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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9DCAC it is the complementary color #462353. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9DCAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9DCAC shade: #BEDCA7, #CFEEBA, #E0FFCD, #F1FFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9DCAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9DCAC shade: #B9DCAC, #A8CA99, #97B886, #86A673 and #759460

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9DCAC shade: #B9DCAC, #C6DCAC, #D3DCAC, #DCD8AC and #DCCBAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9DCAC shade: #B9DCAC, #ACDCAC, #ACDCB9, #ACDCC6 and #ACDCD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9DCAC shade matches the following richer shades: #B9DCAC, #B4E5A2, #B0EF99 and #ACF88F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9DCAC shade: #B9DCAC, #BDD2B5, #C2C9BF, #C6BFC8 and #CAB6D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9DCAC shade: #D3DCAC, #C6DCAC, #B9DCAC, #ADDCAC and #ACDCB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9DCAC shade: #88C472, #A0D08F, #B9DCAC, #D1E8C9 and #EAF4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9DCAC shade: #B9DCAC, #ACDCD8 and #DCACCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9DCAC shade: #B9DCAC, #ACB9DC and #DCACB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9DCAC shade: #B9DCAC, #ACDCD8, #CEACDC and #DCACB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9DCAC shade: #B9DCAC, #ACD1DC, #CEACDC and #DCB6AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

Complementary color

CMYK 16 / 58 / 0 / 67

HEX #462353

RGB 70 35 83

HSL 283.75, 0.41%, 0.23%

LAB 20.55, 25.82, -22.59

 

CMYK 14 / 0 / 24 / 14

HEX #BEDCA7

RGB 190 220 167

HSL 93.96, 0.43%, 0.76%

LAB 84.44, -19.34, 22.83

 

CMYK 13 / 0 / 22 / 7

HEX #CFEEBA

RGB 207 238 186

HSL 95.77, 0.6%, 0.83%

LAB 90.76, -19.28, 21.88

 

CMYK 12 / 0 / 20 / 0

HEX #E0FFCD

RGB 224 255 205

HSL 97.2, 1%, 0.9%

LAB 96.73, -18.74, 20.61

 

CMYK 5 / 0 / 12 / 0

HEX #F1FFE0

RGB 241 255 224

HSL 87.1, 1%, 0.94%

LAB 98.27, -9.91, 13.25

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 17 / 0 / 24 / 21

HEX #A8CA99

RGB 168 202 153

HSL 101.63, 0.32%, 0.7%

LAB 77.8, -20.4, 20.81

 

CMYK 18 / 0 / 27 / 28

HEX #97B886

RGB 151 184 134

HSL 99.6, 0.26%, 0.62%

LAB 71.27, -20.51, 21.83

 

CMYK 19 / 0 / 31 / 35

HEX #86A673

RGB 134 166 115

HSL 97.65, 0.22%, 0.55%

LAB 64.63, -20.63, 22.91

 

CMYK 21 / 0 / 35 / 42

HEX #759460

RGB 117 148 96

HSL 95.77, 0.21%, 0.48%

LAB 57.85, -20.75, 24.06

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 10 / 0 / 22 / 14

HEX #C6DCAC

RGB 198 220 172

HSL 87.5, 0.41%, 0.77%

LAB 85.08, -15.72, 21.19

 

CMYK 4 / 0 / 22 / 14

HEX #D3DCAC

RGB 211 220 172

HSL 71.25, 0.41%, 0.77%

LAB 86.01, -11.02, 22.62

 

CMYK 0 / 2 / 22 / 14

HEX #DCD8AC

RGB 220 216 172

HSL 55, 0.41%, 0.77%

LAB 85.66, -5.68, 22.24

 

CMYK 0 / 8 / 22 / 14

HEX #DCCBAC

RGB 220 203 172

HSL 38.75, 0.41%, 0.77%

LAB 82.33, 1.04, 17.62

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 22 / 0 / 22 / 14

HEX #ACDCAC

RGB 172 220 172

HSL 120, 0.41%, 0.77%

LAB 83.41, -24.72, 18.61

 

CMYK 22 / 0 / 16 / 14

HEX #ACDCB9

RGB 172 220 185

HSL 136.25, 0.41%, 0.77%

LAB 83.68, -22.41, 12.16

 

CMYK 22 / 0 / 10 / 14

HEX #ACDCC6

RGB 172 220 198

HSL 152.5, 0.41%, 0.77%

LAB 83.98, -19.94, 5.73

 

CMYK 22 / 0 / 4 / 14

HEX #ACDCD3

RGB 172 220 211

HSL 168.75, 0.41%, 0.77%

LAB 84.31, -17.32, -0.68

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 21 / 0 / 29 / 10

HEX #B4E5A2

RGB 180 229 162

HSL 103.88, 0.56%, 0.77%

LAB 86.18, -27.96, 27.68

 

CMYK 26 / 0 / 36 / 6

HEX #B0EF99

RGB 176 239 153

HSL 103.95, 0.73%, 0.77%

LAB 88.57, -35.3, 35.4

 

CMYK 31 / 0 / 42 / 3

HEX #ACF88F

RGB 172 248 143

HSL 103.43, 0.88%, 0.77%

LAB 90.73, -42.03, 43.09

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 10 / 0 / 14 / 18

HEX #BDD2B5

RGB 189 210 181

HSL 103.45, 0.24%, 0.77%

LAB 81.97, -12.38, 12

 

CMYK 3 / 0 / 5 / 21

HEX #C2C9BF

RGB 194 201 191

HSL 102, 0.08%, 0.77%

LAB 80.18, -4.23, 4.15

 

CMYK 1 / 5 / 0 / 22

HEX #C6BFC8

RGB 198 191 200

HSL 286.67, 0.08%, 0.77%

LAB 78.13, 4.1, -3.65

 

CMYK 4 / 13 / 0 / 18

HEX #CAB6D2

RGB 202 182 210

HSL 282.86, 0.24%, 0.77%

LAB 76.48, 12.21, -11.49

 

CMYK 4 / 0 / 22 / 14

HEX #D3DCAC

RGB 211 220 172

HSL 71.25, 0.41%, 0.77%

LAB 86.01, -11.02, 22.62

 

CMYK 10 / 0 / 22 / 14

HEX #C6DCAC

RGB 198 220 172

HSL 87.5, 0.41%, 0.77%

LAB 85.08, -15.72, 21.19

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 21 / 0 / 22 / 14

HEX #ADDCAC

RGB 173 220 172

HSL 118.75, 0.41%, 0.77%

LAB 83.47, -24.38, 18.7

 

CMYK 22 / 0 / 16 / 14

HEX #ACDCB8

RGB 172 220 184

HSL 135, 0.41%, 0.77%

LAB 83.66, -22.59, 12.66

 

CMYK 31 / 0 / 42 / 23

HEX #88C472

RGB 136 196 114

HSL 103.9, 0.41%, 0.61%

LAB 73.5, -34.6, 35.11

 

CMYK 23 / 0 / 31 / 18

HEX #A0D08F

RGB 160 208 143

HSL 104.31, 0.41%, 0.69%

LAB 78.79, -27.72, 27.34

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 10 / 0 / 13 / 9

HEX #D1E8C9

RGB 209 232 201

HSL 104.52, 0.4%, 0.85%

LAB 89.62, -13.18, 12.53

 

CMYK 4 / 0 / 6 / 4

HEX #EAF4E6

RGB 234 244 230

HSL 102.86, 0.39%, 0.93%

LAB 95.12, -5.78, 5.59

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 22 / 0 / 2 / 14

HEX #ACDCD8

RGB 172 220 216

HSL 175, 0.41%, 0.77%

LAB 84.44, -16.27, -3.14

 

CMYK 0 / 22 / 7 / 14

HEX #DCACCD

RGB 220 172 205

HSL 318.75, 0.41%, 0.77%

LAB 75.53, 22.85, -10.01

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 22 / 16 / 0 / 14

HEX #ACB9DC

RGB 172 185 220

HSL 223.75, 0.41%, 0.77%

LAB 75.22, 2.96, -19.04

 

CMYK 0 / 22 / 16 / 14

HEX #DCACB9

RGB 220 172 185

HSL 343.75, 0.41%, 0.77%

LAB 74.97, 19.51, 0.09

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 22 / 0 / 2 / 14

HEX #ACDCD8

RGB 172 220 216

HSL 175, 0.41%, 0.77%

LAB 84.44, -16.27, -3.14

 

CMYK 6 / 22 / 0 / 14

HEX #CEACDC

RGB 206 172 220

HSL 282.5, 0.41%, 0.77%

LAB 74.69, 20.94, -19.58

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB0

RGB 220 172 176

HSL 355, 0.41%, 0.77%

LAB 74.73, 18.12, 4.68

 

CMYK 16 / 0 / 22 / 14

HEX #B9DCAC

RGB 185 220 172

HSL 103.75, 0.41%, 0.77%

LAB 84.21, -20.29, 19.85

 

CMYK 22 / 5 / 0 / 14

HEX #ACD1DC

RGB 172 209 220

HSL 193.75, 0.41%, 0.77%

LAB 81.59, -9.78, -9.49

 

CMYK 6 / 22 / 0 / 14

HEX #CEACDC

RGB 206 172 220

HSL 282.5, 0.41%, 0.77%

LAB 74.69, 20.94, -19.58

 

CMYK 0 / 17 / 22 / 14

HEX #DCB6AC

RGB 220 182 172

HSL 12.5, 0.41%, 0.77%

LAB 77.07, 12.15, 10.21

 

Description

Color code: HEX #B9DCAC | qconv.com Color code: HEX #B9DCAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 220 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 220 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 22 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 22% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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