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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B954C4 it is the complementary color #46AB3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B954C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B954C4 shade: #BE54BF, #CF66D2, #E078E5, #F18AF8 and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B954C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B954C4 shade: #B954C4, #A842B1, #97309E, #861E8B and #750C78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B954C4 shade: #B954C4, #C454B1, #C45492, #C45474 and #C45456

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B954C4 shade: #B954C4, #9B54C4, #7C54C4, #5E54C4 and #5454C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B954C4 shade matches the following richer shades: #B954C4, #C841D7, #D72EE9 and #E61CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B954C4 shade: #B954C4, #AA66B1, #9B799F, #8C8B8C and #7D9E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B954C4 shade: #7D54C4, #9B54C4, #B954C4, #C454B1 and #C45493

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B954C4 shade: #893293, #A63DB2, #B954C4, #C572CE and #D291D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B954C4 shade: #B954C4, #C45F54 and #54C48C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B954C4 shade: #B954C4, #C4B954 and #54C4B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B954C4 shade: #B954C4, #C45F54, #5FC454 and #54B9C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B954C4 shade: #B954C4, #C48154, #5FC454 and #5497C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

Complementary color

CMYK 59 / 0 / 65 / 33

HEX #46AB3B

RGB 70 171 59

HSL 114.11, 0.49%, 0.45%

LAB 62.29, -50.98, 47.45

 

CMYK 1 / 56 / 0 / 25

HEX #BE54BF

RGB 190 84 191

HSL 299.44, 0.46%, 0.54%

LAB 53, 56.84, -36.93

 

CMYK 1 / 51 / 0 / 18

HEX #CF66D2

RGB 207 102 210

HSL 298.33, 0.55%, 0.61%

LAB 59.36, 56.35, -37.64

 

CMYK 2 / 48 / 0 / 10

HEX #E078E5

RGB 224 120 229

HSL 297.25, 0.68%, 0.68%

LAB 65.7, 55.73, -38.21

 

CMYK 3 / 44 / 0 / 3

HEX #F18AF8

RGB 241 138 248

HSL 296.18, 0.89%, 0.76%

LAB 72, 55.05, -38.68

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 5 / 63 / 0 / 31

HEX #A842B1

RGB 168 66 177

HSL 295.14, 0.46%, 0.48%

LAB 46.17, 56.73, -39.76

 

CMYK 4 / 70 / 0 / 38

HEX #97309E

RGB 151 48 158

HSL 296.18, 0.53%, 0.4%

LAB 39.85, 56.61, -38.65

 

CMYK 4 / 78 / 0 / 45

HEX #861E8B

RGB 134 30 139

HSL 297.25, 0.64%, 0.33%

LAB 33.69, 55.75, -37.05

 

CMYK 3 / 90 / 0 / 53

HEX #750C78

RGB 117 12 120

HSL 298.33, 0.82%, 0.26%

LAB 27.85, 53.61, -34.65

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 0 / 57 / 10 / 23

HEX #C454B1

RGB 196 84 177

HSL 310.18, 0.49%, 0.55%

LAB 53.22, 56.11, -28.41

 

CMYK 0 / 57 / 26 / 23

HEX #C45492

RGB 196 84 146

HSL 326.79, 0.49%, 0.55%

LAB 52.01, 51.49, -12.08

 

CMYK 0 / 57 / 41 / 23

HEX #C45474

RGB 196 84 116

HSL 342.86, 0.49%, 0.55%

LAB 51.08, 47.81, 4.44

 

CMYK 0 / 57 / 56 / 23

HEX #C45456

RGB 196 84 86

HSL 358.93, 0.49%, 0.55%

LAB 50.39, 44.99, 21.41

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 21 / 57 / 0 / 23

HEX #9B54C4

RGB 155 84 196

HSL 278.04, 0.49%, 0.55%

LAB 48.63, 48.69, -47.03

 

CMYK 37 / 57 / 0 / 23

HEX #7C54C4

RGB 124 84 196

HSL 261.43, 0.49%, 0.55%

LAB 45.1, 41.05, -52.89

 

CMYK 52 / 57 / 0 / 23

HEX #5E54C4

RGB 94 84 196

HSL 245.36, 0.49%, 0.55%

LAB 42.32, 34.43, -57.51

 

CMYK 57 / 57 / 0 / 23

HEX #5454C4

RGB 84 84 196

HSL 240, 0.49%, 0.55%

LAB 41.55, 32.49, -58.79

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 7 / 70 / 0 / 16

HEX #C841D7

RGB 200 65 215

HSL 294, 0.65%, 0.55%

LAB 52.91, 71.23, -50.73

 

CMYK 8 / 80 / 0 / 9

HEX #D72EE9

RGB 215 46 233

HSL 294.22, 0.81%, 0.55%

LAB 54.33, 82.8, -58.53

 

CMYK 9 / 89 / 0 / 1

HEX #E61CFC

RGB 230 28 252

HSL 294.11, 0.97%, 0.55%

LAB 56.76, 91.65, -65.11

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 4 / 42 / 0 / 31

HEX #AA66B1

RGB 170 102 177

HSL 294.4, 0.32%, 0.55%

LAB 53.19, 39.38, -28.73

 

CMYK 3 / 24 / 0 / 38

HEX #9B799F

RGB 155 121 159

HSL 293.68, 0.17%, 0.55%

LAB 55.22, 20.11, -15.33

 

CMYK 0 / 1 / 0 / 45

HEX #8C8B8C

RGB 140 139 140

HSL 300, 0%, 0.55%

LAB 57.97, 0.57, -0.41

 

CMYK 21 / 0 / 23 / 38

HEX #7D9E7A

RGB 125 158 122

HSL 115, 0.16%, 0.55%

LAB 61.84, -18.64, 15.15

 

CMYK 36 / 57 / 0 / 23

HEX #7D54C4

RGB 125 84 196

HSL 261.96, 0.49%, 0.55%

LAB 45.2, 41.28, -52.71

 

CMYK 21 / 57 / 0 / 23

HEX #9B54C4

RGB 155 84 196

HSL 278.04, 0.49%, 0.55%

LAB 48.63, 48.69, -47.03

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 0 / 57 / 10 / 23

HEX #C454B1

RGB 196 84 177

HSL 310.18, 0.49%, 0.55%

LAB 53.22, 56.11, -28.41

 

CMYK 0 / 57 / 25 / 23

HEX #C45493

RGB 196 84 147

HSL 326.25, 0.49%, 0.55%

LAB 52.04, 51.63, -12.62

 

CMYK 7 / 66 / 0 / 42

HEX #893293

RGB 137 50 147

HSL 293.81, 0.49%, 0.39%

LAB 37.31, 50.39, -36.17

 

CMYK 7 / 66 / 0 / 30

HEX #A63DB2

RGB 166 61 178

HSL 293.85, 0.49%, 0.47%

LAB 45.16, 58.55, -41.97

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 4 / 45 / 0 / 19

HEX #C572CE

RGB 197 114 206

HSL 294.13, 0.48%, 0.63%

LAB 60.21, 46.76, -34.14

 

CMYK 3 / 33 / 0 / 15

HEX #D291D9

RGB 210 145 217

HSL 294.17, 0.49%, 0.71%

LAB 68.72, 36.35, -27.01

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 0 / 52 / 57 / 23

HEX #C45F54

RGB 196 95 84

HSL 5.89, 0.49%, 0.55%

LAB 52.46, 39.39, 25.3

 

CMYK 57 / 0 / 29 / 23

HEX #54C48C

RGB 84 196 140

HSL 150, 0.49%, 0.55%

LAB 71.73, -44.94, 18.73

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 0 / 6 / 57 / 23

HEX #C4B954

RGB 196 185 84

HSL 54.11, 0.49%, 0.55%

LAB 74.24, -8.98, 51.66

 

CMYK 57 / 0 / 6 / 23

HEX #54C4B9

RGB 84 196 185

HSL 174.11, 0.49%, 0.55%

LAB 72.8, -34.39, -4.08

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 0 / 52 / 57 / 23

HEX #C45F54

RGB 196 95 84

HSL 5.89, 0.49%, 0.55%

LAB 52.46, 39.39, 25.3

 

CMYK 52 / 0 / 57 / 23

HEX #5FC454

RGB 95 196 84

HSL 114.11, 0.49%, 0.55%

LAB 71.25, -51.26, 46.62

 

CMYK 57 / 6 / 0 / 23

HEX #54B9C4

RGB 84 185 196

HSL 185.89, 0.49%, 0.55%

LAB 69.87, -26.08, -14.46

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

CMYK 0 / 34 / 57 / 23

HEX #C48154

RGB 196 129 84

HSL 24.11, 0.49%, 0.55%

LAB 59.96, 21.21, 34.78

 

CMYK 52 / 0 / 57 / 23

HEX #5FC454

RGB 95 196 84

HSL 114.11, 0.49%, 0.55%

LAB 71.25, -51.26, 46.62

 

CMYK 57 / 23 / 0 / 23

HEX #5497C4

RGB 84 151 196

HSL 204.11, 0.49%, 0.55%

LAB 59.89, -8.11, -29.71

 

Description

Color code: HEX #B954C4 | qconv.com Color code: HEX #B954C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 84 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 84 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 57 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 57% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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