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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9DD4A it is the complementary color #4622B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9DD4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9DD4A shade: #BEDD45, #CFEF58, #E0FF6B, #F1FF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9DD4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9DD4A shade: #B9DD4A, #A8CB37, #97B924, #86A711 and #759500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9DD4A shade: #B9DC4B, #DCD94B, #DCB14B, #DC8A4B and #DC634B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9DD4A shade: #B9DC4B, #91DC4B, #6ADC4B, #4BDC52 and #4BDC7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9DD4A shade matches the following richer shades: #B9DC4B and #C1EE39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9DD4A shade: #B9DC4B, #B0CB5C, #A7BA6D, #9EA87F and #959790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9DD4A shade: #DCB14B, #DCD74B, #BADC4B, #93DC4B and #6DDC4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9DD4A shade: #8FB322, #ABD528, #B9DC4B, #C6E36D and #D4E990

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9DD4A shade: #B9DD4A, #4BDC8A and #C44BDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9DD4A shade: #B9DD4A, #4BBADC and #DC4BBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9DD4A shade: #B9DD4A, #4BDC8A, #6D4BDC and #DC4B9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9DD4A shade: #B9DD4A, #4BDCB5, #6D4BDC and #DC4B71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 67 / 13

HEX #B9DD4A

RGB 185 221 74

HSL 74.69, 0.68%, 0.58%

LAB 83.19, -31.88, 65.34

 

Complementary color

CMYK 61 / 81 / 0 / 29

HEX #4622B5

RGB 70 34 181

HSL 254.69, 0.68%, 0.42%

LAB 28.86, 53.51, -70.78

 

CMYK 14 / 0 / 69 / 13

HEX #BEDD45

RGB 190 221 69

HSL 72.24, 0.69%, 0.57%

LAB 83.49, -30.2, 67.63

 

CMYK 13 / 0 / 63 / 6

HEX #CFEF58

RGB 207 239 88

HSL 72.72, 0.83%, 0.64%

LAB 89.72, -30.72, 67.15

 

CMYK 12 / 0 / 58 / 0

HEX #E0FF6B

RGB 224 255 107

HSL 72.57, 1%, 0.71%

LAB 95.34, -30.21, 65.8

 

CMYK 5 / 0 / 51 / 0

HEX #F1FF7E

RGB 241 255 126

HSL 66.51, 1%, 0.75%

LAB 96.71, -22.14, 59.38

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 16 / 0 / 67 / 13

HEX #B9DD4A

RGB 185 221 74

HSL 74.69, 0.68%, 0.58%

LAB 83.19, -31.88, 65.34

 

CMYK 17 / 0 / 73 / 20

HEX #A8CB37

RGB 168 203 55

HSL 74.19, 0.59%, 0.51%

LAB 76.87, -31.32, 65.56

 

CMYK 18 / 0 / 81 / 27

HEX #97B924

RGB 151 185 36

HSL 73.69, 0.67%, 0.43%

LAB 70.46, -30.61, 65.1

 

CMYK 20 / 0 / 90 / 35

HEX #86A711

RGB 134 167 17

HSL 73.2, 0.82%, 0.36%

LAB 63.95, -29.7, 63.48

 

CMYK 21 / 0 / 100 / 42

HEX #759500

RGB 117 149 0

HSL 72.89, 1%, 0.29%

LAB 57.34, -28.56, 60.38

 

CMYK 16 / 0 / 66 / 14

HEX #B9DC4B

RGB 185 220 75

HSL 74.48, 0.67%, 0.58%

LAB 82.92, -31.35, 64.67

 

CMYK 0 / 1 / 66 / 14

HEX #DCD94B

RGB 220 217 75

HSL 58.76, 0.67%, 0.58%

LAB 84.66, -15.73, 67.28

 

CMYK 0 / 20 / 66 / 14

HEX #DCB14B

RGB 220 177 75

HSL 42.21, 0.67%, 0.58%

LAB 74.3, 4.79, 56.43

 

CMYK 0 / 37 / 66 / 14

HEX #DC8A4B

RGB 220 138 75

HSL 26.07, 0.67%, 0.58%

LAB 64.88, 25.66, 46.03

 

CMYK 0 / 55 / 66 / 14

HEX #DC634B

RGB 220 99 75

HSL 9.93, 0.67%, 0.58%

LAB 56.73, 45.73, 36.52

 

CMYK 16 / 0 / 66 / 14

HEX #B9DC4B

RGB 185 220 75

HSL 74.48, 0.67%, 0.58%

LAB 82.92, -31.35, 64.67

 

CMYK 34 / 0 / 66 / 14

HEX #91DC4B

RGB 145 220 75

HSL 91.03, 0.67%, 0.58%

LAB 80.58, -46.21, 61.5

 

CMYK 52 / 0 / 66 / 14

HEX #6ADC4B

RGB 106 220 75

HSL 107.17, 0.67%, 0.58%

LAB 78.9, -58.32, 59.2

 

CMYK 66 / 0 / 63 / 14

HEX #4BDC52

RGB 75 220 82

HSL 122.9, 0.67%, 0.58%

LAB 78.05, -64.87, 55.12

 

CMYK 66 / 0 / 45 / 14

HEX #4BDC7A

RGB 75 220 122

HSL 139.45, 0.67%, 0.58%

LAB 78.51, -59.52, 37.05

 

CMYK 16 / 0 / 66 / 14

HEX #B9DC4B

RGB 185 220 75

HSL 74.48, 0.67%, 0.58%

LAB 82.92, -31.35, 64.67

 

CMYK 19 / 0 / 76 / 7

HEX #C1EE39

RGB 193 238 57

HSL 74.92, 0.84%, 0.58%

LAB 88.34, -37.42, 76.36

 

CMYK 16 / 0 / 66 / 14

HEX #B9DC4B

RGB 185 220 75

HSL 74.48, 0.67%, 0.58%

LAB 82.92, -31.35, 64.67

 

CMYK 13 / 0 / 55 / 20

HEX #B0CB5C

RGB 176 203 92

HSL 74.59, 0.52%, 0.58%

LAB 77.71, -25.53, 51.53

 

CMYK 10 / 0 / 41 / 27

HEX #A7BA6D

RGB 167 186 109

HSL 74.81, 0.36%, 0.58%

LAB 72.52, -18.93, 36.82

 

CMYK 6 / 0 / 24 / 34

HEX #9EA87F

RGB 158 168 127

HSL 74.63, 0.19%, 0.58%

LAB 67.13, -10.73, 20.05

 

CMYK 1 / 0 / 5 / 41

HEX #959790

RGB 149 151 144

HSL 77.14, 0.03%, 0.58%

LAB 62.11, -2.06, 3.42

 

CMYK 0 / 20 / 66 / 14

HEX #DCB14B

RGB 220 177 75

HSL 42.21, 0.67%, 0.58%

LAB 74.3, 4.79, 56.43

 

CMYK 0 / 2 / 66 / 14

HEX #DCD74B

RGB 220 215 75

HSL 57.93, 0.67%, 0.58%

LAB 84.13, -14.74, 66.74

 

CMYK 15 / 0 / 66 / 14

HEX #BADC4B

RGB 186 220 75

HSL 74.07, 0.67%, 0.58%

LAB 82.98, -30.95, 64.76

 

CMYK 33 / 0 / 66 / 14

HEX #93DC4B

RGB 147 220 75

HSL 90.21, 0.67%, 0.58%

LAB 80.68, -45.52, 61.63

 

CMYK 50 / 0 / 66 / 14

HEX #6DDC4B

RGB 109 220 75

HSL 105.93, 0.67%, 0.58%

LAB 79.01, -57.5, 59.35

 

CMYK 20 / 0 / 81 / 30

HEX #8FB322

RGB 143 179 34

HSL 74.9, 0.68%, 0.42%

LAB 68.16, -31.13, 63.4

 

CMYK 20 / 0 / 81 / 16

HEX #ABD528

RGB 171 213 40

HSL 74.57, 0.68%, 0.5%

LAB 79.84, -35.4, 72.85

 

CMYK 16 / 0 / 66 / 14

HEX #B9DC4B

RGB 185 220 75

HSL 74.48, 0.67%, 0.58%

LAB 82.92, -31.35, 64.67

 

CMYK 13 / 0 / 52 / 11

HEX #C6E36D

RGB 198 227 109

HSL 74.75, 0.68%, 0.66%

LAB 86.03, -26.91, 53.8

 

CMYK 9 / 0 / 38 / 9

HEX #D4E990

RGB 212 233 144

HSL 74.16, 0.67%, 0.74%

LAB 89.06, -20.79, 40.95

 

CMYK 16 / 0 / 67 / 13

HEX #B9DD4A

RGB 185 221 74

HSL 74.69, 0.68%, 0.58%

LAB 83.19, -31.88, 65.34

 

CMYK 66 / 0 / 37 / 14

HEX #4BDC8A

RGB 75 220 138

HSL 146.07, 0.67%, 0.58%

LAB 78.76, -56.74, 29.28

 

CMYK 11 / 66 / 0 / 14

HEX #C44BDC

RGB 196 75 220

HSL 290.07, 0.67%, 0.58%

LAB 53.96, 67.44, -51.94

 

CMYK 16 / 0 / 67 / 13

HEX #B9DD4A

RGB 185 221 74

HSL 74.69, 0.68%, 0.58%

LAB 83.19, -31.88, 65.34

 

CMYK 66 / 15 / 0 / 14

HEX #4BBADC

RGB 75 186 220

HSL 194.07, 0.67%, 0.58%

LAB 70.72, -21.03, -26.34

 

CMYK 0 / 66 / 15 / 14

HEX #DC4BBA

RGB 220 75 186

HSL 314.07, 0.67%, 0.58%

LAB 55.88, 67.64, -29.22

 

CMYK 16 / 0 / 67 / 13

HEX #B9DD4A

RGB 185 221 74

HSL 74.69, 0.68%, 0.58%

LAB 83.19, -31.88, 65.34

 

CMYK 66 / 0 / 37 / 14

HEX #4BDC8A

RGB 75 220 138

HSL 146.07, 0.67%, 0.58%

LAB 78.76, -56.74, 29.28

 

CMYK 50 / 66 / 0 / 14

HEX #6D4BDC

RGB 109 75 220

HSL 254.07, 0.67%, 0.58%

LAB 43.43, 49.6, -69.45

 

CMYK 0 / 66 / 29 / 14

HEX #DC4B9D

RGB 220 75 157

HSL 326.07, 0.67%, 0.58%

LAB 54.74, 63.79, -14.07

 

CMYK 16 / 0 / 67 / 13

HEX #B9DD4A

RGB 185 221 74

HSL 74.69, 0.68%, 0.58%

LAB 83.19, -31.88, 65.34

 

CMYK 66 / 0 / 18 / 14

HEX #4BDCB5

RGB 75 220 181

HSL 163.86, 0.67%, 0.58%

LAB 79.62, -47.63, 7.95

 

CMYK 50 / 66 / 0 / 14

HEX #6D4BDC

RGB 109 75 220

HSL 254.07, 0.67%, 0.58%

LAB 43.43, 49.6, -69.45

 

CMYK 0 / 66 / 49 / 14

HEX #DC4B71

RGB 220 75 113

HSL 344.28, 0.67%, 0.58%

LAB 53.43, 59.17, 10.11

 

Description

Color code: HEX #B9DD4A | qconv.com Color code: HEX #B9DD4A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 221 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 221 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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