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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9DAA8 it is the complementary color #462557. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9DAA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9DAA8 shade: #BEDAA3, #CFECB6, #E0FEC9, #F1FFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9DAA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9DAA8 shade: #B9DAA8, #A8C895, #97B682, #86A46F and #75925C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9DAA8 shade: #B9DAA9, #C7DAA9, #D4DAA9, #DAD2A9 and #DAC5A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9DAA8 shade: #B9DAA9, #ACDAA9, #A9DAB3, #A9DAC0 and #A9DACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9DAA8 shade matches the following richer shades: #B9DAA9, #B6E49F, #B3EE95 and #B0F78B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9DAA8 shade: #B9DAA9, #BDD0B3, #C0C6BD, #C3BCC7 and #C6B2D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9DAA8 shade: #D4DAA9, #C7DAA9, #BADAA9, #ADDAA9 and #A9DAB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9DAA8 shade: #8BC16F, #A2CD8C, #B9DAA9, #D1E6C6 and #E8F3E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9DAA8 shade: #B9DAA8, #A9DAD2 and #DAA9CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9DAA8 shade: #B9DAA8, #A9BADA and #DAA9BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9DAA8 shade: #B9DAA8, #A9DAD2, #C9A9DA and #DAA9B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9DAA8 shade: #B9DAA8, #A9D2DA, #C9A9DA and #DAB0A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 23 / 15

HEX #B9DAA8

RGB 185 218 168

HSL 99.6, 0.4%, 0.76%

LAB 83.59, -19.95, 21.08

 

Complementary color

CMYK 20 / 57 / 0 / 66

HEX #462557

RGB 70 37 87

HSL 279.6, 0.4%, 0.24%

LAB 21.26, 25.59, -24.15

 

CMYK 13 / 0 / 25 / 15

HEX #BEDAA3

RGB 190 218 163

HSL 90.55, 0.43%, 0.75%

LAB 83.83, -18.96, 24.07

 

CMYK 12 / 0 / 23 / 7

HEX #CFECB6

RGB 207 236 182

HSL 92.22, 0.59%, 0.82%

LAB 90.15, -18.92, 23.1

 

CMYK 12 / 0 / 21 / 0

HEX #E0FEC9

RGB 224 254 201

HSL 93.96, 0.96%, 0.89%

LAB 96.39, -18.88, 22.18

 

CMYK 5 / 0 / 14 / 0

HEX #F1FFDC

RGB 241 255 220

HSL 84, 1%, 0.93%

LAB 98.19, -10.56, 15.18

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 15 / 0 / 23 / 15

HEX #B9DAA8

RGB 185 218 168

HSL 99.6, 0.4%, 0.76%

LAB 83.59, -19.95, 21.08

 

CMYK 16 / 0 / 26 / 22

HEX #A8C895

RGB 168 200 149

HSL 97.65, 0.32%, 0.68%

LAB 77.16, -20.04, 22.06

 

CMYK 17 / 0 / 29 / 29

HEX #97B682

RGB 151 182 130

HSL 95.77, 0.26%, 0.61%

LAB 70.63, -20.13, 23.1

 

CMYK 18 / 0 / 32 / 36

HEX #86A46F

RGB 134 164 111

HSL 93.96, 0.23%, 0.54%

LAB 63.97, -20.23, 24.2

 

CMYK 20 / 0 / 37 / 43

HEX #75925C

RGB 117 146 92

HSL 92.22, 0.23%, 0.47%

LAB 57.18, -20.32, 25.37

 

CMYK 15 / 0 / 22 / 15

HEX #B9DAA9

RGB 185 218 169

HSL 100.41, 0.4%, 0.76%

LAB 83.61, -19.79, 20.59

 

CMYK 9 / 0 / 22 / 15

HEX #C7DAA9

RGB 199 218 169

HSL 83.27, 0.4%, 0.76%

LAB 84.56, -14.82, 22.05

 

CMYK 3 / 0 / 22 / 15

HEX #D4DAA9

RGB 212 218 169

HSL 67.35, 0.4%, 0.76%

LAB 85.51, -10.08, 23.5

 

CMYK 0 / 4 / 22 / 15

HEX #DAD2A9

RGB 218 210 169

HSL 50.2, 0.4%, 0.76%

LAB 83.89, -3.77, 21.35

 

CMYK 0 / 10 / 22 / 15

HEX #DAC5A9

RGB 218 197 169

HSL 34.29, 0.4%, 0.76%

LAB 80.57, 3.01, 16.74

 

CMYK 15 / 0 / 22 / 15

HEX #B9DAA9

RGB 185 218 169

HSL 100.41, 0.4%, 0.76%

LAB 83.61, -19.79, 20.59

 

CMYK 21 / 0 / 22 / 15

HEX #ACDAA9

RGB 172 218 169

HSL 116.33, 0.4%, 0.76%

LAB 82.8, -24.25, 19.33

 

CMYK 22 / 0 / 18 / 15

HEX #A9DAB3

RGB 169 218 179

HSL 132.24, 0.4%, 0.76%

LAB 82.82, -23.5, 14.09

 

CMYK 22 / 0 / 12 / 15

HEX #A9DAC0

RGB 169 218 192

HSL 148.16, 0.4%, 0.76%

LAB 83.12, -21.07, 7.63

 

CMYK 22 / 0 / 6 / 15

HEX #A9DACD

RGB 169 218 205

HSL 164.08, 0.4%, 0.76%

LAB 83.43, -18.48, 1.2

 

CMYK 15 / 0 / 22 / 15

HEX #B9DAA9

RGB 185 218 169

HSL 100.41, 0.4%, 0.76%

LAB 83.61, -19.79, 20.59

 

CMYK 20 / 0 / 30 / 11

HEX #B6E49F

RGB 182 228 159

HSL 100, 0.56%, 0.76%

LAB 85.97, -27.24, 28.96

 

CMYK 25 / 0 / 37 / 7

HEX #B3EE95

RGB 179 238 149

HSL 99.78, 0.72%, 0.76%

LAB 88.4, -34.39, 37.21

 

CMYK 29 / 0 / 44 / 3

HEX #B0F78B

RGB 176 247 139

HSL 99.44, 0.87%, 0.76%

LAB 90.6, -40.77, 44.91

 

CMYK 15 / 0 / 22 / 15

HEX #B9DAA9

RGB 185 218 169

HSL 100.41, 0.4%, 0.76%

LAB 83.61, -19.79, 20.59

 

CMYK 9 / 0 / 14 / 18

HEX #BDD0B3

RGB 189 208 179

HSL 99.31, 0.24%, 0.76%

LAB 81.39, -11.7, 12.24

 

CMYK 3 / 0 / 5 / 22

HEX #C0C6BD

RGB 192 198 189

HSL 100, 0.07%, 0.76%

LAB 79.2, -3.71, 3.78

 

CMYK 2 / 6 / 0 / 22

HEX #C3BCC7

RGB 195 188 199

HSL 278.18, 0.09%, 0.76%

LAB 77.1, 4.49, -4.66

 

CMYK 5 / 14 / 0 / 18

HEX #C6B2D0

RGB 198 178 208

HSL 280, 0.24%, 0.76%

LAB 75.08, 12.65, -12.53

 

CMYK 3 / 0 / 22 / 15

HEX #D4DAA9

RGB 212 218 169

HSL 67.35, 0.4%, 0.76%

LAB 85.51, -10.08, 23.5

 

CMYK 9 / 0 / 22 / 15

HEX #C7DAA9

RGB 199 218 169

HSL 83.27, 0.4%, 0.76%

LAB 84.56, -14.82, 22.05

 

CMYK 15 / 0 / 22 / 15

HEX #BADAA9

RGB 186 218 169

HSL 99.18, 0.4%, 0.76%

LAB 83.68, -19.44, 20.69

 

CMYK 21 / 0 / 22 / 15

HEX #ADDAA9

RGB 173 218 169

HSL 115.1, 0.4%, 0.76%

LAB 82.86, -23.92, 19.42

 

CMYK 22 / 0 / 18 / 15

HEX #A9DAB2

RGB 169 218 178

HSL 131.02, 0.4%, 0.76%

LAB 82.8, -23.68, 14.58

 

CMYK 28 / 0 / 42 / 24

HEX #8BC16F

RGB 139 193 111

HSL 99.51, 0.4%, 0.6%

LAB 72.74, -32.57, 35.71

 

CMYK 21 / 0 / 32 / 20

HEX #A2CD8C

RGB 162 205 140

HSL 99.69, 0.39%, 0.68%

LAB 78.01, -26.02, 27.89

 

CMYK 15 / 0 / 22 / 15

HEX #B9DAA9

RGB 185 218 169

HSL 100.41, 0.4%, 0.76%

LAB 83.61, -19.79, 20.59

 

CMYK 9 / 0 / 14 / 10

HEX #D1E6C6

RGB 209 230 198

HSL 99.38, 0.39%, 0.84%

LAB 89.03, -12.68, 13.26

 

CMYK 5 / 0 / 7 / 5

HEX #E8F3E3

RGB 232 243 227

HSL 101.25, 0.4%, 0.92%

LAB 94.65, -6.46, 6.45

 

CMYK 15 / 0 / 23 / 15

HEX #B9DAA8

RGB 185 218 168

HSL 99.6, 0.4%, 0.76%

LAB 83.59, -19.95, 21.08

 

CMYK 22 / 0 / 4 / 15

HEX #A9DAD2

RGB 169 218 210

HSL 170.2, 0.4%, 0.76%

LAB 83.56, -17.44, -1.26

 

CMYK 0 / 22 / 6 / 15

HEX #DAA9CE

RGB 218 169 206

HSL 314.69, 0.4%, 0.76%

LAB 74.66, 23.96, -11.88

 

CMYK 15 / 0 / 23 / 15

HEX #B9DAA8

RGB 185 218 168

HSL 99.6, 0.4%, 0.76%

LAB 83.59, -19.95, 21.08

 

CMYK 22 / 15 / 0 / 15

HEX #A9BADA

RGB 169 186 218

HSL 219.18, 0.4%, 0.76%

LAB 75.21, 1.04, -17.99

 

CMYK 0 / 22 / 15 / 15

HEX #DAA9BA

RGB 218 169 186

HSL 339.18, 0.4%, 0.76%

LAB 74.08, 20.58, -1.77

 

CMYK 15 / 0 / 23 / 15

HEX #B9DAA8

RGB 185 218 168

HSL 99.6, 0.4%, 0.76%

LAB 83.59, -19.95, 21.08

 

CMYK 22 / 0 / 4 / 15

HEX #A9DAD2

RGB 169 218 210

HSL 170.2, 0.4%, 0.76%

LAB 83.56, -17.44, -1.26

 

CMYK 8 / 22 / 0 / 15

HEX #C9A9DA

RGB 201 169 218

HSL 279.18, 0.4%, 0.76%

LAB 73.45, 20.55, -20.42

 

CMYK 0 / 22 / 19 / 15

HEX #DAA9B0

RGB 218 169 176

HSL 351.43, 0.4%, 0.76%

LAB 73.81, 19, 3.33

 

CMYK 15 / 0 / 23 / 15

HEX #B9DAA8

RGB 185 218 168

HSL 99.6, 0.4%, 0.76%

LAB 83.59, -19.95, 21.08

 

CMYK 22 / 4 / 0 / 15

HEX #A9D2DA

RGB 169 210 218

HSL 189.8, 0.4%, 0.76%

LAB 81.61, -11.65, -8.4

 

CMYK 8 / 22 / 0 / 15

HEX #C9A9DA

RGB 201 169 218

HSL 279.18, 0.4%, 0.76%

LAB 73.45, 20.55, -20.42

 

CMYK 0 / 19 / 22 / 15

HEX #DAB0A9

RGB 218 176 169

HSL 8.57, 0.4%, 0.76%

LAB 75.34, 14.18, 9.35

 

Description

Color code: HEX #B9DAA8 | qconv.com Color code: HEX #B9DAA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 218 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 218 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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