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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9CC4B it is the complementary color #4633B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9CC4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9CC4B shade: #BECC46, #CFDE59, #E0F06C, #F1FF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9CC4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9CC4B shade: #B9CC4B, #A8BA38, #97A825, #869612 and #758400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9CC4B shade: #B9CC4B, #CCBC4B, #CC9A4B, #CC774B and #CC544B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9CC4B shade: #B9CC4B, #96CC4B, #74CC4B, #51CC4B and #4BCC69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9CC4B shade matches the following richer shades: #B9CC4B, #C6DF39 and #D3F126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9CC4B shade: #B9CC4B, #ACB95E, #9FA771, #929483 and #858296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9CC4B shade: #CC994B, #CCBB4B, #BBCC4B, #99CC4B and #76CC4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9CC4B shade: #8A9A2B, #A6BA34, #B9CC4B, #C6D56C and #D2DE8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9CC4B shade: #B9CC4B, #4BCC76 and #AA4BCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9CC4B shade: #B9CC4B, #4BBBCC and #CC4BBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9CC4B shade: #B9CC4B, #4BCC76, #5D4BCC and #CC4BA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9CC4B shade: #B9CC4B, #4BCC9D, #5D4BCC and #CC4B7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

Complementary color

CMYK 61 / 72 / 0 / 29

HEX #4633B4

RGB 70 51 180

HSL 248.84, 0.56%, 0.45%

LAB 31.73, 44.75, -65.46

 

CMYK 7 / 0 / 66 / 20

HEX #BECC46

RGB 190 204 70

HSL 66.27, 0.57%, 0.54%

LAB 78.8, -22.01, 62.47

 

CMYK 7 / 0 / 60 / 13

HEX #CFDE59

RGB 207 222 89

HSL 66.77, 0.67%, 0.61%

LAB 85.11, -22.6, 61.78

 

CMYK 7 / 0 / 55 / 6

HEX #E0F06C

RGB 224 240 108

HSL 67.27, 0.81%, 0.68%

LAB 91.35, -23.08, 60.88

 

CMYK 5 / 0 / 50 / 0

HEX #F1FF7F

RGB 241 255 127

HSL 66.56, 1%, 0.75%

LAB 96.72, -22.05, 58.94

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

CMYK 10 / 0 / 70 / 27

HEX #A8BA38

RGB 168 186 56

HSL 68.31, 0.54%, 0.47%

LAB 72.05, -23.11, 60.48

 

CMYK 10 / 0 / 78 / 34

HEX #97A825

RGB 151 168 37

HSL 67.79, 0.64%, 0.4%

LAB 65.53, -22.33, 60.36

 

CMYK 11 / 0 / 88 / 41

HEX #869612

RGB 134 150 18

HSL 67.27, 0.79%, 0.33%

LAB 58.9, -21.33, 59.14

 

CMYK 11 / 0 / 100 / 48

HEX #758400

RGB 117 132 0

HSL 66.82, 1%, 0.26%

LAB 52.16, -20.1, 56.48

 

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

CMYK 0 / 8 / 63 / 20

HEX #CCBC4B

RGB 204 188 75

HSL 52.56, 0.56%, 0.55%

LAB 75.64, -7.78, 57.43

 

CMYK 0 / 25 / 63 / 20

HEX #CC9A4B

RGB 204 154 75

HSL 36.74, 0.56%, 0.55%

LAB 66.87, 10.27, 47.78

 

CMYK 0 / 42 / 63 / 20

HEX #CC774B

RGB 204 119 75

HSL 20.47, 0.56%, 0.55%

LAB 58.55, 29.28, 38.13

 

CMYK 0 / 59 / 63 / 20

HEX #CC544B

RGB 204 84 75

HSL 4.19, 0.56%, 0.55%

LAB 51.48, 47.06, 29.52

 

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

CMYK 26 / 0 / 63 / 20

HEX #96CC4B

RGB 150 204 75

HSL 85.12, 0.56%, 0.55%

LAB 76.18, -37.44, 56.86

 

CMYK 43 / 0 / 63 / 20

HEX #74CC4B

RGB 116 204 75

HSL 100.93, 0.56%, 0.55%

LAB 74.45, -49.19, 54.47

 

CMYK 60 / 0 / 63 / 20

HEX #51CC4B

RGB 81 204 75

HSL 117.21, 0.56%, 0.55%

LAB 73.18, -58.77, 52.71

 

CMYK 63 / 0 / 49 / 20

HEX #4BCC69

RGB 75 204 105

HSL 133.95, 0.56%, 0.55%

LAB 73.35, -56.27, 38.94

 

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

CMYK 11 / 0 / 74 / 13

HEX #C6DF39

RGB 198 223 57

HSL 69.04, 0.72%, 0.55%

LAB 84.52, -28.55, 72.91

 

CMYK 12 / 0 / 84 / 5

HEX #D3F126

RGB 211 241 38

HSL 68.87, 0.88%, 0.55%

LAB 90.28, -32.36, 83.3

 

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

CMYK 7 / 0 / 49 / 27

HEX #ACB95E

RGB 172 185 94

HSL 68.57, 0.39%, 0.55%

LAB 72.41, -18.05, 44.28

 

CMYK 5 / 0 / 32 / 35

HEX #9FA771

RGB 159 167 113

HSL 68.89, 0.23%, 0.55%

LAB 66.67, -11.81, 27.04

 

CMYK 1 / 0 / 11 / 42

HEX #929483

RGB 146 148 131

HSL 67.06, 0.07%, 0.55%

LAB 60.72, -3.88, 8.74

 

CMYK 11 / 13 / 0 / 41

HEX #858296

RGB 133 130 150

HSL 249, 0.09%, 0.55%

LAB 55.23, 5.27, -10.3

 

CMYK 0 / 25 / 63 / 20

HEX #CC994B

RGB 204 153 75

HSL 36.28, 0.56%, 0.55%

LAB 66.62, 10.82, 47.5

 

CMYK 0 / 8 / 63 / 20

HEX #CCBB4B

RGB 204 187 75

HSL 52.09, 0.56%, 0.55%

LAB 75.38, -7.26, 57.15

 

CMYK 8 / 0 / 63 / 20

HEX #BBCC4B

RGB 187 204 75

HSL 67.91, 0.56%, 0.55%

LAB 78.61, -22.92, 60.19

 

CMYK 25 / 0 / 63 / 20

HEX #99CC4B

RGB 153 204 75

HSL 83.72, 0.56%, 0.55%

LAB 76.35, -36.32, 57.1

 

CMYK 42 / 0 / 63 / 20

HEX #76CC4B

RGB 118 204 75

HSL 100, 0.56%, 0.55%

LAB 74.54, -48.56, 54.59

 

CMYK 10 / 0 / 72 / 40

HEX #8A9A2B

RGB 138 154 43

HSL 68.65, 0.56%, 0.39%

LAB 60.51, -20.59, 53.19

 

CMYK 11 / 0 / 72 / 27

HEX #A6BA34

RGB 166 186 52

HSL 68.96, 0.56%, 0.47%

LAB 71.87, -24.17, 61.72

 

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

CMYK 7 / 0 / 49 / 16

HEX #C6D56C

RGB 198 213 108

HSL 68.57, 0.56%, 0.63%

LAB 82.2, -20.24, 49.73

 

CMYK 5 / 0 / 37 / 13

HEX #D2DE8C

RGB 210 222 140

HSL 68.78, 0.55%, 0.71%

LAB 85.93, -16.62, 38.89

 

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

CMYK 63 / 0 / 42 / 20

HEX #4BCC76

RGB 75 204 118

HSL 140, 0.56%, 0.55%

LAB 73.54, -54.19, 32.64

 

CMYK 17 / 63 / 0 / 20

HEX #AA4BCC

RGB 170 75 204

HSL 284.19, 0.56%, 0.55%

LAB 49.42, 58.42, -50.27

 

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

CMYK 63 / 8 / 0 / 20

HEX #4BBBCC

RGB 75 187 204

HSL 187.91, 0.56%, 0.55%

LAB 70.45, -26.37, -18

 

CMYK 0 / 63 / 8 / 20

HEX #CC4BBB

RGB 204 75 187

HSL 307.91, 0.56%, 0.55%

LAB 53.45, 63.72, -33.78

 

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

CMYK 63 / 0 / 42 / 20

HEX #4BCC76

RGB 75 204 118

HSL 140, 0.56%, 0.55%

LAB 73.54, -54.19, 32.64

 

CMYK 54 / 63 / 0 / 20

HEX #5D4BCC

RGB 93 75 204

HSL 248.37, 0.56%, 0.55%

LAB 40.77, 42.08, -64.67

 

CMYK 0 / 63 / 21 / 20

HEX #CC4BA1

RGB 204 75 161

HSL 320, 0.56%, 0.55%

LAB 52.33, 59.87, -20.32

 

CMYK 9 / 0 / 63 / 20

HEX #B9CC4B

RGB 185 204 75

HSL 68.84, 0.56%, 0.55%

LAB 78.47, -23.73, 59.99

 

CMYK 63 / 0 / 23 / 20

HEX #4BCC9D

RGB 75 204 157

HSL 158.14, 0.56%, 0.55%

LAB 74.26, -46.45, 13.13

 

CMYK 54 / 63 / 0 / 20

HEX #5D4BCC

RGB 93 75 204

HSL 248.37, 0.56%, 0.55%

LAB 40.77, 42.08, -64.67

 

CMYK 0 / 63 / 40 / 20

HEX #CC4B7B

RGB 204 75 123

HSL 337.67, 0.56%, 0.55%

LAB 51.04, 55.2, 0.34

 

Description

Color code: HEX #B9CC4B | qconv.com Color code: HEX #B9CC4B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 204 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 204 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 63 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 63% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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