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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99221 it is the complementary color #466DDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99221 shade: #BE921C, #CFA42F, #E0B642, #F1C855 and #FFDA68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99221 shade: #B99221, #A8800E, #976E00, #865C00 and #754A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99221 shade: #BA9320, #BA6920, #BA4020 and #BA2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99221 shade: #BA9320, #B8BA20, #8EBA20, #65BA20 and #3CBA20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99221 shade matches the following richer shades: #BA9320 and #CC9B0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99221 shade: #BA9320, #A88A32, #968144, #857956 and #737067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99221 shade: #BA3F20, #BA6820, #BA9120, #BABA20 and #91BA20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99221 shade: #745B14, #97771A, #BA9320, #D9AC2A and #DFBA4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99221 shade: #B99221, #2BBA20 and #5420BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99221 shade: #B99221, #20BA91 and #9120BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99221 shade: #B99221, #2BBA20, #2049BA and #B020BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99221 shade: #B99221, #20BA44, #2049BA and #BA2096

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 82 / 27

HEX #B99221

RGB 185 146 33

HSL 44.61, 0.7%, 0.43%

LAB 62.49, 4.21, 60.04

 

Complementary color

CMYK 68 / 51 / 0 / 13

HEX #466DDE

RGB 70 109 222

HSL 224.61, 0.7%, 0.57%

LAB 48.9, 23.39, -61.84

 

CMYK 0 / 23 / 85 / 25

HEX #BE921C

RGB 190 146 28

HSL 43.7, 0.74%, 0.43%

LAB 63, 6.31, 62.17

 

CMYK 0 / 21 / 77 / 19

HEX #CFA42F

RGB 207 164 47

HSL 43.88, 0.63%, 0.5%

LAB 69.48, 4.72, 62.48

 

CMYK 0 / 19 / 71 / 12

HEX #E0B642

RGB 224 182 66

HSL 44.05, 0.72%, 0.57%

LAB 75.88, 3.37, 62.02

 

CMYK 0 / 17 / 65 / 5

HEX #F1C855

RGB 241 200 85

HSL 44.23, 0.85%, 0.64%

LAB 82.2, 2.21, 61.16

 

CMYK 0 / 15 / 59 / 0

HEX #FFDA68

RGB 255 218 104

HSL 45.3, 1%, 0.7%

LAB 88.16, -0.01, 59.71

 

CMYK 0 / 21 / 82 / 27

HEX #B99221

RGB 185 146 33

HSL 44.61, 0.7%, 0.43%

LAB 62.49, 4.21, 60.04

 

CMYK 0 / 24 / 92 / 34

HEX #A8800E

RGB 168 128 14

HSL 44.42, 0.85%, 0.36%

LAB 55.88, 5.96, 58.89

 

CMYK 0 / 27 / 100 / 41

HEX #976E00

RGB 151 110 0

HSL 43.71, 1%, 0.3%

LAB 49.17, 8.02, 55.85

 

CMYK 0 / 31 / 100 / 47

HEX #865C00

RGB 134 92 0

HSL 41.19, 1%, 0.26%

LAB 42.34, 10.42, 50.25

 

CMYK 0 / 37 / 100 / 54

HEX #754A00

RGB 117 74 0

HSL 37.95, 1%, 0.23%

LAB 35.36, 12.96, 44.55

 

CMYK 0 / 21 / 83 / 27

HEX #BA9320

RGB 186 147 32

HSL 44.81, 0.71%, 0.43%

LAB 62.85, 4.08, 60.71

 

CMYK 0 / 44 / 83 / 27

HEX #BA6920

RGB 186 105 32

HSL 28.44, 0.71%, 0.43%

LAB 52.56, 27.22, 51.7

 

CMYK 0 / 66 / 83 / 27

HEX #BA4020

RGB 186 64 32

HSL 12.47, 0.71%, 0.43%

LAB 44.53, 47.67, 44.42

 

CMYK 0 / 83 / 83 / 27

HEX #BA2020

RGB 186 32 32

HSL 0, 0.71%, 0.43%

LAB 40.53, 58.72, 40.68

 

CMYK 0 / 21 / 83 / 27

HEX #BA9320

RGB 186 147 32

HSL 44.81, 0.71%, 0.43%

LAB 62.85, 4.08, 60.71

 

CMYK 1 / 0 / 83 / 27

HEX #B8BA20

RGB 184 186 32

HSL 60.78, 0.71%, 0.43%

LAB 73.16, -17.32, 69.44

 

CMYK 24 / 0 / 83 / 27

HEX #8EBA20

RGB 142 186 32

HSL 77.14, 0.71%, 0.43%

LAB 70.16, -34.86, 65.67

 

CMYK 46 / 0 / 83 / 27

HEX #65BA20

RGB 101 186 32

HSL 93.12, 0.71%, 0.43%

LAB 68.01, -49.7, 62.95

 

CMYK 68 / 0 / 83 / 27

HEX #3CBA20

RGB 60 186 32

HSL 109.09, 0.71%, 0.43%

LAB 66.66, -60.47, 61.22

 

CMYK 0 / 21 / 83 / 27

HEX #BA9320

RGB 186 147 32

HSL 44.81, 0.71%, 0.43%

LAB 62.85, 4.08, 60.71

 

CMYK 0 / 24 / 93 / 20

HEX #CC9B0F

RGB 204 155 15

HSL 44.44, 0.86%, 0.43%

LAB 66.76, 7.4, 68.64

 

CMYK 0 / 21 / 83 / 27

HEX #BA9320

RGB 186 147 32

HSL 44.81, 0.71%, 0.43%

LAB 62.85, 4.08, 60.71

 

CMYK 0 / 18 / 70 / 34

HEX #A88A32

RGB 168 138 50

HSL 44.75, 0.54%, 0.43%

LAB 58.73, 1.7, 49.42

 

CMYK 0 / 14 / 55 / 41

HEX #968144

RGB 150 129 68

HSL 44.63, 0.38%, 0.43%

LAB 54.66, -0.05, 35.69

 

CMYK 0 / 9 / 35 / 48

HEX #857956

RGB 133 121 86

HSL 44.68, 0.21%, 0.43%

LAB 51.07, -0.98, 20.9

 

CMYK 0 / 3 / 10 / 55

HEX #737067

RGB 115 112 103

HSL 45, 0.06%, 0.43%

LAB 47.25, -0.57, 5.41

 

CMYK 0 / 66 / 83 / 27

HEX #BA3F20

RGB 186 63 32

HSL 12.08, 0.71%, 0.43%

LAB 44.37, 48.1, 44.28

 

CMYK 0 / 44 / 83 / 27

HEX #BA6820

RGB 186 104 32

HSL 28.05, 0.71%, 0.43%

LAB 52.34, 27.77, 51.5

 

CMYK 0 / 22 / 83 / 27

HEX #BA9120

RGB 186 145 32

HSL 44.03, 0.71%, 0.43%

LAB 62.33, 5.18, 60.26

 

CMYK 0 / 0 / 83 / 27

HEX #BABA20

RGB 186 186 32

HSL 60, 0.71%, 0.43%

LAB 73.33, -16.46, 69.64

 

CMYK 22 / 0 / 83 / 27

HEX #91BA20

RGB 145 186 32

HSL 75.97, 0.71%, 0.43%

LAB 70.35, -33.66, 65.91

 

CMYK 0 / 22 / 83 / 55

HEX #745B14

RGB 116 91 20

HSL 44.38, 0.71%, 0.27%

LAB 39.99, 2.84, 41.66

 

CMYK 0 / 21 / 83 / 41

HEX #97771A

RGB 151 119 26

HSL 44.64, 0.71%, 0.35%

LAB 51.66, 3.47, 51.43

 

CMYK 0 / 21 / 83 / 27

HEX #BA9320

RGB 186 147 32

HSL 44.81, 0.71%, 0.43%

LAB 62.85, 4.08, 60.71

 

CMYK 0 / 21 / 81 / 15

HEX #D9AC2A

RGB 217 172 42

HSL 44.57, 0.7%, 0.51%

LAB 72.51, 4.65, 67.27

 

CMYK 0 / 17 / 65 / 13

HEX #DFBA4E

RGB 223 186 78

HSL 44.69, 0.69%, 0.59%

LAB 76.89, 1.51, 57.99

 

CMYK 0 / 21 / 82 / 27

HEX #B99221

RGB 185 146 33

HSL 44.61, 0.7%, 0.43%

LAB 62.49, 4.21, 60.04

 

CMYK 77 / 0 / 83 / 27

HEX #2BBA20

RGB 43 186 32

HSL 115.71, 0.71%, 0.43%

LAB 66.32, -63.41, 60.78

 

CMYK 55 / 83 / 0 / 27

HEX #5420BA

RGB 84 32 186

HSL 260.26, 0.71%, 0.43%

LAB 30.55, 57.2, -70.9

 

CMYK 0 / 21 / 82 / 27

HEX #B99221

RGB 185 146 33

HSL 44.61, 0.7%, 0.43%

LAB 62.49, 4.21, 60.04

 

CMYK 83 / 0 / 22 / 27

HEX #20BA91

RGB 32 186 145

HSL 164.03, 0.71%, 0.43%

LAB 67.63, -47.69, 10.12

 

CMYK 22 / 83 / 0 / 27

HEX #9120BA

RGB 145 32 186

HSL 284.03, 0.71%, 0.43%

LAB 38.89, 65.93, -56.92

 

CMYK 0 / 21 / 82 / 27

HEX #B99221

RGB 185 146 33

HSL 44.61, 0.7%, 0.43%

LAB 62.49, 4.21, 60.04

 

CMYK 77 / 0 / 83 / 27

HEX #2BBA20

RGB 43 186 32

HSL 115.71, 0.71%, 0.43%

LAB 66.32, -63.41, 60.78

 

CMYK 83 / 61 / 0 / 27

HEX #2049BA

RGB 32 73 186

HSL 224.03, 0.71%, 0.43%

LAB 35.24, 28.87, -63.34

 

CMYK 5 / 83 / 0 / 27

HEX #B020BA

RGB 176 32 186

HSL 296.1, 0.71%, 0.43%

LAB 43.96, 71.4, -48.5

 

CMYK 0 / 21 / 82 / 27

HEX #B99221

RGB 185 146 33

HSL 44.61, 0.7%, 0.43%

LAB 62.49, 4.21, 60.04

 

CMYK 83 / 0 / 63 / 27

HEX #20BA44

RGB 32 186 68

HSL 134.03, 0.71%, 0.43%

LAB 66.4, -61.8, 47.87

 

CMYK 83 / 61 / 0 / 27

HEX #2049BA

RGB 32 73 186

HSL 224.03, 0.71%, 0.43%

LAB 35.24, 28.87, -63.34

 

CMYK 0 / 83 / 19 / 27

HEX #BA2096

RGB 186 32 150

HSL 314.03, 0.71%, 0.43%

LAB 43.76, 68.11, -27.26

 

Description

Color code: HEX #B99221 | qconv.com Color code: HEX #B99221 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 146 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 146 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 82 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 82% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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