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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9599E it is the complementary color #46A661. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9599E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9599E shade: #BE5999, #CF6BAC, #E07DBF, #F18FD2 and #FFA1E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9599E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9599E shade: #B9599E, #A8478B, #973578, #862365 and #751152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9599E shade: #B9599E, #B95984, #B9596A and #B95959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9599E shade: #B9599E, #B959B8, #A059B9, #8759B9 and #6D59B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9599E shade matches the following richer shades: #B9599E, #CC46A7, #DF33AF and #F220B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9599E shade: #B9599E, #A66C96, #937F8E, #809285 and #6DA57D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9599E shade: #A059B9, #B959B9, #B959A0, #B95986 and #B9596C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9599E shade: #873871, #A5458A, #B9599E, #C576AF and #D293C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9599E shade: #B9599E, #B98659 and #59B9AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9599E shade: #B9599E, #A0B959 and #59A0B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9599E shade: #B9599E, #B98659, #59B973 and #598CB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9599E shade: #B9599E, #B9A359, #59B973 and #5970B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

Complementary color

CMYK 58 / 0 / 42 / 35

HEX #46A661

RGB 70 166 97

HSL 136.88, 0.41%, 0.46%

LAB 61.17, -43.79, 27.45

 

CMYK 0 / 53 / 19 / 25

HEX #BE5999

RGB 190 89 153

HSL 321.98, 0.44%, 0.55%

LAB 52.28, 48.23, -15.89

 

CMYK 0 / 48 / 17 / 19

HEX #CF6BAC

RGB 207 107 172

HSL 321, 0.51%, 0.62%

LAB 58.75, 47.54, -16.9

 

CMYK 0 / 44 / 15 / 12

HEX #E07DBF

RGB 224 125 191

HSL 320, 0.61%, 0.68%

LAB 65.18, 46.8, -17.76

 

CMYK 0 / 41 / 13 / 5

HEX #F18FD2

RGB 241 143 210

HSL 318.98, 0.78%, 0.75%

LAB 71.55, 46.05, -18.5

 

CMYK 0 / 37 / 10 / 0

HEX #FFA1E5

RGB 255 161 229

HSL 316.6, 1%, 0.82%

LAB 77.52, 44.35, -19.71

 

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

CMYK 0 / 58 / 17 / 34

HEX #A8478B

RGB 168 71 139

HSL 317.94, 0.41%, 0.47%

LAB 45.21, 48, -18.61

 

CMYK 0 / 65 / 21 / 41

HEX #973578

RGB 151 53 120

HSL 318.98, 0.48%, 0.4%

LAB 38.69, 48.3, -17.22

 

CMYK 0 / 74 / 25 / 47

HEX #862365

RGB 134 35 101

HSL 320, 0.59%, 0.33%

LAB 32.28, 48.06, -15.32

 

CMYK 0 / 85 / 30 / 54

HEX #751152

RGB 117 17 82

HSL 321, 0.75%, 0.26%

LAB 26.13, 46.79, -12.6

 

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

CMYK 0 / 52 / 29 / 27

HEX #B95984

RGB 185 89 132

HSL 333.13, 0.41%, 0.54%

LAB 50.83, 43.61, -5.68

 

CMYK 0 / 52 / 43 / 27

HEX #B9596A

RGB 185 89 106

HSL 349.38, 0.41%, 0.54%

LAB 50.1, 40.43, 8.8

 

CMYK 0 / 52 / 52 / 27

HEX #B95959

RGB 185 89 89

HSL 0, 0.41%, 0.54%

LAB 49.71, 38.74, 18.43

 

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

CMYK 0 / 52 / 1 / 27

HEX #B959B8

RGB 185 89 184

HSL 300.63, 0.41%, 0.54%

LAB 52.86, 51.86, -33.16

 

CMYK 14 / 52 / 0 / 27

HEX #A059B9

RGB 160 89 185

HSL 284.38, 0.41%, 0.54%

LAB 49.64, 45.04, -39.02

 

CMYK 27 / 52 / 0 / 27

HEX #8759B9

RGB 135 89 185

HSL 268.75, 0.41%, 0.54%

LAB 46.71, 38.18, -43.85

 

CMYK 41 / 52 / 0 / 27

HEX #6D59B9

RGB 109 89 185

HSL 252.5, 0.41%, 0.54%

LAB 44.09, 31.48, -48.19

 

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

CMYK 0 / 66 / 18 / 20

HEX #CC46A7

RGB 204 70 167

HSL 316.57, 0.57%, 0.54%

LAB 51.85, 62.73, -24.6

 

CMYK 0 / 77 / 22 / 13

HEX #DF33AF

RGB 223 51 175

HSL 316.74, 0.73%, 0.54%

LAB 53.11, 74.76, -27.08

 

CMYK 0 / 87 / 24 / 5

HEX #F220B7

RGB 242 32 183

HSL 316.86, 0.89%, 0.54%

LAB 55.41, 83.86, -27.92

 

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

CMYK 0 / 35 / 10 / 35

HEX #A66C96

RGB 166 108 150

HSL 316.55, 0.25%, 0.54%

LAB 52.99, 29.67, -13.35

 

CMYK 0 / 14 / 3 / 42

HEX #937F8E

RGB 147 127 142

HSL 315, 0.08%, 0.54%

LAB 55.42, 10.4, -5.26

 

CMYK 12 / 0 / 9 / 43

HEX #809285

RGB 128 146 133

HSL 136.67, 0.08%, 0.54%

LAB 58.83, -9.09, 4.71

 

CMYK 34 / 0 / 24 / 35

HEX #6DA57D

RGB 109 165 125

HSL 137.14, 0.24%, 0.54%

LAB 63.05, -27.06, 15.02

 

CMYK 14 / 52 / 0 / 27

HEX #A059B9

RGB 160 89 185

HSL 284.38, 0.41%, 0.54%

LAB 49.64, 45.04, -39.02

 

CMYK 0 / 52 / 0 / 27

HEX #B959B9

RGB 185 89 185

HSL 300, 0.41%, 0.54%

LAB 52.91, 52.04, -33.66

 

CMYK 0 / 52 / 14 / 27

HEX #B959A0

RGB 185 89 160

HSL 315.63, 0.41%, 0.54%

LAB 51.83, 47.76, -20.75

 

CMYK 0 / 52 / 28 / 27

HEX #B95986

RGB 185 89 134

HSL 331.88, 0.41%, 0.54%

LAB 50.9, 43.88, -6.78

 

CMYK 0 / 52 / 42 / 27

HEX #B9596C

RGB 185 89 108

HSL 348.13, 0.41%, 0.54%

LAB 50.15, 40.65, 7.68

 

CMYK 0 / 59 / 16 / 47

HEX #873871

RGB 135 56 113

HSL 316.71, 0.41%, 0.37%

LAB 36.31, 40.98, -16.72

 

CMYK 0 / 58 / 16 / 35

HEX #A5458A

RGB 165 69 138

HSL 316.88, 0.41%, 0.46%

LAB 44.36, 47.89, -19.36

 

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

CMYK 0 / 40 / 11 / 23

HEX #C576AF

RGB 197 118 175

HSL 316.71, 0.41%, 0.62%

LAB 59.82, 39.07, -17.12

 

CMYK 0 / 30 / 9 / 18

HEX #D293C0

RGB 210 147 192

HSL 317.14, 0.41%, 0.7%

LAB 68.3, 30.71, -13.77

 

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

CMYK 0 / 28 / 52 / 27

HEX #B98659

RGB 185 134 89

HSL 28.13, 0.41%, 0.54%

LAB 59.97, 14.26, 31.81

 

CMYK 52 / 0 / 7 / 27

HEX #59B9AC

RGB 89 185 172

HSL 171.88, 0.41%, 0.54%

LAB 69.33, -31.51, -2.07

 

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

CMYK 14 / 0 / 52 / 27

HEX #A0B959

RGB 160 185 89

HSL 75.63, 0.41%, 0.54%

LAB 71.48, -23.37, 45.39

 

CMYK 52 / 14 / 0 / 27

HEX #59A0B9

RGB 89 160 185

HSL 195.63, 0.41%, 0.54%

LAB 62.31, -15.29, -19.79

 

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

CMYK 0 / 28 / 52 / 27

HEX #B98659

RGB 185 134 89

HSL 28.13, 0.41%, 0.54%

LAB 59.97, 14.26, 31.81

 

CMYK 52 / 0 / 38 / 27

HEX #59B973

RGB 89 185 115

HSL 136.25, 0.41%, 0.54%

LAB 68.06, -43.86, 27.1

 

CMYK 52 / 24 / 0 / 27

HEX #598CB9

RGB 89 140 185

HSL 208.13, 0.41%, 0.54%

LAB 56.47, -4.19, -28.77

 

CMYK 0 / 52 / 15 / 27

HEX #B9599E

RGB 185 89 158

HSL 316.88, 0.41%, 0.54%

LAB 51.76, 47.44, -19.69

 

CMYK 0 / 12 / 52 / 27

HEX #B9A359

RGB 185 163 89

HSL 46.25, 0.41%, 0.54%

LAB 67.45, -1.63, 41.05

 

CMYK 52 / 0 / 38 / 27

HEX #59B973

RGB 89 185 115

HSL 136.25, 0.41%, 0.54%

LAB 68.06, -43.86, 27.1

 

CMYK 52 / 39 / 0 / 27

HEX #5970B9

RGB 89 112 185

HSL 225.63, 0.41%, 0.54%

LAB 48.53, 12.51, -41.21

 

Description

Color code: HEX #B9599E | qconv.com Color code: HEX #B9599E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 89 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 89 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 15 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 15% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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