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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B915C6 it is the complementary color #46EA39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B915C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B915C6 shade: #BE15C1, #CF27D4, #E039E7, #F14BFA and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B915C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B915C6 shade: #B915C6, #A803B3, #9700A0, #86008D and #75007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B915C6 shade: #B914C6, #C614A3, #C61473, #C61443 and #C61414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B915C6 shade: #B914C6, #8914C6, #5914C6, #2914C6 and #1414C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B915C6 shade matches the following richer shades: #B914C6 and #C803D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B915C6 shade: #B914C6, #AA26B4, #9B38A2, #8C4A91 and #7C5B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B915C6 shade: #5814C6, #8814C6, #B714C6, #C614A5 and #C61476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B915C6 shade: #730C7B, #9610A1, #B914C6, #D81DE7 and #DE42EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B915C6 shade: #B915C6, #C62914 and #14C670

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B915C6 shade: #B915C6, #C6B714 and #14C6B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B915C6 shade: #B915C6, #C62914, #23C614 and #14B1C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B915C6 shade: #B915C6, #C65E14, #23C614 and #147CC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 89 / 0 / 22

HEX #B915C6

RGB 185 21 198

HSL 295.59, 0.81%, 0.43%

LAB 45.54, 76.96, -52.9

 

Complementary color

CMYK 70 / 0 / 76 / 8

HEX #46EA39

RGB 70 234 57

HSL 115.59, 0.81%, 0.57%

LAB 82.08, -72.44, 68.6

 

CMYK 2 / 89 / 0 / 24

HEX #BE15C1

RGB 190 21 193

HSL 298.95, 0.8%, 0.42%

LAB 46.09, 77.03, -49.05

 

CMYK 2 / 82 / 0 / 17

HEX #CF27D4

RGB 207 39 212

HSL 298.27, 0.69%, 0.49%

LAB 51.23, 79.65, -51.64

 

CMYK 3 / 75 / 0 / 9

HEX #E039E7

RGB 224 57 231

HSL 297.59, 0.78%, 0.56%

LAB 56.63, 81.29, -53.64

 

CMYK 4 / 70 / 0 / 2

HEX #F14BFA

RGB 241 75 250

HSL 296.91, 0.95%, 0.64%

LAB 62.2, 82.22, -55.21

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 7 / 89 / 0 / 22

HEX #B915C6

RGB 185 21 198

HSL 295.59, 0.81%, 0.43%

LAB 45.54, 76.96, -52.9

 

CMYK 6 / 98 / 0 / 30

HEX #A803B3

RGB 168 3 179

HSL 296.25, 0.97%, 0.36%

LAB 40.65, 73.26, -49.76

 

CMYK 6 / 100 / 0 / 37

HEX #9700A0

RGB 151 0 160

HSL 296.63, 1%, 0.31%

LAB 36.21, 67.86, -45.68

 

CMYK 5 / 100 / 0 / 45

HEX #86008D

RGB 134 0 141

HSL 297.02, 1%, 0.28%

LAB 31.79, 62.04, -41.33

 

CMYK 4 / 100 / 0 / 52

HEX #75007A

RGB 117 0 122

HSL 297.54, 1%, 0.24%

LAB 27.26, 56.07, -36.86

 

CMYK 7 / 90 / 0 / 22

HEX #B914C6

RGB 185 20 198

HSL 295.62, 0.82%, 0.43%

LAB 45.49, 77.1, -52.98

 

CMYK 0 / 90 / 18 / 22

HEX #C614A3

RGB 198 20 163

HSL 311.8, 0.82%, 0.43%

LAB 45.84, 74.45, -31.66

 

CMYK 0 / 90 / 42 / 22

HEX #C61473

RGB 198 20 115

HSL 327.98, 0.82%, 0.43%

LAB 43.86, 69.16, -5.46

 

CMYK 0 / 90 / 66 / 22

HEX #C61443

RGB 198 20 67

HSL 344.16, 0.82%, 0.43%

LAB 42.63, 65.72, 22.89

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

CMYK 7 / 90 / 0 / 22

HEX #B914C6

RGB 185 20 198

HSL 295.62, 0.82%, 0.43%

LAB 45.49, 77.1, -52.98

 

CMYK 31 / 90 / 0 / 22

HEX #8914C6

RGB 137 20 198

HSL 279.44, 0.82%, 0.43%

LAB 37.65, 69.84, -66.04

 

CMYK 55 / 90 / 0 / 22

HEX #5914C6

RGB 89 20 198

HSL 263.26, 0.82%, 0.43%

LAB 31.12, 64.46, -77.03

 

CMYK 79 / 90 / 0 / 22

HEX #2914C6

RGB 41 20 198

HSL 247.08, 0.82%, 0.43%

LAB 26.87, 61.47, -84.2

 

CMYK 90 / 90 / 0 / 22

HEX #1414C6

RGB 20 20 198

HSL 240, 0.82%, 0.43%

LAB 25.94, 60.89, -85.78

 

CMYK 7 / 90 / 0 / 22

HEX #B914C6

RGB 185 20 198

HSL 295.62, 0.82%, 0.43%

LAB 45.49, 77.1, -52.98

 

CMYK 7 / 99 / 0 / 15

HEX #C803D8

RGB 200 3 216

HSL 295.49, 0.97%, 0.43%

LAB 48.64, 83.97, -58.15

 

CMYK 7 / 90 / 0 / 22

HEX #B914C6

RGB 185 20 198

HSL 295.62, 0.82%, 0.43%

LAB 45.49, 77.1, -52.98

 

CMYK 6 / 79 / 0 / 29

HEX #AA26B4

RGB 170 38 180

HSL 295.77, 0.65%, 0.43%

LAB 43.1, 67.76, -46.39

 

CMYK 4 / 65 / 0 / 36

HEX #9B38A2

RGB 155 56 162

HSL 296.04, 0.49%, 0.43%

LAB 41.85, 55.06, -37.84

 

CMYK 3 / 49 / 0 / 43

HEX #8C4A91

RGB 140 74 145

HSL 295.77, 0.32%, 0.43%

LAB 42.03, 39, -27.49

 

CMYK 2 / 28 / 0 / 50

HEX #7C5B7F

RGB 124 91 127

HSL 295, 0.17%, 0.43%

LAB 43.21, 20.19, -14.93

 

CMYK 56 / 90 / 0 / 22

HEX #5814C6

RGB 88 20 198

HSL 262.92, 0.82%, 0.43%

LAB 31, 64.37, -77.22

 

CMYK 31 / 90 / 0 / 22

HEX #8814C6

RGB 136 20 198

HSL 279.1, 0.82%, 0.43%

LAB 37.5, 69.71, -66.29

 

CMYK 8 / 90 / 0 / 22

HEX #B714C6

RGB 183 20 198

HSL 294.94, 0.82%, 0.43%

LAB 45.14, 76.77, -53.54

 

CMYK 0 / 90 / 17 / 22

HEX #C614A5

RGB 198 20 165

HSL 311.12, 0.82%, 0.43%

LAB 45.94, 74.7, -32.7

 

CMYK 0 / 90 / 40 / 22

HEX #C61476

RGB 198 20 118

HSL 326.97, 0.82%, 0.43%

LAB 43.97, 69.44, -7.17

 

CMYK 7 / 90 / 0 / 52

HEX #730C7B

RGB 115 12 123

HSL 295.68, 0.82%, 0.26%

LAB 27.68, 53.74, -36.85

 

CMYK 7 / 90 / 0 / 37

HEX #9610A1

RGB 150 16 161

HSL 295.45, 0.82%, 0.35%

LAB 36.8, 65.79, -45.36

 

CMYK 7 / 90 / 0 / 22

HEX #B914C6

RGB 185 20 198

HSL 295.62, 0.82%, 0.43%

LAB 45.49, 77.1, -52.98

 

CMYK 6 / 87 / 0 / 9

HEX #D81DE7

RGB 216 29 231

HSL 295.54, 0.81%, 0.51%

LAB 53.22, 86.02, -59.17

 

CMYK 6 / 72 / 0 / 8

HEX #DE42EB

RGB 222 66 235

HSL 295.38, 0.81%, 0.59%

LAB 57.49, 78.83, -54.54

 

CMYK 7 / 89 / 0 / 22

HEX #B915C6

RGB 185 21 198

HSL 295.59, 0.81%, 0.43%

LAB 45.54, 76.96, -52.9

 

CMYK 0 / 79 / 90 / 22

HEX #C62914

RGB 198 41 20

HSL 7.08, 0.82%, 0.43%

LAB 43.72, 59.55, 50.02

 

CMYK 90 / 0 / 43 / 22

HEX #14C670

RGB 20 198 112

HSL 151.01, 0.82%, 0.43%

LAB 70.67, -60.16, 31.81

 

CMYK 7 / 89 / 0 / 22

HEX #B915C6

RGB 185 21 198

HSL 295.59, 0.81%, 0.43%

LAB 45.54, 76.96, -52.9

 

CMYK 0 / 8 / 90 / 22

HEX #C6B714

RGB 198 183 20

HSL 54.94, 0.82%, 0.43%

LAB 73.5, -9.98, 72.69

 

CMYK 90 / 0 / 8 / 22

HEX #14C6B7

RGB 20 198 183

HSL 174.94, 0.82%, 0.43%

LAB 72.2, -43.45, -4.02

 

CMYK 7 / 89 / 0 / 22

HEX #B915C6

RGB 185 21 198

HSL 295.59, 0.81%, 0.43%

LAB 45.54, 76.96, -52.9

 

CMYK 0 / 79 / 90 / 22

HEX #C62914

RGB 198 41 20

HSL 7.08, 0.82%, 0.43%

LAB 43.72, 59.55, 50.02

 

CMYK 82 / 0 / 90 / 22

HEX #23C614

RGB 35 198 20

HSL 114.94, 0.82%, 0.43%

LAB 70.03, -68.49, 66.61

 

CMYK 90 / 11 / 0 / 22

HEX #14B1C6

RGB 20 177 198

HSL 187.08, 0.82%, 0.43%

LAB 66.27, -29.18, -21.15

 

CMYK 7 / 89 / 0 / 22

HEX #B915C6

RGB 185 21 198

HSL 295.59, 0.81%, 0.43%

LAB 45.54, 76.96, -52.9

 

CMYK 0 / 53 / 90 / 22

HEX #C65E14

RGB 198 94 20

HSL 24.94, 0.82%, 0.43%

LAB 51.91, 37.67, 56.08

 

CMYK 82 / 0 / 90 / 22

HEX #23C614

RGB 35 198 20

HSL 114.94, 0.82%, 0.43%

LAB 70.03, -68.49, 66.61

 

CMYK 90 / 37 / 0 / 22

HEX #147CC6

RGB 20 124 198

HSL 204.94, 0.82%, 0.43%

LAB 50.26, -0.15, -46.08

 

Description

Color code: HEX #B915C6 | qconv.com Color code: HEX #B915C6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 21 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 21 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 89 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 89% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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