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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9E53C it is the complementary color #461AC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9E53C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9E53C shade: #BEE537, #CFF74A, #E0FF5D, #F1FF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9E53C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9E53C shade: #B9E53C, #A8D329, #97C116, #86AF03 and #759D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9E53C shade: #B9E43E, #E4E33E, #E4B63E, #E4893E and #E45C3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9E53C shade: #B9E43E, #8CE43E, #5FE43E, #3EE449 and #3EE476

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9E53C shade matches the following richer shades: #B9E43E and #C1F62C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9E53C shade: #B9E43E, #B0D24F, #A8C161, #9FAF73 and #979D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9E53C shade: #E4B53E, #E4E13E, #BBE43E, #8EE43E and #62E43E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9E53C shade: #8EB718, #AADB1D, #B9E43E, #C6E962 and #D3EE86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9E53C shade: #B9E53C, #3EE489 and #CB3EE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9E53C shade: #B9E53C, #3EBBE4 and #E43EBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9E53C shade: #B9E53C, #3EE489, #673EE4 and #E43E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9E53C shade: #B9E53C, #3EE4BB, #673EE4 and #E43E67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 74 / 10

HEX #B9E53C

RGB 185 229 60

HSL 75.62, 0.76%, 0.57%

LAB 85.34, -36.33, 72.43

 

Complementary color

CMYK 64 / 87 / 0 / 24

HEX #461AC3

RGB 70 26 195

HSL 255.62, 0.76%, 0.43%

LAB 29.36, 60.39, -78.23

 

CMYK 17 / 0 / 76 / 10

HEX #BEE537

RGB 190 229 55

HSL 73.45, 0.77%, 0.56%

LAB 85.64, -34.61, 74.37

 

CMYK 16 / 0 / 70 / 3

HEX #CFF74A

RGB 207 247 74

HSL 73.87, 0.92%, 0.63%

LAB 91.81, -35.24, 74.51

 

CMYK 12 / 0 / 64 / 0

HEX #E0FF5D

RGB 224 255 93

HSL 71.48, 1%, 0.68%

LAB 95.23, -31.19, 71.36

 

CMYK 5 / 0 / 56 / 0

HEX #F1FF70

RGB 241 255 112

HSL 65.87, 1%, 0.72%

LAB 96.57, -23.26, 65.38

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 19 / 0 / 74 / 10

HEX #B9E53C

RGB 185 229 60

HSL 75.62, 0.76%, 0.57%

LAB 85.34, -36.33, 72.43

 

CMYK 20 / 0 / 81 / 17

HEX #A8D329

RGB 168 211 41

HSL 75.18, 0.67%, 0.49%

LAB 79.08, -35.64, 71.85

 

CMYK 22 / 0 / 89 / 24

HEX #97C116

RGB 151 193 22

HSL 74.74, 0.8%, 0.42%

LAB 72.74, -34.77, 70.24

 

CMYK 23 / 0 / 98 / 31

HEX #86AF03

RGB 134 175 3

HSL 74.3, 0.97%, 0.35%

LAB 66.32, -33.7, 67.3

 

CMYK 25 / 0 / 100 / 38

HEX #759D00

RGB 117 157 0

HSL 75.29, 1%, 0.31%

LAB 59.79, -32.34, 62.24

 

CMYK 19 / 0 / 73 / 11

HEX #B9E43E

RGB 185 228 62

HSL 75.54, 0.75%, 0.57%

LAB 85.07, -35.78, 71.52

 

CMYK 0 / 0 / 73 / 11

HEX #E4E33E

RGB 228 227 62

HSL 59.64, 0.75%, 0.57%

LAB 87.86, -17.97, 75.25

 

CMYK 0 / 20 / 73 / 11

HEX #E4B63E

RGB 228 182 62

HSL 43.37, 0.75%, 0.57%

LAB 76.25, 4.89, 64.1

 

CMYK 0 / 40 / 73 / 11

HEX #E4893E

RGB 228 137 62

HSL 27.11, 0.75%, 0.57%

LAB 65.54, 28.8, 53.28

 

CMYK 0 / 60 / 73 / 11

HEX #E45C3E

RGB 228 92 62

HSL 10.84, 0.75%, 0.57%

LAB 56.58, 51.22, 43.7

 

CMYK 19 / 0 / 73 / 11

HEX #B9E43E

RGB 185 228 62

HSL 75.54, 0.75%, 0.57%

LAB 85.07, -35.78, 71.52

 

CMYK 39 / 0 / 73 / 11

HEX #8CE43E

RGB 140 228 62

HSL 91.81, 0.75%, 0.57%

LAB 82.6, -52.09, 68.26

 

CMYK 58 / 0 / 73 / 11

HEX #5FE43E

RGB 95 228 62

HSL 108.07, 0.75%, 0.57%

LAB 80.89, -65.02, 65.99

 

CMYK 73 / 0 / 68 / 11

HEX #3EE449

RGB 62 228 73

HSL 123.98, 0.75%, 0.57%

LAB 80.18, -70.62, 61

 

CMYK 73 / 0 / 48 / 11

HEX #3EE476

RGB 62 228 118

HSL 140.24, 0.75%, 0.57%

LAB 80.64, -65.12, 41.65

 

CMYK 19 / 0 / 73 / 11

HEX #B9E43E

RGB 185 228 62

HSL 75.54, 0.75%, 0.57%

LAB 85.07, -35.78, 71.52

 

CMYK 22 / 0 / 82 / 4

HEX #C1F62C

RGB 193 246 44

HSL 75.74, 0.92%, 0.57%

LAB 90.52, -41.47, 81.74

 

CMYK 19 / 0 / 73 / 11

HEX #B9E43E

RGB 185 228 62

HSL 75.54, 0.75%, 0.57%

LAB 85.07, -35.78, 71.52

 

CMYK 16 / 0 / 62 / 18

HEX #B0D24F

RGB 176 210 79

HSL 75.57, 0.59%, 0.57%

LAB 79.55, -29.92, 59.31

 

CMYK 13 / 0 / 50 / 24

HEX #A8C161

RGB 168 193 97

HSL 75.63, 0.44%, 0.57%

LAB 74.4, -23.34, 45.14

 

CMYK 9 / 0 / 34 / 31

HEX #9FAF73

RGB 159 175 115

HSL 76, 0.27%, 0.57%

LAB 68.95, -15.71, 28.97

 

CMYK 4 / 0 / 16 / 38

HEX #979D84

RGB 151 157 132

HSL 74.4, 0.11%, 0.57%

LAB 63.64, -6.72, 12.36

 

CMYK 0 / 21 / 73 / 11

HEX #E4B53E

RGB 228 181 62

HSL 43.01, 0.75%, 0.57%

LAB 76, 5.42, 63.85

 

CMYK 0 / 1 / 73 / 11

HEX #E4E13E

RGB 228 225 62

HSL 58.92, 0.75%, 0.57%

LAB 87.34, -16.99, 74.75

 

CMYK 18 / 0 / 73 / 11

HEX #BBE43E

RGB 187 228 62

HSL 74.82, 0.75%, 0.57%

LAB 85.2, -35, 71.68

 

CMYK 38 / 0 / 73 / 11

HEX #8EE43E

RGB 142 228 62

HSL 91.08, 0.75%, 0.57%

LAB 82.69, -51.43, 68.38

 

CMYK 57 / 0 / 73 / 11

HEX #62E43E

RGB 98 228 62

HSL 106.99, 0.75%, 0.57%

LAB 80.98, -64.29, 66.11

 

CMYK 22 / 0 / 87 / 28

HEX #8EB718

RGB 142 183 24

HSL 75.47, 0.77%, 0.41%

LAB 69.24, -33.74, 66.72

 

CMYK 22 / 0 / 87 / 14

HEX #AADB1D

RGB 170 219 29

HSL 75.47, 0.77%, 0.49%

LAB 81.46, -38.83, 76.64

 

CMYK 19 / 0 / 73 / 11

HEX #B9E43E

RGB 185 228 62

HSL 75.54, 0.75%, 0.57%

LAB 85.07, -35.78, 71.52

 

CMYK 15 / 0 / 58 / 9

HEX #C6E962

RGB 198 233 98

HSL 75.56, 0.75%, 0.65%

LAB 87.57, -30.68, 60.47

 

CMYK 11 / 0 / 44 / 7

HEX #D3EE86

RGB 211 238 134

HSL 75.58, 0.75%, 0.73%

LAB 90.19, -24.7, 47.26

 

CMYK 19 / 0 / 74 / 10

HEX #B9E53C

RGB 185 229 60

HSL 75.62, 0.76%, 0.57%

LAB 85.34, -36.33, 72.43

 

CMYK 73 / 0 / 40 / 11

HEX #3EE489

RGB 62 228 137

HSL 147.11, 0.75%, 0.57%

LAB 80.91, -61.95, 32.59

 

CMYK 11 / 73 / 0 / 11

HEX #CB3EE4

RGB 203 62 228

HSL 290.96, 0.75%, 0.57%

LAB 53.75, 75.14, -56.73

 

CMYK 19 / 0 / 74 / 10

HEX #B9E53C

RGB 185 229 60

HSL 75.62, 0.76%, 0.57%

LAB 85.34, -36.33, 72.43

 

CMYK 73 / 18 / 0 / 11

HEX #3EBBE4

RGB 62 187 228

HSL 194.82, 0.75%, 0.57%

LAB 70.99, -20.84, -30.31

 

CMYK 0 / 73 / 18 / 11

HEX #E43EBB

RGB 228 62 187

HSL 314.82, 0.75%, 0.57%

LAB 55.61, 74.24, -30.11

 

CMYK 19 / 0 / 74 / 10

HEX #B9E53C

RGB 185 229 60

HSL 75.62, 0.76%, 0.57%

LAB 85.34, -36.33, 72.43

 

CMYK 73 / 0 / 40 / 11

HEX #3EE489

RGB 62 228 137

HSL 147.11, 0.75%, 0.57%

LAB 80.91, -61.95, 32.59

 

CMYK 55 / 73 / 0 / 11

HEX #673EE4

RGB 103 62 228

HSL 254.82, 0.75%, 0.57%

LAB 41.11, 57.66, -77.84

 

CMYK 0 / 73 / 33 / 11

HEX #E43E99

RGB 228 62 153

HSL 327.11, 0.75%, 0.57%

LAB 54.28, 70.09, -12.28

 

CMYK 19 / 0 / 74 / 10

HEX #B9E53C

RGB 185 229 60

HSL 75.62, 0.76%, 0.57%

LAB 85.34, -36.33, 72.43

 

CMYK 73 / 0 / 18 / 11

HEX #3EE4BB

RGB 62 228 187

HSL 165.18, 0.75%, 0.57%

LAB 81.89, -51.36, 7.99

 

CMYK 55 / 73 / 0 / 11

HEX #673EE4

RGB 103 62 228

HSL 254.82, 0.75%, 0.57%

LAB 41.11, 57.66, -77.84

 

CMYK 0 / 73 / 55 / 11

HEX #E43E67

RGB 228 62 103

HSL 345.18, 0.75%, 0.57%

LAB 52.86, 65.51, 15.51

 

Description

Color code: HEX #B9E53C | qconv.com Color code: HEX #B9E53C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 229 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 229 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 74 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 74% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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