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Color name
HEX #B96459

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B96459 it is the complementary color #469BA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B96459. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B96459 shade: #BE6454, #CF7667, #E0887A, #F19A8D and #FFACA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B96459. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B96459 shade: #B96459, #A85246, #974033, #862E20 and #751C0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B96459 shade: #B96459 and #B95959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B96459 shade: #B96459, #B97E59, #B99859, #B9B259 and #A7B959

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B96459 shade matches the following richer shades: #B96459, #CC5646, #DF4733 and #F23820

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B96459 shade: #B96459, #A6736C, #93817F, #809092 and #6D9FA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B96459 shade: #B95983, #B95969, #B96359, #B97C59 and #B99659

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B96459 shade: #874138, #A55045, #B96459, #C57F76 and #D29A93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B96459 shade: #B96459, #9CB959 and #5976B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B96459 shade: #B96459, #59B963 and #6359B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B96459 shade: #B96459, #9CB959, #59B0B9 and #7659B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B96459 shade: #B96459, #80B959, #59B0B9 and #9359B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

Complementary color

CMYK 58 / 7 / 0 / 35

HEX #469BA6

RGB 70 155 166

HSL 186.88, 0.41%, 0.46%

LAB 59.43, -22.25, -13.51

 

CMYK 0 / 47 / 56 / 25

HEX #BE6454

RGB 190 100 84

HSL 9.06, 0.45%, 0.54%

LAB 52.62, 34.49, 25.34

 

CMYK 0 / 43 / 50 / 19

HEX #CF7667

RGB 207 118 103

HSL 8.65, 0.52%, 0.61%

LAB 59.16, 33.25, 23.49

 

CMYK 0 / 39 / 46 / 12

HEX #E0887A

RGB 224 136 122

HSL 8.24, 0.62%, 0.68%

LAB 65.64, 32.11, 21.87

 

CMYK 0 / 36 / 41 / 5

HEX #F19A8D

RGB 241 154 141

HSL 7.8, 0.78%, 0.75%

LAB 72.05, 31.08, 20.43

 

CMYK 0 / 33 / 37 / 0

HEX #FFACA0

RGB 255 172 160

HSL 7.58, 1%, 0.81%

LAB 78.05, 29.01, 18.61

 

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

CMYK 0 / 51 / 58 / 34

HEX #A85246

RGB 168 82 70

HSL 7.35, 0.41%, 0.47%

LAB 45.36, 34.25, 23.51

 

CMYK 0 / 58 / 66 / 41

HEX #974033

RGB 151 64 51

HSL 7.8, 0.5%, 0.4%

LAB 38.7, 35.58, 25.91

 

CMYK 0 / 66 / 76 / 47

HEX #862E20

RGB 134 46 32

HSL 8.24, 0.61%, 0.33%

LAB 32.09, 36.87, 28.79

 

CMYK 0 / 76 / 89 / 54

HEX #751C0D

RGB 117 28 13

HSL 8.65, 0.8%, 0.25%

LAB 25.69, 37.81, 31.93

 

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

CMYK 0 / 52 / 52 / 27

HEX #B95959

RGB 185 89 89

HSL 0, 0.41%, 0.54%

LAB 49.71, 38.74, 18.43

 

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

CMYK 0 / 32 / 52 / 27

HEX #B97E59

RGB 185 126 89

HSL 23.13, 0.41%, 0.54%

LAB 58, 18.7, 29.3

 

CMYK 0 / 18 / 52 / 27

HEX #B99859

RGB 185 152 89

HSL 39.38, 0.41%, 0.54%

LAB 64.56, 4.33, 37.53

 

CMYK 0 / 4 / 52 / 27

HEX #B9B259

RGB 185 178 89

HSL 55.63, 0.41%, 0.54%

LAB 71.47, -9.56, 45.85

 

CMYK 10 / 0 / 52 / 27

HEX #A7B959

RGB 167 185 89

HSL 71.25, 0.41%, 0.54%

LAB 71.98, -20.56, 46.1

 

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

CMYK 0 / 58 / 66 / 20

HEX #CC5646

RGB 204 86 70

HSL 7.16, 0.57%, 0.54%

LAB 51.76, 45.81, 32.73

 

CMYK 0 / 68 / 77 / 13

HEX #DF4733

RGB 223 71 51

HSL 6.98, 0.73%, 0.54%

LAB 52.32, 57.92, 44.67

 

CMYK 0 / 77 / 87 / 5

HEX #F23820

RGB 242 56 32

HSL 6.86, 0.89%, 0.54%

LAB 53.82, 68.32, 56.45

 

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

CMYK 0 / 31 / 35 / 35

HEX #A6736C

RGB 166 115 108

HSL 7.24, 0.25%, 0.54%

LAB 53.44, 19.17, 11.96

 

CMYK 0 / 12 / 14 / 42

HEX #93817F

RGB 147 129 127

HSL 6, 0.08%, 0.54%

LAB 55.52, 6.5, 3.59

 

CMYK 12 / 1 / 0 / 43

HEX #809092

RGB 128 144 146

HSL 186.67, 0.08%, 0.54%

LAB 58.61, -5.3, -3.02

 

CMYK 34 / 4 / 0 / 35

HEX #6D9FA5

RGB 109 159 165

HSL 186.43, 0.24%, 0.54%

LAB 62.31, -15.07, -8.45

 

CMYK 0 / 52 / 29 / 27

HEX #B95983

RGB 185 89 131

HSL 333.75, 0.41%, 0.54%

LAB 50.8, 43.47, -5.13

 

CMYK 0 / 52 / 43 / 27

HEX #B95969

RGB 185 89 105

HSL 350, 0.41%, 0.54%

LAB 50.07, 40.32, 9.37

 

CMYK 0 / 46 / 52 / 27

HEX #B96359

RGB 185 99 89

HSL 6.25, 0.41%, 0.54%

LAB 51.79, 33.5, 21.21

 

CMYK 0 / 33 / 52 / 27

HEX #B97C59

RGB 185 124 89

HSL 21.88, 0.41%, 0.54%

LAB 57.51, 19.82, 28.68

 

CMYK 0 / 19 / 52 / 27

HEX #B99659

RGB 185 150 89

HSL 38.13, 0.41%, 0.54%

LAB 64.04, 5.42, 36.89

 

CMYK 0 / 52 / 59 / 47

HEX #874138

RGB 135 65 56

HSL 6.84, 0.41%, 0.37%

LAB 36.4, 29.06, 19.41

 

CMYK 0 / 52 / 58 / 35

HEX #A55045

RGB 165 80 69

HSL 6.88, 0.41%, 0.46%

LAB 44.47, 34.04, 22.87

 

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

CMYK 0 / 36 / 40 / 23

HEX #C57F76

RGB 197 127 118

HSL 6.84, 0.41%, 0.62%

LAB 60.21, 26.05, 16.16

 

CMYK 0 / 27 / 30 / 18

HEX #D29A93

RGB 210 154 147

HSL 6.67, 0.41%, 0.7%

LAB 68.69, 19.97, 11.91

 

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

CMYK 16 / 0 / 52 / 27

HEX #9CB959

RGB 156 185 89

HSL 78.13, 0.41%, 0.54%

LAB 71.21, -24.95, 44.99

 

CMYK 52 / 36 / 0 / 27

HEX #5976B9

RGB 89 118 185

HSL 221.88, 0.41%, 0.54%

LAB 50.2, 8.84, -38.57

 

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

CMYK 52 / 0 / 46 / 27

HEX #59B963

RGB 89 185 99

HSL 126.25, 0.41%, 0.54%

LAB 67.82, -46.47, 35.08

 

CMYK 46 / 52 / 0 / 27

HEX #6359B9

RGB 99 89 185

HSL 246.25, 0.41%, 0.54%

LAB 43.21, 29.09, -49.64

 

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

CMYK 16 / 0 / 52 / 27

HEX #9CB959

RGB 156 185 89

HSL 78.13, 0.41%, 0.54%

LAB 71.21, -24.95, 44.99

 

CMYK 52 / 5 / 0 / 27

HEX #59B0B9

RGB 89 176 185

HSL 185.63, 0.41%, 0.54%

LAB 67.03, -23.63, -12.65

 

CMYK 36 / 52 / 0 / 27

HEX #7659B9

RGB 118 89 185

HSL 258.13, 0.41%, 0.54%

LAB 44.94, 33.73, -46.78

 

CMYK 0 / 46 / 52 / 27

HEX #B96459

RGB 185 100 89

HSL 6.88, 0.41%, 0.54%

LAB 52.01, 32.97, 21.49

 

CMYK 31 / 0 / 52 / 27

HEX #80B959

RGB 128 185 89

HSL 95.63, 0.41%, 0.54%

LAB 69.48, -35.52, 42.51

 

CMYK 52 / 5 / 0 / 27

HEX #59B0B9

RGB 89 176 185

HSL 185.63, 0.41%, 0.54%

LAB 67.03, -23.63, -12.65

 

CMYK 21 / 52 / 0 / 27

HEX #9359B9

RGB 147 89 185

HSL 276.25, 0.41%, 0.54%

LAB 48.07, 41.44, -41.61

 

Description

Color code: HEX #B96459 | qconv.com Color code: HEX #B96459 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 100 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 100 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 52 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 52% 27% C M Y K

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Provide designers and agencies with accurate color values.

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