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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9705F it is the complementary color #468FA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9705F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9705F shade: #BE705A, #CF826D, #E09480, #F1A693 and #FFB8A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9705F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9705F shade: #B9705F, #A85E4C, #974C39, #863A26 and #752813

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9705F shade: #B9705F and #B95F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9705F shade: #B9705F, #B9885F, #B9A05F, #B9B85F and #A1B95F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9705F shade matches the following richer shades: #B9705F, #CB644C, #DE593A and #F04D27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9705F shade: #B9705F, #A67B72, #938784, #819397 and #6E9EA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9705F shade: #B95F7E, #B95F66, #B96F5F, #B9875F and #B99F5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9705F shade: #894A3C, #A65A48, #B9705F, #C58A7C and #D2A398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9705F shade: #B9705F, #96B95F and #5F72B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9705F shade: #B9705F, #5FB96F and #6F5FB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9705F shade: #B9705F, #96B95F, #5FA8B9 and #815FB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9705F shade: #B9705F, #7BB95F, #5FA8B9 and #9C5FB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

Complementary color

CMYK 56 / 11 / 0 / 37

HEX #468FA0

RGB 70 143 160

HSL 191.33, 0.39%, 0.45%

LAB 55.57, -17.71, -15.93

 

CMYK 0 / 41 / 53 / 25

HEX #BE705A

RGB 190 112 90

HSL 13.2, 0.43%, 0.55%

LAB 55.35, 28.57, 25.45

 

CMYK 0 / 37 / 47 / 19

HEX #CF826D

RGB 207 130 109

HSL 12.86, 0.51%, 0.62%

LAB 61.94, 27.39, 23.81

 

CMYK 0 / 34 / 43 / 12

HEX #E09480

RGB 224 148 128

HSL 12.5, 0.61%, 0.69%

LAB 68.45, 26.34, 22.35

 

CMYK 0 / 31 / 39 / 5

HEX #F1A693

RGB 241 166 147

HSL 12.13, 0.77%, 0.76%

LAB 74.88, 25.4, 21.03

 

CMYK 0 / 28 / 35 / 0

HEX #FFB8A6

RGB 255 184 166

HSL 12.13, 1%, 0.83%

LAB 80.9, 23.43, 19.33

 

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

CMYK 0 / 44 / 55 / 34

HEX #A85E4C

RGB 168 94 76

HSL 11.74, 0.38%, 0.48%

LAB 48.07, 28.26, 23.48

 

CMYK 0 / 50 / 62 / 41

HEX #974C39

RGB 151 76 57

HSL 12.13, 0.45%, 0.41%

LAB 41.29, 29.65, 25.52

 

CMYK 0 / 57 / 72 / 47

HEX #863A26

RGB 134 58 38

HSL 12.5, 0.56%, 0.34%

LAB 34.47, 31.16, 27.93

 

CMYK 0 / 66 / 84 / 54

HEX #752813

RGB 117 40 19

HSL 12.86, 0.72%, 0.27%

LAB 27.7, 32.68, 30.65

 

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

CMYK 0 / 49 / 49 / 27

HEX #B95F5F

RGB 185 95 95

HSL 0, 0.39%, 0.55%

LAB 51.07, 36.19, 16.7

 

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

CMYK 0 / 26 / 49 / 27

HEX #B9885F

RGB 185 136 95

HSL 27.33, 0.39%, 0.55%

LAB 60.56, 13.72, 29.29

 

CMYK 0 / 14 / 49 / 27

HEX #B9A05F

RGB 185 160 95

HSL 43.33, 0.39%, 0.55%

LAB 66.73, 0.55, 37.1

 

CMYK 0 / 1 / 49 / 27

HEX #B9B85F

RGB 185 184 95

HSL 59.33, 0.39%, 0.55%

LAB 73.17, -12.12, 44.94

 

CMYK 13 / 0 / 49 / 27

HEX #A1B95F

RGB 161 185 95

HSL 76, 0.39%, 0.55%

LAB 71.62, -22.36, 42.65

 

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

CMYK 0 / 51 / 63 / 20

HEX #CB644C

RGB 203 100 76

HSL 11.34, 0.55%, 0.55%

LAB 54.38, 38.92, 32.51

 

CMYK 0 / 60 / 74 / 13

HEX #DE593A

RGB 222 89 58

HSL 11.34, 0.71%, 0.55%

LAB 55.05, 50.27, 43.85

 

CMYK 0 / 68 / 84 / 6

HEX #F04D27

RGB 240 77 39

HSL 11.34, 0.87%, 0.55%

LAB 56.07, 60.77, 55.13

 

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

CMYK 0 / 26 / 31 / 35

HEX #A67B72

RGB 166 123 114

HSL 10.38, 0.23%, 0.55%

LAB 55.57, 15.44, 11.46

 

CMYK 0 / 8 / 10 / 42

HEX #938784

RGB 147 135 132

HSL 12, 0.06%, 0.55%

LAB 57.27, 3.96, 3.23

 

CMYK 15 / 3 / 0 / 41

HEX #819397

RGB 129 147 151

HSL 190.91, 0.1%, 0.55%

LAB 59.68, -5.53, -4.29

 

CMYK 35 / 7 / 0 / 34

HEX #6E9EA9

RGB 110 158 169

HSL 191.19, 0.26%, 0.55%

LAB 62.2, -13.24, -10.87

 

CMYK 0 / 49 / 32 / 27

HEX #B95F7E

RGB 185 95 126

HSL 339.33, 0.39%, 0.55%

LAB 51.84, 39.73, -0.62

 

CMYK 0 / 49 / 45 / 27

HEX #B95F66

RGB 185 95 102

HSL 355.33, 0.39%, 0.55%

LAB 51.22, 36.9, 12.76

 

CMYK 0 / 40 / 49 / 27

HEX #B96F5F

RGB 185 111 95

HSL 10.67, 0.39%, 0.55%

LAB 54.56, 27.58, 21.42

 

CMYK 0 / 27 / 49 / 27

HEX #B9875F

RGB 185 135 95

HSL 26.67, 0.39%, 0.55%

LAB 60.31, 14.28, 28.96

 

CMYK 0 / 14 / 49 / 27

HEX #B99F5F

RGB 185 159 95

HSL 42.67, 0.39%, 0.55%

LAB 66.47, 1.09, 36.77

 

CMYK 0 / 46 / 56 / 46

HEX #894A3C

RGB 137 74 60

HSL 10.91, 0.39%, 0.39%

LAB 38.8, 25.2, 20.13

 

CMYK 0 / 46 / 57 / 35

HEX #A65A48

RGB 166 90 72

HSL 11.49, 0.39%, 0.47%

LAB 46.83, 29.3, 24.16

 

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

CMYK 0 / 30 / 37 / 23

HEX #C58A7C

RGB 197 138 124

HSL 11.51, 0.39%, 0.63%

LAB 62.93, 20.72, 16.52

 

CMYK 0 / 22 / 28 / 18

HEX #D2A398

RGB 210 163 152

HSL 11.38, 0.39%, 0.71%

LAB 70.98, 15.76, 12.38

 

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

CMYK 19 / 0 / 49 / 27

HEX #96B95F

RGB 150 185 95

HSL 83.33, 0.39%, 0.55%

LAB 70.88, -26.66, 41.57

 

CMYK 49 / 38 / 0 / 27

HEX #5F72B9

RGB 95 114 185

HSL 227.33, 0.39%, 0.55%

LAB 49.46, 12.71, -39.71

 

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

CMYK 49 / 0 / 40 / 27

HEX #5FB96F

RGB 95 185 111

HSL 130.67, 0.39%, 0.55%

LAB 68.23, -42.95, 29.46

 

CMYK 40 / 49 / 0 / 27

HEX #6F5FB9

RGB 111 95 185

HSL 250.67, 0.39%, 0.55%

LAB 45.73, 28.36, -45.56

 

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

CMYK 19 / 0 / 49 / 27

HEX #96B95F

RGB 150 185 95

HSL 83.33, 0.39%, 0.55%

LAB 70.88, -26.66, 41.57

 

CMYK 49 / 9 / 0 / 27

HEX #5FA8B9

RGB 95 168 185

HSL 191.33, 0.39%, 0.55%

LAB 64.92, -18.16, -15.81

 

CMYK 30 / 49 / 0 / 27

HEX #815FB9

RGB 129 95 185

HSL 262.67, 0.39%, 0.55%

LAB 47.44, 33.11, -42.74

 

CMYK 0 / 39 / 49 / 27

HEX #B9705F

RGB 185 112 95

HSL 11.33, 0.39%, 0.55%

LAB 54.79, 27.03, 21.73

 

CMYK 34 / 0 / 49 / 27

HEX #7BB95F

RGB 123 185 95

HSL 101.33, 0.39%, 0.55%

LAB 69.28, -36.56, 39.25

 

CMYK 49 / 9 / 0 / 27

HEX #5FA8B9

RGB 95 168 185

HSL 191.33, 0.39%, 0.55%

LAB 64.92, -18.16, -15.81

 

CMYK 16 / 49 / 0 / 27

HEX #9C5FB9

RGB 156 95 185

HSL 280.67, 0.39%, 0.55%

LAB 50.4, 40.68, -37.86

 

Description

Color code: HEX #B9705F | qconv.com Color code: HEX #B9705F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 112 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 112 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 49% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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