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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9BBEA it is the complementary color #464415. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9BBEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9BBEA shade: #BEBBE5, #CFCDF8, #E0DFFF and #F1F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9BBEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9BBEA shade: #B9BBEA, #A8A9D7, #9797C4, #8685B1 and #75739E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9BBEA shade: #B8BAE9, #C3B8E9, #D1B8E9, #DEB8E9 and #E9B8E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9BBEA shade: #B8BAE9 and #B8B8E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9BBEA shade matches the following richer shades: #B8BAE9, #B0B3F1 and #A9ACF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9BBEA shade: #B8BAE9, #BFC1E2, #C7C7DB, #CECED3 and #D6D5CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9BBEA shade: #B8D5E9, #B8C8E9, #B8BAE9, #C3B8E9 and #D0B8E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9BBEA shade: #787CD6, #989BE0, #B8BAE9, #D8D9F3 and #F7F8FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9BBEA shade: #B9BBEA, #E9B8E2 and #CEE9B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9BBEA shade: #B9BBEA, #E9B8BA and #BAE9B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9BBEA shade: #B9BBEA, #E9B8E2, #E9E7B8 and #B8E9BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9BBEA shade: #B9BBEA, #E9B8D3, #E9E7B8 and #B8E9CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 20 / 0 / 8

HEX #B9BBEA

RGB 185 187 234

HSL 237.55, 0.54%, 0.82%

LAB 77.16, 9.04, -23.58

 

Complementary color

CMYK 0 / 3 / 70 / 73

HEX #464415

RGB 70 68 21

HSL 57.55, 0.54%, 0.18%

LAB 28.09, -6.15, 27.86

 

CMYK 17 / 18 / 0 / 10

HEX #BEBBE5

RGB 190 187 229

HSL 244.29, 0.45%, 0.82%

LAB 77.37, 9.48, -20.53

 

CMYK 17 / 17 / 0 / 3

HEX #CFCDF8

RGB 207 205 248

HSL 242.79, 0.75%, 0.89%

LAB 83.81, 9.17, -20.82

 

CMYK 12 / 13 / 0 / 0

HEX #E0DFFF

RGB 224 223 255

HSL 241.88, 1%, 0.94%

LAB 89.79, 6.43, -15.38

 

CMYK 5 / 5 / 0 / 0

HEX #F1F1FF

RGB 241 241 255

HSL 240, 1%, 0.97%

LAB 95.51, 2.55, -6.73

 

CMYK 21 / 20 / 0 / 8

HEX #B9BBEA

RGB 185 187 234

HSL 237.55, 0.54%, 0.82%

LAB 77.16, 9.04, -23.58

 

CMYK 22 / 21 / 0 / 16

HEX #A8A9D7

RGB 168 169 215

HSL 238.72, 0.37%, 0.75%

LAB 70.6, 9.38, -23.37

 

CMYK 23 / 23 / 0 / 23

HEX #9797C4

RGB 151 151 196

HSL 240, 0.28%, 0.68%

LAB 63.92, 9.75, -23.17

 

CMYK 24 / 25 / 0 / 31

HEX #8685B1

RGB 134 133 177

HSL 241.36, 0.22%, 0.61%

LAB 57.09, 10.16, -23

 

CMYK 26 / 27 / 0 / 38

HEX #75739E

RGB 117 115 158

HSL 242.79, 0.18%, 0.54%

LAB 50.11, 10.63, -22.87

 

CMYK 21 / 20 / 0 / 9

HEX #B8BAE9

RGB 184 186 233

HSL 237.55, 0.53%, 0.82%

LAB 76.79, 9.05, -23.61

 

CMYK 16 / 21 / 0 / 9

HEX #C3B8E9

RGB 195 184 233

HSL 253.47, 0.53%, 0.82%

LAB 77.14, 13.55, -23

 

CMYK 10 / 21 / 0 / 9

HEX #D1B8E9

RGB 209 184 233

HSL 270.61, 0.53%, 0.82%

LAB 78.3, 17.99, -21.13

 

CMYK 5 / 21 / 0 / 9

HEX #DEB8E9

RGB 222 184 233

HSL 286.53, 0.53%, 0.82%

LAB 79.44, 22.19, -19.3

 

CMYK 0 / 21 / 0 / 9

HEX #E9B8E8

RGB 233 184 232

HSL 301.22, 0.53%, 0.82%

LAB 80.42, 25.61, -17.18

 

CMYK 21 / 20 / 0 / 9

HEX #B8BAE9

RGB 184 186 233

HSL 237.55, 0.53%, 0.82%

LAB 76.79, 9.05, -23.61

 

CMYK 21 / 21 / 0 / 9

HEX #B8B8E9

RGB 184 184 233

HSL 240, 0.53%, 0.82%

LAB 76.29, 10.14, -24.38

 

CMYK 21 / 20 / 0 / 9

HEX #B8BAE9

RGB 184 186 233

HSL 237.55, 0.53%, 0.82%

LAB 76.79, 9.05, -23.61

 

CMYK 27 / 26 / 0 / 5

HEX #B0B3F1

RGB 176 179 241

HSL 237.23, 0.7%, 0.82%

LAB 74.71, 12.36, -31.17

 

CMYK 32 / 31 / 0 / 3

HEX #A9ACF8

RGB 169 172 248

HSL 237.72, 0.85%, 0.82%

LAB 72.71, 15.98, -38.11

 

CMYK 21 / 20 / 0 / 9

HEX #B8BAE9

RGB 184 186 233

HSL 237.55, 0.53%, 0.82%

LAB 76.79, 9.05, -23.61

 

CMYK 15 / 15 / 0 / 11

HEX #BFC1E2

RGB 191 193 226

HSL 236.57, 0.38%, 0.82%

LAB 78.87, 5.91, -16.63

 

CMYK 9 / 9 / 0 / 14

HEX #C7C7DB

RGB 199 199 219

HSL 240, 0.22%, 0.82%

LAB 80.8, 3.84, -9.93

 

CMYK 2 / 2 / 0 / 17

HEX #CECED3

RGB 206 206 211

HSL 240, 0.05%, 0.82%

LAB 82.9, 0.93, -2.48

 

CMYK 0 / 0 / 5 / 16

HEX #D6D5CC

RGB 214 213 204

HSL 54, 0.11%, 0.82%

LAB 85.12, -1.25, 4.55

 

CMYK 21 / 9 / 0 / 9

HEX #B8D5E9

RGB 184 213 233

HSL 204.49, 0.53%, 0.82%

LAB 83.79, -5.37, -13.04

 

CMYK 21 / 14 / 0 / 9

HEX #B8C8E9

RGB 184 200 233

HSL 220.41, 0.53%, 0.82%

LAB 80.39, 1.49, -18.15

 

CMYK 21 / 20 / 0 / 9

HEX #B8BAE9

RGB 184 186 233

HSL 237.55, 0.53%, 0.82%

LAB 76.79, 9.05, -23.61

 

CMYK 16 / 21 / 0 / 9

HEX #C3B8E9

RGB 195 184 233

HSL 253.47, 0.53%, 0.82%

LAB 77.14, 13.55, -23

 

CMYK 11 / 21 / 0 / 9

HEX #D0B8E9

RGB 208 184 233

HSL 269.39, 0.53%, 0.82%

LAB 78.21, 17.67, -21.27

 

CMYK 44 / 42 / 0 / 16

HEX #787CD6

RGB 120 124 214

HSL 237.45, 0.53%, 0.65%

LAB 55.34, 21.54, -46.84

 

CMYK 32 / 31 / 0 / 12

HEX #989BE0

RGB 152 155 224

HSL 237.5, 0.54%, 0.74%

LAB 66.14, 14.71, -35.3

 

CMYK 21 / 20 / 0 / 9

HEX #B8BAE9

RGB 184 186 233

HSL 237.55, 0.53%, 0.82%

LAB 76.79, 9.05, -23.61

 

CMYK 11 / 11 / 0 / 5

HEX #D8D9F3

RGB 216 217 243

HSL 237.78, 0.53%, 0.9%

LAB 87.34, 4.63, -12.8

 

CMYK 2 / 2 / 0 / 1

HEX #F7F8FC

RGB 247 248 252

HSL 228, 0.45%, 0.98%

LAB 97.61, 0.39, -2.04

 

CMYK 21 / 20 / 0 / 8

HEX #B9BBEA

RGB 185 187 234

HSL 237.55, 0.54%, 0.82%

LAB 77.16, 9.04, -23.58

 

CMYK 0 / 21 / 3 / 9

HEX #E9B8E2

RGB 233 184 226

HSL 308.57, 0.53%, 0.82%

LAB 80.23, 24.52, -14.23

 

CMYK 12 / 0 / 21 / 9

HEX #CEE9B8

RGB 206 233 184

HSL 93.06, 0.53%, 0.82%

LAB 89.33, -17.48, 20.92

 

CMYK 21 / 20 / 0 / 8

HEX #B9BBEA

RGB 185 187 234

HSL 237.55, 0.54%, 0.82%

LAB 77.16, 9.04, -23.58

 

CMYK 0 / 21 / 20 / 9

HEX #E9B8BA

RGB 233 184 186

HSL 357.55, 0.53%, 0.82%

LAB 79.13, 17.95, 5.74

 

CMYK 20 / 0 / 21 / 9

HEX #BAE9B8

RGB 186 233 184

HSL 117.55, 0.53%, 0.82%

LAB 88.05, -24.31, 18.95

 

CMYK 21 / 20 / 0 / 8

HEX #B9BBEA

RGB 185 187 234

HSL 237.55, 0.54%, 0.82%

LAB 77.16, 9.04, -23.58

 

CMYK 0 / 21 / 3 / 9

HEX #E9B8E2

RGB 233 184 226

HSL 308.57, 0.53%, 0.82%

LAB 80.23, 24.52, -14.23

 

CMYK 0 / 1 / 21 / 9

HEX #E9E7B8

RGB 233 231 184

HSL 57.55, 0.53%, 0.82%

LAB 90.75, -6.82, 23.19

 

CMYK 21 / 0 / 18 / 9

HEX #B8E9BF

RGB 184 233 191

HSL 128.57, 0.53%, 0.82%

LAB 88.08, -23.76, 15.33

 

CMYK 21 / 20 / 0 / 8

HEX #B9BBEA

RGB 185 187 234

HSL 237.55, 0.54%, 0.82%

LAB 77.16, 9.04, -23.58

 

CMYK 0 / 21 / 9 / 9

HEX #E9B8D3

RGB 233 184 211

HSL 326.94, 0.53%, 0.82%

LAB 79.79, 21.92, -6.8

 

CMYK 0 / 1 / 21 / 9

HEX #E9E7B8

RGB 233 231 184

HSL 57.55, 0.53%, 0.82%

LAB 90.75, -6.82, 23.19

 

CMYK 21 / 0 / 12 / 9

HEX #B8E9CE

RGB 184 233 206

HSL 146.94, 0.53%, 0.82%

LAB 88.41, -21.02, 7.98

 

Description

Color code: HEX #B9BBEA | qconv.com Color code: HEX #B9BBEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 187 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 187 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 20 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 20% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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