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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B92226 it is the complementary color #46DDD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B92226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B92226 shade: #BE2221, #CF3434, #E04647, #F1585A and #FF6A6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B92226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B92226 shade: #B92226, #A81013, #970000, #860000 and #750000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B92226 shade: #B92126 and #B92121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B92226 shade: #B92126, #B9214E, #B92177, #B921A0 and #A921B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B92226 shade matches the following richer shades: #B92126 and #CB1015

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B92226 shade: #B92126, #A73336, #954547, #845758 and #726869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B92226 shade: #B92177, #B9214F, #B92127, #B94521 and #B96D21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B92226 shade: #731517, #961B1E, #B92126, #D82C30 and #DE4F52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B92226 shade: #B92226, #A0B921 and #2163B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B92226 shade: #B92226, #27B921 and #2127B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B92226 shade: #B92226, #A0B921, #21B9B4 and #3B21B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B92226 shade: #B92226, #72B921, #21B9B4 and #6821B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 79 / 27

HEX #B92226

RGB 185 34 38

HSL 358.41, 0.69%, 0.43%

LAB 40.57, 58.09, 37.34

 

Complementary color

CMYK 68 / 0 / 2 / 13

HEX #46DDD9

RGB 70 221 217

HSL 178.41, 0.69%, 0.57%

LAB 80.75, -39.53, -9.57

 

CMYK 0 / 82 / 83 / 25

HEX #BE2221

RGB 190 34 33

HSL 0.38, 0.7%, 0.44%

LAB 41.53, 59.38, 41.38

 

CMYK 0 / 75 / 75 / 19

HEX #CF3434

RGB 207 52 52

HSL 0, 0.62%, 0.51%

LAB 46.93, 59.75, 37.48

 

CMYK 0 / 69 / 68 / 12

HEX #E04647

RGB 224 70 71

HSL 359.61, 0.71%, 0.58%

LAB 52.6, 59.48, 33.96

 

CMYK 0 / 63 / 63 / 5

HEX #F1585A

RGB 241 88 90

HSL 359.22, 0.85%, 0.65%

LAB 58.43, 58.83, 30.92

 

CMYK 0 / 58 / 57 / 0

HEX #FF6A6D

RGB 255 106 109

HSL 358.79, 1%, 0.71%

LAB 63.89, 56.97, 27.61

 

CMYK 0 / 82 / 79 / 27

HEX #B92226

RGB 185 34 38

HSL 358.41, 0.69%, 0.43%

LAB 40.57, 58.09, 37.34

 

CMYK 0 / 90 / 89 / 34

HEX #A81013

RGB 168 16 19

HSL 358.82, 0.83%, 0.36%

LAB 35.48, 56.74, 41.51

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 100 / 100 / 47

HEX #860000

RGB 134 0 0

HSL 0, 1%, 0.26%

LAB 26.93, 49.67, 39.85

 

CMYK 0 / 100 / 100 / 54

HEX #750000

RGB 117 0 0

HSL 0, 1%, 0.23%

LAB 22.94, 45.05, 34.64

 

CMYK 0 / 82 / 79 / 27

HEX #B92126

RGB 185 33 38

HSL 358.03, 0.7%, 0.43%

LAB 40.48, 58.35, 37.24

 

CMYK 0 / 82 / 82 / 27

HEX #B92121

RGB 185 33 33

HSL 0, 0.7%, 0.43%

LAB 40.43, 58.2, 39.97

 

CMYK 0 / 82 / 79 / 27

HEX #B92126

RGB 185 33 38

HSL 358.03, 0.7%, 0.43%

LAB 40.48, 58.35, 37.24

 

CMYK 0 / 82 / 58 / 27

HEX #B9214E

RGB 185 33 78

HSL 342.24, 0.7%, 0.43%

LAB 41.14, 60.36, 13.51

 

CMYK 0 / 82 / 36 / 27

HEX #B92177

RGB 185 33 119

HSL 326.05, 0.7%, 0.43%

LAB 42.36, 63.96, -10.46

 

CMYK 0 / 82 / 14 / 27

HEX #B921A0

RGB 185 33 160

HSL 309.87, 0.7%, 0.43%

LAB 44.15, 69.01, -32.69

 

CMYK 9 / 82 / 0 / 27

HEX #A921B9

RGB 169 33 185

HSL 293.68, 0.7%, 0.43%

LAB 42.8, 69.71, -49.83

 

CMYK 0 / 82 / 79 / 27

HEX #B92126

RGB 185 33 38

HSL 358.03, 0.7%, 0.43%

LAB 40.48, 58.35, 37.24

 

CMYK 0 / 92 / 90 / 20

HEX #CB1015

RGB 203 16 21

HSL 358.4, 0.85%, 0.43%

LAB 42.95, 66.07, 49.51

 

CMYK 0 / 82 / 79 / 27

HEX #B92126

RGB 185 33 38

HSL 358.03, 0.7%, 0.43%

LAB 40.48, 58.35, 37.24

 

CMYK 0 / 69 / 68 / 35

HEX #A73336

RGB 167 51 54

HSL 358.45, 0.53%, 0.43%

LAB 39.33, 47.52, 25.5

 

CMYK 0 / 54 / 52 / 42

HEX #954547

RGB 149 69 71

HSL 358.5, 0.37%, 0.43%

LAB 39.75, 33.81, 14.95

 

CMYK 0 / 34 / 33 / 48

HEX #845758

RGB 132 87 88

HSL 358.67, 0.21%, 0.43%

LAB 41.89, 18.79, 7.06

 

CMYK 0 / 9 / 8 / 55

HEX #726869

RGB 114 104 105

HSL 354, 0.05%, 0.43%

LAB 44.94, 4.13, 0.86

 

CMYK 0 / 82 / 36 / 27

HEX #B92177

RGB 185 33 119

HSL 326.05, 0.7%, 0.43%

LAB 42.36, 63.96, -10.46

 

CMYK 0 / 82 / 57 / 27

HEX #B9214F

RGB 185 33 79

HSL 341.84, 0.7%, 0.43%

LAB 41.16, 60.43, 12.91

 

CMYK 0 / 82 / 79 / 27

HEX #B92127

RGB 185 33 39

HSL 357.63, 0.7%, 0.43%

LAB 40.49, 58.39, 36.68

 

CMYK 0 / 63 / 82 / 27

HEX #B94521

RGB 185 69 33

HSL 14.21, 0.7%, 0.43%

LAB 45.19, 45.13, 44.49

 

CMYK 0 / 41 / 82 / 27

HEX #B96D21

RGB 185 109 33

HSL 30, 0.7%, 0.43%

LAB 53.34, 24.64, 51.95

 

CMYK 0 / 82 / 80 / 55

HEX #731517

RGB 115 21 23

HSL 358.72, 0.69%, 0.27%

LAB 24.46, 40, 24.82

 

CMYK 0 / 82 / 80 / 41

HEX #961B1E

RGB 150 27 30

HSL 358.54, 0.69%, 0.35%

LAB 32.62, 49.4, 31.47

 

CMYK 0 / 82 / 79 / 27

HEX #B92126

RGB 185 33 38

HSL 358.03, 0.7%, 0.43%

LAB 40.48, 58.35, 37.24

 

CMYK 0 / 80 / 78 / 15

HEX #D82C30

RGB 216 44 48

HSL 358.6, 0.69%, 0.51%

LAB 47.77, 64.63, 41.13

 

CMYK 0 / 64 / 63 / 13

HEX #DE4F52

RGB 222 79 82

HSL 358.74, 0.68%, 0.59%

LAB 53.74, 55.87, 28.93

 

CMYK 0 / 82 / 79 / 27

HEX #B92226

RGB 185 34 38

HSL 358.41, 0.69%, 0.43%

LAB 40.57, 58.09, 37.34

 

CMYK 14 / 0 / 82 / 27

HEX #A0B921

RGB 160 185 33

HSL 69.87, 0.7%, 0.43%

LAB 71.06, -27.01, 66.67

 

CMYK 82 / 46 / 0 / 27

HEX #2163B9

RGB 33 99 185

HSL 213.95, 0.7%, 0.43%

LAB 42.38, 11.43, -51.16

 

CMYK 0 / 82 / 79 / 27

HEX #B92226

RGB 185 34 38

HSL 358.41, 0.69%, 0.43%

LAB 40.57, 58.09, 37.34

 

CMYK 79 / 0 / 82 / 27

HEX #27B921

RGB 39 185 33

HSL 117.63, 0.7%, 0.43%

LAB 65.93, -63.61, 60.14

 

CMYK 82 / 79 / 0 / 27

HEX #2127B9

RGB 33 39 185

HSL 237.63, 0.7%, 0.43%

LAB 27.51, 49.36, -75.47

 

CMYK 0 / 82 / 79 / 27

HEX #B92226

RGB 185 34 38

HSL 358.41, 0.69%, 0.43%

LAB 40.57, 58.09, 37.34

 

CMYK 14 / 0 / 82 / 27

HEX #A0B921

RGB 160 185 33

HSL 69.87, 0.7%, 0.43%

LAB 71.06, -27.01, 66.67

 

CMYK 82 / 0 / 3 / 27

HEX #21B9B4

RGB 33 185 180

HSL 178.03, 0.7%, 0.43%

LAB 68.25, -37.7, -8.2

 

CMYK 68 / 82 / 0 / 27

HEX #3B21B9

RGB 59 33 185

HSL 250.26, 0.7%, 0.43%

LAB 28.17, 54.05, -74.33

 

CMYK 0 / 82 / 79 / 27

HEX #B92226

RGB 185 34 38

HSL 358.41, 0.69%, 0.43%

LAB 40.57, 58.09, 37.34

 

CMYK 38 / 0 / 82 / 27

HEX #72B921

RGB 114 185 33

HSL 88.03, 0.7%, 0.43%

LAB 68.3, -44.9, 63.17

 

CMYK 82 / 0 / 3 / 27

HEX #21B9B4

RGB 33 185 180

HSL 178.03, 0.7%, 0.43%

LAB 68.25, -37.7, -8.2

 

CMYK 44 / 82 / 0 / 27

HEX #6821B9

RGB 104 33 185

HSL 268.03, 0.7%, 0.43%

LAB 32.99, 59.09, -66.21

 

Description

Color code: HEX #B92226 | qconv.com Color code: HEX #B92226 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 34 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 34 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 79 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 79% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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