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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B98347 it is the complementary color #467CB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B98347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B98347 shade: #BE8342, #CF9555, #E0A768, #F1B97B and #FFCB8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B98347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B98347 shade: #B98347, #A87134, #975F21, #864D0E and #753B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B98347 shade: #B88246, #B86346 and #B84646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B98347 shade: #B88246, #B8A146, #B1B846, #92B846 and #73B846

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B98347 shade matches the following richer shades: #B88246, #CD8331, #E2841C and #F68508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B98347 shade: #B88246, #A4815A, #8F806F, #7A7F84 and #667E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B98347 shade: #B84648, #B86246, #B88146, #B8A046 and #B3B846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B98347 shade: #7D582F, #9A6D3A, #B88246, #C49664 and #CFAA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B98347 shade: #B98347, #66B846 and #5346B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B98347 shade: #B98347, #46B881 and #8146B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B98347 shade: #B98347, #66B846, #467DB8 and #9846B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B98347 shade: #B98347, #46B848, #467DB8 and #B846B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 62 / 27

HEX #B98347

RGB 185 131 71

HSL 31.58, 0.45%, 0.5%

LAB 58.98, 14.44, 40.16

 

Complementary color

CMYK 62 / 33 / 0 / 28

HEX #467CB8

RGB 70 124 184

HSL 211.58, 0.45%, 0.5%

LAB 50.89, 0.83, -36.96

 

CMYK 0 / 31 / 65 / 25

HEX #BE8342

RGB 190 131 66

HSL 31.45, 0.49%, 0.5%

LAB 59.5, 16.26, 43.45

 

CMYK 0 / 28 / 59 / 19

HEX #CF9555

RGB 207 149 85

HSL 31.48, 0.56%, 0.57%

LAB 66.07, 14.97, 41.97

 

CMYK 0 / 25 / 54 / 12

HEX #E0A768

RGB 224 167 104

HSL 31.5, 0.66%, 0.64%

LAB 72.55, 13.86, 40.52

 

CMYK 0 / 23 / 49 / 5

HEX #F1B97B

RGB 241 185 123

HSL 31.53, 0.81%, 0.71%

LAB 78.94, 12.9, 39.13

 

CMYK 0 / 20 / 44 / 0

HEX #FFCB8E

RGB 255 203 142

HSL 32.39, 1%, 0.78%

LAB 84.96, 10.88, 37.38

 

CMYK 0 / 29 / 62 / 27

HEX #B98347

RGB 185 131 71

HSL 31.58, 0.45%, 0.5%

LAB 58.98, 14.44, 40.16

 

CMYK 0 / 33 / 69 / 34

HEX #A87134

RGB 168 113 52

HSL 31.55, 0.53%, 0.43%

LAB 52.27, 15.84, 41.65

 

CMYK 0 / 37 / 78 / 41

HEX #975F21

RGB 151 95 33

HSL 31.53, 0.64%, 0.36%

LAB 45.46, 17.51, 42.94

 

CMYK 0 / 43 / 90 / 47

HEX #864D0E

RGB 134 77 14

HSL 31.5, 0.81%, 0.29%

LAB 38.56, 19.51, 43.49

 

CMYK 0 / 50 / 100 / 54

HEX #753B00

RGB 117 59 0

HSL 30.26, 1%, 0.23%

LAB 31.6, 21.87, 42.12

 

CMYK 0 / 29 / 62 / 28

HEX #B88246

RGB 184 130 70

HSL 31.58, 0.45%, 0.5%

LAB 58.6, 14.49, 40.2

 

CMYK 0 / 46 / 62 / 28

HEX #B86346

RGB 184 99 70

HSL 15.26, 0.45%, 0.5%

LAB 51.33, 31.56, 31.51

 

CMYK 0 / 62 / 62 / 28

HEX #B84646

RGB 184 70 70

HSL 0, 0.45%, 0.5%

LAB 45.65, 46.12, 24.4

 

CMYK 0 / 29 / 62 / 28

HEX #B88246

RGB 184 130 70

HSL 31.58, 0.45%, 0.5%

LAB 58.6, 14.49, 40.2

 

CMYK 0 / 13 / 62 / 28

HEX #B8A146

RGB 184 161 70

HSL 47.89, 0.45%, 0.5%

LAB 66.61, -2.49, 49.3

 

CMYK 4 / 0 / 62 / 28

HEX #B1B846

RGB 177 184 70

HSL 63.68, 0.45%, 0.5%

LAB 72.28, -17.47, 55.3

 

CMYK 21 / 0 / 62 / 28

HEX #92B846

RGB 146 184 70

HSL 80, 0.45%, 0.5%

LAB 70.06, -30.14, 52.25

 

CMYK 38 / 0 / 62 / 28

HEX #73B846

RGB 115 184 70

HSL 96.32, 0.45%, 0.5%

LAB 68.29, -41.62, 49.8

 

CMYK 0 / 29 / 62 / 28

HEX #B88246

RGB 184 130 70

HSL 31.58, 0.45%, 0.5%

LAB 58.6, 14.49, 40.2

 

CMYK 0 / 36 / 76 / 20

HEX #CD8331

RGB 205 131 49

HSL 31.54, 0.61%, 0.5%

LAB 61.16, 21.81, 53.68

 

CMYK 0 / 42 / 88 / 11

HEX #E2841C

RGB 226 132 28

HSL 31.52, 0.78%, 0.5%

LAB 63.96, 29.48, 64.74

 

CMYK 0 / 46 / 97 / 4

HEX #F68508

RGB 246 133 8

HSL 31.51, 0.94%, 0.5%

LAB 66.81, 36.85, 72.1

 

CMYK 0 / 29 / 62 / 28

HEX #B88246

RGB 184 130 70

HSL 31.58, 0.45%, 0.5%

LAB 58.6, 14.49, 40.2

 

CMYK 0 / 21 / 45 / 36

HEX #A4815A

RGB 164 129 90

HSL 31.62, 0.29%, 0.5%

LAB 56.42, 8.24, 26.25

 

CMYK 0 / 10 / 22 / 44

HEX #8F806F

RGB 143 128 111

HSL 31.88, 0.13%, 0.5%

LAB 54.48, 2.83, 11.31

 

CMYK 8 / 4 / 0 / 48

HEX #7A7F84

RGB 122 127 132

HSL 210, 0.04%, 0.5%

LAB 52.93, -0.81, -3.36

 

CMYK 33 / 17 / 0 / 40

HEX #667E98

RGB 102 126 152

HSL 211.2, 0.2%, 0.5%

LAB 51.85, -2.14, -16.79

 

CMYK 0 / 62 / 61 / 28

HEX #B84648

RGB 184 70 72

HSL 358.95, 0.45%, 0.5%

LAB 45.69, 46.26, 23.24

 

CMYK 0 / 47 / 62 / 28

HEX #B86246

RGB 184 98 70

HSL 14.74, 0.45%, 0.5%

LAB 51.11, 32.09, 31.25

 

CMYK 0 / 30 / 62 / 28

HEX #B88146

RGB 184 129 70

HSL 31.05, 0.45%, 0.5%

LAB 58.35, 15.05, 39.91

 

CMYK 0 / 13 / 62 / 28

HEX #B8A046

RGB 184 160 70

HSL 47.37, 0.45%, 0.5%

LAB 66.35, -1.96, 49.01

 

CMYK 3 / 0 / 62 / 28

HEX #B3B846

RGB 179 184 70

HSL 62.63, 0.45%, 0.5%

LAB 72.43, -16.63, 55.51

 

CMYK 0 / 30 / 62 / 51

HEX #7D582F

RGB 125 88 47

HSL 31.54, 0.45%, 0.34%

LAB 40.48, 10.54, 29.48

 

CMYK 0 / 29 / 62 / 40

HEX #9A6D3A

RGB 154 109 58

HSL 31.88, 0.45%, 0.42%

LAB 49.63, 12.29, 35.12

 

CMYK 0 / 29 / 62 / 28

HEX #B88246

RGB 184 130 70

HSL 31.58, 0.45%, 0.5%

LAB 58.6, 14.49, 40.2

 

CMYK 0 / 23 / 49 / 23

HEX #C49664

RGB 196 150 100

HSL 31.25, 0.45%, 0.58%

LAB 65.33, 11.1, 32.93

 

CMYK 0 / 18 / 38 / 19

HEX #CFAA81

RGB 207 170 129

HSL 31.54, 0.45%, 0.66%

LAB 71.96, 7.85, 26.22

 

CMYK 0 / 29 / 62 / 27

HEX #B98347

RGB 185 131 71

HSL 31.58, 0.45%, 0.5%

LAB 58.98, 14.44, 40.16

 

CMYK 45 / 0 / 62 / 28

HEX #66B846

RGB 102 184 70

HSL 103.16, 0.45%, 0.5%

LAB 67.69, -45.9, 48.96

 

CMYK 55 / 62 / 0 / 28

HEX #5346B8

RGB 83 70 184

HSL 246.84, 0.45%, 0.5%

LAB 37.26, 37.03, -58.73

 

CMYK 0 / 29 / 62 / 27

HEX #B98347

RGB 185 131 71

HSL 31.58, 0.45%, 0.5%

LAB 58.98, 14.44, 40.16

 

CMYK 62 / 0 / 30 / 28

HEX #46B881

RGB 70 184 129

HSL 151.05, 0.45%, 0.5%

LAB 67.4, -45.1, 18.62

 

CMYK 30 / 62 / 0 / 28

HEX #8146B8

RGB 129 70 184

HSL 271.05, 0.45%, 0.5%

LAB 42.01, 46.82, -50.82

 

CMYK 0 / 29 / 62 / 27

HEX #B98347

RGB 185 131 71

HSL 31.58, 0.45%, 0.5%

LAB 58.98, 14.44, 40.16

 

CMYK 45 / 0 / 62 / 28

HEX #66B846

RGB 102 184 70

HSL 103.16, 0.45%, 0.5%

LAB 67.69, -45.9, 48.96

 

CMYK 62 / 32 / 0 / 28

HEX #467DB8

RGB 70 125 184

HSL 211.05, 0.45%, 0.5%

LAB 51.19, 0.23, -36.5

 

CMYK 17 / 62 / 0 / 28

HEX #9846B8

RGB 152 70 184

HSL 283.16, 0.45%, 0.5%

LAB 44.96, 52.33, -45.93

 

CMYK 0 / 29 / 62 / 27

HEX #B98347

RGB 185 131 71

HSL 31.58, 0.45%, 0.5%

LAB 58.98, 14.44, 40.16

 

CMYK 62 / 0 / 61 / 28

HEX #46B848

RGB 70 184 72

HSL 121.05, 0.45%, 0.5%

LAB 66.56, -54.37, 46.48

 

CMYK 62 / 32 / 0 / 28

HEX #467DB8

RGB 70 125 184

HSL 211.05, 0.45%, 0.5%

LAB 51.19, 0.23, -36.5

 

CMYK 0 / 62 / 1 / 28

HEX #B846B6

RGB 184 70 182

HSL 301.05, 0.45%, 0.5%

LAB 49.43, 59.9, -37.38

 

Description

Color code: HEX #B98347 | qconv.com Color code: HEX #B98347 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 131 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 131 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 62 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 62% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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