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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B98332 it is the complementary color #467CCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B98332. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B98332 shade: #BE832D, #CF9540, #E0A753, #F1B966 and #FFCB79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B98332. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B98332 shade: #B98332, #A8711F, #975F0C, #864D00 and #753B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B98332 shade: #B88232, #B85E32, #B83A32 and #B83232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B98332 shade: #B88232, #B8A632, #A5B832, #81B832 and #5DB832

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B98332 shade matches the following richer shades: #B88232, #CB861F and #DE8A0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B98332 shade: #B88232, #A57E45, #927B58, #7F776B and #6C737E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B98332 shade: #B83B32, #B85F32, #B88232, #B8A632 and #A6B832

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B98332 shade: #775420, #976B29, #B88232, #CC9747 and #D5A967

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B98332 shade: #B98332, #4DB832 and #4D32B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B98332 shade: #B98332, #32B882 and #8232B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B98332 shade: #B98332, #4DB832, #3267B8 and #9D32B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B98332 shade: #B98332, #32B83F, #3267B8 and #B832AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 73 / 27

HEX #B98332

RGB 185 131 50

HSL 36, 0.57%, 0.46%

LAB 58.77, 13.17, 50.05

 

Complementary color

CMYK 66 / 40 / 0 / 20

HEX #467CCD

RGB 70 124 205

HSL 216, 0.57%, 0.54%

LAB 51.98, 8.07, -47.26

 

CMYK 0 / 31 / 76 / 25

HEX #BE832D

RGB 190 131 45

HSL 35.59, 0.62%, 0.46%

LAB 59.31, 15.14, 52.94

 

CMYK 0 / 28 / 69 / 19

HEX #CF9540

RGB 207 149 64

HSL 35.66, 0.6%, 0.53%

LAB 65.85, 13.61, 51.92

 

CMYK 0 / 25 / 63 / 12

HEX #E0A753

RGB 224 167 83

HSL 35.74, 0.69%, 0.6%

LAB 72.3, 12.3, 50.66

 

CMYK 0 / 23 / 58 / 5

HEX #F1B966

RGB 241 185 102

HSL 35.83, 0.83%, 0.67%

LAB 78.67, 11.16, 49.33

 

CMYK 0 / 20 / 53 / 0

HEX #FFCB79

RGB 255 203 121

HSL 36.72, 1%, 0.74%

LAB 84.66, 8.97, 47.57

 

CMYK 0 / 29 / 73 / 27

HEX #B98332

RGB 185 131 50

HSL 36, 0.57%, 0.46%

LAB 58.77, 13.17, 50.05

 

CMYK 0 / 33 / 82 / 34

HEX #A8711F

RGB 168 113 31

HSL 35.91, 0.69%, 0.39%

LAB 52.1, 14.85, 50.78

 

CMYK 0 / 37 / 92 / 41

HEX #975F0C

RGB 151 95 12

HSL 35.83, 0.85%, 0.32%

LAB 45.35, 16.86, 50.4

 

CMYK 0 / 43 / 100 / 47

HEX #864D00

RGB 134 77 0

HSL 34.48, 1%, 0.26%

LAB 38.51, 19.22, 47.75

 

CMYK 0 / 50 / 100 / 54

HEX #753B00

RGB 117 59 0

HSL 30.26, 1%, 0.23%

LAB 31.6, 21.87, 42.12

 

CMYK 0 / 29 / 73 / 28

HEX #B88232

RGB 184 130 50

HSL 35.82, 0.57%, 0.46%

LAB 58.4, 13.28, 49.64

 

CMYK 0 / 49 / 73 / 28

HEX #B85E32

RGB 184 94 50

HSL 19.7, 0.57%, 0.46%

LAB 50.01, 33.02, 40.82

 

CMYK 0 / 68 / 73 / 28

HEX #B83A32

RGB 184 58 50

HSL 3.58, 0.57%, 0.46%

LAB 43.43, 50.16, 33.51

 

CMYK 0 / 73 / 73 / 28

HEX #B83232

RGB 184 50 50

HSL 0, 0.57%, 0.46%

LAB 42.31, 53.24, 32.23

 

CMYK 0 / 29 / 73 / 28

HEX #B88232

RGB 184 130 50

HSL 35.82, 0.57%, 0.46%

LAB 58.4, 13.28, 49.64

 

CMYK 0 / 10 / 73 / 28

HEX #B8A632

RGB 184 166 50

HSL 51.94, 0.57%, 0.46%

LAB 67.79, -6.32, 58.99

 

CMYK 10 / 0 / 73 / 28

HEX #A5B832

RGB 165 184 50

HSL 68.51, 0.57%, 0.46%

LAB 71.22, -23.71, 61.77

 

CMYK 30 / 0 / 73 / 28

HEX #81B832

RGB 129 184 50

HSL 84.63, 0.57%, 0.46%

LAB 68.88, -38.12, 58.68

 

CMYK 49 / 0 / 73 / 28

HEX #5DB832

RGB 93 184 50

HSL 100.75, 0.57%, 0.46%

LAB 67.16, -50.37, 56.39

 

CMYK 0 / 29 / 73 / 28

HEX #B88232

RGB 184 130 50

HSL 35.82, 0.57%, 0.46%

LAB 58.4, 13.28, 49.64

 

CMYK 0 / 34 / 85 / 20

HEX #CB861F

RGB 203 134 31

HSL 35.93, 0.74%, 0.46%

LAB 61.52, 18.7, 60.65

 

CMYK 0 / 38 / 95 / 13

HEX #DE8A0C

RGB 222 138 12

HSL 36, 0.9%, 0.46%

LAB 64.75, 24.37, 68.63

 

CMYK 0 / 29 / 73 / 28

HEX #B88232

RGB 184 130 50

HSL 35.82, 0.57%, 0.46%

LAB 58.4, 13.28, 49.64

 

CMYK 0 / 24 / 58 / 35

HEX #A57E45

RGB 165 126 69

HSL 35.63, 0.41%, 0.46%

LAB 55.43, 8.36, 36.46

 

CMYK 0 / 16 / 40 / 43

HEX #927B58

RGB 146 123 88

HSL 36.21, 0.25%, 0.46%

LAB 52.93, 3.71, 22.45

 

CMYK 0 / 6 / 16 / 50

HEX #7F776B

RGB 127 119 107

HSL 36, 0.09%, 0.46%

LAB 50.41, 0.88, 7.7

 

CMYK 14 / 9 / 0 / 51

HEX #6C737E

RGB 108 115 126

HSL 216.67, 0.08%, 0.46%

LAB 48.2, -0.2, -6.95

 

CMYK 0 / 68 / 73 / 28

HEX #B83B32

RGB 184 59 50

HSL 4.03, 0.57%, 0.46%

LAB 43.58, 49.76, 33.69

 

CMYK 0 / 48 / 73 / 28

HEX #B85F32

RGB 184 95 50

HSL 20.15, 0.57%, 0.46%

LAB 50.22, 32.49, 41.06

 

CMYK 0 / 29 / 73 / 28

HEX #B88232

RGB 184 130 50

HSL 35.82, 0.57%, 0.46%

LAB 58.4, 13.28, 49.64

 

CMYK 0 / 10 / 73 / 28

HEX #B8A632

RGB 184 166 50

HSL 51.94, 0.57%, 0.46%

LAB 67.79, -6.32, 58.99

 

CMYK 10 / 0 / 73 / 28

HEX #A6B832

RGB 166 184 50

HSL 68.06, 0.57%, 0.46%

LAB 71.3, -23.29, 61.86

 

CMYK 0 / 29 / 73 / 53

HEX #775420

RGB 119 84 32

HSL 35.86, 0.58%, 0.3%

LAB 38.49, 9.06, 35.02

 

CMYK 0 / 29 / 73 / 41

HEX #976B29

RGB 151 107 41

HSL 36, 0.57%, 0.38%

LAB 48.58, 10.99, 42.41

 

CMYK 0 / 29 / 73 / 28

HEX #B88232

RGB 184 130 50

HSL 35.82, 0.57%, 0.46%

LAB 58.4, 13.28, 49.64

 

CMYK 0 / 26 / 65 / 20

HEX #CC9747

RGB 204 151 71

HSL 36.09, 0.57%, 0.54%

LAB 66.08, 11.64, 48.81

 

CMYK 0 / 21 / 52 / 16

HEX #D5A967

RGB 213 169 103

HSL 36, 0.57%, 0.62%

LAB 71.89, 8.16, 39.96

 

CMYK 0 / 29 / 73 / 27

HEX #B98332

RGB 185 131 50

HSL 36, 0.57%, 0.46%

LAB 58.77, 13.17, 50.05

 

CMYK 58 / 0 / 73 / 28

HEX #4DB832

RGB 77 184 50

HSL 107.91, 0.57%, 0.46%

LAB 66.59, -54.79, 55.63

 

CMYK 58 / 73 / 0 / 28

HEX #4D32B8

RGB 77 50 184

HSL 252.09, 0.57%, 0.46%

LAB 32.52, 47.49, -66.5

 

CMYK 0 / 29 / 73 / 27

HEX #B98332

RGB 185 131 50

HSL 36, 0.57%, 0.46%

LAB 58.77, 13.17, 50.05

 

CMYK 73 / 0 / 29 / 28

HEX #32B882

RGB 50 184 130

HSL 155.82, 0.57%, 0.46%

LAB 66.95, -48.32, 17.38

 

CMYK 29 / 73 / 0 / 28

HEX #8232B8

RGB 130 50 184

HSL 275.82, 0.57%, 0.46%

LAB 38.7, 56.55, -56.16

 

CMYK 0 / 29 / 73 / 27

HEX #B98332

RGB 185 131 50

HSL 36, 0.57%, 0.46%

LAB 58.77, 13.17, 50.05

 

CMYK 58 / 0 / 73 / 28

HEX #4DB832

RGB 77 184 50

HSL 107.91, 0.57%, 0.46%

LAB 66.59, -54.79, 55.63

 

CMYK 73 / 44 / 0 / 28

HEX #3267B8

RGB 50 103 184

HSL 216.27, 0.57%, 0.46%

LAB 44, 10.47, -47.95

 

CMYK 15 / 73 / 0 / 28

HEX #9D32B8

RGB 157 50 184

HSL 287.91, 0.57%, 0.46%

LAB 42.63, 61.99, -49.63

 

CMYK 0 / 29 / 73 / 27

HEX #B98332

RGB 185 131 50

HSL 36, 0.57%, 0.46%

LAB 58.77, 13.17, 50.05

 

CMYK 73 / 0 / 66 / 28

HEX #32B83F

RGB 50 184 63

HSL 125.82, 0.57%, 0.46%

LAB 66, -59.28, 49.66

 

CMYK 73 / 44 / 0 / 28

HEX #3267B8

RGB 50 103 184

HSL 216.27, 0.57%, 0.46%

LAB 44, 10.47, -47.95

 

CMYK 0 / 73 / 8 / 28

HEX #B832AA

RGB 184 50 170

HSL 306.27, 0.57%, 0.46%

LAB 46.14, 65.49, -35.51

 

Description

Color code: HEX #B98332 | qconv.com Color code: HEX #B98332 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 131 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 131 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 73 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 73% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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