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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B95E89 it is the complementary color #46A176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B95E89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B95E89 shade: #BE5E84, #CF7097, #E082AA, #F194BD and #FFA6D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B95E89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B95E89 shade: #B95E89, #A84C76, #973A63, #862850 and #75163D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B95E89 shade: #B95F89, #B95F71 and #B95F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B95E89 shade: #B95F89, #B95FA1, #B75FB9, #9F5FB9 and #875FB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B95E89 shade matches the following richer shades: #B95F89, #CB4C88, #DE3A87 and #F02786

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B95E89 shade: #B95F89, #A6728A, #93848B, #81978C and #6EA98D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B95E89 shade: #B75FB9, #B95FA2, #B95F8A, #B95F72 and #B9635F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B95E89 shade: #893C60, #A64875, #B95F89, #C57C9E and #D298B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B95E89 shade: #B95E89, #B99F5F and #5FAEB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B95E89 shade: #B95E89, #8AB95F and #5F8AB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B95E89 shade: #B95E89, #B99F5F, #5FB98D and #5F78B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B95E89 shade: #B95E89, #B7B95F, #5FB98D and #605FB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 26 / 27

HEX #B95E89

RGB 185 94 137

HSL 331.65, 0.39%, 0.55%

LAB 51.98, 41.75, -6.95

 

Complementary color

CMYK 57 / 0 / 27 / 37

HEX #46A176

RGB 70 161 118

HSL 151.65, 0.39%, 0.45%

LAB 59.98, -37.52, 14.38

 

CMYK 0 / 51 / 31 / 25

HEX #BE5E84

RGB 190 94 132

HSL 336.25, 0.42%, 0.56%

LAB 52.53, 42.77, -3.09

 

CMYK 0 / 46 / 27 / 19

HEX #CF7097

RGB 207 112 151

HSL 335.37, 0.5%, 0.63%

LAB 59.06, 41.93, -4.32

 

CMYK 0 / 42 / 24 / 12

HEX #E082AA

RGB 224 130 170

HSL 334.47, 0.6%, 0.69%

LAB 65.53, 41.1, -5.38

 

CMYK 0 / 39 / 22 / 5

HEX #F194BD

RGB 241 148 189

HSL 333.55, 0.77%, 0.76%

LAB 71.93, 40.29, -6.31

 

CMYK 0 / 35 / 18 / 0

HEX #FFA6D0

RGB 255 166 208

HSL 331.69, 1%, 0.83%

LAB 77.93, 38.49, -7.69

 

CMYK 0 / 49 / 26 / 27

HEX #B95E89

RGB 185 94 137

HSL 331.65, 0.39%, 0.55%

LAB 51.98, 41.75, -6.95

 

CMYK 0 / 55 / 30 / 34

HEX #A84C76

RGB 168 76 118

HSL 332.61, 0.38%, 0.48%

LAB 45.36, 42.52, -5.65

 

CMYK 0 / 62 / 34 / 41

HEX #973A63

RGB 151 58 99

HSL 333.55, 0.44%, 0.41%

LAB 38.74, 43.15, -4.01

 

CMYK 0 / 70 / 40 / 47

HEX #862850

RGB 134 40 80

HSL 334.47, 0.54%, 0.34%

LAB 32.18, 43.43, -1.86

 

CMYK 0 / 81 / 48 / 54

HEX #75163D

RGB 117 22 61

HSL 335.37, 0.68%, 0.27%

LAB 25.84, 42.94, 1.12

 

CMYK 0 / 49 / 26 / 27

HEX #B95F89

RGB 185 95 137

HSL 332, 0.39%, 0.55%

LAB 52.18, 41.23, -6.65

 

CMYK 0 / 49 / 39 / 27

HEX #B95F71

RGB 185 95 113

HSL 348, 0.39%, 0.55%

LAB 51.49, 38.12, 6.6

 

CMYK 0 / 49 / 49 / 27

HEX #B95F5F

RGB 185 95 95

HSL 0, 0.39%, 0.55%

LAB 51.07, 36.19, 16.7

 

CMYK 0 / 49 / 26 / 27

HEX #B95F89

RGB 185 95 137

HSL 332, 0.39%, 0.55%

LAB 52.18, 41.23, -6.65

 

CMYK 0 / 49 / 13 / 27

HEX #B95FA1

RGB 185 95 161

HSL 316, 0.39%, 0.55%

LAB 53.03, 44.9, -19.51

 

CMYK 1 / 49 / 0 / 27

HEX #B75FB9

RGB 183 95 185

HSL 298.67, 0.39%, 0.55%

LAB 53.77, 48.48, -32.34

 

CMYK 14 / 49 / 0 / 27

HEX #9F5FB9

RGB 159 95 185

HSL 282.67, 0.39%, 0.55%

LAB 50.76, 41.54, -37.27

 

CMYK 27 / 49 / 0 / 27

HEX #875FB9

RGB 135 95 185

HSL 266.67, 0.39%, 0.55%

LAB 48.06, 34.76, -41.72

 

CMYK 0 / 49 / 26 / 27

HEX #B95F89

RGB 185 95 137

HSL 332, 0.39%, 0.55%

LAB 52.18, 41.23, -6.65

 

CMYK 0 / 63 / 33 / 20

HEX #CB4C88

RGB 203 76 136

HSL 331.65, 0.55%, 0.55%

LAB 51.43, 55.94, -6.88

 

CMYK 0 / 74 / 39 / 13

HEX #DE3A87

RGB 222 58 135

HSL 331.83, 0.71%, 0.55%

LAB 52.18, 67.92, -4.82

 

CMYK 0 / 84 / 44 / 6

HEX #F02786

RGB 240 39 134

HSL 331.64, 0.87%, 0.55%

LAB 53.7, 77.23, -1.6

 

CMYK 0 / 49 / 26 / 27

HEX #B95F89

RGB 185 95 137

HSL 332, 0.39%, 0.55%

LAB 52.18, 41.23, -6.65

 

CMYK 0 / 31 / 17 / 35

HEX #A6728A

RGB 166 114 138

HSL 332.31, 0.23%, 0.55%

LAB 54, 24.21, -4.8

 

CMYK 0 / 10 / 5 / 42

HEX #93848B

RGB 147 132 139

HSL 332, 0.06%, 0.55%

LAB 56.65, 6.96, -1.7

 

CMYK 15 / 0 / 7 / 41

HEX #81978C

RGB 129 151 140

HSL 150, 0.1%, 0.55%

LAB 60.51, -10.05, 3.18

 

CMYK 35 / 0 / 17 / 34

HEX #6EA98D

RGB 110 169 141

HSL 151.53, 0.26%, 0.55%

LAB 64.66, -25.48, 8.42

 

CMYK 1 / 49 / 0 / 27

HEX #B75FB9

RGB 183 95 185

HSL 298.67, 0.39%, 0.55%

LAB 53.77, 48.48, -32.34

 

CMYK 0 / 49 / 12 / 27

HEX #B95FA2

RGB 185 95 162

HSL 315.33, 0.39%, 0.55%

LAB 53.07, 45.07, -20.03

 

CMYK 0 / 49 / 25 / 27

HEX #B95F8A

RGB 185 95 138

HSL 331.33, 0.39%, 0.55%

LAB 52.21, 41.37, -7.2

 

CMYK 0 / 49 / 38 / 27

HEX #B95F72

RGB 185 95 114

HSL 347.33, 0.39%, 0.55%

LAB 51.51, 38.24, 6.04

 

CMYK 0 / 46 / 49 / 27

HEX #B9635F

RGB 185 99 95

HSL 2.67, 0.39%, 0.55%

LAB 51.91, 34.07, 17.85

 

CMYK 0 / 56 / 30 / 46

HEX #893C60

RGB 137 60 96

HSL 331.95, 0.39%, 0.39%

LAB 36.73, 37.03, -5.34

 

CMYK 0 / 57 / 30 / 35

HEX #A64875

RGB 166 72 117

HSL 331.28, 0.39%, 0.47%

LAB 44.27, 43.7, -6.69

 

CMYK 0 / 49 / 26 / 27

HEX #B95F89

RGB 185 95 137

HSL 332, 0.39%, 0.55%

LAB 52.18, 41.23, -6.65

 

CMYK 0 / 37 / 20 / 23

HEX #C57C9E

RGB 197 124 158

HSL 332.05, 0.39%, 0.63%

LAB 60.56, 33.1, -6.26

 

CMYK 0 / 28 / 15 / 18

HEX #D298B3

RGB 210 152 179

HSL 332.07, 0.39%, 0.71%

LAB 69.05, 25.81, -5.4

 

CMYK 0 / 49 / 26 / 27

HEX #B95E89

RGB 185 94 137

HSL 331.65, 0.39%, 0.55%

LAB 51.98, 41.75, -6.95

 

CMYK 0 / 14 / 49 / 27

HEX #B99F5F

RGB 185 159 95

HSL 42.67, 0.39%, 0.55%

LAB 66.47, 1.09, 36.77

 

CMYK 49 / 6 / 0 / 27

HEX #5FAEB9

RGB 95 174 185

HSL 187.33, 0.39%, 0.55%

LAB 66.68, -21.27, -13.16

 

CMYK 0 / 49 / 26 / 27

HEX #B95E89

RGB 185 94 137

HSL 331.65, 0.39%, 0.55%

LAB 51.98, 41.75, -6.95

 

CMYK 25 / 0 / 49 / 27

HEX #8AB95F

RGB 138 185 95

HSL 91.33, 0.39%, 0.55%

LAB 70.13, -31.19, 40.48

 

CMYK 49 / 25 / 0 / 27

HEX #5F8AB9

RGB 95 138 185

HSL 211.33, 0.39%, 0.55%

LAB 56.2, -1.61, -29.16

 

CMYK 0 / 49 / 26 / 27

HEX #B95E89

RGB 185 94 137

HSL 331.65, 0.39%, 0.55%

LAB 51.98, 41.75, -6.95

 

CMYK 0 / 14 / 49 / 27

HEX #B99F5F

RGB 185 159 95

HSL 42.67, 0.39%, 0.55%

LAB 66.47, 1.09, 36.77

 

CMYK 49 / 0 / 24 / 27

HEX #5FB98D

RGB 95 185 141

HSL 150.67, 0.39%, 0.55%

LAB 68.79, -37.3, 14.17

 

CMYK 49 / 35 / 0 / 27

HEX #5F78B9

RGB 95 120 185

HSL 223.33, 0.39%, 0.55%

LAB 51.12, 9.06, -37.1

 

CMYK 0 / 49 / 26 / 27

HEX #B95E89

RGB 185 94 137

HSL 331.65, 0.39%, 0.55%

LAB 51.98, 41.75, -6.95

 

CMYK 1 / 0 / 49 / 27

HEX #B7B95F

RGB 183 185 95

HSL 61.33, 0.39%, 0.55%

LAB 73.28, -13.46, 45.04

 

CMYK 49 / 0 / 24 / 27

HEX #5FB98D

RGB 95 185 141

HSL 150.67, 0.39%, 0.55%

LAB 68.79, -37.3, 14.17

 

CMYK 48 / 49 / 0 / 27

HEX #605FB9

RGB 96 95 185

HSL 240.67, 0.39%, 0.55%

LAB 44.48, 24.69, -47.62

 

Description

Color code: HEX #B95E89 | qconv.com Color code: HEX #B95E89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 94 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 94 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 26 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 26% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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