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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9DB33 it is the complementary color #4624CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9DB33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9DB33 shade: #BEDB2E, #CFED41, #E0FF54, #F1FF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9DB33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9DB33 shade: #B9DB33, #A8C920, #97B70D, #86A500 and #759300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9DB33 shade: #B9DB33, #DBCF33, #DBA233, #DB7533 and #DB4833

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9DB33 shade: #B9DB33, #8BDB33, #5EDB33, #33DB35 and #33DB62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9DB33 shade matches the following richer shades: #B9DB33 and #C4EE1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9DB33 shade: #B9DB33, #ADC746, #A2B45A, #96A06D and #8A8D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9DB33 shade: #DBA333, #DBCF33, #B9DB33, #8CDB33 and #5FDB33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9DB33 shade: #859F1C, #A2C222, #B9DB33, #C5E156 and #D1E779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9DB33 shade: #B9DB33, #33DB76 and #B933DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9DB33 shade: #B9DB33, #33B9DB and #DB33B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9DB33 shade: #B9DB33, #33DB76, #5433DB and #DB3397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9DB33 shade: #B9DB33, #33DBA8, #5433DB and #DB3365

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

Complementary color

CMYK 66 / 82 / 0 / 20

HEX #4624CC

RGB 70 36 204

HSL 252.14, 0.7%, 0.47%

LAB 31.63, 59.1, -79.74

 

CMYK 13 / 0 / 79 / 14

HEX #BEDB2E

RGB 190 219 46

HSL 70.06, 0.71%, 0.52%

LAB 82.81, -30.35, 74.38

 

CMYK 13 / 0 / 73 / 7

HEX #CFED41

RGB 207 237 65

HSL 70.47, 0.83%, 0.59%

LAB 89.02, -31.12, 74.83

 

CMYK 12 / 0 / 67 / 0

HEX #E0FF54

RGB 224 255 84

HSL 70.88, 1%, 0.66%

LAB 95.16, -31.74, 74.69

 

CMYK 5 / 0 / 60 / 0

HEX #F1FF67

RGB 241 255 103

HSL 65.53, 1%, 0.7%

LAB 96.49, -23.91, 69.07

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 16 / 0 / 84 / 21

HEX #A8C920

RGB 168 201 32

HSL 71.72, 0.73%, 0.46%

LAB 76.19, -31.33, 71.54

 

CMYK 17 / 0 / 93 / 28

HEX #97B70D

RGB 151 183 13

HSL 71.29, 0.87%, 0.38%

LAB 69.81, -30.3, 69.28

 

CMYK 19 / 0 / 100 / 35

HEX #86A500

RGB 134 165 0

HSL 71.27, 1%, 0.32%

LAB 63.33, -29.05, 65.41

 

CMYK 20 / 0 / 100 / 42

HEX #759300

RGB 117 147 0

HSL 72.24, 1%, 0.29%

LAB 56.73, -27.6, 59.92

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 0 / 5 / 77 / 14

HEX #DBCF33

RGB 219 207 51

HSL 55.71, 0.7%, 0.53%

LAB 81.8, -12.28, 72.86

 

CMYK 0 / 26 / 77 / 14

HEX #DBA233

RGB 219 162 51

HSL 39.64, 0.7%, 0.53%

LAB 70.27, 11.17, 62.21

 

CMYK 0 / 47 / 77 / 14

HEX #DB7533

RGB 219 117 51

HSL 23.57, 0.7%, 0.53%

LAB 59.91, 35.15, 52.18

 

CMYK 0 / 67 / 77 / 14

HEX #DB4833

RGB 219 72 51

HSL 7.5, 0.7%, 0.53%

LAB 51.76, 56.22, 43.87

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 37 / 0 / 77 / 14

HEX #8BDB33

RGB 139 219 51

HSL 88.57, 0.7%, 0.53%

LAB 79.84, -49.4, 69.11

 

CMYK 57 / 0 / 77 / 14

HEX #5EDB33

RGB 94 219 51

HSL 104.64, 0.7%, 0.53%

LAB 78.04, -62.87, 66.77

 

CMYK 77 / 0 / 76 / 14

HEX #33DB35

RGB 51 219 53

HSL 120.71, 0.7%, 0.53%

LAB 77.06, -71.05, 64.84

 

CMYK 77 / 0 / 55 / 14

HEX #33DB62

RGB 51 219 98

HSL 136.79, 0.7%, 0.53%

LAB 77.43, -66.49, 47.17

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 18 / 0 / 87 / 7

HEX #C4EE1F

RGB 196 238 31

HSL 72.17, 0.86%, 0.53%

LAB 88.44, -37.12, 82.71

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 13 / 0 / 65 / 22

HEX #ADC746

RGB 173 199 70

HSL 72.09, 0.54%, 0.53%

LAB 76.18, -26.52, 59.35

 

CMYK 10 / 0 / 50 / 29

HEX #A2B45A

RGB 162 180 90

HSL 72, 0.38%, 0.53%

LAB 70.22, -19.98, 43.43

 

CMYK 6 / 0 / 32 / 37

HEX #96A06D

RGB 150 160 109

HSL 71.76, 0.21%, 0.53%

LAB 63.94, -12.24, 25.45

 

CMYK 2 / 0 / 9 / 45

HEX #8A8D80

RGB 138 141 128

HSL 73.85, 0.05%, 0.53%

LAB 58.05, -3.57, 6.55

 

CMYK 0 / 26 / 77 / 14

HEX #DBA333

RGB 219 163 51

HSL 40, 0.7%, 0.53%

LAB 70.52, 10.63, 62.44

 

CMYK 0 / 5 / 77 / 14

HEX #DBCF33

RGB 219 207 51

HSL 55.71, 0.7%, 0.53%

LAB 81.8, -12.28, 72.86

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 36 / 0 / 77 / 14

HEX #8CDB33

RGB 140 219 51

HSL 88.21, 0.7%, 0.53%

LAB 79.88, -49.06, 69.17

 

CMYK 57 / 0 / 77 / 14

HEX #5FDB33

RGB 95 219 51

HSL 104.29, 0.7%, 0.53%

LAB 78.07, -62.62, 66.81

 

CMYK 16 / 0 / 82 / 38

HEX #859F1C

RGB 133 159 28

HSL 71.91, 0.7%, 0.37%

LAB 61.54, -25.93, 58.92

 

CMYK 16 / 0 / 82 / 24

HEX #A2C222

RGB 162 194 34

HSL 72, 0.7%, 0.45%

LAB 73.79, -30.43, 68.84

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 12 / 0 / 62 / 12

HEX #C5E156

RGB 197 225 86

HSL 72.09, 0.7%, 0.61%

LAB 85.2, -28.22, 62.91

 

CMYK 10 / 0 / 48 / 9

HEX #D1E779

RGB 209 231 121

HSL 72, 0.7%, 0.69%

LAB 88.01, -23.44, 50.75

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 77 / 0 / 46 / 14

HEX #33DB76

RGB 51 219 118

HSL 143.93, 0.7%, 0.53%

LAB 77.68, -63.5, 37.88

 

CMYK 16 / 77 / 0 / 14

HEX #B933DB

RGB 185 51 219

HSL 287.86, 0.7%, 0.53%

LAB 49.25, 73.62, -59.01

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 77 / 16 / 0 / 14

HEX #33B9DB

RGB 51 185 219

HSL 192.14, 0.7%, 0.53%

LAB 69.84, -23.97, -27.2

 

CMYK 0 / 77 / 16 / 14

HEX #DB33B9

RGB 219 51 185

HSL 312.14, 0.7%, 0.53%

LAB 52.87, 75.17, -33.34

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 77 / 0 / 46 / 14

HEX #33DB76

RGB 51 219 118

HSL 143.93, 0.7%, 0.53%

LAB 77.68, -63.5, 37.88

 

CMYK 62 / 77 / 0 / 14

HEX #5433DB

RGB 84 51 219

HSL 251.79, 0.7%, 0.53%

LAB 36.68, 58.06, -80.04

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 77 / 0 / 23 / 14

HEX #33DBA8

RGB 51 219 168

HSL 161.79, 0.7%, 0.53%

LAB 78.57, -53.53, 13.29

 

CMYK 62 / 77 / 0 / 14

HEX #5433DB

RGB 84 51 219

HSL 251.79, 0.7%, 0.53%

LAB 36.68, 58.06, -80.04

 

CMYK 0 / 77 / 54 / 14

HEX #DB3365

RGB 219 51 101

HSL 342.14, 0.7%, 0.53%

LAB 49.94, 66.3, 12.43

 

Description

Color code: HEX #B9DB33 | qconv.com Color code: HEX #B9DB33 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 219 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 219 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 77 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 77% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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