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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9C72D it is the complementary color #4638D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9C72D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9C72D shade: #BEC728, #CFD93B, #E0EB4E, #F1FD61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9C72D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9C72D shade: #B9C72D, #A8B51A, #97A307, #869100 and #757F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9C72D shade: #B9C72D, #C7AB2D, #C7822D, #C7582D and #C72F2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9C72D shade: #B9C72D, #8FC72D, #66C72D, #3CC72D and #2DC747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9C72D shade matches the following richer shades: #B9C72D, #C9DB19 and #D9EF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9C72D shade: #B9C72D, #A9B341, #999F54, #888C68 and #78787C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9C72D shade: #C7822D, #C7AB2D, #BAC72D, #91C72D and #68C72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9C72D shade: #7A841E, #9AA525, #B9C72D, #C8D548 and #D2DD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9C72D shade: #B9C72D, #2DC758 and #962DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9C72D shade: #B9C72D, #2DBAC7 and #C72DBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9C72D shade: #B9C72D, #2DC758, #3A2DC7 and #C72D9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9C72D shade: #B9C72D, #2DC787, #3A2DC7 and #C72D6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

Complementary color

CMYK 67 / 73 / 0 / 18

HEX #4638D2

RGB 70 56 210

HSL 245.45, 0.63%, 0.52%

LAB 35.56, 51.34, -76.73

 

CMYK 5 / 0 / 80 / 22

HEX #BEC728

RGB 190 199 40

HSL 63.4, 0.67%, 0.47%

LAB 77.25, -20.97, 71.09

 

CMYK 5 / 0 / 73 / 15

HEX #CFD93B

RGB 207 217 59

HSL 63.8, 0.68%, 0.54%

LAB 83.55, -21.91, 71.59

 

CMYK 5 / 0 / 67 / 8

HEX #E0EB4E

RGB 224 235 78

HSL 64.2, 0.8%, 0.61%

LAB 89.77, -22.7, 71.43

 

CMYK 5 / 0 / 62 / 1

HEX #F1FD61

RGB 241 253 97

HSL 64.62, 0.98%, 0.69%

LAB 95.92, -23.35, 70.88

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

CMYK 7 / 0 / 86 / 29

HEX #A8B51A

RGB 168 181 26

HSL 65.03, 0.75%, 0.41%

LAB 70.49, -21.87, 68.07

 

CMYK 7 / 0 / 96 / 36

HEX #97A307

RGB 151 163 7

HSL 64.62, 0.92%, 0.33%

LAB 63.99, -20.63, 65.51

 

CMYK 8 / 0 / 100 / 43

HEX #869100

RGB 134 145 0

HSL 64.55, 1%, 0.28%

LAB 57.39, -19.13, 60.97

 

CMYK 8 / 0 / 100 / 50

HEX #757F00

RGB 117 127 0

HSL 64.72, 1%, 0.25%

LAB 50.64, -17.49, 55.36

 

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

CMYK 0 / 14 / 77 / 22

HEX #C7AB2D

RGB 199 171 45

HSL 49.09, 0.63%, 0.48%

LAB 70.5, -2.59, 63.82

 

CMYK 0 / 35 / 77 / 22

HEX #C7822D

RGB 199 130 45

HSL 33.12, 0.63%, 0.48%

LAB 60.16, 19.61, 54.12

 

CMYK 0 / 56 / 77 / 22

HEX #C7582D

RGB 199 88 45

HSL 16.75, 0.63%, 0.48%

LAB 51.05, 41.76, 45.15

 

CMYK 0 / 76 / 77 / 22

HEX #C72F2D

RGB 199 47 45

HSL 0.78, 0.63%, 0.48%

LAB 44.75, 58.69, 38.62

 

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

CMYK 28 / 0 / 77 / 22

HEX #8FC72D

RGB 143 199 45

HSL 81.82, 0.63%, 0.48%

LAB 74.11, -39.76, 65.64

 

CMYK 49 / 0 / 77 / 22

HEX #66C72D

RGB 102 199 45

HSL 97.79, 0.63%, 0.48%

LAB 72.14, -53.76, 63.07

 

CMYK 70 / 0 / 77 / 22

HEX #3CC72D

RGB 60 199 45

HSL 114.16, 0.63%, 0.48%

LAB 70.87, -63.94, 61.41

 

CMYK 77 / 0 / 64 / 22

HEX #2DC747

RGB 45 199 71

HSL 130.13, 0.63%, 0.48%

LAB 70.77, -64.07, 51.51

 

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

CMYK 8 / 0 / 89 / 14

HEX #C9DB19

RGB 201 219 25

HSL 65.57, 0.8%, 0.48%

LAB 83.52, -26.44, 79.89

 

CMYK 9 / 0 / 98 / 6

HEX #D9EF05

RGB 217 239 5

HSL 65.64, 0.96%, 0.48%

LAB 90.09, -29.53, 87.63

 

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

CMYK 6 / 0 / 64 / 30

HEX #A9B341

RGB 169 179 65

HSL 65.26, 0.47%, 0.48%

LAB 70.22, -18.66, 55.04

 

CMYK 4 / 0 / 47 / 38

HEX #999F54

RGB 153 159 84

HSL 64.8, 0.31%, 0.48%

LAB 63.51, -13.51, 38.17

 

CMYK 3 / 0 / 26 / 45

HEX #888C68

RGB 136 140 104

HSL 66.67, 0.15%, 0.48%

LAB 57.07, -7.8, 18.79

 

CMYK 3 / 3 / 0 / 51

HEX #78787C

RGB 120 120 124

HSL 240, 0.02%, 0.48%

LAB 50.55, 0.82, -2.19

 

CMYK 0 / 35 / 77 / 22

HEX #C7822D

RGB 199 130 45

HSL 33.12, 0.63%, 0.48%

LAB 60.16, 19.61, 54.12

 

CMYK 0 / 14 / 77 / 22

HEX #C7AB2D

RGB 199 171 45

HSL 49.09, 0.63%, 0.48%

LAB 70.5, -2.59, 63.82

 

CMYK 7 / 0 / 77 / 22

HEX #BAC72D

RGB 186 199 45

HSL 65.06, 0.63%, 0.48%

LAB 76.97, -22.47, 69.31

 

CMYK 27 / 0 / 77 / 22

HEX #91C72D

RGB 145 199 45

HSL 81.04, 0.63%, 0.48%

LAB 74.23, -39, 65.78

 

CMYK 48 / 0 / 77 / 22

HEX #68C72D

RGB 104 199 45

HSL 97.01, 0.63%, 0.48%

LAB 72.21, -53.16, 63.17

 

CMYK 8 / 0 / 77 / 48

HEX #7A841E

RGB 122 132 30

HSL 65.88, 0.63%, 0.32%

LAB 52.66, -16.95, 49.95

 

CMYK 7 / 0 / 78 / 35

HEX #9AA525

RGB 154 165 37

HSL 65.16, 0.63%, 0.4%

LAB 64.89, -19.53, 59.86

 

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

CMYK 6 / 0 / 66 / 16

HEX #C8D548

RGB 200 213 72

HSL 65.53, 0.63%, 0.56%

LAB 82.02, -22.17, 65.24

 

CMYK 5 / 0 / 52 / 13

HEX #D2DD6A

RGB 210 221 106

HSL 65.74, 0.63%, 0.64%

LAB 85.23, -19.58, 54.46

 

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

CMYK 77 / 0 / 56 / 22

HEX #2DC758

RGB 45 199 88

HSL 136.75, 0.63%, 0.48%

LAB 70.95, -61.99, 44.07

 

CMYK 25 / 77 / 0 / 22

HEX #962DC7

RGB 150 45 199

HSL 280.91, 0.63%, 0.48%

LAB 41.98, 65.36, -59.5

 

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

CMYK 77 / 7 / 0 / 22

HEX #2DBAC7

RGB 45 186 199

HSL 185.06, 0.63%, 0.48%

LAB 69.33, -31.37, -17.03

 

CMYK 0 / 77 / 7 / 22

HEX #C72DBA

RGB 199 45 186

HSL 305.06, 0.63%, 0.48%

LAB 48.96, 72.66, -40.3

 

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

CMYK 77 / 0 / 56 / 22

HEX #2DC758

RGB 45 199 88

HSL 136.75, 0.63%, 0.48%

LAB 70.95, -61.99, 44.07

 

CMYK 71 / 77 / 0 / 22

HEX #3A2DC7

RGB 58 45 199

HSL 245.06, 0.63%, 0.48%

LAB 31.58, 52.49, -76.94

 

CMYK 0 / 77 / 22 / 22

HEX #C72D9B

RGB 199 45 155

HSL 317.14, 0.63%, 0.48%

LAB 47.48, 68.36, -24.32

 

CMYK 7 / 0 / 77 / 22

HEX #B9C72D

RGB 185 199 45

HSL 65.45, 0.63%, 0.48%

LAB 76.89, -22.89, 69.21

 

CMYK 77 / 0 / 32 / 22

HEX #2DC787

RGB 45 199 135

HSL 155.06, 0.63%, 0.48%

LAB 71.66, -53.77, 21.16

 

CMYK 71 / 77 / 0 / 22

HEX #3A2DC7

RGB 58 45 199

HSL 245.06, 0.63%, 0.48%

LAB 31.58, 52.49, -76.94

 

CMYK 0 / 77 / 45 / 22

HEX #C72D6D

RGB 199 45 109

HSL 335.06, 0.63%, 0.48%

LAB 45.8, 63.31, 1.12

 

Description

Color code: HEX #B9C72D | qconv.com Color code: HEX #B9C72D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 199 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 199 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 77 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 77% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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