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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B961C8 it is the complementary color #469E37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B961C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B961C8 shade: #BE61C3, #CF73D6, #E085E9, #F197FC and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B961C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B961C8 shade: #B961C8, #A84FB5, #973DA2, #862B8F and #75197C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B961C8 shade: #B860C7, #C760BA, #C7609E, #C76083 and #C76067

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B961C8 shade: #B860C7, #9C60C7, #8060C7, #6560C7 and #6060C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B961C8 shade matches the following richer shades: #B860C7, #C44FD8, #D03DE9 and #DD2CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B961C8 shade: #B860C7, #AC71B5, #9F83A4, #939493 and #87A581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B961C8 shade: #8160C7, #9C60C7, #B760C7, #C760BB and #C7609F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B961C8 shade: #8E379D, #AA42BC, #B860C7, #C57FD2 and #D39DDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B961C8 shade: #B961C8, #C76560 and #60C78E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B961C8 shade: #B961C8, #C7B760 and #60C7B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B961C8 shade: #B961C8, #C76560, #6FC760 and #60C2C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B961C8 shade: #B961C8, #C78460, #6FC760 and #60A3C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 52 / 0 / 22

HEX #B961C8

RGB 185 97 200

HSL 291.26, 0.48%, 0.58%

LAB 55.11, 50.89, -38.84

 

Complementary color

CMYK 56 / 0 / 65 / 38

HEX #469E37

RGB 70 158 55

HSL 111.26, 0.48%, 0.42%

LAB 58.07, -46.42, 44.55

 

CMYK 3 / 50 / 0 / 24

HEX #BE61C3

RGB 190 97 195

HSL 296.94, 0.45%, 0.57%

LAB 55.52, 51.33, -35.28

 

CMYK 3 / 46 / 0 / 16

HEX #CF73D6

RGB 207 115 214

HSL 295.76, 0.55%, 0.65%

LAB 61.98, 50.66, -35.8

 

CMYK 4 / 43 / 0 / 9

HEX #E085E9

RGB 224 133 233

HSL 294.6, 0.69%, 0.72%

LAB 68.39, 49.94, -36.23

 

CMYK 4 / 40 / 0 / 1

HEX #F197FC

RGB 241 151 252

HSL 293.47, 0.94%, 0.79%

LAB 74.74, 49.21, -36.6

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 8 / 52 / 0 / 22

HEX #B961C8

RGB 185 97 200

HSL 291.26, 0.48%, 0.58%

LAB 55.11, 50.89, -38.84

 

CMYK 7 / 56 / 0 / 29

HEX #A84FB5

RGB 168 79 181

HSL 292.35, 0.41%, 0.51%

LAB 48.58, 51.49, -38.3

 

CMYK 7 / 62 / 0 / 36

HEX #973DA2

RGB 151 61 162

HSL 293.47, 0.45%, 0.44%

LAB 42.04, 51.88, -37.58

 

CMYK 6 / 70 / 0 / 44

HEX #862B8F

RGB 134 43 143

HSL 294.6, 0.54%, 0.36%

LAB 35.56, 51.85, -36.54

 

CMYK 6 / 80 / 0 / 51

HEX #75197C

RGB 117 25 124

HSL 295.76, 0.66%, 0.29%

LAB 29.24, 51.01, -34.96

 

CMYK 8 / 52 / 0 / 22

HEX #B860C7

RGB 184 96 199

HSL 291.26, 0.48%, 0.58%

LAB 54.74, 50.92, -38.85

 

CMYK 0 / 52 / 7 / 22

HEX #C760BA

RGB 199 96 186

HSL 307.57, 0.48%, 0.58%

LAB 56.14, 52.81, -29.06

 

CMYK 0 / 52 / 21 / 22

HEX #C7609E

RGB 199 96 158

HSL 323.88, 0.48%, 0.58%

LAB 55.05, 48.37, -14.5

 

CMYK 0 / 52 / 34 / 22

HEX #C76083

RGB 199 96 131

HSL 339.61, 0.48%, 0.58%

LAB 54.18, 44.72, 0.07

 

CMYK 0 / 52 / 48 / 22

HEX #C76067

RGB 199 96 103

HSL 355.92, 0.48%, 0.58%

LAB 53.48, 41.65, 15.61

 

CMYK 8 / 52 / 0 / 22

HEX #B860C7

RGB 184 96 199

HSL 291.26, 0.48%, 0.58%

LAB 54.74, 50.92, -38.85

 

CMYK 22 / 52 / 0 / 22

HEX #9C60C7

RGB 156 96 199

HSL 274.95, 0.48%, 0.58%

LAB 51.33, 43.26, -44.46

 

CMYK 36 / 52 / 0 / 22

HEX #8060C7

RGB 128 96 199

HSL 258.64, 0.48%, 0.58%

LAB 48.36, 35.94, -49.37

 

CMYK 49 / 52 / 0 / 22

HEX #6560C7

RGB 101 96 199

HSL 242.91, 0.48%, 0.58%

LAB 45.98, 29.52, -53.31

 

CMYK 52 / 52 / 0 / 22

HEX #6060C7

RGB 96 96 199

HSL 240, 0.48%, 0.58%

LAB 45.6, 28.44, -53.94

 

CMYK 8 / 52 / 0 / 22

HEX #B860C7

RGB 184 96 199

HSL 291.26, 0.48%, 0.58%

LAB 54.74, 50.92, -38.85

 

CMYK 9 / 63 / 0 / 15

HEX #C44FD8

RGB 196 79 216

HSL 291.24, 0.64%, 0.58%

LAB 54.33, 65.06, -49.08

 

CMYK 11 / 74 / 0 / 9

HEX #D03DE9

RGB 208 61 233

HSL 291.28, 0.8%, 0.58%

LAB 54.69, 77.31, -58.01

 

CMYK 12 / 82 / 0 / 2

HEX #DD2CFB

RGB 221 44 251

HSL 291.3, 0.96%, 0.58%

LAB 56.23, 87.22, -65.5

 

CMYK 8 / 52 / 0 / 22

HEX #B860C7

RGB 184 96 199

HSL 291.26, 0.48%, 0.58%

LAB 54.74, 50.92, -38.85

 

CMYK 5 / 38 / 0 / 29

HEX #AC71B5

RGB 172 113 181

HSL 292.06, 0.31%, 0.58%

LAB 56, 34.76, -26.67

 

CMYK 3 / 20 / 0 / 36

HEX #9F83A4

RGB 159 131 164

HSL 290.91, 0.15%, 0.58%

LAB 58.31, 16.77, -13.51

 

CMYK 1 / 0 / 1 / 42

HEX #939493

RGB 147 148 147

HSL 120, 0%, 0.58%

LAB 61.21, -0.55, 0.39

 

CMYK 18 / 0 / 22 / 35

HEX #87A581

RGB 135 165 129

HSL 110, 0.17%, 0.58%

LAB 64.68, -17.43, 15.31

 

CMYK 35 / 52 / 0 / 22

HEX #8160C7

RGB 129 96 199

HSL 259.22, 0.48%, 0.58%

LAB 48.46, 36.19, -49.21

 

CMYK 22 / 52 / 0 / 22

HEX #9C60C7

RGB 156 96 199

HSL 274.95, 0.48%, 0.58%

LAB 51.33, 43.26, -44.46

 

CMYK 8 / 52 / 0 / 22

HEX #B760C7

RGB 183 96 199

HSL 290.68, 0.48%, 0.58%

LAB 54.61, 50.64, -39.06

 

CMYK 0 / 52 / 6 / 22

HEX #C760BB

RGB 199 96 187

HSL 306.99, 0.48%, 0.58%

LAB 56.18, 52.98, -29.57

 

CMYK 0 / 52 / 20 / 22

HEX #C7609F

RGB 199 96 159

HSL 323.3, 0.48%, 0.58%

LAB 55.08, 48.52, -15.03

 

CMYK 10 / 65 / 0 / 38

HEX #8E379D

RGB 142 55 157

HSL 291.18, 0.48%, 0.42%

LAB 39.44, 51.36, -38.79

 

CMYK 10 / 65 / 0 / 26

HEX #AA42BC

RGB 170 66 188

HSL 291.15, 0.48%, 0.5%

LAB 47.07, 59.26, -44.76

 

CMYK 8 / 52 / 0 / 22

HEX #B860C7

RGB 184 96 199

HSL 291.26, 0.48%, 0.58%

LAB 54.74, 50.92, -38.85

 

CMYK 6 / 40 / 0 / 18

HEX #C57FD2

RGB 197 127 210

HSL 290.6, 0.48%, 0.66%

LAB 63.1, 40.66, -31.91

 

CMYK 4 / 29 / 0 / 14

HEX #D39DDC

RGB 211 157 220

HSL 291.43, 0.47%, 0.74%

LAB 71.64, 30.74, -24.18

 

CMYK 8 / 52 / 0 / 22

HEX #B961C8

RGB 185 97 200

HSL 291.26, 0.48%, 0.58%

LAB 55.11, 50.89, -38.84

 

CMYK 0 / 49 / 52 / 22

HEX #C76560

RGB 199 101 96

HSL 2.91, 0.48%, 0.58%

LAB 54.34, 38.45, 20.88

 

CMYK 52 / 0 / 29 / 22

HEX #60C78E

RGB 96 199 142

HSL 146.8, 0.48%, 0.58%

LAB 73.08, -43.04, 19.59

 

CMYK 8 / 52 / 0 / 22

HEX #B961C8

RGB 185 97 200

HSL 291.26, 0.48%, 0.58%

LAB 55.11, 50.89, -38.84

 

CMYK 0 / 8 / 52 / 22

HEX #C7B760

RGB 199 183 96

HSL 50.68, 0.48%, 0.58%

LAB 74.1, -5.71, 45.85

 

CMYK 52 / 0 / 8 / 22

HEX #60C7B7

RGB 96 199 183

HSL 170.68, 0.48%, 0.58%

LAB 74.03, -33.85, -1.15

 

CMYK 8 / 52 / 0 / 22

HEX #B961C8

RGB 185 97 200

HSL 291.26, 0.48%, 0.58%

LAB 55.11, 50.89, -38.84

 

CMYK 0 / 49 / 52 / 22

HEX #C76560

RGB 199 101 96

HSL 2.91, 0.48%, 0.58%

LAB 54.34, 38.45, 20.88

 

CMYK 44 / 0 / 52 / 22

HEX #6FC760

RGB 111 199 96

HSL 111.26, 0.48%, 0.58%

LAB 72.94, -46.4, 43.11

 

CMYK 52 / 3 / 0 / 22

HEX #60C2C7

RGB 96 194 199

HSL 182.91, 0.48%, 0.58%

LAB 73.02, -27.3, -11.34

 

CMYK 8 / 52 / 0 / 22

HEX #B961C8

RGB 185 97 200

HSL 291.26, 0.48%, 0.58%

LAB 55.11, 50.89, -38.84

 

CMYK 0 / 34 / 52 / 22

HEX #C78460

RGB 199 132 96

HSL 20.97, 0.48%, 0.58%

LAB 61.21, 21.84, 29.9

 

CMYK 44 / 0 / 52 / 22

HEX #6FC760

RGB 111 199 96

HSL 111.26, 0.48%, 0.58%

LAB 72.94, -46.4, 43.11

 

CMYK 52 / 18 / 0 / 22

HEX #60A3C7

RGB 96 163 199

HSL 200.97, 0.48%, 0.58%

LAB 64, -11.24, -25

 

Description

Color code: HEX #B961C8 | qconv.com Color code: HEX #B961C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 97 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 97 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 52 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 52% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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