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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B93C73 it is the complementary color #46C38C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B93C73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B93C73 shade: #BE3C6E, #CF4E81, #E06094, #F172A7 and #FF84BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B93C73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B93C73 shade: #B93C73, #A82A60, #97184D, #86063A and #750027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B93C73 shade: #B83B72, #B83B51 and #B83B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B93C73 shade: #B83B72, #B83B94, #B83BB6, #993BB8 and #783BB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B93C73 shade matches the following richer shades: #B83B72, #CC2870, #E0146E and #F4006B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B93C73 shade: #B83B72, #A54F75, #916377, #7D777A and #698B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B93C73 shade: #B83BB6, #B83B95, #B83B74, #B83B52 and #B8463B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B93C73 shade: #7A274C, #99315F, #B83B72, #C85588 and #D2759E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B93C73 shade: #B93C73, #B8993B and #3BA6B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B93C73 shade: #B93C73, #74B83B and #3B74B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B93C73 shade: #B93C73, #B8993B, #3BB880 and #3B5BB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B93C73 shade: #B93C73, #B2B83B, #3BB880 and #423BB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 38 / 27

HEX #B93C73

RGB 185 60 115

HSL 333.6, 0.51%, 0.48%

LAB 45.34, 54.77, -3.54

 

Complementary color

CMYK 64 / 0 / 28 / 24

HEX #46C38C

RGB 70 195 140

HSL 153.6, 0.51%, 0.52%

LAB 71.03, -47.35, 17.7

 

CMYK 0 / 68 / 42 / 25

HEX #BE3C6E

RGB 190 60 110

HSL 336.92, 0.52%, 0.49%

LAB 46.05, 55.73, 0.67

HEX #BE3C6E

CMYK 0 / 62 / 38 / 19

HEX #CF4E81

RGB 207 78 129

HSL 336.28, 0.57%, 0.56%

LAB 52.17, 55.49, -1.53

HEX #CF4E81

CMYK 0 / 57 / 34 / 12

HEX #E06094

RGB 224 96 148

HSL 335.63, 0.67%, 0.63%

LAB 58.37, 54.98, -3.32

HEX #E06094

CMYK 0 / 53 / 31 / 5

HEX #F172A7

RGB 241 114 167

HSL 334.96, 0.82%, 0.7%

LAB 64.58, 54.3, -4.82

HEX #F172A7

CMYK 0 / 48 / 27 / 0

HEX #FF84BA

RGB 255 132 186

HSL 333.66, 1%, 0.76%

LAB 70.39, 52.58, -6.73

HEX #FF84BA

CMYK 0 / 68 / 38 / 27

HEX #B93C73

RGB 185 60 115

HSL 333.6, 0.51%, 0.48%

LAB 45.34, 54.77, -3.54

 

CMYK 0 / 75 / 43 / 34

HEX #A82A60

RGB 168 42 96

HSL 334.29, 0.6%, 0.41%

LAB 39.28, 54.51, -0.97

 

CMYK 0 / 84 / 49 / 41

HEX #97184D

RGB 151 24 77

HSL 334.96, 0.73%, 0.34%

LAB 33.5, 53.38, 2.42

 

CMYK 0 / 96 / 57 / 47

HEX #86063A

RGB 134 6 58

HSL 335.63, 0.91%, 0.27%

LAB 28.13, 50.93, 6.91

 

CMYK 0 / 100 / 67 / 54

HEX #750027

RGB 117 0 39

HSL 340, 1%, 0.23%

LAB 23.43, 46.4, 12.93

 

CMYK 0 / 68 / 38 / 28

HEX #B83B72

RGB 184 59 114

HSL 333.6, 0.51%, 0.48%

LAB 44.99, 54.76, -3.46

 

CMYK 0 / 68 / 56 / 28

HEX #B83B51

RGB 184 59 81

HSL 349.44, 0.51%, 0.48%

LAB 44.11, 51.66, 15.66

 

CMYK 0 / 68 / 68 / 28

HEX #B83B3B

RGB 184 59 59

HSL 0, 0.51%, 0.48%

LAB 43.7, 50.21, 28.54

 

CMYK 0 / 68 / 38 / 28

HEX #B83B72

RGB 184 59 114

HSL 333.6, 0.51%, 0.48%

LAB 44.99, 54.76, -3.46

 

CMYK 0 / 68 / 20 / 28

HEX #B83B94

RGB 184 59 148

HSL 317.28, 0.51%, 0.48%

LAB 46.25, 59.03, -22.22

 

CMYK 0 / 68 / 1 / 28

HEX #B83BB6

RGB 184 59 182

HSL 300.96, 0.51%, 0.48%

LAB 47.87, 64.26, -39.84

 

CMYK 17 / 68 / 0 / 28

HEX #993BB8

RGB 153 59 184

HSL 285.12, 0.51%, 0.48%

LAB 43.3, 57.55, -48.58

 

CMYK 35 / 68 / 0 / 28

HEX #783BB8

RGB 120 59 184

HSL 269.28, 0.51%, 0.48%

LAB 38.87, 50.43, -55.95

 

CMYK 0 / 68 / 38 / 28

HEX #B83B72

RGB 184 59 114

HSL 333.6, 0.51%, 0.48%

LAB 44.99, 54.76, -3.46

 

CMYK 0 / 80 / 45 / 20

HEX #CC2870

RGB 204 40 112

HSL 333.66, 0.67%, 0.48%

LAB 46.34, 66.27, 0.18

 

CMYK 0 / 91 / 51 / 12

HEX #E0146E

RGB 224 20 110

HSL 333.53, 0.84%, 0.48%

LAB 48.85, 74.73, 5.52

 

CMYK 0 / 100 / 56 / 4

HEX #F4006B

RGB 244 0 107

HSL 333.69, 1%, 0.48%

LAB 52.17, 80.75, 12.61

 

CMYK 0 / 68 / 38 / 28

HEX #B83B72

RGB 184 59 114

HSL 333.6, 0.51%, 0.48%

LAB 44.99, 54.76, -3.46

 

CMYK 0 / 52 / 29 / 35

HEX #A54F75

RGB 165 79 117

HSL 333.49, 0.35%, 0.48%

LAB 45.46, 39.84, -4.93

 

CMYK 0 / 32 / 18 / 43

HEX #916377

RGB 145 99 119

HSL 333.91, 0.19%, 0.48%

LAB 47.33, 21.75, -3.67

 

CMYK 0 / 5 / 2 / 51

HEX #7D777A

RGB 125 119 122

HSL 330, 0.02%, 0.48%

LAB 50.64, 2.88, -0.83

 

CMYK 24 / 0 / 11 / 45

HEX #698B7C

RGB 105 139 124

HSL 153.53, 0.14%, 0.48%

LAB 54.99, -15.22, 4.15

 

CMYK 0 / 68 / 1 / 28

HEX #B83BB6

RGB 184 59 182

HSL 300.96, 0.51%, 0.48%

LAB 47.87, 64.26, -39.84

 

CMYK 0 / 68 / 19 / 28

HEX #B83B95

RGB 184 59 149

HSL 316.8, 0.51%, 0.48%

LAB 46.3, 59.17, -22.75

 

CMYK 0 / 68 / 37 / 28

HEX #B83B74

RGB 184 59 116

HSL 332.64, 0.51%, 0.48%

LAB 45.05, 54.98, -4.6

 

CMYK 0 / 68 / 55 / 28

HEX #B83B52

RGB 184 59 82

HSL 348.96, 0.51%, 0.48%

LAB 44.13, 51.74, 15.07

 

CMYK 0 / 62 / 68 / 28

HEX #B8463B

RGB 184 70 59

HSL 5.28, 0.51%, 0.48%

LAB 45.48, 45.44, 30.69

 

CMYK 0 / 68 / 38 / 52

HEX #7A274C

RGB 122 39 76

HSL 333.25, 0.52%, 0.32%

LAB 29.69, 39.55, -3.16

 

CMYK 0 / 68 / 38 / 40

HEX #99315F

RGB 153 49 95

HSL 333.46, 0.51%, 0.4%

LAB 37.47, 47.31, -3.32

 

CMYK 0 / 68 / 38 / 28

HEX #B83B72

RGB 184 59 114

HSL 333.6, 0.51%, 0.48%

LAB 44.99, 54.76, -3.46

 

CMYK 0 / 58 / 32 / 22

HEX #C85588

RGB 200 85 136

HSL 333.39, 0.51%, 0.56%

LAB 52.46, 50.98, -5.41

 

CMYK 0 / 44 / 25 / 18

HEX #D2759E

RGB 210 117 158

HSL 333.55, 0.51%, 0.64%

LAB 60.69, 41.35, -5.9

 

CMYK 0 / 68 / 38 / 27

HEX #B93C73

RGB 185 60 115

HSL 333.6, 0.51%, 0.48%

LAB 45.34, 54.77, -3.54

 

CMYK 0 / 17 / 68 / 28

HEX #B8993B

RGB 184 153 59

HSL 45.12, 0.51%, 0.48%

LAB 64.39, 1.12, 51.88

 

CMYK 68 / 10 / 0 / 28

HEX #3BA6B8

RGB 59 166 184

HSL 188.64, 0.51%, 0.48%

LAB 63.06, -24.36, -18.18

 

CMYK 0 / 68 / 38 / 27

HEX #B93C73

RGB 185 60 115

HSL 333.6, 0.51%, 0.48%

LAB 45.34, 54.77, -3.54

 

CMYK 37 / 0 / 68 / 28

HEX #74B83B

RGB 116 184 59

HSL 92.64, 0.51%, 0.48%

LAB 68.25, -42.22, 54.4

 

CMYK 68 / 37 / 0 / 28

HEX #3B74B8

RGB 59 116 184

HSL 212.64, 0.51%, 0.48%

LAB 48.11, 3.71, -41.39

 

CMYK 0 / 68 / 38 / 27

HEX #B93C73

RGB 185 60 115

HSL 333.6, 0.51%, 0.48%

LAB 45.34, 54.77, -3.54

 

CMYK 0 / 17 / 68 / 28

HEX #B8993B

RGB 184 153 59

HSL 45.12, 0.51%, 0.48%

LAB 64.39, 1.12, 51.88

 

CMYK 68 / 0 / 30 / 28

HEX #3BB880

RGB 59 184 128

HSL 153.12, 0.51%, 0.48%

LAB 67.1, -47.35, 18.7

 

CMYK 68 / 51 / 0 / 28

HEX #3B5BB8

RGB 59 91 184

HSL 224.64, 0.51%, 0.48%

LAB 41.01, 19.54, -52.73

 

CMYK 0 / 68 / 38 / 27

HEX #B93C73

RGB 185 60 115

HSL 333.6, 0.51%, 0.48%

LAB 45.34, 54.77, -3.54

 

CMYK 3 / 0 / 68 / 28

HEX #B2B83B

RGB 178 184 59

HSL 62.88, 0.51%, 0.48%

LAB 72.27, -17.74, 59.81

 

CMYK 68 / 0 / 30 / 28

HEX #3BB880

RGB 59 184 128

HSL 153.12, 0.51%, 0.48%

LAB 67.1, -47.35, 18.7

 

CMYK 64 / 68 / 0 / 28

HEX #423BB8

RGB 66 59 184

HSL 243.36, 0.51%, 0.48%

LAB 33.45, 40.87, -65.01

 

Description

Color code: HEX #B93C73 | qconv.com Color code: HEX #B93C73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 60 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 60 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 38 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 38% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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