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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B94535 it is the complementary color #46BACA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B94535. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B94535 shade: #BE4530, #CF5743, #E06956, #F17B69 and #FF8D7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B94535. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B94535 shade: #B94535, #A83322, #97210F, #860F00 and #750000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B94535 shade: #B94535 and #B93535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B94535 shade: #B94535, #B96935, #B98D35, #B9B035 and #9FB935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B94535 shade matches the following richer shades: #B94535, #CD3722 and #E0280F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B94535 shade: #B94535, #A65449, #92635C, #7F7170 and #6C8083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B94535 shade: #B9356C, #B93549, #B94535, #B96835 and #B98B35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B94535 shade: #792D23, #99392C, #B94535, #CB5C4D and #D4796D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B94535 shade: #B94535, #90B935 and #355BB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B94535 shade: #B94535, #35B945 and #4535B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B94535 shade: #B94535, #90B935, #35AAB9 and #5F35B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B94535 shade: #B94535, #68B935, #35AAB9 and #8735B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

Complementary color

CMYK 65 / 8 / 0 / 21

HEX #46BACA

RGB 70 186 202

HSL 187.27, 0.55%, 0.53%

LAB 69.95, -27.26, -17.67

 

CMYK 0 / 64 / 75 / 25

HEX #BE4530

RGB 190 69 48

HSL 8.87, 0.6%, 0.47%

LAB 46.2, 47.47, 38.03

 

CMYK 0 / 58 / 68 / 19

HEX #CF5743

RGB 207 87 67

HSL 8.57, 0.59%, 0.54%

LAB 52.38, 46.26, 35.28

 

CMYK 0 / 53 / 62 / 12

HEX #E06956

RGB 224 105 86

HSL 8.26, 0.69%, 0.61%

LAB 58.62, 44.98, 32.86

 

CMYK 0 / 49 / 56 / 5

HEX #F17B69

RGB 241 123 105

HSL 7.94, 0.83%, 0.68%

LAB 64.87, 43.71, 30.72

 

CMYK 0 / 45 / 51 / 0

HEX #FF8D7C

RGB 255 141 124

HSL 7.79, 1%, 0.74%

LAB 70.71, 41.4, 28.25

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 0 / 70 / 80 / 34

HEX #A83322

RGB 168 51 34

HSL 7.61, 0.66%, 0.4%

LAB 39.26, 46.93, 37.16

 

CMYK 0 / 78 / 90 / 41

HEX #97210F

RGB 151 33 15

HSL 7.94, 0.82%, 0.33%

LAB 33.35, 47.45, 40.18

 

CMYK 0 / 89 / 100 / 47

HEX #860F00

RGB 134 15 0

HSL 6.72, 1%, 0.26%

LAB 27.87, 46.96, 40.66

 

CMYK 0 / 100 / 100 / 54

HEX #750000

RGB 117 0 0

HSL 0, 1%, 0.23%

LAB 22.94, 45.05, 34.64

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 0 / 71 / 71 / 27

HEX #B93535

RGB 185 53 53

HSL 0, 0.55%, 0.47%

LAB 42.94, 52.59, 31.24

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 0 / 43 / 71 / 27

HEX #B96935

RGB 185 105 53

HSL 23.64, 0.55%, 0.47%

LAB 52.59, 27.68, 42.14

 

CMYK 0 / 24 / 71 / 27

HEX #B98D35

RGB 185 141 53

HSL 40, 0.55%, 0.47%

LAB 61.33, 7.79, 51.35

 

CMYK 0 / 5 / 71 / 27

HEX #B9B035

RGB 185 176 53

HSL 55.91, 0.55%, 0.47%

LAB 70.61, -10.97, 60.64

 

CMYK 14 / 0 / 71 / 27

HEX #9FB935

RGB 159 185 53

HSL 71.82, 0.55%, 0.47%

LAB 71.1, -26.53, 60.42

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 0 / 73 / 83 / 20

HEX #CD3722

RGB 205 55 34

HSL 7.37, 0.72%, 0.47%

LAB 46.75, 57.54, 46.76

 

CMYK 0 / 82 / 93 / 12

HEX #E0280F

RGB 224 40 15

HSL 7.18, 0.87%, 0.47%

LAB 48.76, 67.19, 57.63

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 0 / 49 / 56 / 35

HEX #A65449

RGB 166 84 73

HSL 7.1, 0.39%, 0.47%

LAB 45.54, 32.64, 21.89

 

CMYK 0 / 32 / 37 / 43

HEX #92635C

RGB 146 99 92

HSL 7.78, 0.23%, 0.47%

LAB 46.72, 18.09, 11.68

 

CMYK 0 / 11 / 12 / 50

HEX #7F7170

RGB 127 113 112

HSL 4, 0.06%, 0.47%

LAB 48.87, 5.26, 2.54

 

CMYK 18 / 2 / 0 / 49

HEX #6C8083

RGB 108 128 131

HSL 187.83, 0.1%, 0.47%

LAB 52.14, -6.56, -4.06

 

CMYK 0 / 71 / 42 / 27

HEX #B9356C

RGB 185 53 108

HSL 335, 0.55%, 0.47%

LAB 44.15, 56.7, -0.98

 

CMYK 0 / 71 / 61 / 27

HEX #B93549

RGB 185 53 73

HSL 350.91, 0.55%, 0.47%

LAB 43.27, 53.74, 19.51

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 0 / 44 / 71 / 27

HEX #B96835

RGB 185 104 53

HSL 23.18, 0.55%, 0.47%

LAB 52.37, 28.22, 41.89

 

CMYK 0 / 25 / 71 / 27

HEX #B98B35

RGB 185 139 53

HSL 39.09, 0.55%, 0.47%

LAB 60.81, 8.89, 50.83

 

CMYK 0 / 63 / 71 / 53

HEX #792D23

RGB 121 45 35

HSL 6.98, 0.55%, 0.31%

LAB 29.57, 32.54, 23.45

 

CMYK 0 / 63 / 71 / 40

HEX #99392C

RGB 153 57 44

HSL 7.16, 0.55%, 0.39%

LAB 37.63, 39.38, 28.89

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 0 / 55 / 62 / 20

HEX #CB5C4D

RGB 203 92 77

HSL 7.14, 0.55%, 0.55%

LAB 52.83, 43, 30.01

 

CMYK 0 / 43 / 49 / 17

HEX #D4796D

RGB 212 121 109

HSL 6.99, 0.54%, 0.63%

LAB 60.58, 34.15, 22.1

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 22 / 0 / 71 / 27

HEX #90B935

RGB 144 185 53

HSL 78.64, 0.55%, 0.47%

LAB 70.09, -32.59, 59.1

 

CMYK 71 / 51 / 0 / 27

HEX #355BB9

RGB 53 91 185

HSL 222.73, 0.55%, 0.47%

LAB 40.8, 19.01, -53.67

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 71 / 0 / 63 / 27

HEX #35B945

RGB 53 185 69

HSL 127.27, 0.55%, 0.47%

LAB 66.43, -58.45, 47.56

 

CMYK 63 / 71 / 0 / 27

HEX #4535B9

RGB 69 53 185

HSL 247.27, 0.55%, 0.47%

LAB 32.51, 45.06, -67.14

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 22 / 0 / 71 / 27

HEX #90B935

RGB 144 185 53

HSL 78.64, 0.55%, 0.47%

LAB 70.09, -32.59, 59.1

 

CMYK 71 / 8 / 0 / 27

HEX #35AAB9

RGB 53 170 185

HSL 186.82, 0.55%, 0.47%

LAB 64.17, -26.91, -17.07

 

CMYK 49 / 71 / 0 / 27

HEX #5F35B9

RGB 95 53 185

HSL 259.09, 0.55%, 0.47%

LAB 34.97, 49, -63.02

 

CMYK 0 / 63 / 71 / 27

HEX #B94535

RGB 185 69 53

HSL 7.27, 0.55%, 0.47%

LAB 45.4, 45.93, 34.1

 

CMYK 44 / 0 / 71 / 27

HEX #68B935

RGB 104 185 53

HSL 96.82, 0.55%, 0.47%

LAB 67.95, -47.12, 56.23

 

CMYK 71 / 8 / 0 / 27

HEX #35AAB9

RGB 53 170 185

HSL 186.82, 0.55%, 0.47%

LAB 64.17, -26.91, -17.07

 

CMYK 27 / 71 / 0 / 27

HEX #8735B9

RGB 135 53 185

HSL 277.27, 0.55%, 0.47%

LAB 39.92, 56.49, -54.75

 

Description

Color code: HEX #B94535 | qconv.com Color code: HEX #B94535 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 69 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 69 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 71 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 71% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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