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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B90D5C it is the complementary color #46F2A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B90D5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B90D5C shade: #BE0D57, #CF1F6A, #E0317D, #F14390 and #FF55A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B90D5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B90D5C shade: #B90D5C, #A80049, #970036, #860023 and #750010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B90D5C shade: #B90C5C, #B90C2D and #B90C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B90D5C shade: #B90C5C, #B90C8B, #B90CB9, #8B0CB9 and #5C0CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B90D5C shade matches the following richer shades: #B90C5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B90D5C shade: #B90C5C, #A91D5D, #992D5F, #893D60 and #794D61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B90D5C shade: #B90CB9, #B90C8B, #B90C5D, #B90C2F and #B9180C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B90D5C shade: #6C0736, #930A49, #B90C5C, #E00F6F and #F02984

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B90D5C shade: #B90D5C, #B98B0C and #0CA2B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B90D5C shade: #B90D5C, #5DB90C and #0C5DB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B90D5C shade: #B90D5C, #B98B0C, #0CB969 and #0C3BB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B90D5C shade: #B90D5C, #B4B90C, #0CB969 and #120CB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 50 / 27

HEX #B90D5C

RGB 185 13 92

HSL 332.44, 0.87%, 0.39%

LAB 40.2, 65.12, 3.32

 

Complementary color

CMYK 71 / 0 / 33 / 5

HEX #46F2A3

RGB 70 242 163

HSL 152.44, 0.87%, 0.61%

LAB 85.73, -61.05, 25.86

 

CMYK 0 / 93 / 54 / 25

HEX #BE0D57

RGB 190 13 87

HSL 334.92, 0.87%, 0.4%

LAB 41.09, 65.93, 7.9

 

CMYK 0 / 85 / 49 / 19

HEX #CF1F6A

RGB 207 31 106

HSL 334.43, 0.74%, 0.47%

LAB 46.02, 68.58, 3.49

 

CMYK 0 / 78 / 44 / 12

HEX #E0317D

RGB 224 49 125

HSL 333.94, 0.74%, 0.54%

LAB 51.3, 70.15, -0.07

 

CMYK 0 / 72 / 40 / 5

HEX #F14390

RGB 241 67 144

HSL 333.45, 0.86%, 0.6%

LAB 56.81, 70.94, -2.96

 

CMYK 0 / 67 / 36 / 0

HEX #FF55A3

RGB 255 85 163

HSL 332.47, 1%, 0.67%

LAB 62, 70.36, -6.11

 

CMYK 0 / 93 / 50 / 27

HEX #B90D5C

RGB 185 13 92

HSL 332.44, 0.87%, 0.39%

LAB 40.2, 65.12, 3.32

 

CMYK 0 / 100 / 57 / 34

HEX #A80049

RGB 168 0 73

HSL 333.93, 1%, 0.33%

LAB 35.61, 61.19, 8.52

 

CMYK 0 / 100 / 64 / 41

HEX #970036

RGB 151 0 54

HSL 338.54, 1%, 0.3%

LAB 31.45, 55.88, 14.76

 

CMYK 0 / 100 / 74 / 47

HEX #860023

RGB 134 0 35

HSL 344.33, 1%, 0.26%

LAB 27.27, 50.6, 21.33

 

CMYK 0 / 100 / 86 / 54

HEX #750010

RGB 117 0 16

HSL 351.79, 1%, 0.23%

LAB 23.06, 45.4, 27.81

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5C

RGB 185 12 92

HSL 332.25, 0.88%, 0.39%

LAB 40.16, 65.24, 3.26

 

CMYK 0 / 94 / 76 / 27

HEX #B90C2D

RGB 185 12 45

HSL 348.55, 0.88%, 0.39%

LAB 39.18, 62.54, 31.71

 

CMYK 0 / 94 / 94 / 27

HEX #B90C0C

RGB 185 12 12

HSL 0, 0.88%, 0.39%

LAB 38.9, 61.75, 48.61

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5C

RGB 185 12 92

HSL 332.25, 0.88%, 0.39%

LAB 40.16, 65.24, 3.26

 

CMYK 0 / 94 / 25 / 27

HEX #B90C8B

RGB 185 12 139

HSL 315.95, 0.88%, 0.39%

LAB 41.91, 69.89, -23.47

 

CMYK 0 / 94 / 0 / 27

HEX #B90CB9

RGB 185 12 185

HSL 300, 0.88%, 0.39%

LAB 44.35, 76.09, -47.2

 

CMYK 25 / 94 / 0 / 27

HEX #8B0CB9

RGB 139 12 185

HSL 284.05, 0.88%, 0.39%

LAB 36.47, 68.91, -60.31

 

CMYK 50 / 94 / 0 / 27

HEX #5C0CB9

RGB 92 12 185

HSL 267.75, 0.88%, 0.39%

LAB 29.52, 63.41, -71.99

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5C

RGB 185 12 92

HSL 332.25, 0.88%, 0.39%

LAB 40.16, 65.24, 3.26

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5C

RGB 185 12 92

HSL 332.25, 0.88%, 0.39%

LAB 40.16, 65.24, 3.26

 

CMYK 0 / 83 / 45 / 34

HEX #A91D5D

RGB 169 29 93

HSL 332.57, 0.71%, 0.39%

LAB 38.03, 58.33, -0.88

 

CMYK 0 / 71 / 38 / 40

HEX #992D5F

RGB 153 45 95

HSL 332.22, 0.55%, 0.39%

LAB 36.88, 48.94, -4.19

 

CMYK 0 / 55 / 30 / 46

HEX #893D60

RGB 137 61 96

HSL 332.37, 0.38%, 0.39%

LAB 36.93, 36.52, -5.05

 

CMYK 0 / 36 / 20 / 53

HEX #794D61

RGB 121 77 97

HSL 332.73, 0.22%, 0.39%

LAB 38.26, 21.71, -3.95

 

CMYK 0 / 94 / 0 / 27

HEX #B90CB9

RGB 185 12 185

HSL 300, 0.88%, 0.39%

LAB 44.35, 76.09, -47.2

 

CMYK 0 / 94 / 25 / 27

HEX #B90C8B

RGB 185 12 139

HSL 315.95, 0.88%, 0.39%

LAB 41.91, 69.89, -23.47

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5D

RGB 185 12 93

HSL 331.91, 0.88%, 0.39%

LAB 40.19, 65.32, 2.66

 

CMYK 0 / 94 / 75 / 27

HEX #B90C2F

RGB 185 12 47

HSL 347.86, 0.88%, 0.39%

LAB 39.21, 62.61, 30.52

 

CMYK 0 / 87 / 94 / 27

HEX #B9180C

RGB 185 24 12

HSL 4.16, 0.88%, 0.39%

LAB 39.57, 59.84, 49.02

 

CMYK 0 / 94 / 50 / 58

HEX #6C0736

RGB 108 7 54

HSL 332.08, 0.88%, 0.23%

LAB 22.33, 43.65, 0.6

 

CMYK 0 / 93 / 50 / 42

HEX #930A49

RGB 147 10 73

HSL 332.41, 0.87%, 0.31%

LAB 31.58, 54.78, 2.18

 

CMYK 0 / 94 / 50 / 27

HEX #B90C5C

RGB 185 12 92

HSL 332.25, 0.88%, 0.39%

LAB 40.16, 65.24, 3.26

 

CMYK 0 / 93 / 50 / 12

HEX #E00F6F

RGB 224 15 111

HSL 332.44, 0.87%, 0.47%

LAB 48.68, 75.37, 4.67

 

CMYK 0 / 83 / 45 / 6

HEX #F02984

RGB 240 41 132

HSL 332.56, 0.87%, 0.55%

LAB 53.79, 76.64, -0.28

 

CMYK 0 / 93 / 50 / 27

HEX #B90D5C

RGB 185 13 92

HSL 332.44, 0.87%, 0.39%

LAB 40.2, 65.12, 3.32

 

CMYK 0 / 25 / 94 / 27

HEX #B98B0C

RGB 185 139 12

HSL 44.05, 0.88%, 0.39%

LAB 60.61, 7.57, 63.65

 

CMYK 94 / 12 / 0 / 27

HEX #0CA2B9

RGB 12 162 185

HSL 187.98, 0.88%, 0.39%

LAB 61.15, -26.35, -21.72

 

CMYK 0 / 93 / 50 / 27

HEX #B90D5C

RGB 185 13 92

HSL 332.44, 0.87%, 0.39%

LAB 40.2, 65.12, 3.32

 

CMYK 50 / 0 / 94 / 27

HEX #5DB90C

RGB 93 185 12

HSL 91.91, 0.88%, 0.39%

LAB 67.32, -52.45, 66.11

 

CMYK 94 / 50 / 0 / 27

HEX #0C5DB9

RGB 12 93 185

HSL 211.91, 0.88%, 0.39%

LAB 40.26, 13.93, -54.6

 

CMYK 0 / 93 / 50 / 27

HEX #B90D5C

RGB 185 13 92

HSL 332.44, 0.87%, 0.39%

LAB 40.2, 65.12, 3.32

 

CMYK 0 / 25 / 94 / 27

HEX #B98B0C

RGB 185 139 12

HSL 44.05, 0.88%, 0.39%

LAB 60.61, 7.57, 63.65

 

CMYK 94 / 0 / 43 / 27

HEX #0CB969

RGB 12 185 105

HSL 152.25, 0.88%, 0.39%

LAB 66.36, -57.37, 29.82

 

CMYK 94 / 68 / 0 / 27

HEX #0C3BB9

RGB 12 59 185

HSL 223.7, 0.88%, 0.39%

LAB 31.13, 36.54, -69.5

 

CMYK 0 / 93 / 50 / 27

HEX #B90D5C

RGB 185 13 92

HSL 332.44, 0.87%, 0.39%

LAB 40.2, 65.12, 3.32

 

CMYK 3 / 0 / 94 / 27

HEX #B4B90C

RGB 180 185 12

HSL 61.73, 0.88%, 0.39%

LAB 72.51, -18.97, 72.44

 

CMYK 94 / 0 / 43 / 27

HEX #0CB969

RGB 12 185 105

HSL 152.25, 0.88%, 0.39%

LAB 66.36, -57.37, 29.82

 

CMYK 90 / 94 / 0 / 27

HEX #120CB9

RGB 18 12 185

HSL 242.08, 0.88%, 0.39%

LAB 23.32, 59.58, -82.46

 

Description

Color code: HEX #B90D5C | qconv.com Color code: HEX #B90D5C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 13 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 13 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 50 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 50% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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