEBEC and #ECABD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8EDAD shade: #B8EDAD, #ABB7EC and #ECABB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8EDAD shade: #B8EDAD, #ABEBEC, #E0ABEC and #ECACAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8EDAD shade: #B8EDAD, #ABD7EC, #E0ABEC and #ECC0AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 27 / 7

HEX #B8EDAD

RGB 184 237 173

HSL 109.69, 0.64%, 0.8%

LAB 88.82, -28.69, 25.66

 

Complementary color

CMYK 13 / 78 / 0 / 68

HEX #471252

RGB 71 18 82

HSL 289.69, 0.64%, 0.2%

LAB 17.37, 34.83, -26.97

 

CMYK 20 / 0 / 29 / 7

HEX #BDEDA8

RGB 189 237 168

HSL 101.74, 0.66%, 0.79%

LAB 89.02, -27.77, 28.55

 

CMYK 19 / 0 / 27 / 0

HEX #CEFFBB

RGB 206 255 187

HSL 103.24, 1%, 0.87%

LAB 95.26, -27.63, 27.54

 

CMYK 13 / 0 / 19 / 0

HEX #DFFFCE

RGB 223 255 206

HSL 99.18, 1%, 0.9%

LAB 96.68, -18.92, 20.03

 

CMYK 6 / 0 / 12 / 0

HEX #F0FFE1

RGB 240 255 225

HSL 90, 1%, 0.94%

LAB 98.23, -10.09, 12.66

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 22 / 0 / 27 / 7

HEX #B8EDAD

RGB 184 237 173

HSL 109.69, 0.64%, 0.8%

LAB 88.82, -28.69, 25.66

 

CMYK 24 / 0 / 30 / 14

HEX #A7DB9A

RGB 167 219 154

HSL 108, 0.47%, 0.73%

LAB 82.49, -28.87, 26.69

 

CMYK 25 / 0 / 33 / 21

HEX #96C987

RGB 150 201 135

HSL 106.36, 0.38%, 0.66%

LAB 76.07, -29.05, 27.77

 

CMYK 27 / 0 / 37 / 28

HEX #85B774

RGB 133 183 116

HSL 104.78, 0.32%, 0.59%

LAB 69.55, -29.24, 28.92

 

CMYK 30 / 0 / 41 / 35

HEX #74A561

RGB 116 165 97

HSL 103.24, 0.27%, 0.51%

LAB 62.92, -29.41, 30.12

 

CMYK 23 / 0 / 28 / 7

HEX #B6ECAB

RGB 182 236 171

HSL 109.85, 0.63%, 0.8%

LAB 88.39, -29.2, 26.08

 

CMYK 15 / 0 / 28 / 7

HEX #C8ECAB

RGB 200 236 171

HSL 93.23, 0.63%, 0.8%

LAB 89.49, -23.03, 27.77

 

CMYK 8 / 0 / 28 / 7

HEX #D9ECAB

RGB 217 236 171

HSL 77.54, 0.63%, 0.8%

LAB 90.64, -16.96, 29.51

 

CMYK 0 / 0 / 28 / 7

HEX #EBECAB

RGB 235 236 171

HSL 60.92, 0.63%, 0.8%

LAB 91.95, -10.34, 31.5

 

CMYK 0 / 7 / 28 / 7

HEX #ECDCAB

RGB 236 220 171

HSL 45.23, 0.63%, 0.8%

LAB 87.95, -1.88, 26.11

 

CMYK 23 / 0 / 28 / 7

HEX #B6ECAB

RGB 182 236 171

HSL 109.85, 0.63%, 0.8%

LAB 88.39, -29.2, 26.08

 

CMYK 28 / 0 / 25 / 7

HEX #ABECB1

RGB 171 236 177

HSL 125.54, 0.63%, 0.8%

LAB 87.88, -31.81, 22.21

 

CMYK 28 / 0 / 17 / 7

HEX #ABECC3

RGB 171 236 195

HSL 142.15, 0.63%, 0.8%

LAB 88.25, -28.6, 13.39

 

CMYK 28 / 0 / 10 / 7

HEX #ABECD4

RGB 171 236 212

HSL 157.85, 0.63%, 0.8%

LAB 88.64, -25.3, 5.08

 

CMYK 28 / 0 / 3 / 7

HEX #ABECE6

RGB 171 236 230

HSL 174.46, 0.63%, 0.8%

LAB 89.09, -21.53, -3.68

 

CMYK 23 / 0 / 28 / 7

HEX #B6ECAB

RGB 182 236 171

HSL 109.85, 0.63%, 0.8%

LAB 88.39, -29.2, 26.08

 

CMYK 27 / 0 / 33 / 4

HEX #B1F4A3

RGB 177 244 163

HSL 109.63, 0.79%, 0.8%

LAB 90.18, -35.8, 32.52

 

CMYK 32 / 0 / 39 / 1

HEX #ABFD9A

RGB 171 253 154

HSL 109.7, 0.96%, 0.8%

LAB 92.24, -43.05, 39.65

 

CMYK 23 / 0 / 28 / 7

HEX #B6ECAB

RGB 182 236 171

HSL 109.85, 0.63%, 0.8%

LAB 88.39, -29.2, 26.08

 

CMYK 18 / 0 / 21 / 11

HEX #BBE4B3

RGB 187 228 179

HSL 110.2, 0.48%, 0.8%

LAB 86.66, -22.38, 19.61

 

CMYK 12 / 0 / 15 / 14

HEX #C1DCBB

RGB 193 220 187

HSL 109.09, 0.32%, 0.8%

LAB 85.05, -15.03, 13.24

 

CMYK 6 / 0 / 7 / 17

HEX #C6D3C4

RGB 198 211 196

HSL 112, 0.15%, 0.8%

LAB 83.22, -7.15, 5.91

 

CMYK 0 / 0 / 0 / 20

HEX #CCCBCC

RGB 204 203 204

HSL 300, 0.01%, 0.8%

LAB 81.79, 0.53, -0.38

 

CMYK 8 / 0 / 28 / 7

HEX #DAECAB

RGB 218 236 171

HSL 76.62, 0.63%, 0.8%

LAB 90.71, -16.59, 29.61

 

CMYK 15 / 0 / 28 / 7

HEX #C8ECAB

RGB 200 236 171

HSL 93.23, 0.63%, 0.8%

LAB 89.49, -23.03, 27.77

 

CMYK 22 / 0 / 28 / 7

HEX #B7ECAB

RGB 183 236 171

HSL 108.92, 0.63%, 0.8%

LAB 88.45, -28.87, 26.17

 

CMYK 28 / 0 / 25 / 7

HEX #ABECB0

RGB 171 236 176

HSL 124.62, 0.63%, 0.8%

LAB 87.86, -31.98, 22.69

 

CMYK 28 / 0 / 18 / 7

HEX #ABECC2

RGB 171 236 194

HSL 141.23, 0.63%, 0.8%

LAB 88.23, -28.79, 13.88

 

CMYK 44 / 0 / 53 / 13

HEX #7BDD67

RGB 123 221 103

HSL 109.83, 0.63%, 0.64%

LAB 80.13, -50.99, 48.56

 

CMYK 33 / 0 / 40 / 10

HEX #99E589

RGB 153 229 137

HSL 109.57, 0.64%, 0.72%

LAB 84.29, -40.64, 37.58

 

CMYK 23 / 0 / 28 / 7

HEX #B6ECAB

RGB 182 236 171

HSL 109.85, 0.63%, 0.8%

LAB 88.39, -29.2, 26.08

 

CMYK 14 / 0 / 16 / 4

HEX #D3F4CD

RGB 211 244 205

HSL 110.77, 0.64%, 0.88%

LAB 93, -17.77, 15.25

 

CMYK 4 / 0 / 5 / 2

HEX #F1FBEF

RGB 241 251 239

HSL 110, 0.6%, 0.96%

LAB 97.6, -5.4, 4.6

 

CMYK 22 / 0 / 27 / 7

HEX #B8EDAD

RGB 184 237 173

HSL 109.69, 0.64%, 0.8%

LAB 88.82, -28.69, 25.66

 

CMYK 28 / 0 / 0 / 7

HEX #ABEBEC

RGB 171 235 236

HSL 180.92, 0.63%, 0.8%

LAB 88.98, -19.72, -6.98

 

CMYK 0 / 28 / 11 / 7

HEX #ECABD1

RGB 236 171 209

HSL 324.92, 0.63%, 0.8%

LAB 77.02, 29.55, -9.8

 

CMYK 22 / 0 / 27 / 7

HEX #B8EDAD

RGB 184 237 173

HSL 109.69, 0.64%, 0.8%

LAB 88.82, -28.69, 25.66

 

CMYK 28 / 22 / 0 / 7

HEX #ABB7EC

RGB 171 183 236

HSL 228.92, 0.63%, 0.8%

LAB 75.19, 7.5, -27.76

 

CMYK 0 / 28 / 22 / 7

HEX #ECABB7

RGB 236 171 183

HSL 348.92, 0.63%, 0.8%

LAB 76.3, 25.52, 3.33

 

CMYK 22 / 0 / 27 / 7

HEX #B8EDAD

RGB 184 237 173

HSL 109.69, 0.64%, 0.8%

LAB 88.82, -28.69, 25.66

 

CMYK 28 / 0 / 0 / 7

HEX #ABEBEC

RGB 171 235 236

HSL 180.92, 0.63%, 0.8%

LAB 88.98, -19.72, -6.98

 

CMYK 5 / 28 / 0 / 7

HEX #E0ABEC

RGB 224 171 236

HSL 288.92, 0.63%, 0.8%

LAB 76.7, 30.42, -25.07

 

CMYK 0 / 27 / 28 / 7

HEX #ECACAB

RGB 236 172 171

HSL 0.92, 0.63%, 0.8%

LAB 76.24, 23.31, 9.79

 

CMYK 22 / 0 / 27 / 7

HEX #B8EDAD

RGB 184 237 173

HSL 109.69, 0.64%, 0.8%

LAB 88.82, -28.69, 25.66

 

CMYK 28 / 9 / 0 / 7

HEX #ABD7EC

RGB 171 215 236

HSL 199.38, 0.63%, 0.8%

LAB 83.61, -9.59, -14.99

 

CMYK 5 / 28 / 0 / 7

HEX #E0ABEC

RGB 224 171 236

HSL 288.92, 0.63%, 0.8%

LAB 76.7, 30.42, -25.07

 

CMYK 0 / 19 / 28 / 7

HEX #ECC0AB

RGB 236 192 171

HSL 19.38, 0.63%, 0.8%

LAB 81, 12.69, 16.51

 

Description

Color code: HEX #B8EDAD | qconv.com Color code: HEX #B8EDAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 237 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 237 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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