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Color name
HEX #B9935F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9935F it is the complementary color #466CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9935F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9935F shade: #BE935A, #CFA56D, #E0B780, #F1C993 and #FFDBA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9935F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9935F shade: #B9935F, #A8814C, #976F39, #865D26 and #754B13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9935F shade: #B9935F, #B97B5F, #B9625F and #B95F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9935F shade: #B9935F, #B9AB5F, #AEB95F, #96B95F and #7EB95F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9935F shade matches the following richer shades: #B9935F, #CB964C, #DE983A and #F09B27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9935F shade: #B9935F, #A69072, #938D84, #818A97 and #6E87A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9935F shade: #B9625F, #B97A5F, #B9925F, #B9AA5F and #B0B95F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9935F shade: #89693C, #A67E48, #B9935F, #C5A67C and #D2B998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9935F shade: #B9935F, #74B95F and #6E5FB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9935F shade: #B9935F, #5FB992 and #925FB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9935F shade: #B9935F, #74B95F, #5F86B9 and #A45FB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9935F shade: #B9935F, #5FB965, #5F86B9 and #B95FB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

Complementary color

CMYK 56 / 33 / 0 / 37

HEX #466CA0

RGB 70 108 160

HSL 214.67, 0.39%, 0.45%

LAB 45.03, 2.45, -32.19

 

CMYK 0 / 23 / 53 / 25

HEX #BE935A

RGB 190 147 90

HSL 34.2, 0.43%, 0.55%

LAB 63.8, 9.28, 36.18

 

CMYK 0 / 20 / 47 / 19

HEX #CFA56D

RGB 207 165 109

HSL 34.29, 0.51%, 0.62%

LAB 70.37, 8.39, 34.8

 

CMYK 0 / 18 / 43 / 12

HEX #E0B780

RGB 224 183 128

HSL 34.38, 0.61%, 0.69%

LAB 76.84, 7.62, 33.5

 

CMYK 0 / 17 / 39 / 5

HEX #F1C993

RGB 241 201 147

HSL 34.47, 0.77%, 0.76%

LAB 83.22, 6.95, 32.27

 

CMYK 0 / 14 / 35 / 0

HEX #FFDBA6

RGB 255 219 166

HSL 35.73, 1%, 0.83%

LAB 89.24, 5.22, 30.71

 

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

CMYK 0 / 23 / 55 / 34

HEX #A8814C

RGB 168 129 76

HSL 34.57, 0.38%, 0.48%

LAB 56.63, 8.58, 34.27

 

CMYK 0 / 26 / 62 / 41

HEX #976F39

RGB 151 111 57

HSL 34.47, 0.45%, 0.41%

LAB 49.79, 9.72, 35.75

 

CMYK 0 / 31 / 72 / 47

HEX #865D26

RGB 134 93 38

HSL 34.38, 0.56%, 0.34%

LAB 42.82, 11.13, 37.18

 

CMYK 0 / 36 / 84 / 54

HEX #754B13

RGB 117 75 19

HSL 34.29, 0.72%, 0.27%

LAB 35.72, 12.89, 38.21

 

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

CMYK 0 / 34 / 49 / 27

HEX #B97B5F

RGB 185 123 95

HSL 18.67, 0.39%, 0.55%

LAB 57.37, 20.95, 25.14

 

CMYK 0 / 47 / 49 / 27

HEX #B9625F

RGB 185 98 95

HSL 2, 0.39%, 0.55%

LAB 51.7, 34.6, 17.56

 

CMYK 0 / 49 / 49 / 27

HEX #B95F5F

RGB 185 95 95

HSL 0, 0.39%, 0.55%

LAB 51.07, 36.19, 16.7

 

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

CMYK 0 / 8 / 49 / 27

HEX #B9AB5F

RGB 185 171 95

HSL 50.67, 0.39%, 0.55%

LAB 69.66, -5.34, 40.7

 

CMYK 6 / 0 / 49 / 27

HEX #AEB95F

RGB 174 185 95

HSL 67.33, 0.39%, 0.55%

LAB 72.58, -17.14, 44.03

 

CMYK 19 / 0 / 49 / 27

HEX #96B95F

RGB 150 185 95

HSL 83.33, 0.39%, 0.55%

LAB 70.88, -26.66, 41.57

 

CMYK 32 / 0 / 49 / 27

HEX #7EB95F

RGB 126 185 95

HSL 99.33, 0.39%, 0.55%

LAB 69.44, -35.51, 39.49

 

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

CMYK 0 / 26 / 63 / 20

HEX #CB964C

RGB 203 150 76

HSL 34.96, 0.55%, 0.55%

LAB 65.77, 12.08, 46.02

 

CMYK 0 / 32 / 74 / 13

HEX #DE983A

RGB 222 152 58

HSL 34.39, 0.71%, 0.55%

LAB 68.23, 18.11, 57.55

 

CMYK 0 / 35 / 84 / 6

HEX #F09B27

RGB 240 155 39

HSL 34.63, 0.87%, 0.55%

LAB 70.95, 23.45, 67.87

 

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

CMYK 0 / 13 / 31 / 35

HEX #A69072

RGB 166 144 114

HSL 34.62, 0.23%, 0.55%

LAB 61.02, 3.61, 19

 

CMYK 0 / 4 / 10 / 42

HEX #938D84

RGB 147 141 132

HSL 36, 0.06%, 0.55%

LAB 58.9, 0.57, 5.58

 

CMYK 15 / 9 / 0 / 41

HEX #818A97

RGB 129 138 151

HSL 215.45, 0.1%, 0.55%

LAB 57.15, -0.48, -8.04

 

CMYK 35 / 20 / 0 / 34

HEX #6E87A9

RGB 110 135 169

HSL 214.58, 0.26%, 0.55%

LAB 55.59, -0.4, -20.87

 

CMYK 0 / 47 / 49 / 27

HEX #B9625F

RGB 185 98 95

HSL 2, 0.39%, 0.55%

LAB 51.7, 34.6, 17.56

 

CMYK 0 / 34 / 49 / 27

HEX #B97A5F

RGB 185 122 95

HSL 18, 0.39%, 0.55%

LAB 57.13, 21.5, 24.83

 

CMYK 0 / 21 / 49 / 27

HEX #B9925F

RGB 185 146 95

HSL 34, 0.39%, 0.55%

LAB 63.09, 8.19, 32.53

 

CMYK 0 / 8 / 49 / 27

HEX #B9AA5F

RGB 185 170 95

HSL 50, 0.39%, 0.55%

LAB 69.39, -4.81, 40.37

 

CMYK 5 / 0 / 49 / 27

HEX #B0B95F

RGB 176 185 95

HSL 66, 0.39%, 0.55%

LAB 72.73, -16.33, 44.25

 

CMYK 0 / 23 / 56 / 46

HEX #89693C

RGB 137 105 60

HSL 35.06, 0.39%, 0.39%

LAB 46.64, 7.12, 29.99

 

CMYK 0 / 24 / 57 / 35

HEX #A67E48

RGB 166 126 72

HSL 34.47, 0.39%, 0.47%

LAB 55.58, 9.05, 35.08

 

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

CMYK 0 / 16 / 37 / 23

HEX #C5A67C

RGB 197 166 124

HSL 34.52, 0.39%, 0.63%

LAB 69.89, 5.4, 25.98

 

CMYK 0 / 12 / 28 / 18

HEX #D2B998

RGB 210 185 152

HSL 34.14, 0.39%, 0.71%

LAB 76.48, 3.93, 20.04

 

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

CMYK 37 / 0 / 49 / 27

HEX #74B95F

RGB 116 185 95

HSL 106, 0.39%, 0.55%

LAB 68.92, -38.92, 38.73

 

CMYK 41 / 49 / 0 / 27

HEX #6E5FB9

RGB 110 95 185

HSL 250, 0.39%, 0.55%

LAB 45.64, 28.1, -45.71

 

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

CMYK 49 / 0 / 21 / 27

HEX #5FB992

RGB 95 185 146

HSL 154, 0.39%, 0.55%

LAB 68.9, -36.23, 11.6

 

CMYK 21 / 49 / 0 / 27

HEX #925FB9

RGB 146 95 185

HSL 274, 0.39%, 0.55%

LAB 49.25, 37.83, -39.75

 

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

CMYK 37 / 0 / 49 / 27

HEX #74B95F

RGB 116 185 95

HSL 106, 0.39%, 0.55%

LAB 68.92, -38.92, 38.73

 

CMYK 49 / 28 / 0 / 27

HEX #5F86B9

RGB 95 134 185

HSL 214, 0.39%, 0.55%

LAB 55.06, 0.72, -30.93

 

CMYK 11 / 49 / 0 / 27

HEX #A45FB9

RGB 164 95 185

HSL 286, 0.39%, 0.55%

LAB 51.36, 42.98, -36.28

 

CMYK 0 / 21 / 49 / 27

HEX #B9935F

RGB 185 147 95

HSL 34.67, 0.39%, 0.55%

LAB 63.35, 7.64, 32.85

 

CMYK 49 / 0 / 45 / 27

HEX #5FB965

RGB 95 185 101

HSL 124, 0.39%, 0.55%

LAB 68.07, -44.53, 34.43

 

CMYK 49 / 28 / 0 / 27

HEX #5F86B9

RGB 95 134 185

HSL 214, 0.39%, 0.55%

LAB 55.06, 0.72, -30.93

 

CMYK 0 / 49 / 3 / 27

HEX #B95FB3

RGB 185 95 179

HSL 304, 0.39%, 0.55%

LAB 53.76, 47.98, -28.85

 

Description

Color code: HEX #B9935F | qconv.com Color code: HEX #B9935F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 147 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 147 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 49% 27% C M Y K

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Provide designers and agencies with accurate color values.

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