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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B97291 it is the complementary color #468D6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B97291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B97291 shade: #BE728C, #CF849F, #E096B2, #F1A8C5 and #FFBAD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B97291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B97291 shade: #B97291, #A8607E, #974E6B, #863C58 and #752A45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B97291 shade: #B97291, #B9727E and #B97272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B97291 shade: #B97291, #B972A5, #B972B8, #A872B9 and #9572B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B97291 shade matches the following richer shades: #B97291, #CA618F, #DB518D, #EC408B and #FD2F89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B97291 shade: #B97291, #A98394, #989496, #87A598 and #76B69A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B97291 shade: #B972B8, #B972A5, #B97292, #B9727F and #B97872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B97291 shade: #924868, #AC577C, #B97291, #C78EA7 and #D5AABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B97291 shade: #B97291, #B9A872 and #72AFB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B97291 shade: #B97291, #92B972 and #7292B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B97291 shade: #B97291, #B9A872, #72B99A and #7284B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B97291 shade: #B97291, #B6B972, #72B99A and #7672B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

Complementary color

CMYK 50 / 0 / 22 / 45

HEX #468D6E

RGB 70 141 110

HSL 153.8, 0.34%, 0.41%

LAB 53.47, -30.04, 9.78

 

CMYK 0 / 40 / 26 / 25

HEX #BE728C

RGB 190 114 140

HSL 339.47, 0.37%, 0.6%

LAB 56.95, 33.33, -1.29

 

CMYK 0 / 36 / 23 / 19

HEX #CF849F

RGB 207 132 159

HSL 338.4, 0.44%, 0.66%

LAB 63.57, 32.49, -2.27

 

CMYK 0 / 33 / 21 / 12

HEX #E096B2

RGB 224 150 178

HSL 337.3, 0.54%, 0.73%

LAB 70.09, 31.7, -3.14

 

CMYK 0 / 30 / 18 / 5

HEX #F1A8C5

RGB 241 168 197

HSL 336.16, 0.72%, 0.8%

LAB 76.52, 30.97, -3.94

 

CMYK 0 / 27 / 15 / 0

HEX #FFBAD8

RGB 255 186 216

HSL 333.91, 1%, 0.86%

LAB 82.56, 29.26, -5.16

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 0 / 43 / 25 / 34

HEX #A8607E

RGB 168 96 126

HSL 335, 0.29%, 0.52%

LAB 49.73, 33.12, -3.99

 

CMYK 0 / 48 / 29 / 41

HEX #974E6B

RGB 151 78 107

HSL 336.16, 0.32%, 0.45%

LAB 42.9, 34.01, -2.84

 

CMYK 0 / 55 / 34 / 47

HEX #863C58

RGB 134 60 88

HSL 337.3, 0.38%, 0.38%

LAB 35.99, 34.88, -1.41

 

CMYK 0 / 64 / 41 / 54

HEX #752A45

RGB 117 42 69

HSL 338.4, 0.47%, 0.31%

LAB 29.08, 35.6, 0.46

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 0 / 38 / 32 / 27

HEX #B9727E

RGB 185 114 126

HSL 349.86, 0.34%, 0.59%

LAB 55.94, 29.54, 5.32

 

CMYK 0 / 38 / 38 / 27

HEX #B97272

RGB 185 114 114

HSL 0, 0.34%, 0.59%

LAB 55.65, 28.02, 11.9

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 0 / 38 / 11 / 27

HEX #B972A5

RGB 185 114 165

HSL 316.9, 0.34%, 0.59%

LAB 57.14, 35.51, -15.58

 

CMYK 0 / 38 / 1 / 27

HEX #B972B8

RGB 185 114 184

HSL 300.85, 0.34%, 0.59%

LAB 57.86, 38.93, -25.41

 

CMYK 9 / 38 / 0 / 27

HEX #A872B9

RGB 168 114 185

HSL 285.63, 0.34%, 0.59%

LAB 55.95, 33.76, -29.08

 

CMYK 19 / 38 / 0 / 27

HEX #9572B9

RGB 149 114 185

HSL 269.58, 0.34%, 0.59%

LAB 53.95, 27.86, -32.35

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 0 / 52 / 29 / 21

HEX #CA618F

RGB 202 97 143

HSL 333.71, 0.5%, 0.59%

LAB 55.16, 46.76, -5.5

 

CMYK 0 / 63 / 36 / 14

HEX #DB518D

RGB 219 81 141

HSL 333.91, 0.66%, 0.59%

LAB 54.94, 59.2, -4.37

 

CMYK 0 / 73 / 41 / 7

HEX #EC408B

RGB 236 64 139

HSL 333.84, 0.82%, 0.59%

LAB 55.45, 70.1, -2.11

 

CMYK 0 / 81 / 46 / 1

HEX #FD2F89

RGB 253 47 137

HSL 333.79, 0.98%, 0.59%

LAB 56.8, 78.87, 1.42

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 0 / 22 / 12 / 34

HEX #A98394

RGB 169 131 148

HSL 333.16, 0.18%, 0.59%

LAB 58.79, 17.38, -3.49

 

CMYK 0 / 3 / 1 / 40

HEX #989496

RGB 152 148 150

HSL 330, 0.02%, 0.59%

LAB 61.7, 1.85, -0.54

 

CMYK 18 / 0 / 8 / 35

HEX #87A598

RGB 135 165 152

HSL 154, 0.14%, 0.59%

LAB 65.22, -13.05, 3.3

 

CMYK 35 / 0 / 15 / 29

HEX #76B69A

RGB 118 182 154

HSL 153.75, 0.3%, 0.59%

LAB 69.21, -26.74, 7.81

 

CMYK 0 / 38 / 1 / 27

HEX #B972B8

RGB 185 114 184

HSL 300.85, 0.34%, 0.59%

LAB 57.86, 38.93, -25.41

 

CMYK 0 / 38 / 11 / 27

HEX #B972A5

RGB 185 114 165

HSL 316.9, 0.34%, 0.59%

LAB 57.14, 35.51, -15.58

 

CMYK 0 / 38 / 21 / 27

HEX #B97292

RGB 185 114 146

HSL 332.96, 0.34%, 0.59%

LAB 56.51, 32.42, -5.5

 

CMYK 0 / 38 / 31 / 27

HEX #B9727F

RGB 185 114 127

HSL 349.01, 0.34%, 0.59%

LAB 55.97, 29.68, 4.78

 

CMYK 0 / 35 / 38 / 27

HEX #B97872

RGB 185 120 114

HSL 5.07, 0.34%, 0.59%

LAB 57.04, 24.71, 13.84

 

CMYK 0 / 51 / 29 / 43

HEX #924868

RGB 146 72 104

HSL 334.05, 0.34%, 0.43%

LAB 40.81, 35.02, -4.15

 

CMYK 0 / 49 / 28 / 33

HEX #AC577C

RGB 172 87 124

HSL 333.88, 0.34%, 0.51%

LAB 48.31, 39.08, -4.83

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 0 / 29 / 16 / 22

HEX #C78EA7

RGB 199 142 167

HSL 333.68, 0.34%, 0.67%

LAB 65.18, 25.4, -4.52

 

CMYK 0 / 20 / 12 / 16

HEX #D5AABC

RGB 213 170 188

HSL 334.88, 0.34%, 0.75%

LAB 73.89, 18.58, -3.21

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 0 / 9 / 38 / 27

HEX #B9A872

RGB 185 168 114

HSL 45.63, 0.34%, 0.59%

LAB 69.14, -1.73, 30.15

 

CMYK 38 / 5 / 0 / 27

HEX #72AFB9

RGB 114 175 185

HSL 188.45, 0.34%, 0.59%

LAB 67.83, -17.06, -11.34

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 21 / 0 / 38 / 27

HEX #92B972

RGB 146 185 114

HSL 92.96, 0.34%, 0.59%

LAB 70.89, -25.81, 31.86

 

CMYK 38 / 21 / 0 / 27

HEX #7292B9

RGB 114 146 185

HSL 212.96, 0.34%, 0.59%

LAB 59.56, -1.22, -23.88

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 0 / 9 / 38 / 27

HEX #B9A872

RGB 185 168 114

HSL 45.63, 0.34%, 0.59%

LAB 69.14, -1.73, 30.15

 

CMYK 38 / 0 / 17 / 27

HEX #72B99A

RGB 114 185 154

HSL 153.8, 0.34%, 0.59%

LAB 69.9, -29.37, 8.76

 

CMYK 38 / 29 / 0 / 27

HEX #7284B9

RGB 114 132 185

HSL 224.79, 0.34%, 0.59%

LAB 55.67, 6.89, -29.9

 

CMYK 0 / 38 / 22 / 27

HEX #B97291

RGB 185 114 145

HSL 333.8, 0.34%, 0.59%

LAB 56.48, 32.26, -4.97

 

CMYK 2 / 0 / 38 / 27

HEX #B6B972

RGB 182 185 114

HSL 62.54, 0.34%, 0.59%

LAB 73.45, -11.89, 35.67

 

CMYK 38 / 0 / 17 / 27

HEX #72B99A

RGB 114 185 154

HSL 153.8, 0.34%, 0.59%

LAB 69.9, -29.37, 8.76

 

CMYK 36 / 38 / 0 / 27

HEX #7672B9

RGB 118 114 185

HSL 243.38, 0.34%, 0.59%

LAB 51.14, 18.74, -36.95

 

Description

Color code: HEX #B97291 | qconv.com Color code: HEX #B97291 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 114 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 114 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 22 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 22% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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