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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B983CA it is the complementary color #467C35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B983CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B983CA shade: #BE83C5, #CF95D8, #E0A7EB, #F1B9FE and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B983CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B983CA shade: #B983CA, #A871B7, #975FA4, #864D91 and #753B7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B983CA shade: #B882C9, #C982C7, #C982B4, #C982A0 and #C9828D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B983CA shade: #B882C9, #A582C9, #9182C9 and #8282C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B983CA shade matches the following richer shades: #B882C9, #BF73D7, #C765E6 and #CE56F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B983CA shade: #B882C9, #B090BB, #A99EAC, #A1AD9E and #9ABB8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B983CA shade: #9182C9, #A482C9, #B782C9, #C982C8 and #C982B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B983CA shade: #964AAE, #A865BD, #B882C9, #C89ED5 and #D9BBE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B983CA shade: #B983CA, #C98285 and #82C99B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B983CA shade: #B983CA, #C9B782 and #82C9B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B983CA shade: #B983CA, #C98285, #93C982 and #82C9C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B983CA shade: #B983CA, #C99382, #93C982 and #82B7C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 35 / 0 / 21

HEX #B983CA

RGB 185 131 202

HSL 285.63, 0.4%, 0.65%

LAB 62.35, 33.15, -28.69

 

Complementary color

CMYK 44 / 0 / 57 / 51

HEX #467C35

RGB 70 124 53

HSL 105.63, 0.4%, 0.35%

LAB 46.94, -32.33, 32.82

 

CMYK 4 / 34 / 0 / 23

HEX #BE83C5

RGB 190 131 197

HSL 293.64, 0.36%, 0.64%

LAB 62.69, 33.74, -25.31

 

CMYK 4 / 31 / 0 / 15

HEX #CF95D8

RGB 207 149 216

HSL 291.94, 0.46%, 0.72%

LAB 69.27, 33.04, -25.65

 

CMYK 5 / 29 / 0 / 8

HEX #E0A7EB

RGB 224 167 235

HSL 290.29, 0.63%, 0.79%

LAB 75.75, 32.38, -25.97

 

CMYK 5 / 27 / 0 / 0

HEX #F1B9FE

RGB 241 185 254

HSL 288.7, 0.97%, 0.86%

LAB 82.14, 31.75, -26.29

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 8 / 35 / 0 / 21

HEX #B983CA

RGB 185 131 202

HSL 285.63, 0.4%, 0.65%

LAB 62.35, 33.15, -28.69

 

CMYK 8 / 38 / 0 / 28

HEX #A871B7

RGB 168 113 183

HSL 287.14, 0.33%, 0.58%

LAB 55.64, 33.9, -28.42

 

CMYK 8 / 42 / 0 / 36

HEX #975FA4

RGB 151 95 164

HSL 288.7, 0.27%, 0.51%

LAB 48.81, 34.69, -28.13

 

CMYK 8 / 47 / 0 / 43

HEX #864D91

RGB 134 77 145

HSL 290.29, 0.31%, 0.44%

LAB 41.88, 35.5, -27.79

 

CMYK 7 / 53 / 0 / 51

HEX #753B7E

RGB 117 59 126

HSL 291.94, 0.36%, 0.36%

LAB 34.84, 36.27, -27.35

 

CMYK 8 / 35 / 0 / 21

HEX #B882C9

RGB 184 130 201

HSL 285.63, 0.4%, 0.65%

LAB 61.97, 33.19, -28.71

 

CMYK 0 / 35 / 1 / 21

HEX #C982C7

RGB 201 130 199

HSL 301.69, 0.4%, 0.65%

LAB 63.76, 38.19, -24.68

 

CMYK 0 / 35 / 10 / 21

HEX #C982B4

RGB 201 130 180

HSL 317.75, 0.4%, 0.65%

LAB 63.08, 34.81, -14.99

 

CMYK 0 / 35 / 20 / 21

HEX #C982A0

RGB 201 130 160

HSL 334.65, 0.4%, 0.65%

LAB 62.44, 31.57, -4.58

 

CMYK 0 / 35 / 30 / 21

HEX #C9828D

RGB 201 130 141

HSL 350.7, 0.4%, 0.65%

LAB 61.92, 28.83, 5.51

 

CMYK 8 / 35 / 0 / 21

HEX #B882C9

RGB 184 130 201

HSL 285.63, 0.4%, 0.65%

LAB 61.97, 33.19, -28.71

 

CMYK 18 / 35 / 0 / 21

HEX #A582C9

RGB 165 130 201

HSL 269.58, 0.4%, 0.65%

LAB 60.05, 27.27, -31.84

 

CMYK 28 / 35 / 0 / 21

HEX #9182C9

RGB 145 130 201

HSL 252.68, 0.4%, 0.65%

LAB 58.23, 21.25, -34.82

 

CMYK 35 / 35 / 0 / 21

HEX #8282C9

RGB 130 130 201

HSL 240, 0.4%, 0.65%

LAB 57.01, 16.95, -36.82

 

CMYK 8 / 35 / 0 / 21

HEX #B882C9

RGB 184 130 201

HSL 285.63, 0.4%, 0.65%

LAB 61.97, 33.19, -28.71

 

CMYK 11 / 47 / 0 / 16

HEX #BF73D7

RGB 191 115 215

HSL 285.6, 0.56%, 0.65%

LAB 60.11, 46.27, -39.43

 

CMYK 13 / 56 / 0 / 10

HEX #C765E6

RGB 199 101 230

HSL 285.58, 0.72%, 0.65%

LAB 59.12, 58.5, -49.33

 

CMYK 16 / 65 / 0 / 4

HEX #CE56F4

RGB 206 86 244

HSL 285.57, 0.88%, 0.65%

LAB 58.33, 69.63, -58.35

 

CMYK 8 / 35 / 0 / 21

HEX #B882C9

RGB 184 130 201

HSL 285.63, 0.4%, 0.65%

LAB 61.97, 33.19, -28.71

 

CMYK 6 / 23 / 0 / 27

HEX #B090BB

RGB 176 144 187

HSL 284.65, 0.24%, 0.65%

LAB 63.97, 19.88, -17.84

 

CMYK 2 / 8 / 0 / 33

HEX #A99EAC

RGB 169 158 172

HSL 287.14, 0.08%, 0.65%

LAB 66.42, 6.63, -5.82

 

CMYK 7 / 0 / 9 / 32

HEX #A1AD9E

RGB 161 173 158

HSL 108, 0.08%, 0.65%

LAB 69.42, -7.06, 6.26

 

CMYK 18 / 0 / 24 / 27

HEX #9ABB8F

RGB 154 187 143

HSL 105, 0.24%, 0.65%

LAB 72.49, -19.48, 18.7

 

CMYK 28 / 35 / 0 / 21

HEX #9182C9

RGB 145 130 201

HSL 252.68, 0.4%, 0.65%

LAB 58.23, 21.25, -34.82

 

CMYK 18 / 35 / 0 / 21

HEX #A482C9

RGB 164 130 201

HSL 268.73, 0.4%, 0.65%

LAB 59.96, 26.96, -32

 

CMYK 9 / 35 / 0 / 21

HEX #B782C9

RGB 183 130 201

HSL 284.79, 0.4%, 0.65%

LAB 61.87, 32.87, -28.88

 

CMYK 0 / 35 / 0 / 21

HEX #C982C8

RGB 201 130 200

HSL 300.85, 0.4%, 0.65%

LAB 63.8, 38.38, -25.18

 

CMYK 0 / 35 / 10 / 21

HEX #C982B5

RGB 201 130 181

HSL 316.9, 0.4%, 0.65%

LAB 63.11, 34.98, -15.51

 

CMYK 14 / 57 / 0 / 32

HEX #964AAE

RGB 150 74 174

HSL 285.6, 0.4%, 0.49%

LAB 44.85, 47.76, -40.25

 

CMYK 11 / 47 / 0 / 26

HEX #A865BD

RGB 168 101 189

HSL 285.68, 0.4%, 0.57%

LAB 53.28, 41.75, -35.54

 

CMYK 8 / 35 / 0 / 21

HEX #B882C9

RGB 184 130 201

HSL 285.63, 0.4%, 0.65%

LAB 61.97, 33.19, -28.71

 

CMYK 6 / 26 / 0 / 16

HEX #C89ED5

RGB 200 158 213

HSL 285.82, 0.4%, 0.73%

LAB 70.55, 25.27, -22.09

 

CMYK 4 / 17 / 0 / 11

HEX #D9BBE2

RGB 217 187 226

HSL 286.15, 0.4%, 0.81%

LAB 79.49, 17.59, -15.49

 

CMYK 8 / 35 / 0 / 21

HEX #B983CA

RGB 185 131 202

HSL 285.63, 0.4%, 0.65%

LAB 62.35, 33.15, -28.69

 

CMYK 0 / 35 / 34 / 21

HEX #C98285

RGB 201 130 133

HSL 357.46, 0.4%, 0.65%

LAB 61.72, 27.78, 9.79

 

CMYK 35 / 0 / 23 / 21

HEX #82C99B

RGB 130 201 155

HSL 141.13, 0.4%, 0.65%

LAB 75.38, -32.09, 16.07

 

CMYK 8 / 35 / 0 / 21

HEX #B983CA

RGB 185 131 202

HSL 285.63, 0.4%, 0.65%

LAB 62.35, 33.15, -28.69

 

CMYK 0 / 9 / 35 / 21

HEX #C9B782

RGB 201 183 130

HSL 44.79, 0.4%, 0.65%

LAB 74.76, -1.36, 29.31

 

CMYK 35 / 0 / 9 / 21

HEX #82C9B7

RGB 130 201 183

HSL 164.79, 0.4%, 0.65%

LAB 76.03, -26.29, 1.94

 

CMYK 8 / 35 / 0 / 21

HEX #B983CA

RGB 185 131 202

HSL 285.63, 0.4%, 0.65%

LAB 62.35, 33.15, -28.69

 

CMYK 0 / 35 / 34 / 21

HEX #C98285

RGB 201 130 133

HSL 357.46, 0.4%, 0.65%

LAB 61.72, 27.78, 9.79

 

CMYK 27 / 0 / 35 / 21

HEX #93C982

RGB 147 201 130

HSL 105.63, 0.4%, 0.65%

LAB 75.82, -30.84, 30

 

CMYK 35 / 0 / 2 / 21

HEX #82C9C5

RGB 130 201 197

HSL 176.62, 0.4%, 0.65%

LAB 76.41, -23.07, -5.07

 

CMYK 8 / 35 / 0 / 21

HEX #B983CA

RGB 185 131 202

HSL 285.63, 0.4%, 0.65%

LAB 62.35, 33.15, -28.69

 

CMYK 0 / 27 / 35 / 21

HEX #C99382

RGB 201 147 130

HSL 14.37, 0.4%, 0.65%

LAB 65.67, 18.09, 17.01

 

CMYK 27 / 0 / 35 / 21

HEX #93C982

RGB 147 201 130

HSL 105.63, 0.4%, 0.65%

LAB 75.82, -30.84, 30

 

CMYK 35 / 9 / 0 / 21

HEX #82B7C9

RGB 130 183 201

HSL 195.21, 0.4%, 0.65%

LAB 71.44, -12.86, -14.65

 

Description

Color code: HEX #B983CA | qconv.com Color code: HEX #B983CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 131 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 131 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 35 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 35% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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