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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8F663 it is the complementary color #47099C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8F663. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8F663 shade: #BDF65E, #CEFF71, #DFFF84, #F0FF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8F663. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8F663 shade: #B8F663, #A7E450, #96D23D, #85C02A and #74AE17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8F663 shade: #B8F664, #DFF664, #F6E464, #F6BD64 and #F69664

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8F663 shade: #B8F664, #91F664, #6AF664, #64F686 and #64F6AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8F663 shade matches the following richer shades: #B8F664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8F663 shade: #B8F664, #B6E871, #B4DB7F, #B2CE8C and #B0C199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8F663 shade: #F6E564, #E0F664, #B9F664, #92F664 and #6CF664

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8F663 shade: #95F116, #A6F33D, #B8F664, #CAF88B and #DCFAB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8F663 shade: #B8F663, #64F6BE and #F664F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8F663 shade: #B8F663, #64B9F6 and #F664B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8F663 shade: #B8F663, #64F6BE, #A164F6 and #F6649C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8F663 shade: #B8F663, #64F6E9, #A164F6 and #F66470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 60 / 4

HEX #B8F663

RGB 184 246 99

HSL 85.31, 0.89%, 0.68%

LAB 90.32, -41.69, 62.89

 

Complementary color

CMYK 54 / 94 / 0 / 39

HEX #47099C

RGB 71 9 156

HSL 265.31, 0.89%, 0.32%

LAB 23.46, 55.24, -64.6

 

CMYK 23 / 0 / 62 / 4

HEX #BDF65E

RGB 189 246 94

HSL 82.5, 0.89%, 0.67%

LAB 90.57, -40.28, 65.31

 

CMYK 19 / 0 / 56 / 0

HEX #CEFF71

RGB 206 255 113

HSL 80.7, 1%, 0.72%

LAB 94.24, -36.49, 61.68

 

CMYK 13 / 0 / 48 / 0

HEX #DFFF84

RGB 223 255 132

HSL 75.61, 1%, 0.76%

LAB 95.53, -28.42, 54.93

 

CMYK 6 / 0 / 41 / 0

HEX #F0FF97

RGB 240 255 151

HSL 68.65, 1%, 0.8%

LAB 96.93, -20.11, 47.96

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 25 / 0 / 60 / 4

HEX #B8F663

RGB 184 246 99

HSL 85.31, 0.89%, 0.68%

LAB 90.32, -41.69, 62.89

 

CMYK 27 / 0 / 65 / 11

HEX #A7E450

RGB 167 228 80

HSL 84.73, 0.73%, 0.6%

LAB 84.11, -41.45, 63.62

 

CMYK 29 / 0 / 71 / 18

HEX #96D23D

RGB 150 210 61

HSL 84.16, 0.62%, 0.53%

LAB 77.82, -41.1, 64.03

 

CMYK 31 / 0 / 78 / 25

HEX #85C02A

RGB 133 192 42

HSL 83.6, 0.64%, 0.46%

LAB 71.46, -40.59, 63.87

 

CMYK 33 / 0 / 87 / 32

HEX #74AE17

RGB 116 174 23

HSL 83.05, 0.77%, 0.39%

LAB 65, -39.87, 62.72

 

CMYK 25 / 0 / 59 / 4

HEX #B8F664

RGB 184 246 100

HSL 85.48, 0.89%, 0.68%

LAB 90.33, -41.61, 62.48

 

CMYK 9 / 0 / 59 / 4

HEX #DFF664

RGB 223 246 100

HSL 69.45, 0.89%, 0.68%

LAB 92.8, -26.92, 65.91

 

CMYK 0 / 7 / 59 / 4

HEX #F6E464

RGB 246 228 100

HSL 52.6, 0.89%, 0.68%

LAB 89.86, -8.99, 63.16

 

CMYK 0 / 23 / 59 / 4

HEX #F6BD64

RGB 246 189 100

HSL 36.58, 0.89%, 0.68%

LAB 80.13, 10.98, 52.13

 

CMYK 0 / 39 / 59 / 4

HEX #F69664

RGB 246 150 100

HSL 20.55, 0.89%, 0.68%

LAB 71.09, 31.46, 41.37

 

CMYK 25 / 0 / 59 / 4

HEX #B8F664

RGB 184 246 100

HSL 85.48, 0.89%, 0.68%

LAB 90.33, -41.61, 62.48

 

CMYK 41 / 0 / 59 / 4

HEX #91F664

RGB 145 246 100

HSL 101.51, 0.89%, 0.68%

LAB 88.38, -54.7, 59.75

 

CMYK 57 / 0 / 59 / 4

HEX #6AF664

RGB 106 246 100

HSL 117.53, 0.89%, 0.68%

LAB 86.95, -65.33, 57.74

 

CMYK 59 / 0 / 46 / 4

HEX #64F686

RGB 100 246 134

HSL 133.97, 0.89%, 0.68%

LAB 87.16, -62.29, 42.33

 

CMYK 59 / 0 / 30 / 4

HEX #64F6AD

RGB 100 246 173

HSL 150, 0.89%, 0.68%

LAB 87.79, -55.53, 23.68

 

CMYK 25 / 0 / 59 / 4

HEX #B8F664

RGB 184 246 100

HSL 85.48, 0.89%, 0.68%

LAB 90.33, -41.61, 62.48

 

CMYK 25 / 0 / 59 / 4

HEX #B8F664

RGB 184 246 100

HSL 85.48, 0.89%, 0.68%

LAB 90.33, -41.61, 62.48

 

CMYK 22 / 0 / 51 / 9

HEX #B6E871

RGB 182 232 113

HSL 85.21, 0.72%, 0.68%

LAB 86.43, -34.87, 52.18

 

CMYK 18 / 0 / 42 / 14

HEX #B4DB7F

RGB 180 219 127

HSL 85.43, 0.56%, 0.68%

LAB 82.86, -27.99, 41.04

 

CMYK 14 / 0 / 32 / 19

HEX #B2CE8C

RGB 178 206 140

HSL 85.45, 0.4%, 0.68%

LAB 79.33, -20.73, 29.82

 

CMYK 9 / 0 / 21 / 24

HEX #B0C199

RGB 176 193 153

HSL 85.5, 0.24%, 0.68%

LAB 75.87, -12.96, 18.23

 

CMYK 0 / 7 / 59 / 4

HEX #F6E564

RGB 246 229 100

HSL 53.01, 0.89%, 0.68%

LAB 90.11, -9.49, 63.45

 

CMYK 9 / 0 / 59 / 4

HEX #E0F664

RGB 224 246 100

HSL 69.04, 0.89%, 0.68%

LAB 92.87, -26.53, 66.01

 

CMYK 25 / 0 / 59 / 4

HEX #B9F664

RGB 185 246 100

HSL 85.07, 0.89%, 0.68%

LAB 90.39, -41.25, 62.56

 

CMYK 41 / 0 / 59 / 4

HEX #92F664

RGB 146 246 100

HSL 101.1, 0.89%, 0.68%

LAB 88.42, -54.39, 59.81

 

CMYK 56 / 0 / 59 / 4

HEX #6CF664

RGB 108 246 100

HSL 116.71, 0.89%, 0.68%

LAB 87.01, -64.85, 57.82

 

CMYK 38 / 0 / 91 / 5

HEX #95F116

RGB 149 241 22

HSL 85.21, 0.89%, 0.52%

LAB 86.68, -55.82, 81.61

 

CMYK 32 / 0 / 75 / 5

HEX #A6F33D

RGB 166 243 61

HSL 85.38, 0.88%, 0.6%

LAB 88.23, -49.39, 74.49

 

CMYK 25 / 0 / 59 / 4

HEX #B8F664

RGB 184 246 100

HSL 85.48, 0.89%, 0.68%

LAB 90.33, -41.61, 62.48

 

CMYK 19 / 0 / 44 / 3

HEX #CAF88B

RGB 202 248 139

HSL 85.32, 0.89%, 0.76%

LAB 92.38, -32.16, 47.46

 

CMYK 12 / 0 / 29 / 2

HEX #DCFAB2

RGB 220 250 178

HSL 85, 0.88%, 0.84%

LAB 94.65, -21.72, 31.41

 

CMYK 25 / 0 / 60 / 4

HEX #B8F663

RGB 184 246 99

HSL 85.31, 0.89%, 0.68%

LAB 90.32, -41.69, 62.89

 

CMYK 59 / 0 / 23 / 4

HEX #64F6BE

RGB 100 246 190

HSL 156.99, 0.89%, 0.68%

LAB 88.13, -52.04, 15.41

 

CMYK 0 / 59 / 1 / 4

HEX #F664F3

RGB 246 100 243

HSL 301.23, 0.89%, 0.68%

LAB 65.89, 72.93, -45.46

 

CMYK 25 / 0 / 60 / 4

HEX #B8F663

RGB 184 246 99

HSL 85.31, 0.89%, 0.68%

LAB 90.32, -41.69, 62.89

 

CMYK 59 / 25 / 0 / 4

HEX #64B9F6

RGB 100 185 246

HSL 205.07, 0.89%, 0.68%

LAB 72.27, -8.17, -38

 

CMYK 0 / 59 / 25 / 4

HEX #F664B9

RGB 246 100 185

HSL 325.07, 0.89%, 0.68%

LAB 63.52, 64.41, -16.6

 

CMYK 25 / 0 / 60 / 4

HEX #B8F663

RGB 184 246 99

HSL 85.31, 0.89%, 0.68%

LAB 90.32, -41.69, 62.89

 

CMYK 59 / 0 / 23 / 4

HEX #64F6BE

RGB 100 246 190

HSL 156.99, 0.89%, 0.68%

LAB 88.13, -52.04, 15.41

 

CMYK 35 / 59 / 0 / 4

HEX #A164F6

RGB 161 100 246

HSL 265.07, 0.89%, 0.68%

LAB 55.43, 53.52, -64.41

 

CMYK 0 / 59 / 37 / 4

HEX #F6649C

RGB 246 100 156

HSL 336.99, 0.89%, 0.68%

LAB 62.6, 60.94, -1.36

 

CMYK 25 / 0 / 60 / 4

HEX #B8F663

RGB 184 246 99

HSL 85.31, 0.89%, 0.68%

LAB 90.32, -41.69, 62.89

 

CMYK 59 / 0 / 5 / 4

HEX #64F6E9

RGB 100 246 233

HSL 174.66, 0.89%, 0.68%

LAB 89.16, -41.94, -5.47

 

CMYK 35 / 59 / 0 / 4

HEX #A164F6

RGB 161 100 246

HSL 265.07, 0.89%, 0.68%

LAB 55.43, 53.52, -64.41

 

CMYK 0 / 59 / 54 / 4

HEX #F66470

RGB 246 100 112

HSL 355.07, 0.89%, 0.68%

LAB 61.55, 56.84, 22.54

 

Description

Color code: HEX #B8F663 | qconv.com Color code: HEX #B8F663 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 246 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 246 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 60 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 60% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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