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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9DF80 it is the complementary color #46207F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9DF80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9DF80 shade: #BEDF7B, #CFF18E, #E0FFA1, #F1FFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9DF80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9DF80 shade: #B9DF80, #A8CD6D, #97BB5A, #86A947 and #759734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9DF80 shade: #B9DF80, #D3DF80, #DFD280, #DFB880 and #DF9F80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9DF80 shade: #B9DF80, #9FDF80, #86DF80, #80DF94 and #80DFAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9DF80 shade matches the following richer shades: #B9DF80, #BBEC73 and #BEF866

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9DF80 shade: #B9DF80, #B6D28D, #B4C59A, #B1B9A6 and #AFACB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9DF80 shade: #DFD280, #D2DF80, #B9DF80, #A0DF80 and #86DF80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9DF80 shade: #95CE3E, #A7D75F, #B9DF80, #CBE7A1 and #DDEFC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9DF80 shade: #B9DF80, #80DFB9 and #DF80DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9DF80 shade: #B9DF80, #80B9DF and #DF80B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9DF80 shade: #B9DF80, #80DFB9, #A680DF and #DF80A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9DF80 shade: #B9DF80, #80DFD5, #A680DF and #DF808A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

Complementary color

CMYK 45 / 75 / 0 / 50

HEX #46207F

RGB 70 32 127

HSL 264, 0.6%, 0.31%

LAB 23.23, 39.22, -46.93

 

CMYK 15 / 0 / 45 / 13

HEX #BEDF7B

RGB 190 223 123

HSL 79.8, 0.61%, 0.68%

LAB 84.56, -26.63, 45.27

 

CMYK 14 / 0 / 41 / 5

HEX #CFF18E

RGB 207 241 142

HSL 80.61, 0.78%, 0.75%

LAB 90.84, -26.72, 44.14

 

CMYK 12 / 0 / 37 / 0

HEX #E0FFA1

RGB 224 255 161

HSL 79.79, 1%, 0.82%

LAB 95.97, -24.88, 41.65

 

CMYK 5 / 0 / 29 / 0

HEX #F1FFB4

RGB 241 255 180

HSL 71.2, 1%, 0.85%

LAB 97.44, -16.33, 34.39

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 18 / 0 / 47 / 20

HEX #A8CD6D

RGB 168 205 109

HSL 83.13, 0.49%, 0.62%

LAB 77.93, -27.88, 43.59

 

CMYK 19 / 0 / 52 / 27

HEX #97BB5A

RGB 151 187 90

HSL 82.27, 0.42%, 0.54%

LAB 71.46, -27.78, 44.73

 

CMYK 21 / 0 / 58 / 34

HEX #86A947

RGB 134 169 71

HSL 81.43, 0.41%, 0.47%

LAB 64.88, -27.6, 45.8

 

CMYK 23 / 0 / 66 / 41

HEX #759734

RGB 117 151 52

HSL 80.61, 0.49%, 0.4%

LAB 58.19, -27.32, 46.68

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 5 / 0 / 43 / 13

HEX #D3DF80

RGB 211 223 128

HSL 67.58, 0.6%, 0.69%

LAB 86.1, -18.07, 45.07

 

CMYK 0 / 6 / 43 / 13

HEX #DFD280

RGB 223 210 128

HSL 51.79, 0.6%, 0.69%

LAB 83.62, -6.83, 42.16

 

CMYK 0 / 17 / 43 / 13

HEX #DFB880

RGB 223 184 128

HSL 35.37, 0.6%, 0.69%

LAB 77, 6.69, 33.68

 

CMYK 0 / 29 / 43 / 13

HEX #DF9F80

RGB 223 159 128

HSL 19.58, 0.6%, 0.69%

LAB 70.9, 20.05, 25.63

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 29 / 0 / 43 / 13

HEX #9FDF80

RGB 159 223 128

HSL 100.42, 0.6%, 0.69%

LAB 82.76, -37.19, 40.15

 

CMYK 40 / 0 / 43 / 13

HEX #86DF80

RGB 134 223 128

HSL 116.21, 0.6%, 0.69%

LAB 81.51, -45.26, 38.31

 

CMYK 43 / 0 / 34 / 13

HEX #80DF94

RGB 128 223 148

HSL 132.63, 0.6%, 0.69%

LAB 81.57, -43.88, 28.2

 

CMYK 43 / 0 / 22 / 13

HEX #80DFAD

RGB 128 223 173

HSL 148.42, 0.6%, 0.69%

LAB 82.05, -39.27, 15.85

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 21 / 0 / 51 / 7

HEX #BBEC73

RGB 187 236 115

HSL 84.3, 0.76%, 0.69%

LAB 87.87, -34.66, 53.04

 

CMYK 23 / 0 / 59 / 3

HEX #BEF866

RGB 190 248 102

HSL 83.84, 0.91%, 0.69%

LAB 91.25, -40.16, 62.76

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 13 / 0 / 33 / 18

HEX #B6D28D

RGB 182 210 141

HSL 84.35, 0.43%, 0.69%

LAB 80.72, -21.09, 31.2

 

CMYK 9 / 0 / 22 / 23

HEX #B4C59A

RGB 180 197 154

HSL 83.72, 0.27%, 0.69%

LAB 77.26, -13.39, 19.68

 

CMYK 4 / 0 / 10 / 27

HEX #B1B9A6

RGB 177 185 166

HSL 85.26, 0.12%, 0.69%

LAB 74.06, -6.26, 8.68

 

CMYK 2 / 4 / 0 / 30

HEX #AFACB3

RGB 175 172 179

HSL 265.71, 0.04%, 0.69%

LAB 70.78, 2.39, -3.21

 

CMYK 0 / 6 / 43 / 13

HEX #DFD280

RGB 223 210 128

HSL 51.79, 0.6%, 0.69%

LAB 83.62, -6.83, 42.16

 

CMYK 6 / 0 / 43 / 13

HEX #D2DF80

RGB 210 223 128

HSL 68.21, 0.6%, 0.69%

LAB 86.02, -18.45, 44.96

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 28 / 0 / 43 / 13

HEX #A0DF80

RGB 160 223 128

HSL 99.79, 0.6%, 0.69%

LAB 82.81, -36.84, 40.23

 

CMYK 40 / 0 / 43 / 13

HEX #86DF80

RGB 134 223 128

HSL 116.21, 0.6%, 0.69%

LAB 81.51, -45.26, 38.31

 

CMYK 28 / 0 / 70 / 19

HEX #95CE3E

RGB 149 206 62

HSL 83.75, 0.6%, 0.53%

LAB 76.61, -39.64, 62.42

 

CMYK 22 / 0 / 56 / 16

HEX #A7D75F

RGB 167 215 95

HSL 84, 0.6%, 0.61%

LAB 80.54, -34.37, 53.29

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 12 / 0 / 30 / 9

HEX #CBE7A1

RGB 203 231 161

HSL 84, 0.59%, 0.77%

LAB 88.17, -20.96, 31.12

 

CMYK 8 / 0 / 19 / 6

HEX #DDEFC2

RGB 221 239 194

HSL 84, 0.58%, 0.85%

LAB 92.13, -13.64, 19.81

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 43 / 0 / 17 / 13

HEX #80DFB9

RGB 128 223 185

HSL 156, 0.6%, 0.69%

LAB 82.31, -36.81, 9.9

 

CMYK 0 / 43 / 0 / 13

HEX #DF80DF

RGB 223 128 223

HSL 300, 0.6%, 0.69%

LAB 66.87, 50.37, -33.08

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 43 / 17 / 0 / 13

HEX #80B9DF

RGB 128 185 223

HSL 204, 0.6%, 0.69%

LAB 72.64, -8.71, -24.85

 

CMYK 0 / 43 / 17 / 13

HEX #DF80B9

RGB 223 128 185

HSL 324, 0.6%, 0.69%

LAB 65.46, 44.01, -13.97

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 43 / 0 / 17 / 13

HEX #80DFB9

RGB 128 223 185

HSL 156, 0.6%, 0.69%

LAB 82.31, -36.81, 9.9

 

CMYK 26 / 43 / 0 / 13

HEX #A680DF

RGB 166 128 223

HSL 264, 0.6%, 0.69%

LAB 60.67, 33.83, -43.21

 

CMYK 0 / 43 / 26 / 13

HEX #DF80A6

RGB 223 128 166

HSL 336, 0.6%, 0.69%

LAB 64.87, 41.23, -4.1

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 43 / 0 / 4 / 13

HEX #80DFD5

RGB 128 223 213

HSL 173.68, 0.6%, 0.69%

LAB 83, -30.51, -3.92

 

CMYK 26 / 43 / 0 / 13

HEX #A680DF

RGB 166 128 223

HSL 264, 0.6%, 0.69%

LAB 60.67, 33.83, -43.21

 

CMYK 0 / 43 / 38 / 13

HEX #DF808A

RGB 223 128 138

HSL 353.68, 0.6%, 0.69%

LAB 64.13, 37.67, 10.74

 

Description

Color code: HEX #B9DF80 | qconv.com Color code: HEX #B9DF80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 223 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 223 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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