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Color name
HEX #B98F30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B98F30 it is the complementary color #4670CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B98F30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B98F30 shade: #BE8F2B, #CFA13E, #E0B351, #F1C564 and #FFD777

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B98F30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B98F30 shade: #B98F30, #A87D1D, #976B0A, #865900 and #754700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B98F30 shade: #BA9030, #BA6A30, #BA4530 and #BA3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B98F30 shade: #BA9030, #BAB530, #9ABA30, #74BA30 and #4FBA30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B98F30 shade matches the following richer shades: #BA9030, #CD971D and #E09E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B98F30 shade: #BA9030, #A78843, #948156, #817A69 and #6E727C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B98F30 shade: #BA4430, #BA6930, #BA8E30, #BAB330 and #9CBA30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B98F30 shade: #785D1F, #997627, #BA9030, #CFA444 and #D7B465

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B98F30 shade: #B98F30, #40BA30 and #5730BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B98F30 shade: #B98F30, #30BA8E and #8E30BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B98F30 shade: #B98F30, #40BA30, #305BBA and #AA30BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B98F30 shade: #B98F30, #30BA49, #305BBA and #BA30A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 74 / 27

HEX #B98F30

RGB 185 143 48

HSL 41.61, 0.59%, 0.46%

LAB 61.8, 6.44, 53.95

 

Complementary color

CMYK 66 / 46 / 0 / 19

HEX #4670CF

RGB 70 112 207

HSL 221.61, 0.59%, 0.54%

LAB 48.75, 16.2, -53.55

 

CMYK 0 / 25 / 77 / 25

HEX #BE8F2B

RGB 190 143 43

HSL 40.82, 0.63%, 0.46%

LAB 62.31, 8.45, 56.6

 

CMYK 0 / 22 / 70 / 19

HEX #CFA13E

RGB 207 161 62

HSL 40.97, 0.6%, 0.53%

LAB 68.83, 7.01, 55.92

 

CMYK 0 / 20 / 64 / 12

HEX #E0B351

RGB 224 179 81

HSL 41.12, 0.7%, 0.6%

LAB 75.25, 5.79, 54.89

 

CMYK 0 / 18 / 59 / 5

HEX #F1C564

RGB 241 197 100

HSL 41.28, 0.83%, 0.67%

LAB 81.59, 4.75, 53.7

 

CMYK 0 / 16 / 53 / 0

HEX #FFD777

RGB 255 215 119

HSL 42.35, 1%, 0.73%

LAB 87.58, 2.63, 52.06

 

CMYK 0 / 23 / 74 / 27

HEX #B98F30

RGB 185 143 48

HSL 41.61, 0.59%, 0.46%

LAB 61.8, 6.44, 53.95

 

CMYK 0 / 26 / 83 / 34

HEX #A87D1D

RGB 168 125 29

HSL 41.44, 0.71%, 0.39%

LAB 55.16, 8.02, 54.22

 

CMYK 0 / 29 / 93 / 41

HEX #976B0A

RGB 151 107 10

HSL 41.28, 0.88%, 0.32%

LAB 48.41, 9.92, 53.17

 

CMYK 0 / 34 / 100 / 47

HEX #865900

RGB 134 89 0

HSL 39.85, 1%, 0.26%

LAB 41.55, 12.18, 49.73

 

CMYK 0 / 39 / 100 / 54

HEX #754700

RGB 117 71 0

HSL 36.41, 1%, 0.23%

LAB 34.58, 14.76, 44.04

 

CMYK 0 / 23 / 74 / 27

HEX #BA9030

RGB 186 144 48

HSL 41.74, 0.59%, 0.46%

LAB 62.17, 6.34, 54.34

 

CMYK 0 / 43 / 74 / 27

HEX #BA6A30

RGB 186 106 48

HSL 25.22, 0.59%, 0.46%

LAB 52.91, 27.3, 44.98

 

CMYK 0 / 63 / 74 / 27

HEX #BA4530

RGB 186 69 48

HSL 9.13, 0.59%, 0.46%

LAB 45.51, 46.05, 37.07

 

CMYK 0 / 74 / 74 / 27

HEX #BA3030

RGB 186 48 48

HSL 0, 0.59%, 0.46%

LAB 42.41, 54.49, 33.62

 

CMYK 0 / 23 / 74 / 27

HEX #BA9030

RGB 186 144 48

HSL 41.74, 0.59%, 0.46%

LAB 62.17, 6.34, 54.34

 

CMYK 0 / 3 / 74 / 27

HEX #BAB530

RGB 186 181 48

HSL 57.83, 0.59%, 0.46%

LAB 72.03, -13.34, 63.8

 

CMYK 17 / 0 / 74 / 27

HEX #9ABA30

RGB 154 186 48

HSL 73.91, 0.59%, 0.46%

LAB 71.01, -29.32, 61.98

 

CMYK 38 / 0 / 74 / 27

HEX #74BA30

RGB 116 186 48

HSL 90.43, 0.59%, 0.46%

LAB 68.78, -43.83, 59.06

 

CMYK 58 / 0 / 74 / 27

HEX #4FBA30

RGB 79 186 48

HSL 106.52, 0.59%, 0.46%

LAB 67.27, -55.15, 57.06

 

CMYK 0 / 23 / 74 / 27

HEX #BA9030

RGB 186 144 48

HSL 41.74, 0.59%, 0.46%

LAB 62.17, 6.34, 54.34

 

CMYK 0 / 26 / 86 / 20

HEX #CD971D

RGB 205 151 29

HSL 41.59, 0.75%, 0.46%

LAB 65.9, 10.28, 64.96

 

CMYK 0 / 29 / 96 / 12

HEX #E09E0A

RGB 224 158 10

HSL 41.5, 0.91%, 0.46%

LAB 69.7, 14.51, 72.49

 

CMYK 0 / 23 / 74 / 27

HEX #BA9030

RGB 186 144 48

HSL 41.74, 0.59%, 0.46%

LAB 62.17, 6.34, 54.34

 

CMYK 0 / 19 / 60 / 35

HEX #A78843

RGB 167 136 67

HSL 41.4, 0.43%, 0.46%

LAB 58.25, 3.49, 40.85

 

CMYK 0 / 13 / 42 / 42

HEX #948156

RGB 148 129 86

HSL 41.61, 0.26%, 0.46%

LAB 54.73, 0.93, 25.97

 

CMYK 0 / 5 / 19 / 49

HEX #817A69

RGB 129 122 105

HSL 42.5, 0.1%, 0.46%

LAB 51.39, -0.38, 10.27

 

CMYK 11 / 8 / 0 / 51

HEX #6E727C

RGB 110 114 124

HSL 222.86, 0.06%, 0.46%

LAB 48.01, 0.65, -6.03

 

CMYK 0 / 63 / 74 / 27

HEX #BA4430

RGB 186 68 48

HSL 8.7, 0.59%, 0.46%

LAB 45.34, 46.5, 36.89

 

CMYK 0 / 44 / 74 / 27

HEX #BA6930

RGB 186 105 48

HSL 24.78, 0.59%, 0.46%

LAB 52.68, 27.85, 44.75

 

CMYK 0 / 24 / 74 / 27

HEX #BA8E30

RGB 186 142 48

HSL 40.87, 0.59%, 0.46%

LAB 61.65, 7.44, 53.84

 

CMYK 0 / 4 / 74 / 27

HEX #BAB330

RGB 186 179 48

HSL 56.96, 0.59%, 0.46%

LAB 71.48, -12.31, 63.29

 

CMYK 16 / 0 / 74 / 27

HEX #9CBA30

RGB 156 186 48

HSL 73.04, 0.59%, 0.46%

LAB 71.15, -28.51, 62.16

 

CMYK 0 / 23 / 74 / 53

HEX #785D1F

RGB 120 93 31

HSL 41.8, 0.59%, 0.3%

LAB 41.09, 4.11, 38.23

 

CMYK 0 / 23 / 75 / 40

HEX #997627

RGB 153 118 39

HSL 41.58, 0.59%, 0.38%

LAB 51.7, 5.51, 46.55

 

CMYK 0 / 23 / 74 / 27

HEX #BA9030

RGB 186 144 48

HSL 41.74, 0.59%, 0.46%

LAB 62.17, 6.34, 54.34

 

CMYK 0 / 21 / 67 / 19

HEX #CFA444

RGB 207 164 68

HSL 41.44, 0.59%, 0.54%

LAB 69.64, 5.73, 54.15

 

CMYK 0 / 16 / 53 / 16

HEX #D7B465

RGB 215 180 101

HSL 41.58, 0.59%, 0.62%

LAB 74.84, 2.96, 44.63

 

CMYK 0 / 23 / 74 / 27

HEX #B98F30

RGB 185 143 48

HSL 41.61, 0.59%, 0.46%

LAB 61.8, 6.44, 53.95

 

CMYK 66 / 0 / 74 / 27

HEX #40BA30

RGB 64 186 48

HSL 113.04, 0.59%, 0.46%

LAB 66.84, -58.65, 56.48

 

CMYK 53 / 74 / 0 / 27

HEX #5730BA

RGB 87 48 186

HSL 256.96, 0.59%, 0.46%

LAB 33.32, 50.53, -66.34

 

CMYK 0 / 23 / 74 / 27

HEX #B98F30

RGB 185 143 48

HSL 41.61, 0.59%, 0.46%

LAB 61.8, 6.44, 53.95

 

CMYK 74 / 0 / 24 / 27

HEX #30BA8E

RGB 48 186 142

HSL 160.87, 0.59%, 0.46%

LAB 67.8, -46.67, 12.04

 

CMYK 24 / 74 / 0 / 27

HEX #8E30BA

RGB 142 48 186

HSL 280.87, 0.59%, 0.46%

LAB 40.26, 60.12, -54.73

 

CMYK 0 / 23 / 74 / 27

HEX #B98F30

RGB 185 143 48

HSL 41.61, 0.59%, 0.46%

LAB 61.8, 6.44, 53.95

 

CMYK 66 / 0 / 74 / 27

HEX #40BA30

RGB 64 186 48

HSL 113.04, 0.59%, 0.46%

LAB 66.84, -58.65, 56.48

 

CMYK 74 / 51 / 0 / 27

HEX #305BBA

RGB 48 91 186

HSL 221.3, 0.59%, 0.46%

LAB 40.66, 18.7, -54.49

 

CMYK 9 / 74 / 0 / 27

HEX #AA30BA

RGB 170 48 186

HSL 293.04, 0.59%, 0.46%

LAB 44.53, 65.75, -47.65

 

CMYK 0 / 23 / 74 / 27

HEX #B98F30

RGB 185 143 48

HSL 41.61, 0.59%, 0.46%

LAB 61.8, 6.44, 53.95

 

CMYK 74 / 0 / 61 / 27

HEX #30BA49

RGB 48 186 73

HSL 130.87, 0.59%, 0.46%

LAB 66.69, -59.14, 46.04

 

CMYK 74 / 51 / 0 / 27

HEX #305BBA

RGB 48 91 186

HSL 221.3, 0.59%, 0.46%

LAB 40.66, 18.7, -54.49

 

CMYK 0 / 74 / 13 / 27

HEX #BA30A1

RGB 186 48 161

HSL 310.87, 0.59%, 0.46%

LAB 45.81, 65.25, -30.67

 

Description

Color code: HEX #B98F30 | qconv.com Color code: HEX #B98F30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 143 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 143 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 74 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 74% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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