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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B921B9 it is the complementary color #46DE46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B921B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B921B9 shade: #BE21B4, #CF33C7, #E045DA, #F157ED and #FF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B921B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B921B9 shade: #B921B9, #A80FA6, #970093, #860080 and #75006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B921B9 shade: #BA20BA, #BA2091, #BA2067, #BA203E and #BA2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B921B9 shade: #BA20BA, #9120BA, #6720BA, #3E20BA and #2020BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B921B9 shade matches the following richer shades: #BA20BA and #CC0FCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B921B9 shade: #BA20BA, #A832A8, #964496, #855685 and #736773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B921B9 shade: #6820BA, #9120BA, #BA20BA, #BA2091 and #BA2068

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B921B9 shade: #741474, #971A97, #BA20BA, #D92AD9 and #DF4EDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B921B9 shade: #B921B9, #BA3F20 and #20BA7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B921B9 shade: #B921B9, #BABA20 and #20BABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B921B9 shade: #B921B9, #BA3F20, #20BA20 and #209BBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B921B9 shade: #B921B9, #BA6D20, #20BA20 and #206DBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 0 / 27

HEX #B921B9

RGB 185 33 185

HSL 300, 0.7%, 0.43%

LAB 45.5, 72.69, -45.36

 

Complementary color

CMYK 68 / 0 / 68 / 13

HEX #46DE46

RGB 70 222 70

HSL 120, 0.7%, 0.57%

LAB 78.45, -67.64, 60.38

 

CMYK 0 / 83 / 5 / 25

HEX #BE21B4

RGB 190 33 180

HSL 303.82, 0.7%, 0.44%

LAB 46.08, 72.9, -41.44

 

CMYK 0 / 75 / 4 / 19

HEX #CF33C7

RGB 207 51 199

HSL 303.08, 0.62%, 0.51%

LAB 51.56, 74.61, -43.65

 

CMYK 0 / 69 / 3 / 12

HEX #E045DA

RGB 224 69 218

HSL 302.32, 0.71%, 0.57%

LAB 57.24, 75.53, -45.34

 

CMYK 0 / 64 / 2 / 5

HEX #F157ED

RGB 241 87 237

HSL 301.56, 0.85%, 0.64%

LAB 63.04, 75.9, -46.67

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 82 / 0 / 27

HEX #B921B9

RGB 185 33 185

HSL 300, 0.7%, 0.43%

LAB 45.5, 72.69, -45.36

 

CMYK 0 / 91 / 1 / 34

HEX #A80FA6

RGB 168 15 166

HSL 300.78, 0.84%, 0.36%

LAB 40.28, 69.91, -42.61

 

CMYK 0 / 100 / 3 / 41

HEX #970093

RGB 151 0 147

HSL 301.59, 1%, 0.3%

LAB 35.37, 65.85, -39.11

 

CMYK 0 / 100 / 4 / 47

HEX #860080

RGB 134 0 128

HSL 302.69, 1%, 0.26%

LAB 30.94, 60, -34.58

 

CMYK 0 / 100 / 7 / 54

HEX #75006D

RGB 117 0 109

HSL 304.1, 1%, 0.23%

LAB 26.41, 54.01, -29.9

 

CMYK 0 / 83 / 0 / 27

HEX #BA20BA

RGB 186 32 186

HSL 300, 0.71%, 0.43%

LAB 45.66, 73.26, -45.69

 

CMYK 0 / 83 / 22 / 27

HEX #BA2091

RGB 186 32 145

HSL 315.97, 0.71%, 0.43%

LAB 43.53, 67.46, -24.59

 

CMYK 0 / 83 / 45 / 27

HEX #BA2067

RGB 186 32 103

HSL 332.34, 0.71%, 0.43%

LAB 41.92, 62.87, -1.1

 

CMYK 0 / 83 / 67 / 27

HEX #BA203E

RGB 186 32 62

HSL 348.31, 0.71%, 0.43%

LAB 40.93, 59.91, 23.34

 

CMYK 0 / 83 / 83 / 27

HEX #BA2020

RGB 186 32 32

HSL 0, 0.71%, 0.43%

LAB 40.53, 58.72, 40.68

 

CMYK 0 / 83 / 0 / 27

HEX #BA20BA

RGB 186 32 186

HSL 300, 0.71%, 0.43%

LAB 45.66, 73.26, -45.69

 

CMYK 22 / 83 / 0 / 27

HEX #9120BA

RGB 145 32 186

HSL 284.03, 0.71%, 0.43%

LAB 38.89, 65.93, -56.92

 

CMYK 45 / 83 / 0 / 27

HEX #6720BA

RGB 103 32 186

HSL 267.66, 0.71%, 0.43%

LAB 32.84, 59.54, -67.06

 

CMYK 67 / 83 / 0 / 27

HEX #3E20BA

RGB 62 32 186

HSL 251.69, 0.71%, 0.43%

LAB 28.39, 55.02, -74.55

 

CMYK 83 / 83 / 0 / 27

HEX #2020BA

RGB 32 32 186

HSL 240, 0.71%, 0.43%

LAB 26.41, 53.06, -77.9

 

CMYK 0 / 83 / 0 / 27

HEX #BA20BA

RGB 186 32 186

HSL 300, 0.71%, 0.43%

LAB 45.66, 73.26, -45.69

 

CMYK 0 / 93 / 0 / 20

HEX #CC0FCC

RGB 204 15 204

HSL 300, 0.86%, 0.43%

LAB 48.93, 81.79, -50.75

 

CMYK 0 / 83 / 0 / 27

HEX #BA20BA

RGB 186 32 186

HSL 300, 0.71%, 0.43%

LAB 45.66, 73.26, -45.69

 

CMYK 0 / 70 / 0 / 34

HEX #A832A8

RGB 168 50 168

HSL 300, 0.54%, 0.43%

LAB 43.41, 61.52, -38.82

 

CMYK 0 / 55 / 0 / 41

HEX #964496

RGB 150 68 150

HSL 300, 0.38%, 0.43%

LAB 42.49, 46.02, -29.68

 

CMYK 0 / 35 / 0 / 48

HEX #855685

RGB 133 86 133

HSL 300, 0.21%, 0.43%

LAB 43.26, 27.55, -18.39

 

CMYK 0 / 10 / 0 / 55

HEX #736773

RGB 115 103 115

HSL 300, 0.06%, 0.43%

LAB 45.06, 7.11, -4.99

 

CMYK 44 / 83 / 0 / 27

HEX #6820BA

RGB 104 32 186

HSL 268.05, 0.71%, 0.43%

LAB 32.97, 59.67, -66.85

 

CMYK 22 / 83 / 0 / 27

HEX #9120BA

RGB 145 32 186

HSL 284.03, 0.71%, 0.43%

LAB 38.89, 65.93, -56.92

 

CMYK 0 / 83 / 0 / 27

HEX #BA20BA

RGB 186 32 186

HSL 300, 0.71%, 0.43%

LAB 45.66, 73.26, -45.69

 

CMYK 0 / 83 / 22 / 27

HEX #BA2091

RGB 186 32 145

HSL 315.97, 0.71%, 0.43%

LAB 43.53, 67.46, -24.59

 

CMYK 0 / 83 / 44 / 27

HEX #BA2068

RGB 186 32 104

HSL 331.95, 0.71%, 0.43%

LAB 41.96, 62.96, -1.68

 

CMYK 0 / 83 / 0 / 55

HEX #741474

RGB 116 20 116

HSL 300, 0.71%, 0.27%

LAB 28.05, 50.86, -31.8

 

CMYK 0 / 83 / 0 / 41

HEX #971A97

RGB 151 26 151

HSL 300, 0.71%, 0.35%

LAB 37.03, 62.33, -38.91

 

CMYK 0 / 83 / 0 / 27

HEX #BA20BA

RGB 186 32 186

HSL 300, 0.71%, 0.43%

LAB 45.66, 73.26, -45.69

 

CMYK 0 / 81 / 0 / 15

HEX #D92AD9

RGB 217 42 217

HSL 300, 0.7%, 0.51%

LAB 53.4, 81.59, -50.93

 

CMYK 0 / 65 / 0 / 13

HEX #DF4EDF

RGB 223 78 223

HSL 300, 0.69%, 0.59%

LAB 58.48, 72.9, -46.22

 

CMYK 0 / 82 / 0 / 27

HEX #B921B9

RGB 185 33 185

HSL 300, 0.7%, 0.43%

LAB 45.5, 72.69, -45.36

 

CMYK 0 / 66 / 83 / 27

HEX #BA3F20

RGB 186 63 32

HSL 12.08, 0.71%, 0.43%

LAB 44.37, 48.1, 44.28

 

CMYK 83 / 0 / 33 / 27

HEX #20BA7D

RGB 32 186 125

HSL 156.23, 0.71%, 0.43%

LAB 67.21, -52.32, 20.38

 

CMYK 0 / 82 / 0 / 27

HEX #B921B9

RGB 185 33 185

HSL 300, 0.7%, 0.43%

LAB 45.5, 72.69, -45.36

 

CMYK 0 / 0 / 83 / 27

HEX #BABA20

RGB 186 186 32

HSL 60, 0.71%, 0.43%

LAB 73.33, -16.46, 69.64

 

CMYK 83 / 0 / 0 / 27

HEX #20BABA

RGB 32 186 186

HSL 180, 0.71%, 0.43%

LAB 68.73, -36.46, -10.8

 

CMYK 0 / 82 / 0 / 27

HEX #B921B9

RGB 185 33 185

HSL 300, 0.7%, 0.43%

LAB 45.5, 72.69, -45.36

 

CMYK 0 / 66 / 83 / 27

HEX #BA3F20

RGB 186 63 32

HSL 12.08, 0.71%, 0.43%

LAB 44.37, 48.1, 44.28

 

CMYK 83 / 0 / 83 / 27

HEX #20BA20

RGB 32 186 32

HSL 120, 0.71%, 0.43%

LAB 66.16, -64.81, 60.58

 

CMYK 83 / 17 / 0 / 27

HEX #209BBA

RGB 32 155 186

HSL 192.08, 0.71%, 0.43%

LAB 59.25, -21.21, -25.19

 

CMYK 0 / 82 / 0 / 27

HEX #B921B9

RGB 185 33 185

HSL 300, 0.7%, 0.43%

LAB 45.5, 72.69, -45.36

 

CMYK 0 / 41 / 83 / 27

HEX #BA6D20

RGB 186 109 32

HSL 30, 0.71%, 0.43%

LAB 53.47, 25.04, 52.51

 

CMYK 83 / 0 / 83 / 27

HEX #20BA20

RGB 32 186 32

HSL 120, 0.71%, 0.43%

LAB 66.16, -64.81, 60.58

 

CMYK 83 / 41 / 0 / 27

HEX #206DBA

RGB 32 109 186

HSL 210, 0.71%, 0.43%

LAB 45.34, 5.35, -47

 

Description

Color code: HEX #B921B9 | qconv.com Color code: HEX #B921B9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 33 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 33 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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