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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99959 it is the complementary color #4666A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99959 shade: #BE9954, #CFAB67, #E0BD7A, #F1CF8D and #FFE1A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99959 shade: #B99959, #A88746, #977533, #866320 and #75510D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99959 shade: #B99959, #B97F59, #B96559 and #B95959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99959 shade: #B99959, #B9B359, #A5B959, #8CB959 and #72B959

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99959 shade matches the following richer shades: #B99959, #CCA046, #DFA633 and #F2AC20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99959 shade: #B99959, #A6936C, #938D7F, #808692 and #6D80A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99959 shade: #B96659, #B98059, #B99959, #B9B359 and #A6B959

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99959 shade: #876D38, #A58545, #B99959, #C5AB76 and #D2BD93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99959 shade: #B99959, #66B959 and #7359B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99959 shade: #B99959, #59B999 and #9959B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99959 shade: #B99959, #66B959, #5979B9 and #AC59B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99959 shade: #B99959, #59B969, #5979B9 and #B959A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

Complementary color

CMYK 58 / 39 / 0 / 35

HEX #4666A6

RGB 70 102 166

HSL 220, 0.41%, 0.46%

LAB 43.59, 8.2, -38

 

CMYK 0 / 19 / 56 / 25

HEX #BE9954

RGB 190 153 84

HSL 39.06, 0.45%, 0.54%

LAB 65.25, 5.49, 41.07

 

CMYK 0 / 17 / 50 / 19

HEX #CFAB67

RGB 207 171 103

HSL 39.23, 0.52%, 0.61%

LAB 71.81, 4.6, 39.72

 

CMYK 0 / 16 / 46 / 12

HEX #E0BD7A

RGB 224 189 122

HSL 39.41, 0.62%, 0.68%

LAB 78.26, 3.84, 38.43

 

CMYK 0 / 14 / 41 / 5

HEX #F1CF8D

RGB 241 207 141

HSL 39.6, 0.78%, 0.75%

LAB 84.61, 3.19, 37.18

 

CMYK 0 / 12 / 37 / 0

HEX #FFE1A0

RGB 255 225 160

HSL 41.05, 1%, 0.81%

LAB 90.62, 1.46, 35.61

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 0 / 20 / 58 / 34

HEX #A88746

RGB 168 135 70

HSL 39.8, 0.41%, 0.47%

LAB 58.13, 4.72, 39.21

 

CMYK 0 / 23 / 66 / 41

HEX #977533

RGB 151 117 51

HSL 39.6, 0.5%, 0.4%

LAB 51.31, 5.86, 40.53

 

CMYK 0 / 26 / 76 / 47

HEX #866320

RGB 134 99 32

HSL 39.41, 0.61%, 0.33%

LAB 44.37, 7.28, 41.6

 

CMYK 0 / 31 / 89 / 54

HEX #75510D

RGB 117 81 13

HSL 39.23, 0.8%, 0.25%

LAB 37.29, 9.07, 41.83

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 0 / 31 / 52 / 27

HEX #B97F59

RGB 185 127 89

HSL 23.75, 0.41%, 0.54%

LAB 58.24, 18.15, 29.61

 

CMYK 0 / 45 / 52 / 27

HEX #B96559

RGB 185 101 89

HSL 7.5, 0.41%, 0.54%

LAB 52.22, 32.43, 21.78

 

CMYK 0 / 52 / 52 / 27

HEX #B95959

RGB 185 89 89

HSL 0, 0.41%, 0.54%

LAB 49.71, 38.74, 18.43

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 0 / 3 / 52 / 27

HEX #B9B359

RGB 185 179 89

HSL 56.25, 0.41%, 0.54%

LAB 71.74, -10.08, 46.17

 

CMYK 11 / 0 / 52 / 27

HEX #A5B959

RGB 165 185 89

HSL 72.5, 0.41%, 0.54%

LAB 71.84, -21.36, 45.9

 

CMYK 24 / 0 / 52 / 27

HEX #8CB959

RGB 140 185 89

HSL 88.13, 0.41%, 0.54%

LAB 70.17, -31.12, 43.51

 

CMYK 38 / 0 / 52 / 27

HEX #72B959

RGB 114 185 89

HSL 104.38, 0.41%, 0.54%

LAB 68.75, -40.34, 41.46

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 0 / 22 / 66 / 20

HEX #CCA046

RGB 204 160 70

HSL 40.3, 0.57%, 0.54%

LAB 68.33, 6.71, 51.75

 

CMYK 0 / 26 / 77 / 13

HEX #DFA633

RGB 223 166 51

HSL 40.12, 0.73%, 0.54%

LAB 71.69, 10.75, 63.7

 

CMYK 0 / 29 / 87 / 5

HEX #F2AC20

RGB 242 172 32

HSL 40, 0.89%, 0.54%

LAB 75.13, 15.16, 73.34

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 0 / 11 / 35 / 35

HEX #A6936C

RGB 166 147 108

HSL 40.34, 0.25%, 0.54%

LAB 61.7, 1.16, 23.26

 

CMYK 0 / 4 / 14 / 42

HEX #938D7F

RGB 147 141 127

HSL 42, 0.08%, 0.54%

LAB 58.77, -0.3, 8.26

 

CMYK 12 / 8 / 0 / 43

HEX #808692

RGB 128 134 146

HSL 220, 0.08%, 0.54%

LAB 55.8, 0.34, -7.18

 

CMYK 34 / 22 / 0 / 35

HEX #6D80A5

RGB 109 128 165

HSL 219.64, 0.24%, 0.54%

LAB 53.39, 2.29, -21.95

 

CMYK 0 / 45 / 52 / 27

HEX #B96659

RGB 185 102 89

HSL 8.13, 0.41%, 0.54%

LAB 52.44, 31.9, 22.07

 

CMYK 0 / 31 / 52 / 27

HEX #B98059

RGB 185 128 89

HSL 24.38, 0.41%, 0.54%

LAB 58.48, 17.59, 29.93

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 0 / 3 / 52 / 27

HEX #B9B359

RGB 185 179 89

HSL 56.25, 0.41%, 0.54%

LAB 71.74, -10.08, 46.17

 

CMYK 10 / 0 / 52 / 27

HEX #A6B959

RGB 166 185 89

HSL 71.88, 0.41%, 0.54%

LAB 71.91, -20.96, 46

 

CMYK 0 / 19 / 59 / 47

HEX #876D38

RGB 135 109 56

HSL 40.25, 0.41%, 0.37%

LAB 47.46, 3.54, 33.1

 

CMYK 0 / 19 / 58 / 35

HEX #A58545

RGB 165 133 69

HSL 40, 0.41%, 0.46%

LAB 57.27, 4.43, 38.64

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 0 / 13 / 40 / 23

HEX #C5AB76

RGB 197 171 118

HSL 40.25, 0.41%, 0.62%

LAB 71.08, 2.01, 30.77

 

CMYK 0 / 10 / 30 / 18

HEX #D2BD93

RGB 210 189 147

HSL 40, 0.41%, 0.7%

LAB 77.4, 1.15, 23.98

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 45 / 0 / 52 / 27

HEX #66B959

RGB 102 185 89

HSL 111.88, 0.41%, 0.54%

LAB 68.2, -44.15, 40.67

 

CMYK 38 / 52 / 0 / 27

HEX #7359B9

RGB 115 89 185

HSL 256.25, 0.41%, 0.54%

LAB 44.65, 32.97, -47.26

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 52 / 0 / 17 / 27

HEX #59B999

RGB 89 185 153

HSL 160, 0.41%, 0.54%

LAB 68.84, -36.12, 7.65

 

CMYK 17 / 52 / 0 / 27

HEX #9959B9

RGB 153 89 185

HSL 280, 0.41%, 0.54%

LAB 48.78, 43.09, -40.43

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 45 / 0 / 52 / 27

HEX #66B959

RGB 102 185 89

HSL 111.88, 0.41%, 0.54%

LAB 68.2, -44.15, 40.67

 

CMYK 52 / 35 / 0 / 27

HEX #5979B9

RGB 89 121 185

HSL 220, 0.41%, 0.54%

LAB 51.04, 7.01, -37.25

 

CMYK 7 / 52 / 0 / 27

HEX #AC59B9

RGB 172 89 185

HSL 291.88, 0.41%, 0.54%

LAB 51.17, 48.39, -36.51

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 52 / 0 / 43 / 27

HEX #59B969

RGB 89 185 105

HSL 130, 0.41%, 0.54%

LAB 67.9, -45.54, 32.12

 

CMYK 52 / 35 / 0 / 27

HEX #5979B9

RGB 89 121 185

HSL 220, 0.41%, 0.54%

LAB 51.04, 7.01, -37.25

 

CMYK 0 / 52 / 9 / 27

HEX #B959A9

RGB 185 89 169

HSL 310, 0.41%, 0.54%

LAB 52.2, 49.24, -25.46

 

Description

Color code: HEX #B99959 | qconv.com Color code: HEX #B99959 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 153 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 153 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 52 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 52% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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