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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9020F it is the complementary color #46FDF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9020F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9020F shade: #BE020A, #CF141D, #E02630, #F13843 and #FF4A56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9020F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9020F shade: #B9020F, #A80000, #970000, #860000 and #750000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9020F shade: #BA010F and #BA0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9020F shade: #BA010F, #BA0140, #BA0172, #BA01A4 and #9F01BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9020F shade matches the following richer shades: #BA010F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9020F shade: #BA010F, #AB111C, #9C2029, #8D2F36 and #7D3E43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9020F shade: #BA0173, #BA0142, #BA0111, #BA2301 and #BA5501

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9020F shade: #690108, #91010B, #BA010F, #E30212 and #FC1223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9020F shade: #B9020F, #A5BA01 and #015BBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9020F shade: #B9020F, #11BA01 and #0111BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9020F shade: #B9020F, #A5BA01, #01BAAB and #1701BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9020F shade: #B9020F, #6DBA01, #01BAAB and #4E01BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 92 / 27

HEX #B9020F

RGB 185 2 15

HSL 355.74, 0.98%, 0.37%

LAB 38.54, 62.89, 47.2

 

Complementary color

CMYK 72 / 0 / 5 / 1

HEX #46FDF0

RGB 70 253 240

HSL 175.74, 0.98%, 0.63%

LAB 90.71, -47.43, -6.9

 

CMYK 0 / 99 / 95 / 25

HEX #BE020A

RGB 190 2 10

HSL 357.45, 0.98%, 0.38%

LAB 39.6, 64.1, 50.28

 

CMYK 0 / 90 / 86 / 19

HEX #CF141D

RGB 207 20 29

HSL 357.11, 0.82%, 0.45%

LAB 44.02, 66.7, 46.98

 

CMYK 0 / 83 / 79 / 12

HEX #E02630

RGB 224 38 48

HSL 356.77, 0.75%, 0.51%

LAB 48.82, 68.33, 42.71

 

CMYK 0 / 77 / 72 / 5

HEX #F13843

RGB 241 56 67

HSL 356.43, 0.87%, 0.58%

LAB 53.96, 69.06, 38.62

 

CMYK 0 / 71 / 66 / 0

HEX #FF4A56

RGB 255 74 86

HSL 356.02, 1%, 0.65%

LAB 58.82, 68.28, 34.2

 

CMYK 0 / 99 / 92 / 27

HEX #B9020F

RGB 185 2 15

HSL 355.74, 0.98%, 0.37%

LAB 38.54, 62.89, 47.2

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 100 / 100 / 47

HEX #860000

RGB 134 0 0

HSL 0, 1%, 0.26%

LAB 26.93, 49.67, 39.85

 

CMYK 0 / 100 / 100 / 54

HEX #750000

RGB 117 0 0

HSL 0, 1%, 0.23%

LAB 22.94, 45.05, 34.64

 

CMYK 0 / 99 / 92 / 27

HEX #BA010F

RGB 186 1 15

HSL 355.46, 0.99%, 0.37%

LAB 38.72, 63.25, 47.43

 

CMYK 0 / 99 / 99 / 27

HEX #BA0101

RGB 186 1 1

HSL 0, 0.99%, 0.37%

LAB 38.66, 63.1, 52.64

 

CMYK 0 / 99 / 92 / 27

HEX #BA010F

RGB 186 1 15

HSL 355.46, 0.99%, 0.37%

LAB 38.72, 63.25, 47.43

 

CMYK 0 / 99 / 66 / 27

HEX #BA0140

RGB 186 1 64

HSL 339.57, 0.99%, 0.37%

LAB 39.29, 64.82, 19.98

 

CMYK 0 / 99 / 39 / 27

HEX #BA0172

RGB 186 1 114

HSL 323.35, 0.99%, 0.37%

LAB 40.7, 68.54, -9.83

 

CMYK 0 / 99 / 12 / 27

HEX #BA01A4

RGB 186 1 164

HSL 307.14, 0.99%, 0.37%

LAB 42.98, 74.32, -36.92

 

CMYK 15 / 99 / 0 / 27

HEX #9F01BA

RGB 159 1 186

HSL 291.24, 0.99%, 0.37%

LAB 39.48, 73.23, -55.87

 

CMYK 0 / 99 / 92 / 27

HEX #BA010F

RGB 186 1 15

HSL 355.46, 0.99%, 0.37%

LAB 38.72, 63.25, 47.43

 

CMYK 0 / 99 / 92 / 27

HEX #BA010F

RGB 186 1 15

HSL 355.46, 0.99%, 0.37%

LAB 38.72, 63.25, 47.43

 

CMYK 0 / 90 / 84 / 33

HEX #AB111C

RGB 171 17 28

HSL 355.71, 0.82%, 0.37%

LAB 36.26, 57.59, 37.71

 

CMYK 0 / 79 / 74 / 39

HEX #9C2029

RGB 156 32 41

HSL 355.65, 0.66%, 0.37%

LAB 34.52, 50.18, 27.23

 

CMYK 0 / 67 / 62 / 45

HEX #8D2F36

RGB 141 47 54

HSL 355.53, 0.5%, 0.37%

LAB 33.9, 40.29, 17.62

 

CMYK 0 / 50 / 46 / 51

HEX #7D3E43

RGB 125 62 67

HSL 355.24, 0.34%, 0.37%

LAB 34.42, 27.76, 9.55

 

CMYK 0 / 99 / 38 / 27

HEX #BA0173

RGB 186 1 115

HSL 323.03, 0.99%, 0.37%

LAB 40.73, 68.63, -10.4

 

CMYK 0 / 99 / 65 / 27

HEX #BA0142

RGB 186 1 66

HSL 338.92, 0.99%, 0.37%

LAB 39.33, 64.93, 18.75

 

CMYK 0 / 99 / 91 / 27

HEX #BA0111

RGB 186 1 17

HSL 354.81, 0.99%, 0.37%

LAB 38.73, 63.28, 46.58

 

CMYK 0 / 81 / 99 / 27

HEX #BA2301

RGB 186 35 1

HSL 11.03, 0.99%, 0.37%

LAB 40.64, 57.43, 53.44

 

CMYK 0 / 54 / 99 / 27

HEX #BA5501

RGB 186 85 1

HSL 27.24, 0.99%, 0.37%

LAB 48.18, 37.19, 57.37

 

CMYK 0 / 99 / 92 / 59

HEX #690108

RGB 105 1 8

HSL 355.96, 0.98%, 0.21%

LAB 20.21, 41.66, 27.6

 

CMYK 0 / 99 / 92 / 43

HEX #91010B

RGB 145 1 11

HSL 355.83, 0.99%, 0.29%

LAB 29.58, 52.61, 38.58

 

CMYK 0 / 99 / 92 / 27

HEX #BA010F

RGB 186 1 15

HSL 355.46, 0.99%, 0.37%

LAB 38.72, 63.25, 47.43

 

CMYK 0 / 99 / 92 / 11

HEX #E30212

RGB 227 2 18

HSL 355.73, 0.98%, 0.45%

LAB 47.52, 73.36, 56.18

 

CMYK 0 / 93 / 86 / 1

HEX #FC1223

RGB 252 18 35

HSL 355.64, 0.98%, 0.53%

LAB 53.22, 78.39, 55.46

 

CMYK 0 / 99 / 92 / 27

HEX #B9020F

RGB 185 2 15

HSL 355.74, 0.98%, 0.37%

LAB 38.54, 62.89, 47.2

 

CMYK 11 / 0 / 99 / 27

HEX #A5BA01

RGB 165 186 1

HSL 66.81, 0.99%, 0.37%

LAB 71.64, -26.03, 72.5

 

CMYK 99 / 51 / 0 / 27

HEX #015BBA

RGB 1 91 186

HSL 210.81, 0.99%, 0.37%

LAB 39.64, 15.24, -56.2

 

CMYK 0 / 99 / 92 / 27

HEX #B9020F

RGB 185 2 15

HSL 355.74, 0.98%, 0.37%

LAB 38.54, 62.89, 47.2

 

CMYK 91 / 0 / 99 / 27

HEX #11BA01

RGB 17 186 1

HSL 114.81, 0.99%, 0.37%

LAB 65.93, -67.13, 65.62

 

CMYK 99 / 91 / 0 / 27

HEX #0111BA

RGB 1 17 186

HSL 234.81, 0.99%, 0.37%

LAB 23.51, 58.22, -82.74

 

CMYK 0 / 99 / 92 / 27

HEX #B9020F

RGB 185 2 15

HSL 355.74, 0.98%, 0.37%

LAB 38.54, 62.89, 47.2

 

CMYK 11 / 0 / 99 / 27

HEX #A5BA01

RGB 165 186 1

HSL 66.81, 0.99%, 0.37%

LAB 71.64, -26.03, 72.5

 

CMYK 99 / 0 / 8 / 27

HEX #01BAAB

RGB 1 186 171

HSL 175.14, 0.99%, 0.37%

LAB 68.07, -42.34, -3.54

 

CMYK 88 / 99 / 0 / 27

HEX #1701BA

RGB 23 1 186

HSL 247.14, 0.99%, 0.37%

LAB 22.82, 62.45, -83.88

 

CMYK 0 / 99 / 92 / 27

HEX #B9020F

RGB 185 2 15

HSL 355.74, 0.98%, 0.37%

LAB 38.54, 62.89, 47.2

 

CMYK 41 / 0 / 99 / 27

HEX #6DBA01

RGB 109 186 1

HSL 84.97, 0.99%, 0.37%

LAB 68.29, -47.87, 68.48

 

CMYK 99 / 0 / 8 / 27

HEX #01BAAB

RGB 1 186 171

HSL 175.14, 0.99%, 0.37%

LAB 68.07, -42.34, -3.54

 

CMYK 58 / 99 / 0 / 27

HEX #4E01BA

RGB 78 1 186

HSL 264.97, 0.99%, 0.37%

LAB 27.26, 64.48, -76.37

 

Description

Color code: HEX #B9020F | qconv.com Color code: HEX #B9020F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 2 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 2 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 92 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 92% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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