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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B935CE it is the complementary color #46CA31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B935CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B935CE shade: #BE35C9, #CF47DC, #E059EF, #F16BFF and #FF7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B935CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B935CE shade: #B935CE, #A823BB, #9711A8, #860095 and #750082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B935CE shade: #B935CE, #CE35BA, #CE3590, #CE3567 and #CE353E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B935CE shade: #B935CE, #9035CE, #6735CE, #3E35CE and #3535CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B935CE shade matches the following richer shades: #B935CE, #C721E2 and #D60DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B935CE shade: #B935CE, #AA4ABA, #9C5EA5, #8D7291 and #7E867D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B935CE shade: #6635CE, #8E35CE, #B735CE, #CE35BC and #CE3593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B935CE shade: #80228E, #9D2AB0, #B935CE, #C457D6 and #D078DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B935CE shade: #B935CE, #CE3D35 and #35CE7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B935CE shade: #B935CE, #CEB735 and #35CEB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B935CE shade: #B935CE, #CE3D35, #4CCE35 and #35C6CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B935CE shade: #B935CE, #CE6B35, #4CCE35 and #3598CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

Complementary color

CMYK 65 / 0 / 76 / 21

HEX #46CA31

RGB 70 202 49

HSL 111.76, 0.61%, 0.49%

LAB 72.07, -62.71, 61.38

 

CMYK 5 / 74 / 0 / 21

HEX #BE35C9

RGB 190 53 201

HSL 295.54, 0.58%, 0.5%

LAB 49.14, 70.81, -48.81

 

CMYK 6 / 68 / 0 / 14

HEX #CF47DC

RGB 207 71 220

HSL 294.77, 0.68%, 0.57%

LAB 55.01, 71.42, -50.17

 

CMYK 6 / 63 / 0 / 6

HEX #E059EF

RGB 224 89 239

HSL 294, 0.82%, 0.64%

LAB 60.98, 71.53, -51.2

 

CMYK 5 / 58 / 0 / 0

HEX #F16BFF

RGB 241 107 255

HSL 294.32, 1%, 0.71%

LAB 66.85, 70.8, -50.58

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

CMYK 10 / 81 / 0 / 27

HEX #A823BB

RGB 168 35 187

HSL 292.5, 0.68%, 0.44%

LAB 42.94, 69.37, -50.8

 

CMYK 10 / 90 / 0 / 34

HEX #9711A8

RGB 151 17 168

HSL 293.25, 0.82%, 0.36%

LAB 37.49, 66.97, -48.44

 

CMYK 10 / 100 / 0 / 42

HEX #860095

RGB 134 0 149

HSL 293.96, 1%, 0.29%

LAB 32.34, 63.36, -45.37

 

CMYK 10 / 100 / 0 / 49

HEX #750082

RGB 117 0 130

HSL 294, 1%, 0.25%

LAB 27.83, 57.42, -41.01

 

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

CMYK 0 / 74 / 10 / 19

HEX #CE35BA

RGB 206 53 186

HSL 307.84, 0.61%, 0.51%

LAB 50.94, 71.87, -37.11

 

CMYK 0 / 74 / 30 / 19

HEX #CE3590

RGB 206 53 144

HSL 324.31, 0.61%, 0.51%

LAB 49.11, 66.33, -15.12

 

CMYK 0 / 74 / 50 / 19

HEX #CE3567

RGB 206 53 103

HSL 340.39, 0.61%, 0.51%

LAB 47.81, 62.23, 7.87

 

CMYK 0 / 74 / 70 / 19

HEX #CE353E

RGB 206 53 62

HSL 356.47, 0.61%, 0.51%

LAB 47, 59.55, 31.69

 

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

CMYK 30 / 74 / 0 / 19

HEX #9035CE

RGB 144 53 206

HSL 275.69, 0.61%, 0.51%

LAB 42.66, 62.81, -62.49

 

CMYK 50 / 74 / 0 / 19

HEX #6735CE

RGB 103 53 206

HSL 259.61, 0.61%, 0.51%

LAB 37.64, 55.98, -70.9

 

CMYK 70 / 74 / 0 / 19

HEX #3E35CE

RGB 62 53 206

HSL 243.53, 0.61%, 0.51%

LAB 34.04, 50.87, -76.95

 

CMYK 74 / 74 / 0 / 19

HEX #3535CE

RGB 53 53 206

HSL 240, 0.61%, 0.51%

LAB 33.48, 50.05, -77.89

 

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

CMYK 12 / 85 / 0 / 11

HEX #C721E2

RGB 199 33 226

HSL 291.61, 0.77%, 0.51%

LAB 50.36, 81.74, -61.09

 

CMYK 13 / 95 / 0 / 4

HEX #D60DF6

RGB 214 13 246

HSL 291.76, 0.93%, 0.51%

LAB 53.21, 89.96, -67.63

 

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

CMYK 9 / 60 / 0 / 27

HEX #AA4ABA

RGB 170 74 186

HSL 291.43, 0.45%, 0.51%

LAB 48.25, 55.33, -41.72

 

CMYK 5 / 43 / 0 / 35

HEX #9C5EA5

RGB 156 94 165

HSL 292.39, 0.28%, 0.51%

LAB 49.24, 37.02, -28.01

 

CMYK 3 / 21 / 0 / 43

HEX #8D7291

RGB 141 114 145

HSL 292.26, 0.12%, 0.51%

LAB 51.54, 16.38, -12.86

 

CMYK 6 / 0 / 7 / 47

HEX #7E867D

RGB 126 134 125

HSL 113.33, 0.04%, 0.51%

LAB 55.04, -4.74, 3.82

 

CMYK 50 / 74 / 0 / 19

HEX #6635CE

RGB 102 53 206

HSL 259.22, 0.61%, 0.51%

LAB 37.53, 55.83, -71.08

 

CMYK 31 / 74 / 0 / 19

HEX #8E35CE

RGB 142 53 206

HSL 274.9, 0.61%, 0.51%

LAB 42.39, 62.45, -62.94

 

CMYK 11 / 74 / 0 / 19

HEX #B735CE

RGB 183 53 206

HSL 290.98, 0.61%, 0.51%

LAB 48.35, 70.26, -53.03

 

CMYK 0 / 74 / 9 / 19

HEX #CE35BC

RGB 206 53 188

HSL 307.06, 0.61%, 0.51%

LAB 51.04, 72.16, -38.12

 

CMYK 0 / 74 / 29 / 19

HEX #CE3593

RGB 206 53 147

HSL 323.14, 0.61%, 0.51%

LAB 49.22, 66.68, -16.74

 

CMYK 10 / 76 / 0 / 44

HEX #80228E

RGB 128 34 142

HSL 292.22, 0.61%, 0.35%

LAB 33.32, 53.69, -39.55

 

CMYK 11 / 76 / 0 / 31

HEX #9D2AB0

RGB 157 42 176

HSL 291.49, 0.61%, 0.43%

LAB 41.15, 63.28, -47.28

 

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

CMYK 8 / 59 / 0 / 16

HEX #C457D6

RGB 196 87 214

HSL 291.5, 0.61%, 0.59%

LAB 55.49, 61.2, -46.1

 

CMYK 6 / 46 / 0 / 13

HEX #D078DE

RGB 208 120 222

HSL 291.76, 0.61%, 0.67%

LAB 63.44, 49.91, -37.99

 

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

CMYK 0 / 70 / 74 / 19

HEX #CE3D35

RGB 206 61 53

HSL 3.14, 0.61%, 0.51%

LAB 47.9, 56.33, 37.93

 

CMYK 74 / 0 / 41 / 19

HEX #35CE7A

RGB 53 206 122

HSL 147.06, 0.61%, 0.51%

LAB 73.74, -57.93, 30.77

 

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

CMYK 0 / 11 / 74 / 19

HEX #CEB735

RGB 206 183 53

HSL 50.98, 0.61%, 0.51%

LAB 74.35, -5.5, 64.88

 

CMYK 74 / 0 / 11 / 19

HEX #35CEB7

RGB 53 206 183

HSL 170.98, 0.61%, 0.51%

LAB 75.03, -44.2, 0.17

 

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

CMYK 0 / 70 / 74 / 19

HEX #CE3D35

RGB 206 61 53

HSL 3.14, 0.61%, 0.51%

LAB 47.9, 56.33, 37.93

 

CMYK 63 / 0 / 74 / 19

HEX #4CCE35

RGB 76 206 53

HSL 110.98, 0.61%, 0.51%

LAB 73.5, -62.5, 61.51

 

CMYK 74 / 4 / 0 / 19

HEX #35C6CE

RGB 53 198 206

HSL 183.14, 0.61%, 0.51%

LAB 73.29, -34.13, -14.86

 

CMYK 10 / 74 / 0 / 19

HEX #B935CE

RGB 185 53 206

HSL 291.76, 0.61%, 0.51%

LAB 48.66, 70.66, -52.52

 

CMYK 0 / 48 / 74 / 19

HEX #CE6B35

RGB 206 107 53

HSL 21.18, 0.61%, 0.51%

LAB 55.98, 35.21, 46.64

 

CMYK 63 / 0 / 74 / 19

HEX #4CCE35

RGB 76 206 53

HSL 110.98, 0.61%, 0.51%

LAB 73.5, -62.5, 61.51

 

CMYK 74 / 26 / 0 / 19

HEX #3598CE

RGB 53 152 206

HSL 201.18, 0.61%, 0.51%

LAB 59.59, -10.5, -35.87

 

Description

Color code: HEX #B935CE | qconv.com Color code: HEX #B935CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 53 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 53 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 74 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 74% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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