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Color name
HEX #B9C953

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9C953 it is the complementary color #4636AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9C953. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9C953 shade: #BEC94E, #CFDB61, #E0ED74, #F1FF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9C953. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9C953 shade: #B9C953, #A8B740, #97A52D, #86931A and #758107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9C953 shade: #B9C954, #C9B954, #C99A54, #C97A54 and #C95B54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9C953 shade: #B9C954, #99C954, #7AC954, #5AC954 and #54C96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9C953 shade matches the following richer shades: #B9C954, #C6DB42 and #D3ED30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9C953 shade: #B9C954, #ACB666, #9EA478, #91928A and #84809D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9C953 shade: #C99A54, #C9B954, #B9C954, #9AC954 and #7BC954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9C953 shade: #8C9A30, #A8B93A, #B9C954, #C6D373 and #D2DC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9C953 shade: #B9C953, #54C97B and #AA54C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9C953 shade: #B9C953, #54B9C9 and #C954B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9C953 shade: #B9C953, #54C97B, #6454C9 and #C954A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9C953 shade: #B9C953, #54C99E, #6454C9 and #C9547F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 59 / 21

HEX #B9C953

RGB 185 201 83

HSL 68.14, 0.52%, 0.56%

LAB 77.7, -21.69, 55.76

 

Complementary color

CMYK 59 / 69 / 0 / 33

HEX #4636AC

RGB 70 54 172

HSL 248.14, 0.52%, 0.44%

LAB 31.62, 40.53, -60.86

 

CMYK 5 / 0 / 61 / 21

HEX #BEC94E

RGB 190 201 78

HSL 65.37, 0.53%, 0.55%

LAB 78.03, -20.01, 58.38

 

CMYK 5 / 0 / 56 / 14

HEX #CFDB61

RGB 207 219 97

HSL 65.9, 0.63%, 0.62%

LAB 84.38, -20.54, 57.49

 

CMYK 5 / 0 / 51 / 7

HEX #E0ED74

RGB 224 237 116

HSL 66.45, 0.77%, 0.69%

LAB 90.63, -20.97, 56.46

 

CMYK 5 / 0 / 47 / 0

HEX #F1FF87

RGB 241 255 135

HSL 67, 1%, 0.76%

LAB 96.81, -21.33, 55.38

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 8 / 0 / 59 / 21

HEX #B9C953

RGB 185 201 83

HSL 68.14, 0.52%, 0.56%

LAB 77.7, -21.69, 55.76

 

CMYK 8 / 0 / 65 / 28

HEX #A8B740

RGB 168 183 64

HSL 67.56, 0.48%, 0.48%

LAB 71.26, -21.14, 56.53

 

CMYK 8 / 0 / 73 / 35

HEX #97A52D

RGB 151 165 45

HSL 67, 0.57%, 0.41%

LAB 64.71, -20.45, 56.89

 

CMYK 9 / 0 / 82 / 42

HEX #86931A

RGB 134 147 26

HSL 66.45, 0.7%, 0.34%

LAB 58.05, -19.55, 56.43

 

CMYK 9 / 0 / 95 / 49

HEX #758107

RGB 117 129 7

HSL 65.9, 0.9%, 0.27%

LAB 51.26, -18.39, 54.5

 

CMYK 8 / 0 / 58 / 21

HEX #B9C954

RGB 185 201 84

HSL 68.21, 0.52%, 0.56%

LAB 77.71, -21.61, 55.33

 

CMYK 0 / 8 / 58 / 21

HEX #C9B954

RGB 201 185 84

HSL 51.79, 0.52%, 0.56%

LAB 74.67, -6.88, 52.27

 

CMYK 0 / 23 / 58 / 21

HEX #C99A54

RGB 201 154 84

HSL 35.9, 0.52%, 0.56%

LAB 66.65, 9.64, 43

 

CMYK 0 / 39 / 58 / 21

HEX #C97A54

RGB 201 122 84

HSL 19.49, 0.52%, 0.56%

LAB 58.95, 27.09, 33.68

 

CMYK 0 / 55 / 58 / 21

HEX #C95B54

RGB 201 91 84

HSL 3.59, 0.52%, 0.56%

LAB 52.44, 43.25, 25.42

 

CMYK 8 / 0 / 58 / 21

HEX #B9C954

RGB 185 201 84

HSL 68.21, 0.52%, 0.56%

LAB 77.71, -21.61, 55.33

 

CMYK 24 / 0 / 58 / 21

HEX #99C954

RGB 153 201 84

HSL 84.62, 0.52%, 0.56%

LAB 75.57, -34.19, 52.33

 

CMYK 39 / 0 / 58 / 21

HEX #7AC954

RGB 122 201 84

HSL 100.51, 0.52%, 0.56%

LAB 73.9, -45.15, 49.98

 

CMYK 55 / 0 / 58 / 21

HEX #5AC954

RGB 90 201 84

HSL 116.92, 0.52%, 0.56%

LAB 72.62, -54.5, 48.17

 

CMYK 58 / 0 / 46 / 21

HEX #54C96D

RGB 84 201 109

HSL 132.82, 0.52%, 0.56%

LAB 72.74, -52.57, 36.22

 

CMYK 8 / 0 / 58 / 21

HEX #B9C954

RGB 185 201 84

HSL 68.21, 0.52%, 0.56%

LAB 77.71, -21.61, 55.33

 

CMYK 10 / 0 / 70 / 14

HEX #C6DB42

RGB 198 219 66

HSL 68.24, 0.68%, 0.56%

LAB 83.48, -26.21, 68.88

 

CMYK 11 / 0 / 80 / 7

HEX #D3ED30

RGB 211 237 48

HSL 68.25, 0.84%, 0.56%

LAB 89.22, -30.21, 80.08

 

CMYK 8 / 0 / 58 / 21

HEX #B9C954

RGB 185 201 84

HSL 68.21, 0.52%, 0.56%

LAB 77.71, -21.61, 55.33

 

CMYK 5 / 0 / 44 / 29

HEX #ACB666

RGB 172 182 102

HSL 67.5, 0.35%, 0.56%

LAB 71.68, -15.71, 39.41

 

CMYK 4 / 0 / 27 / 36

HEX #9EA478

RGB 158 164 120

HSL 68.18, 0.19%, 0.56%

LAB 65.89, -9.65, 22.18

 

CMYK 1 / 0 / 5 / 43

HEX #91928A

RGB 145 146 138

HSL 67.5, 0.04%, 0.56%

LAB 60.26, -1.88, 4.1

 

CMYK 16 / 18 / 0 / 38

HEX #84809D

RGB 132 128 157

HSL 248.28, 0.13%, 0.56%

LAB 54.84, 7.66, -14.95

 

CMYK 0 / 23 / 58 / 21

HEX #C99A54

RGB 201 154 84

HSL 35.9, 0.52%, 0.56%

LAB 66.65, 9.64, 43

 

CMYK 0 / 8 / 58 / 21

HEX #C9B954

RGB 201 185 84

HSL 51.79, 0.52%, 0.56%

LAB 74.67, -6.88, 52.27

 

CMYK 8 / 0 / 58 / 21

HEX #B9C954

RGB 185 201 84

HSL 68.21, 0.52%, 0.56%

LAB 77.71, -21.61, 55.33

 

CMYK 23 / 0 / 58 / 21

HEX #9AC954

RGB 154 201 84

HSL 84.1, 0.52%, 0.56%

LAB 75.63, -33.81, 52.41

 

CMYK 39 / 0 / 58 / 21

HEX #7BC954

RGB 123 201 84

HSL 100, 0.52%, 0.56%

LAB 73.95, -44.82, 50.05

 

CMYK 9 / 0 / 69 / 40

HEX #8C9A30

RGB 140 154 48

HSL 67.92, 0.52%, 0.4%

LAB 60.69, -19.43, 51.48

 

CMYK 9 / 0 / 69 / 27

HEX #A8B93A

RGB 168 185 58

HSL 68.03, 0.52%, 0.48%

LAB 71.78, -22.51, 59.45

 

CMYK 8 / 0 / 58 / 21

HEX #B9C954

RGB 185 201 84

HSL 68.21, 0.52%, 0.56%

LAB 77.71, -21.61, 55.33

 

CMYK 6 / 0 / 45 / 17

HEX #C6D373

RGB 198 211 115

HSL 68.13, 0.52%, 0.64%

LAB 81.75, -18.57, 45.82

 

CMYK 5 / 0 / 33 / 14

HEX #D2DC93

RGB 210 220 147

HSL 68.22, 0.51%, 0.72%

LAB 85.5, -14.78, 34.8

 

CMYK 8 / 0 / 59 / 21

HEX #B9C953

RGB 185 201 83

HSL 68.14, 0.52%, 0.56%

LAB 77.7, -21.69, 55.76

 

CMYK 58 / 0 / 39 / 21

HEX #54C97B

RGB 84 201 123

HSL 140, 0.52%, 0.56%

LAB 72.95, -50.25, 29.35

 

CMYK 15 / 58 / 0 / 21

HEX #AA54C9

RGB 170 84 201

HSL 284.1, 0.52%, 0.56%

LAB 50.81, 53.56, -46.33

 

CMYK 8 / 0 / 59 / 21

HEX #B9C953

RGB 185 201 83

HSL 68.14, 0.52%, 0.56%

LAB 77.7, -21.69, 55.76

 

CMYK 58 / 8 / 0 / 21

HEX #54B9C9

RGB 84 185 201

HSL 188.21, 0.52%, 0.56%

LAB 70.04, -24.65, -16.96

 

CMYK 0 / 58 / 8 / 21

HEX #C954B9

RGB 201 84 185

HSL 308.21, 0.52%, 0.56%

LAB 54.3, 58.78, -31.32

 

CMYK 8 / 0 / 59 / 21

HEX #B9C953

RGB 185 201 83

HSL 68.14, 0.52%, 0.56%

LAB 77.7, -21.69, 55.76

 

CMYK 58 / 0 / 39 / 21

HEX #54C97B

RGB 84 201 123

HSL 140, 0.52%, 0.56%

LAB 72.95, -50.25, 29.35

 

CMYK 50 / 58 / 0 / 21

HEX #6454C9

RGB 100 84 201

HSL 248.21, 0.52%, 0.56%

LAB 43.16, 37.18, -59.01

 

CMYK 0 / 58 / 19 / 21

HEX #C954A2

RGB 201 84 162

HSL 320, 0.52%, 0.56%

LAB 53.35, 55.25, -19.4

 

CMYK 8 / 0 / 59 / 21

HEX #B9C953

RGB 185 201 83

HSL 68.14, 0.52%, 0.56%

LAB 77.7, -21.69, 55.76

 

CMYK 58 / 0 / 21 / 21

HEX #54C99E

RGB 84 201 158

HSL 157.95, 0.52%, 0.56%

LAB 73.63, -43.21, 11.73

 

CMYK 50 / 58 / 0 / 21

HEX #6454C9

RGB 100 84 201

HSL 248.21, 0.52%, 0.56%

LAB 43.16, 37.18, -59.01

 

CMYK 0 / 58 / 37 / 21

HEX #C9547F

RGB 201 84 127

HSL 337.95, 0.52%, 0.56%

LAB 52.16, 50.69, -0.47

 

Description

Color code: HEX #B9C953 | qconv.com Color code: HEX #B9C953 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 201 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 201 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 59 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 59% 21% C M Y K

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Provide designers and agencies with accurate color values.

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