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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B969D8 it is the complementary color #469627. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B969D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B969D8 shade: #BE69D3, #CF7BE6, #E08DF9, #F19FFF and #FFB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B969D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B969D8 shade: #B969D8, #A857C5, #9745B2, #86339F and #75218C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B969D8 shade: #B968D8, #D768D8, #D868BB, #D8689D and #D8687F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B969D8 shade: #B968D8, #9B68D8, #7D68D8 and #6868D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B969D8 shade matches the following richer shades: #B968D8, #BF59E7 and #C64AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B969D8 shade: #B968D8, #B278C9, #AB87B9, #A596AA and #9EA69B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B969D8 shade: #7D68D8, #9B68D8, #B868D8, #D668D8 and #D868BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B969D8 shade: #9630BD, #A948CF, #B968D8, #C889E0 and #D7AAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B969D8 shade: #B969D8, #D86872 and #68D88C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B969D8 shade: #B969D8, #D8B868 and #68D8B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B969D8 shade: #B969D8, #D86872, #88D868 and #68D8CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B969D8 shade: #B969D8, #D88168, #88D868 and #68C0D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 51 / 0 / 15

HEX #B969D8

RGB 185 105 216

HSL 283.24, 0.59%, 0.63%

LAB 57.44, 50.02, -44.24

 

Complementary color

CMYK 53 / 0 / 74 / 41

HEX #469627

RGB 70 150 39

HSL 103.24, 0.59%, 0.37%

LAB 55.34, -44.72, 48.26

 

CMYK 10 / 50 / 0 / 17

HEX #BE69D3

RGB 190 105 211

HSL 288.11, 0.55%, 0.62%

LAB 57.8, 50.37, -40.81

 

CMYK 10 / 47 / 0 / 10

HEX #CF7BE6

RGB 207 123 230

HSL 287.1, 0.68%, 0.69%

LAB 64.28, 49.64, -41.14

 

CMYK 10 / 43 / 0 / 2

HEX #E08DF9

RGB 224 141 249

HSL 286.11, 0.9%, 0.76%

LAB 70.69, 48.88, -41.42

 

CMYK 5 / 38 / 0 / 0

HEX #F19FFF

RGB 241 159 255

HSL 291.25, 1%, 0.81%

LAB 76.51, 45.64, -35.48

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 14 / 51 / 0 / 15

HEX #B969D8

RGB 185 105 216

HSL 283.24, 0.59%, 0.63%

LAB 57.44, 50.02, -44.24

 

CMYK 15 / 56 / 0 / 23

HEX #A857C5

RGB 168 87 197

HSL 284.18, 0.49%, 0.56%

LAB 50.89, 50.73, -43.92

 

CMYK 15 / 61 / 0 / 30

HEX #9745B2

RGB 151 69 178

HSL 285.14, 0.44%, 0.48%

LAB 44.3, 51.31, -43.47

 

CMYK 16 / 68 / 0 / 38

HEX #86339F

RGB 134 51 159

HSL 286.11, 0.51%, 0.41%

LAB 37.73, 51.61, -42.79

 

CMYK 16 / 76 / 0 / 45

HEX #75218C

RGB 117 33 140

HSL 287.1, 0.62%, 0.34%

LAB 31.26, 51.32, -41.72

 

CMYK 14 / 52 / 0 / 15

HEX #B968D8

RGB 185 104 216

HSL 283.39, 0.59%, 0.63%

LAB 57.24, 50.53, -44.55

 

CMYK 0 / 52 / 0 / 15

HEX #D768D8

RGB 215 104 216

HSL 299.46, 0.59%, 0.63%

LAB 61.05, 58.65, -38.3

 

CMYK 0 / 52 / 13 / 15

HEX #D868BB

RGB 216 104 187

HSL 315.54, 0.59%, 0.63%

LAB 59.97, 54.11, -23.54

 

CMYK 0 / 52 / 27 / 15

HEX #D8689D

RGB 216 104 157

HSL 331.61, 0.59%, 0.63%

LAB 58.91, 49.77, -7.87

 

CMYK 0 / 52 / 41 / 15

HEX #D8687F

RGB 216 104 127

HSL 347.68, 0.59%, 0.63%

LAB 58.07, 46.16, 8.34

 

CMYK 14 / 52 / 0 / 15

HEX #B968D8

RGB 185 104 216

HSL 283.39, 0.59%, 0.63%

LAB 57.24, 50.53, -44.55

 

CMYK 28 / 52 / 0 / 15

HEX #9B68D8

RGB 155 104 216

HSL 267.32, 0.59%, 0.63%

LAB 53.84, 42.62, -50.16

 

CMYK 42 / 52 / 0 / 15

HEX #7D68D8

RGB 125 104 216

HSL 251.25, 0.59%, 0.63%

LAB 50.94, 35.21, -54.96

 

CMYK 52 / 52 / 0 / 15

HEX #6868D8

RGB 104 104 216

HSL 240, 0.59%, 0.63%

LAB 49.25, 30.55, -57.76

 

CMYK 14 / 52 / 0 / 15

HEX #B968D8

RGB 185 104 216

HSL 283.39, 0.59%, 0.63%

LAB 57.24, 50.53, -44.55

 

CMYK 17 / 61 / 0 / 9

HEX #BF59E7

RGB 191 89 231

HSL 283.1, 0.75%, 0.63%

LAB 56.08, 62.39, -54.8

 

CMYK 20 / 70 / 0 / 4

HEX #C64AF6

RGB 198 74 246

HSL 283.26, 0.91%, 0.63%

LAB 55.64, 73.16, -63.83

 

CMYK 14 / 52 / 0 / 15

HEX #B968D8

RGB 185 104 216

HSL 283.39, 0.59%, 0.63%

LAB 57.24, 50.53, -44.55

 

CMYK 11 / 40 / 0 / 21

HEX #B278C9

RGB 178 120 201

HSL 282.96, 0.43%, 0.63%

LAB 59.08, 36.86, -33.25

 

CMYK 8 / 27 / 0 / 27

HEX #AB87B9

RGB 171 135 185

HSL 283.2, 0.26%, 0.63%

LAB 61.21, 22.88, -20.96

 

CMYK 3 / 12 / 0 / 33

HEX #A596AA

RGB 165 150 170

HSL 285, 0.11%, 0.63%

LAB 63.93, 9.29, -8.44

 

CMYK 5 / 0 / 7 / 35

HEX #9EA69B

RGB 158 166 155

HSL 103.64, 0.06%, 0.63%

LAB 67.21, -4.93, 4.71

 

CMYK 42 / 52 / 0 / 15

HEX #7D68D8

RGB 125 104 216

HSL 251.25, 0.59%, 0.63%

LAB 50.94, 35.21, -54.96

 

CMYK 28 / 52 / 0 / 15

HEX #9B68D8

RGB 155 104 216

HSL 267.32, 0.59%, 0.63%

LAB 53.84, 42.62, -50.16

 

CMYK 15 / 52 / 0 / 15

HEX #B868D8

RGB 184 104 216

HSL 282.86, 0.59%, 0.63%

LAB 57.12, 50.27, -44.75

 

CMYK 1 / 52 / 0 / 15

HEX #D668D8

RGB 214 104 216

HSL 298.93, 0.59%, 0.63%

LAB 60.92, 58.38, -38.52

 

CMYK 0 / 52 / 13 / 15

HEX #D868BC

RGB 216 104 188

HSL 315, 0.59%, 0.63%

LAB 60.01, 54.27, -24.05

 

CMYK 21 / 75 / 0 / 26

HEX #9630BD

RGB 150 48 189

HSL 283.4, 0.59%, 0.46%

LAB 41.65, 62.29, -54.2

 

CMYK 18 / 65 / 0 / 19

HEX #A948CF

RGB 169 72 207

HSL 283.11, 0.58%, 0.55%

LAB 48.98, 60.14, -52.71

 

CMYK 14 / 52 / 0 / 15

HEX #B968D8

RGB 185 104 216

HSL 283.39, 0.59%, 0.63%

LAB 57.24, 50.53, -44.55

 

CMYK 11 / 39 / 0 / 12

HEX #C889E0

RGB 200 137 224

HSL 283.45, 0.58%, 0.71%

LAB 66.18, 38.98, -34.9

 

CMYK 8 / 27 / 0 / 9

HEX #D7AAE9

RGB 215 170 233

HSL 282.86, 0.59%, 0.79%

LAB 75.5, 27.51, -25.34

 

CMYK 14 / 51 / 0 / 15

HEX #B969D8

RGB 185 105 216

HSL 283.24, 0.59%, 0.63%

LAB 57.44, 50.02, -44.24

 

CMYK 0 / 52 / 47 / 15

HEX #D86872

RGB 216 104 114

HSL 354.64, 0.59%, 0.63%

LAB 57.77, 44.83, 15.48

 

CMYK 52 / 0 / 35 / 15

HEX #68D88C

RGB 104 216 140

HSL 139.29, 0.59%, 0.63%

LAB 78.43, -48.66, 27.96

 

CMYK 14 / 51 / 0 / 15

HEX #B969D8

RGB 185 105 216

HSL 283.24, 0.59%, 0.63%

LAB 57.44, 50.02, -44.24

 

CMYK 0 / 15 / 52 / 15

HEX #D8B868

RGB 216 184 104

HSL 42.86, 0.59%, 0.63%

LAB 76, 1.53, 44.55

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B8

RGB 104 216 184

HSL 162.86, 0.59%, 0.63%

LAB 79.34, -39.66, 6.05

 

CMYK 14 / 51 / 0 / 15

HEX #B969D8

RGB 185 105 216

HSL 283.24, 0.59%, 0.63%

LAB 57.44, 50.02, -44.24

 

CMYK 0 / 52 / 47 / 15

HEX #D86872

RGB 216 104 114

HSL 354.64, 0.59%, 0.63%

LAB 57.77, 44.83, 15.48

 

CMYK 37 / 0 / 52 / 15

HEX #88D868

RGB 136 216 104

HSL 102.86, 0.59%, 0.63%

LAB 79.24, -44.75, 47.17

 

CMYK 52 / 0 / 4 / 15

HEX #68D8CF

RGB 104 216 207

HSL 175.18, 0.59%, 0.63%

LAB 79.93, -34.09, -5.35

 

CMYK 14 / 51 / 0 / 15

HEX #B969D8

RGB 185 105 216

HSL 283.24, 0.59%, 0.63%

LAB 57.44, 50.02, -44.24

 

CMYK 0 / 40 / 52 / 15

HEX #D88168

RGB 216 129 104

HSL 13.39, 0.59%, 0.63%

LAB 62.76, 31.01, 27.89

 

CMYK 37 / 0 / 52 / 15

HEX #88D868

RGB 136 216 104

HSL 102.86, 0.59%, 0.63%

LAB 79.24, -44.75, 47.17

 

CMYK 52 / 11 / 0 / 15

HEX #68C0D8

RGB 104 192 216

HSL 192.86, 0.59%, 0.63%

LAB 73.29, -19.92, -20.16

 

Description

Color code: HEX #B969D8 | qconv.com Color code: HEX #B969D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 105 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 105 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 51 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 51% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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