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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9685E it is the complementary color #4697A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9685E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9685E shade: #BE6859, #CF7A6C, #E08C7F, #F19E92 and #FFB0A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9685E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9685E shade: #B9685E, #A8564B, #974438, #863225 and #752012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9685E shade: #B9695F and #B95F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9685E shade: #B9695F, #B9815F, #B9995F, #B9B15F and #A8B95F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9685E shade matches the following richer shades: #B9695F, #CB5A4C, #DE4C3A and #F03D27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9685E shade: #B9695F, #A67772, #938684, #819497 and #6EA3A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9685E shade: #B95F86, #B95F6E, #B9685F, #B9805F and #B9985F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9685E shade: #89443C, #A65348, #B9695F, #C5847C and #D29F98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9685E shade: #B9685E, #9EB95F and #5F7AB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9685E shade: #B9685E, #5FB968 and #685FB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9685E shade: #B9685E, #9EB95F, #5FB0B9 and #7A5FB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9685E shade: #B9685E, #83B95F, #5FB0B9 and #955FB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 49 / 27

HEX #B9685E

RGB 185 104 94

HSL 6.59, 0.39%, 0.55%

LAB 52.97, 31.29, 19.87

 

Complementary color

CMYK 57 / 6 / 0 / 37

HEX #4697A1

RGB 70 151 161

HSL 186.59, 0.39%, 0.45%

LAB 58.05, -21.64, -12.75

 

CMYK 0 / 45 / 53 / 25

HEX #BE6859

RGB 190 104 89

HSL 8.91, 0.44%, 0.55%

LAB 53.57, 32.79, 23.68

 

CMYK 0 / 41 / 48 / 19

HEX #CF7A6C

RGB 207 122 108

HSL 8.48, 0.51%, 0.62%

LAB 60.13, 31.59, 21.95

 

CMYK 0 / 38 / 43 / 12

HEX #E08C7F

RGB 224 140 127

HSL 8.04, 0.61%, 0.69%

LAB 66.62, 30.51, 20.42

 

CMYK 0 / 34 / 39 / 5

HEX #F19E92

RGB 241 158 146

HSL 7.58, 0.77%, 0.76%

LAB 73.04, 29.52, 19.05

 

CMYK 0 / 31 / 35 / 0

HEX #FFB0A5

RGB 255 176 165

HSL 7.33, 1%, 0.82%

LAB 79.06, 27.5, 17.31

 

CMYK 0 / 44 / 49 / 27

HEX #B9685E

RGB 185 104 94

HSL 6.59, 0.39%, 0.55%

LAB 52.97, 31.29, 19.87

 

CMYK 0 / 49 / 55 / 34

HEX #A8564B

RGB 168 86 75

HSL 7.1, 0.38%, 0.48%

LAB 46.3, 32.53, 21.75

 

CMYK 0 / 55 / 63 / 41

HEX #974438

RGB 151 68 56

HSL 7.58, 0.46%, 0.41%

LAB 39.58, 33.86, 23.99

 

CMYK 0 / 63 / 72 / 47

HEX #863225

RGB 134 50 37

HSL 8.04, 0.57%, 0.34%

LAB 32.88, 35.2, 26.7

 

CMYK 0 / 73 / 85 / 54

HEX #752012

RGB 117 32 18

HSL 8.48, 0.73%, 0.26%

LAB 26.33, 36.32, 29.87

 

CMYK 0 / 43 / 49 / 27

HEX #B9695F

RGB 185 105 95

HSL 6.67, 0.39%, 0.55%

LAB 53.22, 30.85, 19.61

 

CMYK 0 / 49 / 49 / 27

HEX #B95F5F

RGB 185 95 95

HSL 0, 0.39%, 0.55%

LAB 51.07, 36.19, 16.7

 

CMYK 0 / 43 / 49 / 27

HEX #B9695F

RGB 185 105 95

HSL 6.67, 0.39%, 0.55%

LAB 53.22, 30.85, 19.61

 

CMYK 0 / 30 / 49 / 27

HEX #B9815F

RGB 185 129 95

HSL 22.67, 0.39%, 0.55%

LAB 58.83, 17.61, 27.04

 

CMYK 0 / 17 / 49 / 27

HEX #B9995F

RGB 185 153 95

HSL 38.67, 0.39%, 0.55%

LAB 64.9, 4.35, 34.81

 

CMYK 0 / 4 / 49 / 27

HEX #B9B15F

RGB 185 177 95

HSL 54.67, 0.39%, 0.55%

LAB 71.27, -8.49, 42.66

 

CMYK 9 / 0 / 49 / 27

HEX #A8B95F

RGB 168 185 95

HSL 71.33, 0.39%, 0.55%

LAB 72.13, -19.57, 43.38

 

CMYK 0 / 43 / 49 / 27

HEX #B9695F

RGB 185 105 95

HSL 6.67, 0.39%, 0.55%

LAB 53.22, 30.85, 19.61

 

CMYK 0 / 56 / 63 / 20

HEX #CB5A4C

RGB 203 90 76

HSL 6.61, 0.55%, 0.55%

LAB 52.43, 43.91, 30.09

 

CMYK 0 / 66 / 74 / 13

HEX #DE4C3A

RGB 222 76 58

HSL 6.59, 0.71%, 0.55%

LAB 52.95, 55.88, 41.56

 

CMYK 0 / 75 / 84 / 6

HEX #F03D27

RGB 240 61 39

HSL 6.57, 0.87%, 0.55%

LAB 54.04, 66.36, 53.36

 

CMYK 0 / 43 / 49 / 27

HEX #B9695F

RGB 185 105 95

HSL 6.67, 0.39%, 0.55%

LAB 53.22, 30.85, 19.61

 

CMYK 0 / 28 / 31 / 35

HEX #A67772

RGB 166 119 114

HSL 5.77, 0.23%, 0.55%

LAB 54.57, 17.71, 10.05

 

CMYK 0 / 9 / 10 / 42

HEX #938684

RGB 147 134 132

HSL 8, 0.06%, 0.55%

LAB 57, 4.53, 2.84

 

CMYK 15 / 2 / 0 / 41

HEX #819497

RGB 129 148 151

HSL 188.18, 0.1%, 0.55%

LAB 59.96, -6.09, -3.87

 

CMYK 35 / 4 / 0 / 34

HEX #6EA3A9

RGB 110 163 169

HSL 186.1, 0.26%, 0.55%

LAB 63.65, -15.91, -8.7

 

CMYK 0 / 49 / 28 / 27

HEX #B95F86

RGB 185 95 134

HSL 334, 0.39%, 0.55%

LAB 52.08, 40.81, -5.02

 

CMYK 0 / 49 / 41 / 27

HEX #B95F6E

RGB 185 95 110

HSL 350, 0.39%, 0.55%

LAB 51.41, 37.78, 8.27

 

CMYK 0 / 44 / 49 / 27

HEX #B9685F

RGB 185 104 95

HSL 6, 0.39%, 0.55%

LAB 52.99, 31.39, 19.32

 

CMYK 0 / 31 / 49 / 27

HEX #B9805F

RGB 185 128 95

HSL 22, 0.39%, 0.55%

LAB 58.58, 18.17, 26.72

 

CMYK 0 / 18 / 49 / 27

HEX #B9985F

RGB 185 152 95

HSL 38, 0.39%, 0.55%

LAB 64.64, 4.9, 34.48

 

CMYK 0 / 50 / 56 / 46

HEX #89443C

RGB 137 68 60

HSL 6.23, 0.39%, 0.39%

LAB 37.44, 28.57, 18.36

 

CMYK 0 / 50 / 57 / 35

HEX #A65348

RGB 166 83 72

HSL 7.02, 0.39%, 0.47%

LAB 45.31, 33.09, 22.19

 

CMYK 0 / 43 / 49 / 27

HEX #B9695F

RGB 185 105 95

HSL 6.67, 0.39%, 0.55%

LAB 53.22, 30.85, 19.61

 

CMYK 0 / 33 / 37 / 23

HEX #C5847C

RGB 197 132 124

HSL 6.58, 0.39%, 0.63%

LAB 61.51, 24.02, 14.54

 

CMYK 0 / 24 / 28 / 18

HEX #D29F98

RGB 210 159 152

HSL 7.24, 0.39%, 0.71%

LAB 70.01, 17.93, 11

 

CMYK 0 / 44 / 49 / 27

HEX #B9685E

RGB 185 104 94

HSL 6.59, 0.39%, 0.55%

LAB 52.97, 31.29, 19.87

 

CMYK 15 / 0 / 49 / 27

HEX #9EB95F

RGB 158 185 95

HSL 78, 0.39%, 0.55%

LAB 71.41, -23.55, 42.35

 

CMYK 49 / 34 / 0 / 27

HEX #5F7AB9

RGB 95 122 185

HSL 222, 0.39%, 0.55%

LAB 51.67, 7.85, -36.23

 

CMYK 0 / 44 / 49 / 27

HEX #B9685E

RGB 185 104 94

HSL 6.59, 0.39%, 0.55%

LAB 52.97, 31.29, 19.87

 

CMYK 49 / 0 / 44 / 27

HEX #5FB968

RGB 95 185 104

HSL 126, 0.39%, 0.55%

LAB 68.12, -44.07, 32.95

 

CMYK 44 / 49 / 0 / 27

HEX #685FB9

RGB 104 95 185

HSL 246, 0.39%, 0.55%

LAB 45.12, 26.61, -46.56

 

CMYK 0 / 44 / 49 / 27

HEX #B9685E

RGB 185 104 94

HSL 6.59, 0.39%, 0.55%

LAB 52.97, 31.29, 19.87

 

CMYK 15 / 0 / 49 / 27

HEX #9EB95F

RGB 158 185 95

HSL 78, 0.39%, 0.55%

LAB 71.41, -23.55, 42.35

 

CMYK 49 / 5 / 0 / 27

HEX #5FB0B9

RGB 95 176 185

HSL 186, 0.39%, 0.55%

LAB 67.27, -22.3, -12.27

 

CMYK 34 / 49 / 0 / 27

HEX #7A5FB9

RGB 122 95 185

HSL 258, 0.39%, 0.55%

LAB 46.74, 31.22, -43.88

 

CMYK 0 / 44 / 49 / 27

HEX #B9685E

RGB 185 104 94

HSL 6.59, 0.39%, 0.55%

LAB 52.97, 31.29, 19.87

 

CMYK 29 / 0 / 49 / 27

HEX #83B95F

RGB 131 185 95

HSL 96, 0.39%, 0.55%

LAB 69.72, -33.74, 39.89

 

CMYK 49 / 5 / 0 / 27

HEX #5FB0B9

RGB 95 176 185

HSL 186, 0.39%, 0.55%

LAB 67.27, -22.3, -12.27

 

CMYK 19 / 49 / 0 / 27

HEX #955FB9

RGB 149 95 185

HSL 276, 0.39%, 0.55%

LAB 49.59, 38.68, -39.19

 

Description

Color code: HEX #B9685E | qconv.com Color code: HEX #B9685E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 104 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 104 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 49% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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