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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9CBE8 it is the complementary color #463417. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9CBE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9CBE8 shade: #BECBE3, #CFDDF6, #E0EFFF and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9CBE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9CBE8 shade: #B9CBE8, #A8B9D5, #97A7C2, #8695AF and #75839C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9CBE8 shade: #B9CBE8, #B9BEE8, #C1B9E8, #CDB9E8 and #DAB9E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9CBE8 shade: #B9CBE8, #B9BEE8 and #B9B9E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9CBE8 shade matches the following richer shades: #B9CBE8, #B2C9EF, #AAC8F7 and #A3C6FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9CBE8 shade: #B9CBE8, #C1CDE1, #C8CFD9, #CFD0D2 and #D7D2CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9CBE8 shade: #B9E4E8, #B9D8E8, #B9CBE8, #B9BFE8 and #C0B9E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9CBE8 shade: #7B9DD4, #9AB4DE, #B9CBE8, #D8E2F2 and #F7F9FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9CBE8 shade: #B9CBE8, #DFB9E8 and #DEE8B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9CBE8 shade: #B9CBE8, #E8B9CB and #CBE8B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9CBE8 shade: #B9CBE8, #DFB9E8, #E8D6B9 and #C2E8B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9CBE8 shade: #B9CBE8, #E8B9E3, #E8D6B9 and #B9E8BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

Complementary color

CMYK 0 / 26 / 67 / 73

HEX #463417

RGB 70 52 23

HSL 37.02, 0.51%, 0.18%

LAB 23.07, 4.19, 21.16

 

CMYK 16 / 11 / 0 / 11

HEX #BECBE3

RGB 190 203 227

HSL 218.92, 0.4%, 0.82%

LAB 81.4, 0.46, -13.37

 

CMYK 16 / 10 / 0 / 4

HEX #CFDDF6

RGB 207 221 246

HSL 218.46, 0.68%, 0.89%

LAB 87.79, 0.3, -13.77

 

CMYK 12 / 6 / 0 / 0

HEX #E0EFFF

RGB 224 239 255

HSL 210.97, 1%, 0.94%

LAB 93.8, -1.85, -9.4

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 21 / 13 / 0 / 16

HEX #A8B9D5

RGB 168 185 213

HSL 217.33, 0.35%, 0.75%

LAB 74.72, 0.14, -16.03

 

CMYK 22 / 14 / 0 / 24

HEX #97A7C2

RGB 151 167 194

HSL 217.67, 0.26%, 0.68%

LAB 68.1, 0.32, -15.69

 

CMYK 23 / 15 / 0 / 31

HEX #8695AF

RGB 134 149 175

HSL 218.05, 0.2%, 0.61%

LAB 61.36, 0.5, -15.37

 

CMYK 25 / 16 / 0 / 39

HEX #75839C

RGB 117 131 156

HSL 218.46, 0.16%, 0.54%

LAB 54.46, 0.7, -15.05

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 20 / 18 / 0 / 9

HEX #B9BEE8

RGB 185 190 232

HSL 233.62, 0.51%, 0.82%

LAB 77.86, 6.96, -21.45

 

CMYK 17 / 20 / 0 / 9

HEX #C1B9E8

RGB 193 185 232

HSL 250.21, 0.51%, 0.82%

LAB 77.2, 12.16, -22.39

 

CMYK 12 / 20 / 0 / 9

HEX #CDB9E8

RGB 205 185 232

HSL 265.53, 0.51%, 0.82%

LAB 78.17, 15.96, -20.82

 

CMYK 6 / 20 / 0 / 9

HEX #DAB9E8

RGB 218 185 232

HSL 282.13, 0.51%, 0.82%

LAB 79.29, 20.16, -19.02

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 20 / 18 / 0 / 9

HEX #B9BEE8

RGB 185 190 232

HSL 233.62, 0.51%, 0.82%

LAB 77.86, 6.96, -21.45

 

CMYK 20 / 20 / 0 / 9

HEX #B9B9E8

RGB 185 185 232

HSL 240, 0.51%, 0.82%

LAB 76.58, 9.68, -23.38

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 26 / 16 / 0 / 6

HEX #B2C9EF

RGB 178 201 239

HSL 217.38, 0.66%, 0.82%

LAB 80.44, 0.51, -21.32

 

CMYK 31 / 19 / 0 / 3

HEX #AAC8F7

RGB 170 200 247

HSL 216.62, 0.83%, 0.82%

LAB 79.94, 0.65, -26.41

 

CMYK 36 / 22 / 0 / 0

HEX #A3C6FE

RGB 163 198 254

HSL 216.92, 0.98%, 0.82%

LAB 79.23, 1.55, -31.27

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 14 / 9 / 0 / 12

HEX #C1CDE1

RGB 193 205 225

HSL 217.5, 0.35%, 0.82%

LAB 82.07, -0.07, -11.28

 

CMYK 8 / 5 / 0 / 15

HEX #C8CFD9

RGB 200 207 217

HSL 215.29, 0.18%, 0.82%

LAB 82.87, -0.46, -5.78

 

CMYK 1 / 1 / 0 / 18

HEX #CFD0D2

RGB 207 208 210

HSL 220, 0.03%, 0.82%

LAB 83.46, 0.03, -1.12

 

CMYK 0 / 2 / 6 / 16

HEX #D7D2CA

RGB 215 210 202

HSL 36.92, 0.14%, 0.82%

LAB 84.38, 0.32, 4.56

 

CMYK 20 / 2 / 0 / 9

HEX #B9E4E8

RGB 185 228 232

HSL 185.11, 0.51%, 0.82%

LAB 87.79, -13, -6.56

 

CMYK 20 / 7 / 0 / 9

HEX #B9D8E8

RGB 185 216 232

HSL 200.43, 0.51%, 0.82%

LAB 84.61, -6.85, -11.28

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 20 / 18 / 0 / 9

HEX #B9BFE8

RGB 185 191 232

HSL 232.34, 0.51%, 0.82%

LAB 78.11, 6.42, -21.06

 

CMYK 17 / 20 / 0 / 9

HEX #C0B9E8

RGB 192 185 232

HSL 248.94, 0.51%, 0.82%

LAB 77.12, 11.85, -22.52

 

CMYK 42 / 26 / 0 / 17

HEX #7B9DD4

RGB 123 157 212

HSL 217.08, 0.51%, 0.66%

LAB 64.22, 2.44, -31.78

 

CMYK 31 / 19 / 0 / 13

HEX #9AB4DE

RGB 154 180 222

HSL 217.06, 0.51%, 0.74%

LAB 72.75, 0.79, -24

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 11 / 7 / 0 / 5

HEX #D8E2F2

RGB 216 226 242

HSL 216.92, 0.5%, 0.9%

LAB 89.58, -0.27, -8.93

 

CMYK 2 / 1 / 0 / 1

HEX #F7F9FC

RGB 247 249 252

HSL 216, 0.45%, 0.98%

LAB 97.85, -0.12, -1.68

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 4 / 20 / 0 / 9

HEX #DFB9E8

RGB 223 185 232

HSL 288.51, 0.51%, 0.82%

LAB 79.73, 21.79, -18.3

 

CMYK 4 / 0 / 20 / 9

HEX #DEE8B9

RGB 222 232 185

HSL 72.77, 0.51%, 0.82%

LAB 90.2, -11.16, 21.79

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 0 / 20 / 13 / 9

HEX #E8B9CB

RGB 232 185 203

HSL 337.02, 0.51%, 0.82%

LAB 79.71, 19.71, -2.61

 

CMYK 13 / 0 / 20 / 9

HEX #CBE8B9

RGB 203 232 185

HSL 97.02, 0.51%, 0.82%

LAB 88.88, -17.88, 19.75

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 4 / 20 / 0 / 9

HEX #DFB9E8

RGB 223 185 232

HSL 288.51, 0.51%, 0.82%

LAB 79.73, 21.79, -18.3

 

CMYK 0 / 8 / 20 / 9

HEX #E8D6B9

RGB 232 214 185

HSL 37.02, 0.51%, 0.82%

LAB 86.38, 1.65, 16.58

 

CMYK 16 / 0 / 20 / 9

HEX #C2E8B9

RGB 194 232 185

HSL 108.51, 0.51%, 0.82%

LAB 88.3, -20.97, 18.85

 

CMYK 20 / 13 / 0 / 9

HEX #B9CBE8

RGB 185 203 232

HSL 217.02, 0.51%, 0.82%

LAB 81.21, -0.02, -16.37

 

CMYK 0 / 20 / 2 / 9

HEX #E8B9E3

RGB 232 185 227

HSL 306.38, 0.51%, 0.82%

LAB 80.4, 23.83, -14.52

 

CMYK 0 / 8 / 20 / 9

HEX #E8D6B9

RGB 232 214 185

HSL 37.02, 0.51%, 0.82%

LAB 86.38, 1.65, 16.58

 

CMYK 20 / 0 / 18 / 9

HEX #B9E8BF

RGB 185 232 191

HSL 127.66, 0.51%, 0.82%

LAB 87.87, -22.95, 15.04

 

Description

Color code: HEX #B9CBE8 | qconv.com Color code: HEX #B9CBE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 203 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 203 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 13 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 13% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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