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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8EDD6 it is the complementary color #471229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8EDD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8EDD6 shade: #BDEDD1, #CEFFE4, #DFFFF7 and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8EDD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8EDD6 shade: #B8EDD6, #A7DBC3, #96C9B0, #85B79D and #74A58A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8EDD6 shade: #B9EDD7, #B9EDC9, #B9EDBB, #C6EDB9 and #D4EDB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8EDD6 shade: #B9EDD7, #B9EDE5, #B9E8ED, #B9DAED and #B9CCED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8EDD6 shade matches the following richer shades: #B9EDD7, #B2F4D8 and #ABFBD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8EDD6 shade: #B9EDD7, #C0E6D6, #C7DFD5, #CED8D4 and #D5D1D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8EDD6 shade: #B9EDBA, #B9EDC8, #B9EDD6, #B9EDE4 and #B9E9ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8EDD6 shade: #77DDB1, #98E5C4, #B9EDD7, #DAF5EA and #FBFEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8EDD6 shade: #B8EDD6, #B9C6ED and #EDC1B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8EDD6 shade: #B8EDD6, #D6B9ED and #EDD6B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8EDD6 shade: #B8EDD6, #B9C6ED, #EDB9D1 and #EDE0B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8EDD6 shade: #B8EDD6, #BCB9ED, #EDB9D1 and #EBEDB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 10 / 7

HEX #B8EDD6

RGB 184 237 214

HSL 153.96, 0.6%, 0.83%

LAB 89.68, -21.44, 5.63

 

Complementary color

CMYK 0 / 75 / 42 / 72

HEX #471229

RGB 71 18 41

HSL 333.96, 0.6%, 0.17%

LAB 15.13, 27.53, -1.63

 

CMYK 20 / 0 / 12 / 7

HEX #BDEDD1

RGB 189 237 209

HSL 145, 0.57%, 0.84%

LAB 89.85, -20.83, 8.52

 

CMYK 19 / 0 / 11 / 0

HEX #CEFFE4

RGB 206 255 228

HSL 146.94, 1%, 0.9%

LAB 96.1, -20.7, 7.79

 

CMYK 13 / 0 / 3 / 0

HEX #DFFFF7

RGB 223 255 247

HSL 165, 1%, 0.94%

LAB 97.6, -11.78, 0.33

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 22 / 0 / 10 / 7

HEX #B8EDD6

RGB 184 237 214

HSL 153.96, 0.6%, 0.83%

LAB 89.68, -21.44, 5.63

 

CMYK 24 / 0 / 11 / 14

HEX #A7DBC3

RGB 167 219 195

HSL 152.31, 0.42%, 0.76%

LAB 83.35, -21.61, 6.36

 

CMYK 25 / 0 / 12 / 21

HEX #96C9B0

RGB 150 201 176

HSL 150.59, 0.32%, 0.69%

LAB 76.92, -21.79, 7.13

 

CMYK 27 / 0 / 14 / 28

HEX #85B79D

RGB 133 183 157

HSL 148.8, 0.26%, 0.62%

LAB 70.38, -21.99, 7.94

 

CMYK 30 / 0 / 16 / 35

HEX #74A58A

RGB 116 165 138

HSL 146.94, 0.21%, 0.55%

LAB 63.72, -22.22, 8.8

 

CMYK 22 / 0 / 9 / 7

HEX #B9EDD7

RGB 185 237 215

HSL 154.62, 0.59%, 0.83%

LAB 89.76, -20.94, 5.23

 

CMYK 22 / 0 / 15 / 7

HEX #B9EDC9

RGB 185 237 201

HSL 138.46, 0.59%, 0.83%

LAB 89.44, -23.58, 12.06

 

CMYK 22 / 0 / 21 / 7

HEX #B9EDBB

RGB 185 237 187

HSL 122.31, 0.59%, 0.83%

LAB 89.14, -26.06, 18.91

 

CMYK 16 / 0 / 22 / 7

HEX #C6EDB9

RGB 198 237 185

HSL 105, 0.59%, 0.83%

LAB 89.9, -22.04, 21.11

 

CMYK 11 / 0 / 22 / 7

HEX #D4EDB9

RGB 212 237 185

HSL 88.85, 0.59%, 0.83%

LAB 90.81, -17.2, 22.52

 

CMYK 22 / 0 / 9 / 7

HEX #B9EDD7

RGB 185 237 215

HSL 154.62, 0.59%, 0.83%

LAB 89.76, -20.94, 5.23

 

CMYK 22 / 0 / 3 / 7

HEX #B9EDE5

RGB 185 237 229

HSL 170.77, 0.59%, 0.83%

LAB 90.11, -18.13, -1.57

 

CMYK 22 / 2 / 0 / 7

HEX #B9E8ED

RGB 185 232 237

HSL 185.77, 0.59%, 0.83%

LAB 88.99, -13.95, -7.41

 

CMYK 22 / 8 / 0 / 7

HEX #B9DAED

RGB 185 218 237

HSL 201.92, 0.59%, 0.83%

LAB 85.29, -6.8, -12.92

 

CMYK 22 / 14 / 0 / 7

HEX #B9CCED

RGB 185 204 237

HSL 218.08, 0.59%, 0.83%

LAB 81.63, 0.56, -18.41

 

CMYK 22 / 0 / 9 / 7

HEX #B9EDD7

RGB 185 237 215

HSL 154.62, 0.59%, 0.83%

LAB 89.76, -20.94, 5.23

 

CMYK 27 / 0 / 11 / 4

HEX #B2F4D8

RGB 178 244 216

HSL 154.55, 0.75%, 0.83%

LAB 91.29, -26.27, 6.87

 

CMYK 32 / 0 / 14 / 2

HEX #ABFBD8

RGB 171 251 216

HSL 153.75, 0.91%, 0.83%

LAB 92.84, -31.62, 9.05

 

CMYK 22 / 0 / 9 / 7

HEX #B9EDD7

RGB 185 237 215

HSL 154.62, 0.59%, 0.83%

LAB 89.76, -20.94, 5.23

 

CMYK 17 / 0 / 7 / 10

HEX #C0E6D6

RGB 192 230 214

HSL 154.74, 0.43%, 0.83%

LAB 88.28, -15.46, 3.67

 

CMYK 11 / 0 / 4 / 13

HEX #C7DFD5

RGB 199 223 213

HSL 155, 0.27%, 0.83%

LAB 86.86, -9.84, 2.19

 

CMYK 5 / 0 / 2 / 15

HEX #CED8D4

RGB 206 216 212

HSL 156, 0.11%, 0.83%

LAB 85.5, -4.11, 0.79

 

CMYK 0 / 2 / 1 / 16

HEX #D5D1D3

RGB 213 209 211

HSL 330, 0.05%, 0.83%

LAB 84.2, 1.73, -0.51

 

CMYK 22 / 0 / 22 / 7

HEX #B9EDBA

RGB 185 237 186

HSL 121.15, 0.59%, 0.83%

LAB 89.12, -26.23, 19.4

 

CMYK 22 / 0 / 16 / 7

HEX #B9EDC8

RGB 185 237 200

HSL 137.31, 0.59%, 0.83%

LAB 89.42, -23.77, 12.55

 

CMYK 22 / 0 / 10 / 7

HEX #B9EDD6

RGB 185 237 214

HSL 153.46, 0.59%, 0.83%

LAB 89.74, -21.13, 5.72

 

CMYK 22 / 0 / 4 / 7

HEX #B9EDE4

RGB 185 237 228

HSL 169.62, 0.59%, 0.83%

LAB 90.08, -18.34, -1.09

 

CMYK 22 / 2 / 0 / 7

HEX #B9E9ED

RGB 185 233 237

HSL 184.62, 0.59%, 0.83%

LAB 89.26, -14.46, -7.01

 

CMYK 46 / 0 / 20 / 13

HEX #77DDB1

RGB 119 221 177

HSL 154.12, 0.6%, 0.67%

LAB 81.19, -39.89, 12.48

 

CMYK 34 / 0 / 14 / 10

HEX #98E5C4

RGB 152 229 196

HSL 154.29, 0.6%, 0.75%

LAB 85.35, -30.74, 8.61

 

CMYK 22 / 0 / 9 / 7

HEX #B9EDD7

RGB 185 237 215

HSL 154.62, 0.59%, 0.83%

LAB 89.76, -20.94, 5.23

 

CMYK 11 / 0 / 4 / 4

HEX #DAF5EA

RGB 218 245 234

HSL 155.56, 0.57%, 0.91%

LAB 94.38, -10.83, 2.3

 

CMYK 1 / 0 / 0 / 0

HEX #FBFEFD

RGB 251 254 253

HSL 160, 0.6%, 0.99%

LAB 99.41, -1.16, 0.12

 

CMYK 22 / 0 / 10 / 7

HEX #B8EDD6

RGB 184 237 214

HSL 153.96, 0.6%, 0.83%

LAB 89.68, -21.44, 5.63

 

CMYK 22 / 16 / 0 / 7

HEX #B9C6ED

RGB 185 198 237

HSL 225, 0.59%, 0.83%

LAB 80.08, 3.76, -20.76

 

CMYK 0 / 19 / 22 / 7

HEX #EDC1B9

RGB 237 193 185

HSL 9.23, 0.59%, 0.83%

LAB 81.65, 14.49, 9.94

 

CMYK 22 / 0 / 10 / 7

HEX #B8EDD6

RGB 184 237 214

HSL 153.96, 0.6%, 0.83%

LAB 89.68, -21.44, 5.63

 

CMYK 10 / 22 / 0 / 7

HEX #D6B9ED

RGB 214 185 237

HSL 273.46, 0.59%, 0.83%

LAB 79.1, 19.86, -22.02

 

CMYK 0 / 10 / 22 / 7

HEX #EDD6B9

RGB 237 214 185

HSL 33.46, 0.59%, 0.83%

LAB 86.8, 3.49, 17.23

 

CMYK 22 / 0 / 10 / 7

HEX #B8EDD6

RGB 184 237 214

HSL 153.96, 0.6%, 0.83%

LAB 89.68, -21.44, 5.63

 

CMYK 22 / 16 / 0 / 7

HEX #B9C6ED

RGB 185 198 237

HSL 225, 0.59%, 0.83%

LAB 80.08, 3.76, -20.76

 

CMYK 0 / 22 / 12 / 7

HEX #EDB9D1

RGB 237 185 209

HSL 332.31, 0.59%, 0.83%

LAB 80.35, 22.44, -4.85

 

CMYK 0 / 5 / 22 / 7

HEX #EDE0B9

RGB 237 224 185

HSL 45, 0.59%, 0.83%

LAB 89.31, -1.66, 20.72

 

CMYK 22 / 0 / 10 / 7

HEX #B8EDD6

RGB 184 237 214

HSL 153.96, 0.6%, 0.83%

LAB 89.68, -21.44, 5.63

 

CMYK 21 / 22 / 0 / 7

HEX #BCB9ED

RGB 188 185 237

HSL 243.46, 0.59%, 0.83%

LAB 76.98, 11.72, -25.45

 

CMYK 0 / 22 / 12 / 7

HEX #EDB9D1

RGB 237 185 209

HSL 332.31, 0.59%, 0.83%

LAB 80.35, 22.44, -4.85

 

CMYK 1 / 0 / 22 / 7

HEX #EBEDB9

RGB 235 237 185

HSL 62.31, 0.59%, 0.83%

LAB 92.46, -8.96, 25.04

 

Description

Color code: HEX #B8EDD6 | qconv.com Color code: HEX #B8EDD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 237 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 237 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 10 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 10% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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