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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99F82 it is the complementary color #46607D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99F82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99F82 shade: #BE9F7D, #CFB190, #E0C3A3, #F1D5B6 and #FFE7C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99F82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99F82 shade: #B99F82, #A88D6F, #977B5C, #866949 and #755736

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99F82 shade: #B99F82, #B99082 and #B98282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99F82 shade: #B99F82, #B9AE82, #B5B982, #A6B982 and #98B982

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99F82 shade matches the following richer shades: #B99F82, #C8A073, #D8A163, #E8A253 and #F7A344

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99F82 shade: #B99F82, #A99E92, #999DA2, #8A9DB2 and #7A9CC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99F82 shade: #B98283, #B99082, #B99F82, #B9AD82 and #B6B982

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99F82 shade: #957654, #AA8B68, #B99F82, #C8B39D and #D6C8B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99F82 shade: #B99F82, #92B982 and #8982B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99F82 shade: #B99F82, #82B99F and #9F82B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99F82 shade: #B99F82, #92B982, #829DB9 and #A982B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99F82 shade: #B99F82, #82B983, #829DB9 and #B982B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

Complementary color

CMYK 44 / 23 / 0 / 51

HEX #46607D

RGB 70 96 125

HSL 211.64, 0.28%, 0.38%

LAB 39.83, -1.42, -19.31

 

CMYK 0 / 16 / 34 / 25

HEX #BE9F7D

RGB 190 159 125

HSL 31.38, 0.33%, 0.62%

LAB 67.44, 6.51, 22.03

 

CMYK 0 / 14 / 30 / 19

HEX #CFB190

RGB 207 177 144

HSL 31.43, 0.4%, 0.69%

LAB 74.01, 5.96, 20.91

 

CMYK 0 / 13 / 27 / 12

HEX #E0C3A3

RGB 224 195 163

HSL 31.48, 0.5%, 0.76%

LAB 80.47, 5.49, 19.87

 

CMYK 0 / 12 / 24 / 5

HEX #F1D5B6

RGB 241 213 182

HSL 31.53, 0.68%, 0.83%

LAB 86.83, 5.07, 18.9

 

CMYK 0 / 9 / 21 / 0

HEX #FFE7C9

RGB 255 231 201

HSL 33.33, 1%, 0.89%

LAB 92.85, 3.6, 17.59

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 0 / 16 / 34 / 34

HEX #A88D6F

RGB 168 141 111

HSL 31.58, 0.25%, 0.55%

LAB 60.36, 5.7, 19.81

 

CMYK 0 / 19 / 39 / 41

HEX #977B5C

RGB 151 123 92

HSL 31.53, 0.24%, 0.48%

LAB 53.51, 6.34, 21.04

 

CMYK 0 / 22 / 46 / 47

HEX #866949

RGB 134 105 73

HSL 31.48, 0.29%, 0.41%

LAB 46.52, 7.11, 22.39

 

CMYK 0 / 26 / 54 / 54

HEX #755736

RGB 117 87 54

HSL 31.43, 0.37%, 0.34%

LAB 39.35, 8.07, 23.88

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 0 / 22 / 30 / 27

HEX #B99082

RGB 185 144 130

HSL 15.27, 0.28%, 0.62%

LAB 63.24, 13.43, 13.37

 

CMYK 0 / 30 / 30 / 27

HEX #B98282

RGB 185 130 130

HSL 0, 0.28%, 0.62%

LAB 59.79, 21.22, 8.51

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 0 / 6 / 30 / 27

HEX #B9AE82

RGB 185 174 130

HSL 48, 0.28%, 0.62%

LAB 71.01, -2.94, 24.05

 

CMYK 2 / 0 / 30 / 27

HEX #B5B982

RGB 181 185 130

HSL 64.36, 0.28%, 0.62%

LAB 73.63, -10.3, 27.52

 

CMYK 10 / 0 / 30 / 27

HEX #A6B982

RGB 166 185 130

HSL 80.73, 0.28%, 0.62%

LAB 72.51, -16.07, 25.81

 

CMYK 18 / 0 / 30 / 27

HEX #98B982

RGB 152 185 130

HSL 96, 0.28%, 0.62%

LAB 71.54, -21.28, 24.35

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 0 / 20 / 43 / 22

HEX #C8A073

RGB 200 160 115

HSL 31.76, 0.44%, 0.62%

LAB 68.5, 8.84, 29.05

 

CMYK 0 / 25 / 54 / 15

HEX #D8A163

RGB 216 161 99

HSL 31.79, 0.6%, 0.62%

LAB 70.17, 13.36, 39.97

 

CMYK 0 / 30 / 64 / 9

HEX #E8A253

RGB 232 162 83

HSL 31.81, 0.76%, 0.62%

LAB 71.97, 18.31, 50.53

 

CMYK 0 / 34 / 72 / 3

HEX #F7A344

RGB 247 163 68

HSL 31.84, 0.92%, 0.62%

LAB 73.8, 23.19, 59.86

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 0 / 7 / 14 / 34

HEX #A99E92

RGB 169 158 146

HSL 31.3, 0.12%, 0.62%

LAB 65.72, 1.92, 7.7

 

CMYK 6 / 3 / 0 / 36

HEX #999DA2

RGB 153 157 162

HSL 213.33, 0.05%, 0.62%

LAB 64.56, -0.44, -3.11

 

CMYK 22 / 12 / 0 / 30

HEX #8A9DB2

RGB 138 157 178

HSL 211.5, 0.21%, 0.62%

LAB 63.94, -1.99, -13.13

 

CMYK 37 / 19 / 0 / 24

HEX #7A9CC1

RGB 122 156 193

HSL 211.27, 0.36%, 0.62%

LAB 63.15, -2.47, -22.84

 

CMYK 0 / 30 / 29 / 27

HEX #B98283

RGB 185 130 131

HSL 358.91, 0.28%, 0.62%

LAB 59.81, 21.36, 7.97

 

CMYK 0 / 22 / 30 / 27

HEX #B99082

RGB 185 144 130

HSL 15.27, 0.28%, 0.62%

LAB 63.24, 13.43, 13.37

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 0 / 6 / 30 / 27

HEX #B9AD82

RGB 185 173 130

HSL 46.91, 0.28%, 0.62%

LAB 70.74, -2.4, 23.69

 

CMYK 2 / 0 / 30 / 27

HEX #B6B982

RGB 182 185 130

HSL 63.27, 0.28%, 0.62%

LAB 73.71, -9.91, 27.64

 

CMYK 0 / 21 / 44 / 42

HEX #957654

RGB 149 118 84

HSL 31.38, 0.28%, 0.46%

LAB 51.82, 7.39, 23.32

 

CMYK 0 / 18 / 39 / 33

HEX #AA8B68

RGB 170 139 104

HSL 31.82, 0.28%, 0.54%

LAB 59.9, 6.76, 23.14

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 0 / 11 / 22 / 22

HEX #C8B39D

RGB 200 179 157

HSL 30.7, 0.28%, 0.7%

LAB 74.16, 4.01, 13.98

 

CMYK 0 / 7 / 14 / 16

HEX #D6C8B7

RGB 214 200 183

HSL 32.9, 0.27%, 0.78%

LAB 81.3, 2.07, 10.25

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 21 / 0 / 30 / 27

HEX #92B982

RGB 146 185 130

HSL 102.55, 0.28%, 0.62%

LAB 71.16, -23.45, 23.77

 

CMYK 26 / 30 / 0 / 27

HEX #8982B9

RGB 137 130 185

HSL 247.64, 0.28%, 0.62%

LAB 56.87, 14.83, -27.9

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 30 / 0 / 14 / 27

HEX #82B99F

RGB 130 185 159

HSL 151.64, 0.28%, 0.62%

LAB 70.83, -23.53, 7.47

 

CMYK 14 / 30 / 0 / 27

HEX #9F82B9

RGB 159 130 185

HSL 271.64, 0.28%, 0.62%

LAB 58.82, 21.79, -24.72

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 21 / 0 / 30 / 27

HEX #92B982

RGB 146 185 130

HSL 102.55, 0.28%, 0.62%

LAB 71.16, -23.45, 23.77

 

CMYK 30 / 15 / 0 / 27

HEX #829DB9

RGB 130 157 185

HSL 210.55, 0.28%, 0.62%

LAB 63.64, -2.77, -17.56

 

CMYK 9 / 30 / 0 / 27

HEX #A982B9

RGB 169 130 185

HSL 282.55, 0.28%, 0.62%

LAB 59.8, 25.05, -23.13

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 30 / 0 / 29 / 27

HEX #82B983

RGB 130 185 131

HSL 121.09, 0.28%, 0.62%

LAB 70.23, -28.82, 21.82

 

CMYK 30 / 15 / 0 / 27

HEX #829DB9

RGB 130 157 185

HSL 210.55, 0.28%, 0.62%

LAB 63.64, -2.77, -17.56

 

CMYK 0 / 30 / 1 / 27

HEX #B982B8

RGB 185 130 184

HSL 301.09, 0.28%, 0.62%

LAB 61.43, 30.15, -19.93

 

Description

Color code: HEX #B99F82 | qconv.com Color code: HEX #B99F82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 159 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 159 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 30 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 30% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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