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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99468 it is the complementary color #466B97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99468. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99468 shade: #BE9463, #CFA676, #E0B889, #F1CA9C and #FFDCAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99468. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99468 shade: #B99468, #A88255, #977042, #865E2F and #754C1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99468 shade: #B99468, #B97E68, #B96968 and #B96868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99468 shade: #B99468, #B9AA68, #B3B968, #9DB968 and #87B968

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99468 shade matches the following richer shades: #B99468, #CB9657, #DD9745 and #EF9933

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99468 shade: #B99468, #A8937A, #96918C, #84909E and #728EAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99468 shade: #B96868, #B97E68, #B99468, #B9A968 and #B4B968

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99468 shade: #8E6B41, #AA804E, #B99468, #C6A885 and #D3BCA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99468 shade: #B99468, #7EB968 and #7368B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99468 shade: #B99468, #68B994 and #9468B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99468 shade: #B99468, #7EB968, #688EB9 and #A468B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99468 shade: #B99468, #68B96B, #688EB9 and #B968B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

Complementary color

CMYK 54 / 29 / 0 / 41

HEX #466B97

RGB 70 107 151

HSL 212.59, 0.37%, 0.43%

LAB 44.31, 0.09, -28

 

CMYK 0 / 22 / 48 / 25

HEX #BE9463

RGB 190 148 99

HSL 32.31, 0.41%, 0.57%

LAB 64.18, 9.59, 31.87

 

CMYK 0 / 20 / 43 / 19

HEX #CFA676

RGB 207 166 118

HSL 32.36, 0.48%, 0.64%

LAB 70.76, 8.77, 30.54

 

CMYK 0 / 18 / 39 / 12

HEX #E0B889

RGB 224 184 137

HSL 32.41, 0.58%, 0.71%

LAB 77.24, 8.07, 29.29

 

CMYK 0 / 16 / 35 / 5

HEX #F1CA9C

RGB 241 202 156

HSL 32.47, 0.75%, 0.78%

LAB 83.62, 7.46, 28.12

 

CMYK 0 / 14 / 31 / 0

HEX #FFDCAF

RGB 255 220 175

HSL 33.75, 1%, 0.84%

LAB 89.65, 5.78, 26.62

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 0 / 23 / 49 / 34

HEX #A88255

RGB 168 130 85

HSL 32.53, 0.33%, 0.5%

LAB 57.02, 8.87, 29.88

 

CMYK 0 / 26 / 56 / 41

HEX #977042

RGB 151 112 66

HSL 32.47, 0.39%, 0.43%

LAB 50.17, 9.88, 31.35

 

CMYK 0 / 30 / 65 / 47

HEX #865E2F

RGB 134 94 47

HSL 32.41, 0.48%, 0.35%

LAB 43.18, 11.14, 32.91

 

CMYK 0 / 35 / 76 / 54

HEX #754C1C

RGB 117 76 28

HSL 32.36, 0.61%, 0.28%

LAB 36.05, 12.71, 34.39

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 0 / 32 / 44 / 27

HEX #B97E68

RGB 185 126 104

HSL 16.3, 0.37%, 0.57%

LAB 58.26, 20.22, 21.23

 

CMYK 0 / 43 / 44 / 27

HEX #B96968

RGB 185 105 104

HSL 0.74, 0.37%, 0.57%

LAB 53.4, 31.78, 14.61

 

CMYK 0 / 44 / 44 / 27

HEX #B96868

RGB 185 104 104

HSL 0, 0.37%, 0.57%

LAB 53.18, 32.32, 14.31

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 0 / 8 / 44 / 27

HEX #B9AA68

RGB 185 170 104

HSL 48.89, 0.37%, 0.57%

LAB 69.51, -3.91, 35.9

 

CMYK 3 / 0 / 44 / 27

HEX #B3B968

RGB 179 185 104

HSL 64.44, 0.37%, 0.57%

LAB 73.08, -14.2, 40.25

 

CMYK 15 / 0 / 44 / 27

HEX #9DB968

RGB 157 185 104

HSL 80.74, 0.37%, 0.57%

LAB 71.46, -22.93, 37.89

 

CMYK 27 / 0 / 44 / 27

HEX #87B968

RGB 135 185 104

HSL 97.04, 0.37%, 0.57%

LAB 70.07, -31.17, 35.84

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 0 / 26 / 57 / 20

HEX #CB9657

RGB 203 150 87

HSL 32.59, 0.53%, 0.57%

LAB 65.9, 12.89, 40.63

 

CMYK 0 / 32 / 69 / 13

HEX #DD9745

RGB 221 151 69

HSL 32.37, 0.69%, 0.57%

LAB 67.97, 18.76, 52.37

 

CMYK 0 / 36 / 79 / 6

HEX #EF9933

RGB 239 153 51

HSL 32.55, 0.85%, 0.57%

LAB 70.44, 24.45, 63.18

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 0 / 13 / 27 / 34

HEX #A8937A

RGB 168 147 122

HSL 32.61, 0.21%, 0.57%

LAB 62.17, 3.87, 16.12

 

CMYK 0 / 3 / 7 / 41

HEX #96918C

RGB 150 145 140

HSL 30, 0.05%, 0.57%

LAB 60.45, 0.91, 3.3

 

CMYK 16 / 9 / 0 / 38

HEX #84909E

RGB 132 144 158

HSL 212.31, 0.12%, 0.57%

LAB 59.27, -1.28, -8.86

 

CMYK 35 / 19 / 0 / 31

HEX #728EAF

RGB 114 142 175

HSL 212.46, 0.28%, 0.57%

LAB 58.05, -1.64, -20.51

 

CMYK 0 / 44 / 44 / 27

HEX #B96868

RGB 185 104 104

HSL 0, 0.37%, 0.57%

LAB 53.18, 32.32, 14.31

 

CMYK 0 / 32 / 44 / 27

HEX #B97E68

RGB 185 126 104

HSL 16.3, 0.37%, 0.57%

LAB 58.26, 20.22, 21.23

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 0 / 9 / 44 / 27

HEX #B9A968

RGB 185 169 104

HSL 48.15, 0.37%, 0.57%

LAB 69.25, -3.37, 35.56

 

CMYK 3 / 0 / 44 / 27

HEX #B4B968

RGB 180 185 104

HSL 63.7, 0.37%, 0.57%

LAB 73.15, -13.79, 40.36

 

CMYK 0 / 25 / 54 / 44

HEX #8E6B41

RGB 142 107 65

HSL 32.73, 0.37%, 0.41%

LAB 47.81, 8.67, 28.78

 

CMYK 0 / 25 / 54 / 33

HEX #AA804E

RGB 170 128 78

HSL 32.61, 0.37%, 0.49%

LAB 56.62, 10.19, 33.23

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 0 / 15 / 33 / 22

HEX #C6A885

RGB 198 168 133

HSL 32.31, 0.36%, 0.65%

LAB 70.67, 5.83, 22.16

 

CMYK 0 / 11 / 24 / 17

HEX #D3BCA1

RGB 211 188 161

HSL 32.4, 0.36%, 0.73%

LAB 77.51, 3.97, 16.66

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 32 / 0 / 44 / 27

HEX #7EB968

RGB 126 185 104

HSL 103.7, 0.37%, 0.57%

LAB 69.56, -34.34, 35.09

 

CMYK 38 / 44 / 0 / 27

HEX #7368B9

RGB 115 104 185

HSL 248.15, 0.37%, 0.57%

LAB 48.32, 23.96, -41.42

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 44 / 0 / 20 / 27

HEX #68B994

RGB 104 185 148

HSL 152.59, 0.37%, 0.57%

LAB 69.31, -33.44, 11.14

 

CMYK 20 / 44 / 0 / 27

HEX #9468B9

RGB 148 104 185

HSL 272.59, 0.37%, 0.57%

LAB 51.5, 33.31, -36.2

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 32 / 0 / 44 / 27

HEX #7EB968

RGB 126 185 104

HSL 103.7, 0.37%, 0.57%

LAB 69.56, -34.34, 35.09

 

CMYK 44 / 23 / 0 / 27

HEX #688EB9

RGB 104 142 185

HSL 211.85, 0.37%, 0.57%

LAB 57.84, -1.63, -26.58

 

CMYK 11 / 44 / 0 / 27

HEX #A468B9

RGB 164 104 185

HSL 284.44, 0.37%, 0.57%

LAB 53.27, 38.09, -33.29

 

CMYK 0 / 20 / 44 / 27

HEX #B99468

RGB 185 148 104

HSL 32.59, 0.37%, 0.57%

LAB 63.75, 8.02, 28.5

 

CMYK 44 / 0 / 42 / 27

HEX #68B96B

RGB 104 185 107

HSL 122.22, 0.37%, 0.57%

LAB 68.54, -41.01, 32.01

 

CMYK 44 / 23 / 0 / 27

HEX #688EB9

RGB 104 142 185

HSL 211.85, 0.37%, 0.57%

LAB 57.84, -1.63, -26.58

 

CMYK 0 / 44 / 1 / 27

HEX #B968B7

RGB 185 104 183

HSL 301.48, 0.37%, 0.57%

LAB 55.72, 44.07, -28.13

 

Description

Color code: HEX #B99468 | qconv.com Color code: HEX #B99468 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 148 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 148 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 44 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 44% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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