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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B958ED it is the complementary color #46A712. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B958ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B958ED shade: #BE58E8, #CF6AFB, #E07CFF, #F18EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B958ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B958ED shade: #B958ED, #A846DA, #9734C7, #8622B4 and #7510A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B958ED shade: #B958ED, #E158ED, #ED58D1, #ED58A9 and #ED5881

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B958ED shade: #B958ED, #9158ED, #6958ED and #5858ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B958ED shade matches the following richer shades: #B958ED and #BE49FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B958ED shade: #B958ED, #B567DE, #B076CF, #AC85C0 and #A794B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B958ED shade: #6A58ED, #9158ED, #B958ED, #E158ED and #ED58D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B958ED shade: #9717DC, #AA33E9, #B958ED, #C97EF1 and #D8A3F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B958ED shade: #B958ED, #ED586F and #58ED7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B958ED shade: #B958ED, #EDB958 and #58EDB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B958ED shade: #B958ED, #ED586F, #8CED58 and #58EDD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B958ED shade: #B958ED, #ED6F58, #8CED58 and #58D7ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

Complementary color

CMYK 58 / 0 / 89 / 35

HEX #46A712

RGB 70 167 18

HSL 99.06, 0.81%, 0.36%

LAB 60.77, -52.23, 59.33

 

CMYK 18 / 62 / 0 / 9

HEX #BE58E8

RGB 190 88 232

HSL 282.5, 0.76%, 0.63%

LAB 55.84, 62.81, -55.75

 

CMYK 18 / 58 / 0 / 2

HEX #CF6AFB

RGB 207 106 251

HSL 281.79, 0.95%, 0.7%

LAB 62.12, 62.29, -56.17

 

CMYK 12 / 51 / 0 / 0

HEX #E07CFF

RGB 224 124 255

HSL 285.8, 1%, 0.74%

LAB 67.64, 58.66, -49.48

 

CMYK 5 / 44 / 0 / 0

HEX #F18EFF

RGB 241 142 255

HSL 292.57, 1%, 0.78%

LAB 73.07, 54.33, -40.82

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 23 / 68 / 0 / 15

HEX #A846DA

RGB 168 70 218

HSL 279.73, 0.67%, 0.56%

LAB 49.21, 63.06, -58.62

 

CMYK 24 / 74 / 0 / 22

HEX #9734C7

RGB 151 52 199

HSL 280.41, 0.59%, 0.49%

LAB 43, 63.02, -57.84

 

CMYK 26 / 81 / 0 / 29

HEX #8622B4

RGB 134 34 180

HSL 281.1, 0.68%, 0.42%

LAB 36.94, 62.3, -56.62

 

CMYK 27 / 90 / 0 / 37

HEX #7510A1

RGB 117 16 161

HSL 281.79, 0.82%, 0.35%

LAB 31.17, 60.43, -54.72

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 5 / 63 / 0 / 7

HEX #E158ED

RGB 225 88 237

HSL 295.17, 0.81%, 0.64%

LAB 60.87, 71.82, -50.24

 

CMYK 0 / 63 / 12 / 7

HEX #ED58D1

RGB 237 88 209

HSL 311.28, 0.81%, 0.64%

LAB 61.3, 70.25, -33.74

 

CMYK 0 / 63 / 29 / 7

HEX #ED58A9

RGB 237 88 169

HSL 327.38, 0.81%, 0.64%

LAB 59.75, 64.84, -13.24

 

CMYK 0 / 63 / 46 / 7

HEX #ED5881

RGB 237 88 129

HSL 343.49, 0.81%, 0.64%

LAB 58.57, 60.54, 8.33

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 39 / 63 / 0 / 7

HEX #9158ED

RGB 145 88 237

HSL 262.95, 0.81%, 0.64%

LAB 50.82, 54.12, -66.91

 

CMYK 56 / 63 / 0 / 7

HEX #6958ED

RGB 105 88 237

HSL 246.85, 0.81%, 0.64%

LAB 47.1, 46.66, -73.12

 

CMYK 63 / 63 / 0 / 7

HEX #5858ED

RGB 88 88 237

HSL 240, 0.81%, 0.64%

LAB 45.86, 44.02, -75.19

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FC

RGB 190 73 252

HSL 279.22, 0.97%, 0.64%

LAB 54.8, 73.18, -68.57

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 18 / 54 / 0 / 13

HEX #B567DE

RGB 181 103 222

HSL 279.33, 0.64%, 0.64%

LAB 56.88, 51.25, -48.54

 

CMYK 15 / 43 / 0 / 19

HEX #B076CF

RGB 176 118 207

HSL 279.1, 0.48%, 0.64%

LAB 58.69, 38.64, -37.27

 

CMYK 10 / 31 / 0 / 25

HEX #AC85C0

RGB 172 133 192

HSL 279.66, 0.32%, 0.64%

LAB 61.09, 25.81, -25.1

 

CMYK 6 / 17 / 0 / 30

HEX #A794B2

RGB 167 148 178

HSL 278, 0.16%, 0.64%

LAB 63.84, 12.73, -13.05

 

CMYK 55 / 63 / 0 / 7

HEX #6A58ED

RGB 106 88 237

HSL 247.25, 0.81%, 0.64%

LAB 47.18, 46.82, -72.98

 

CMYK 39 / 63 / 0 / 7

HEX #9158ED

RGB 145 88 237

HSL 262.95, 0.81%, 0.64%

LAB 50.82, 54.12, -66.91

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 5 / 63 / 0 / 7

HEX #E158ED

RGB 225 88 237

HSL 295.17, 0.81%, 0.64%

LAB 60.87, 71.82, -50.24

 

CMYK 0 / 63 / 11 / 7

HEX #ED58D2

RGB 237 88 210

HSL 310.87, 0.81%, 0.64%

LAB 61.34, 70.39, -34.24

 

CMYK 31 / 90 / 0 / 14

HEX #9717DC

RGB 151 23 220

HSL 278.98, 0.81%, 0.48%

LAB 41.78, 75.46, -71.94

 

CMYK 27 / 78 / 0 / 9

HEX #AA33E9

RGB 170 51 233

HSL 279.23, 0.81%, 0.56%

LAB 48, 73.65, -69.08

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 17 / 48 / 0 / 5

HEX #C97EF1

RGB 201 126 241

HSL 279.13, 0.8%, 0.72%

LAB 64.72, 48.66, -46.58

 

CMYK 12 / 33 / 0 / 4

HEX #D8A3F5

RGB 216 163 245

HSL 278.78, 0.8%, 0.8%

LAB 74.44, 34.04, -33.48

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 0 / 63 / 53 / 7

HEX #ED586F

RGB 237 88 111

HSL 350.74, 0.81%, 0.64%

LAB 58.16, 59, 18.29

 

CMYK 63 / 0 / 47 / 7

HEX #58ED7E

RGB 88 237 126

HSL 135.3, 0.81%, 0.64%

LAB 84.04, -62.64, 42.18

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 0 / 22 / 63 / 7

HEX #EDB958

RGB 237 185 88

HSL 39.06, 0.81%, 0.64%

LAB 78.11, 8.54, 55.22

 

CMYK 63 / 0 / 22 / 7

HEX #58EDB9

RGB 88 237 185

HSL 159.06, 0.81%, 0.64%

LAB 85.07, -51.62, 13.64

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 0 / 63 / 53 / 7

HEX #ED586F

RGB 237 88 111

HSL 350.74, 0.81%, 0.64%

LAB 58.16, 59, 18.29

 

CMYK 41 / 0 / 63 / 7

HEX #8CED58

RGB 140 237 88

HSL 99.06, 0.81%, 0.64%

LAB 85.43, -53.76, 61.42

 

CMYK 63 / 0 / 9 / 7

HEX #58EDD7

RGB 88 237 215

HSL 171.14, 0.81%, 0.64%

LAB 85.78, -44.52, -1.05

 

CMYK 22 / 63 / 0 / 7

HEX #B958ED

RGB 185 88 237

HSL 279.06, 0.81%, 0.64%

LAB 55.49, 62.71, -59.14

 

CMYK 0 / 53 / 63 / 7

HEX #ED6F58

RGB 237 111 88

HSL 9.26, 0.81%, 0.64%

LAB 61.72, 46.95, 36.02

 

CMYK 41 / 0 / 63 / 7

HEX #8CED58

RGB 140 237 88

HSL 99.06, 0.81%, 0.64%

LAB 85.43, -53.76, 61.42

 

CMYK 63 / 9 / 0 / 7

HEX #58D7ED

RGB 88 215 237

HSL 188.86, 0.81%, 0.64%

LAB 80.06, -28.41, -21.22

 

Description

Color code: HEX #B958ED | qconv.com Color code: HEX #B958ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 88 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 88 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 63 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 63% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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